Scholarship 2017 Classical Studies

Similar documents
Level 3 Classical Studies, 2011

Level 3 Classical Studies, 2014

Classical Studies Courses-1

Classical Studies Courses-1

Unit 3 - Module One - Reading Comprehension

Level 1 English, 2016

Level 1 English, 2016

Cambridge International Advanced Subsidiary Level and Advanced Level 9274 Classical Studies November 2011 Principal Examiner Report for Teachers

Guided Notes 11: An Age of Empires

2. Introduction to the Aeneid: Roman Culture Virgil as an Author Politics and Poetry

FRIDAY, 26 APRIL 9.00 AM AM. Date of birth Day Month Year Scottish candidate number

CLASSICAL STUDIES COURSE DESCRIPTIONS

Course Revision Form

#11772 PLATO S REPUBLIC

CLASSICAL STUDIES. Written examination. Friday 17 November 2017

Level 1 Drama, Demonstrate understanding of features of a drama / theatre form pm Tuesday 26 November 2013 Credits: Four

Fall HISTORY 110A: WORLD CIVILIZATION California State University, Los Angeles PROFESSOR S. BURSTEIN

Classics. Aeneidea. Books of enduring scholarly value

UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS General Certificate of Education Advanced Subsidiary Level and Advanced Level

DEPARTMENT OF CLASSICS

Level 3 English, 2015

GCSE (9 1) Classical Greek J292/06 Literature and Culture Insert

It s All Greek to Me

Song of War: Readings from Vergil's Aeneid 2004

Department of Humanities and Social Science TOPICS IN LITERATURE AND SOCIETY SPRING 2016 ITB 213E WEEK ONE NOTES

ANCIENT HISTORY. ATAR course examination, 2017 SOURCE BOOKLET. Copyright School Curriculum and Standards Authority 2017.

CLASSICAL STUDIES. Written examination. Friday 16 November 2018

Indiana Academic Super Bowl. Fine Arts Round Senior Division Coaches Practice. A Program of the Indiana Association of School Principals

A-LEVEL CLASSICAL CIVILISATION

DEPARTMENT OF ANCIENT MEDITERRANEAN STUDIES. I. ARCHAEOLOGY: AR_H_A COURSES CHANGE TO AMS (pp. 1 4)

Level 1 English, 2012

CLAS 131: Greek and Roman Mythology Spring 2013 MWF 2-2:50 Murphey Hall 116

The Legacy of Ancient Roman Civilization

21H.301 The Ancient World: Greece Fall 2004

Humanities Learning Outcomes

Level 1 English, 2012

Level 2 Drama, Discuss a drama or theatre form or period with reference to a text pm Thursday 27 November 2014 Credits: Four

Unit Ties. LEARNING LINKS P.O. Box 326 Cranbury, NJ A Study Guide Written By Mary Medland. Edited by Joyce Freidland and Rikki Kessler

Republic Of Plato By Out Of Print READ ONLINE

Level 1 Drama, Demonstrate understanding of features of a drama / theatre form am Monday 1 December 2014 Credits: Four

University of Missouri. Fall 2018 Courses

Level 2 English, 2013

Latin 41. Course Overview. communicate with others? How do I understand what others are trying

Curriculum Framework for Visual Arts

College of Arts and Sciences

Level 1 English, 2017

Fall 2018 TR 8:00-9:15 PETR 106

ENGLISH 160 WORLD LITERATURE THROUGH THE RENAISSANCE FALL PROFESSOR LESLEY DANZIGER Friday 9:35 a.m. - 12:45 p.m. Home Ec.

A separate text booklet and answer sheet are provided for this section. Please check you have these. You also require a soft pencil and an eraser.

CLASSICS. Bachelor's Degree. Minor. Faculty. Classics 1

Level 1 English, 2011

Humanities 1A Reading List and Semester Plan: Fall Lindahl, Peter, Cooper, Scaff

9-1 GCSE. Ancient World. Background and Context to your GCSE Course

Greek Achievements. Key Terms Socrates Plato Aristotle reason Euclid Hippocrates. Plato


CLASSICAL ARCHAEOLOGY Department of Classics Spring 2019

PROFESSORS: George Fredric Franko (chair, philosophy & classics), Christina Salowey

Antigone by Sophocles

CTI 310 / C C 301: Introduction to Ancient Greece Unique #33755, MWF 2:00 3:00 PM Waggener Hall, Room 308

PHIL 260. ANCIENT GREEK PHILOSOPHY. Fall 2017 Tuesday & Thursday: (Oddfellows 106)

Isaac Taylor papers Ms. Coll. 261 Finding aid prepared by Molly B. Hutt.

