FLL CONDCTOR SCORE Catalog No: 02666101 National Anthems Canada nited Kingdom France Arranged y Scott Stanton For reerence only. Not valid or erormance.
BuildABand Series Instrumentation 1 Full Conductor Score Aout the Arranger Scott Stanton is an ASCAP comoser and arranger roessional musician educator and college administrator. He has directed concert ands azz ands orchestras choirs and rock ands at all levels o ulic K12 and rivate instruction. As Director o Fine Arts at William Penn niversity and Deartment Chair at the College o Eastern tah he taught music theory music history and music technology. In addition to riting and erorming ith his azz trio azz Beteen Friends Scott is active as an adudicator clinician and guest artist. Mr. Stanton holds a Bachelor o Arts in Music rom Monmouth College Monmouth Illinois and a Master s o Music Education rom VanderCook College o Music Chicago. NATIONAL ANTHEMS Canada nited Kingdom France Arranged y Scott Stanton C Instruments Part 1 Flute Piccolo Violin B Instruments Part 1 B Clarinet B Trumet B Sorano Saxohone 2 E Instruments Part 1 E Alto Saxohone E Clarinet C Instruments Part 2 Flute Ooe Violin B Instruments Part 2 B Clarinet B Trumet 2 E Instruments Part 2 E Alto Saxohone E Horn 2 F Horn Part 2 F Horn 2 Viola Part Viola B Instruments Part B Tenor Saxohone B Baritone T.C. B Tromone T.C. B Bass Clarinet 2 E Instruments Part E Alto Clarinet E Baritone Saxohone E Horn 2 F Horn Part F Horn Bass Cle Part.Tromone Euhonium B.C. Cello Bassoon 2 B Instruments Part B Bass Clarinet B Baritone T.C. B Contraass Clarinet B Tua T.C. 2 E Instruments Part E Baritone Saxohone E Contra Alto Clarinet E Tua T.C. Bass Cle Part.Tromone Euhonium B.C. Cello Bassoon Bass Part String Bass Electric Bass Keyoard Bass 2 Tua Part Tua 1 2 Keyoard Piano Electric Piano Synthesizer Accordion 1 Timani Timani 2 Mallet Percussion.Marima Xylohone Chimes Virahone Bells Percussion Snare Drum Bass Drum Drum Set Crash Cymals Susended Cymal 1 Program Notes Music o other countries and cultures should e art o any musician s ellrounded crosscurricular study in music history geograhy and language. Musicians can take their audience on a cultural exchange tri to Canada France and the nited Kingdom. Please stand remove your hats and oin in the resentation o the National Anthems! Perormance Suggestions Honor your schools exchange students. Comine ith your choir to oen or close a concert. Play and sing (in unison) any o these three national anthems individually or air them ith the Star Sangled Banner also arranged in the BuildABand ormat y Scott Stanton as an oening travel log at your next concert. Consider adding a lyric insert to your concert rogram or an audience singalong. Go ahead try the oreign language! I guarantee that someone rom the audience ill aroach you ater your concert and thank you! Scott Stanton For reerence only. Secial Notes Aout Distriuting Parts: The BuildABand Series should e aroached y giving careul consideration to the distriution o arts ithin your grou to attain the est ossile lend. You should also eel ree to adust dynamic levels and to instruct any instruments to adust octaves at your discression. In many cases reducing or adding to the numer o layers laying a art can greatly hel ith alance and make or a much more musical erormance. Rememer the lexility in scoring allos you to e creative to enhance the sound o your grou. The cymal snare drum and ass drum arts are all included on one art laeled Percussion Part so that they may e erormed y either searate layers or y one layer on a drum set. The Mallet Percussion Part may e marked or the seciic mallet ercussion instument ut it can e erormed y any mallet ercussion instrument and may e douled i you have multile layers and instruments. For est results e creative in assigning hich instruments lay in the dierent sections o the arrangement. The otional Timani art is alays layale ith timani. For reeated sections in larger ensemles consider having oodinds lay the irst time and rass the second time; or have one layer on each art the irst time and all layers on the reeat. Another otion is having one layer on the 1st art as a solo then having all layers on the reeat. In some o the arrangements hich include 16th note runs you ill ind otions to convert some o those runs into 8th notes or layers o lesser ailities. This can e done ith some or all o the layers. Not valid or erormance. The various instrument arts are ritten in the octave o the most oular instrument or that art; i.e. C Instrument Part 1 arts are ritten in the common range or the lute. I you are laying that art on another C instrument such as the ooe you may have to adust to a loer octave. In many cases arts are ritten in several octaves to hel adust or dierent instrument ranges. All o the ulications in the BuildABand Series have een arranged to e layale ith any instrumentation as long as each art is used: Part 1 Part 2 Part Part and Bass Part 5. (Please note: In some o these arrangements Part and the Bass Part are the same making it ossile to lay those arrangements ith only arts.)
Conductor Score 02666100 C Instruments Part 1 B Instruments Part 1 E Instruments Part 1 C Instruments Part 2 B Instruments Part 2 E Instruments Part 2 F Horn Part 2 Viola Part B Instruments Part E Instruments Part F Horn Part Bass Cle Part B Instruments Part E Instruments Part Bass Cle Part Bass Tua Part (otional) Mallet Perc. (otional) Timani (otional) Snare Drum Bass Drum (otional) Cymals (otional) (otional) Keyoard (otional) Cue B n n n n Xylohone reerred æ æ æ æ æ æ æ n æ æ Tune: F B C æ æ æ æ æ æ æ æ æ æ u NATIONAL ANTHEMS Calixa Lavallée Thomas Augustine Arne Canada nited Kingdom France Claudeoseh Rouget de Lisle O Canada Arr. Scott Stanton (ASCAP) (melody) n 2 Maestoso ( q = 92) (harmony) n æ Cue u u Sus. Cym. (melody) (melody) (harmony) (harmony) (harmony) B (Melody) (Part ) Crash Cyms. O O FA G F B C B D E 6 F( ) F B A Can Can a da! a da! 1 2 5 6 8 2018 Birch Island Music Press (ASCAP) P.O. Box 680 Oskaloosa IA 525 SA International Coyright Secured. All Rights reserved. Printed in.s.a. WARNING! This comosition is rotected y coyright la. To coy or reroduce it y any means is an inringement o the coyright la. D GD Our Ter home and re de na tive land! nos aï eux n n n For reerence only. True ton a triot love ront est ceint n in de FC all thy leu rons C( ) C sons com glo ri B FA G F B C B D E 6 F( ) F B A D GD FC C( ) C Not valid or erormance. n ẇ n n n n
B Inst. P1 E Inst P1 B Inst. P2 E Inst. P2 Vla. P B Inst. P E Inst. P Hn. P B Inst. P E Inst. P Bass Cle P 10 Cue: Part 2 Cue: Part 2 W.W. reerred B m Bass Tua P Tim. Cyms. Keyoard æ æ æ æ æ æ æ n æ m æ æ æ æ æ æ æ æ 9 Cue: Part 2 Play (harmony) Play (harmony) Play(harmony) m m W.W. reerred 10 11 12 1 1 15 16 1 W.W. reerred m (melody) W.W. reerred m (melody) W.W. reerred m (melody) W.W. reerred m (melody) m m m m m W.W. reerred m Add Brass Add Brass m W.W. reerred W.W. reerred n F F B m m W.W. reerred B ( )F E B D C E (5) F FC F D B m m Add Brass Add Brass FC C( ) C F æ æ æ æ æ æ æ æ æ m B.D ṁ Sus. Cym. æ n mand. With glo hearts e north From ar O a da e or eux! Car ton ras F F ing sait orter l é see é B thee rise e the il true sait or strong ter and la B ( )F E B D C E (5) ree. croix! F m Ton histoire Cue: W.W. and est ide une e o Can é FC F D B e des stand on lus ril FC n n Bass Cle P n n For reerence only. W.W. reerred guard lants ex C( ) C n n Not valid or erormance. thee. loits. F n n <
B Inst. P1 E Inst P1 B Inst. P2 E Inst. P2 18 (melody) Piccolo + (melody) (melody) (harmony). (harmony). (harmony). Vla. P B Inst. P E Inst. P Hn. P B Inst. P E Inst. P Bass Cle P B Bass Tua P Tim. Cyms. Play æ (harmony) B G C C FA G F B D D Crash Crash Crash Crash E C B D E 6 G G F E 6 D D D DC Sus. Cym. æ God kee our land glo rious and ree! a da Et ta va leur de oi trem é e O ro Bass Cle P æ æ æ æ æ æ Can té ge ra æ For reerence only. æ æ æ æ æ æ æ e nos stand oy on ers æ guard et æ or nos thee. droits æ. æ Not valid or erormance. Keyoard B FA G C C B FA G F F9 B D D E C B D E 6 G ẇ G 9F E 6 D D D DC 18 19 20 21 22 2 2 25 5
Tim. Cyms. Keyoard 26 rit. æ O Can a da e stand on ro té ge ra nos oy ers B D E C B D n E 6 B F F B æ æ æ ẇ æ u Crash Crash guard et or nos thee. droits. B D E C B D E 6 B F F B n n 26 2 28 29 u 6 0 God Save the Queen Andante ( q = 80) Flute B Inst. P1 E Inst P1 n B Inst. P2 E Inst. P2 n Vla. P B n B Inst. P n E Inst. P n n Hn. P n n Bass Cle P n B Inst. P E Inst. P Bass Cle P Bass Tua P æ æ æ æ æ æ (Part ) u L.V. Chimes reerred u God save our grac ious (Melody) To Chimes Tune: F B C For reerence only. F FA B 6 C G CE F D B 6 FC C D æ u Cue: Vocal Crash Queen! Long live our no le Queen! F FA B 6 C G CE F D B 6 FC C D n u Cue: Vocal 0 1 2 Not valid or erormance.
B Inst. P1 E Inst P1 rit. B Inst. P2 E Inst. P2 Vla. P B Inst. P E Inst. P Hn. P B Bass Cle P B Inst. P E Inst. P Bass Cle P Bass Tua P Tim. Cyms. B 6 FC C F F C F C F C F C F C F æ æ æ æ æ æ æ æ God Save the Queen! Send her vic tor i ous Ha y B FC C F and glor i ous Long to reign o ver us God save the Queen. For reerence only. Not valid or erormance. u æ u L.V. Keyoard B 6 FC C F F C F C F C F C F C F B FC C F 6 8 9 0 1 2 5
B Inst. P1 E Inst P1 B Inst. P2 E Inst. P2 Vla. P B Inst. P E Inst. P Hn. P Gtr. (Melody) 5 La Marseillaise 9 March ( q = 116) R ^ R R R r r ^ r r R ^ R R r r ^ r B Bass Cle P B Inst. P E Inst. P Bass Cle P Bass Tua P Tim. Cyms. Keyoard (Melody) (Part ) Tune: F B C æ Snare Crash æ r r ^ r R r r ^ r r r ^ r r r ^ r r µ F C F B G G C C r r Allons en ants de la Pa tri e Le our de gloire est ar ri C µ F C F B G G C C r r 5 6 8 9 50 51 8 Bells æ r r r r ^ R r ^ R r ^ R r r r ^ R ^ R R ^ ^ ^ R For reerence only. L.V. r r r Not valid or erormance.
B Inst. P1 E Inst P1 B Inst. P2 R r r <n E Inst. P2 Vla. P B Inst. P E Inst. P Hn. P B Bass Cle P B Inst. P E Inst. P Tim. Cyms. <n <n Bass Cle P Bass Tua P Gtr. (Melody) F F FC C CB D C F µ For reerence only. Crash L.V. L.V. vé. Contre nous de la ty ran ni e L éten dard sanglant est le vé l é ten dard sanglant est le vé To Choke Not valid or erormance. Entendez r r Keyoard F F FC C CB D C F µ r 52 5 5 55 56 5 58 9
B Inst. P1 E Inst P1 B Inst. P2 E Inst. P2 Vla. P B Inst. P E Inst. P Hn. P 59 B Bass Cle P B Inst. P E Inst. P W.W. reerred Bass Cle P W.W. reerred Bass Tua P Gtr. (Melody) Tim. Cyms. <n n n W.W. reerred <n vous dans les cam ag nes Mu gir ces é ro ces sol dats Ils vien W.W. reerred W.W. reerred W.W. reerred W.W. reerred W.W. reerred CB A F E G A (5) B D 6 D 6 C F On the rim W.W. reerred W.W. reerred W.W. reerred W.W. reerred W.W. reerred W.W. reerred W.W. reerred W.W. reerred < < n nent us que dans vos ras É gor C n n n <n For reerence only. C Not valid or erormance. Keyoard CB A F E G A (5) B D 6 D 6 C F <n 59 60 61 62 6 6 10 ẇ C C
B Inst. P1 E Inst P1 B Inst. P2 E Inst. P2 Vla. P B Inst. P E Inst. P Hn. P B Brass reerred Bass Cle P.. B Inst. P Brass reerred E Inst. P Brass reerred n Bass Cle P Brass reerred Bass lays Bass Tua P Gtr. (Melody) Tim. Cyms. Keyoard R R ger vos ils vos com ag 65 66 + Picc. Brass reerred Brass reerred Brass reerred 6 6 68 69 0 Brass reerred.. A 6 A 6C C Brass reerred Brass reerred.. Brass reerred Brass reerred Brass reerred Bass lays F C F C CB FA CG Very loud cannon shots to the end Snare To Cym. nes! Aux A 6 A 6C C R ar R R R n R R....... n n... Cymals L.V. mes ci toy ens For mez vos a tail lons Mar F C F C CB FA CG.. R R.. For reerence only. æ æ Not valid or erormance. R R 11
B Inst. P1 E Inst P1 B Inst. P2 E Inst. P2 Vla. P B Inst. P E Inst. P Hn. P B Bass Tua P Gtr. (Melody) Bass Cle P ^ B Inst. P E Inst. P Bass Cle P Tim. Cyms. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ ^ ^ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ ^ ^ ^ ^ ^ ^ ^ ^ ^ n ^ n ^ ^ ^ æ ^ æ ^ chons mar chons! Qu un sang im ur A reu ve nos sil lons! L.V. ^ F CE FE B D FC B 6 C FC C C9 FA FC C F ^ For reerence only. æ ^ Not valid or erormance. v ^ Choke Keyoard 1 F CE FE B D FC B 6 C FC C C9 FA FC C F ^ ^ 2 5 6 12