History of Creativity. Why Study History? Important Considerations 8/29/11. Provide context Thoughts about creativity in flux

UNIVERSITY OF WISCONSIN-MADISON Department of History. Semester II,

California State University, Sacramento HRS10, sec.2: Introduction to the Humanities, Art and Ideas of the West Fall 2008 GE Area C3

Greek Intellectual History: Tradition, Challenge, and Response Spring HIST & RELS 4350

Classics. Affiliated Faculty: Sarah H. Davies, History (on Sabbatical, Fall 2017) Michelle Jenkins, Philosophy Matthew Bost, Rhetoric Studies

Ancient Greece --- LANDSCAPE

The University of Georgia CLAS 4300/6300. Ancient Daily Life. Tu/Th 5:00-6:15, SLC 207

I FLORIDA. Application Form for General Education and Writing/Math Requirement Classification C.) CREDIT HOURS: 3 D.) PREREQUISITES: none

Performing Arts in ART

Cambridge International Examinations Cambridge International General Certificate of Secondary Education

The Meaning of the Arts Fall 2013 Online

ALEXANDER THE GREAT AND THE ALEXANDER TRADITION CLAS 0810A CRN Spring Semester 2017

Essential Histories. The Greek and Persian W ars BC

Guide to the Republic as it sets up Plato s discussion of education in the Allegory of the Cave.

The Collected Dialogues Plato

CLASSICAL STUDIES. Classical Studies (CLAS) Contact Information. Bachelor's Program. Program Advisor. Professors. Associate Professor.

MacQuarrie CSUB-AV GETTY RESEARCH ESSAY

Your Task: Define the Hero Archetype

Europe, About 1500 ATLANTIC OCEAN. North Sea. Sea. The Renaissance Begins. B al. Black Sea ri a t. Mediterranean Sea. Teachers Curriculum Institute

DEPARTMENT OF CLASSICS

ART 320: ANCIENT GREEK ART AND ARCHITECTURE MIDDLE BRONZE AGE TO 31 BCE Fall credits

How to Reference in Classics and Ancient History Essays MUSA Referencing Workshop, Semester 1, 2015

What do you think of Socrates?

Level 1 Drama, Demonstrate understanding of features of a drama / theatre form p.m. Thursday 9 November 2017 Credits: Four

REQUIRED TEXTS AND VIDEOS

Neo-Classical Poetry. Lesson Overview

V Conversations of the West Antiquity and the Middle Ages (Tentative) Schedule Fall 2004

Curriculum Framework for Visual Arts

Cambridge International Examinations Cambridge International General Certificate of Secondary Education

THE ROMAN REPUBLIC. Topic 10 Presentation

History Scribe. GFrom the Agean Sea to ruling the Roman Empire. reece & Rome. Copyright 2004 by Westvon Publishing, LLC. All Rights Reserved

Level 3 Music Studies, 2012

Ed. Carroll Moulton. Vol. 1. New York: Charles Scribner's Sons, p COPYRIGHT 1998 Charles Scribner's Sons, COPYRIGHT 2007 Gale

World Literature A. Syllabus. Course Overview. Course Goals. General Skills

SOCRATES AND ARISTOPHANES BY LEO STRAUSS

Semester V. Core Course: 08-State and Societies in the Ancient World

Shakespeare and European Modernity

Ancient Rome Stations Project: Outline

Warm-Up Question: How did geography affect the development of ancient Greece?

Transcription:

93404Q 934042 S Scholarship 2017 Classical Studies 2.00 p.m. Thursday 23 November 2017 Time allowed: Three hours Total marks: 24 QUESTION BOOKLET Answer THREE questions from this booklet: TWO questions from Section A, and ONE question from Section B. Each question is worth 8 marks. Write your answers in Answer Booklet 93404A. Pull out Resource Booklet 93404R from the centre of this booklet. Check that this booklet has pages 2 7 in the correct order and that none of these pages is blank. YOU MAY KEEP THIS BOOKLET AT THE END OF THE EXAMINATION. New Zealand Qualifications Authority, 2017. All rights reserved. No part of this publication may be reproduced by any means without the prior permission of the New Zealand Qualifications Authority.

2 INSTRUCTIONS You must complete BOTH sections. Section A (pages 3 5) has seven contexts. Choose TWO contexts, and answer ONE question from EACH context. Answer in essay format. Section B (page 6) has two questions. Answer ONE question, with reference to the resource material provided in Resource Booklet 93404R. Answer in paragraph or essay format.

SECTION A Choose TWO contexts, and answer ONE question from EACH context. Answer in essay format. 3 EITHER: QUESTION ONE EITHER: CONTEXT A: ALEXANDER THE GREAT Since the local people claimed that an oracle had foretold mastery of Asia for the man who untied this impossible knot, the desire to fulfil the prophecy came over Alexander For some time [he] wrestled unsuccessfully with the hidden knots. Then he said: It makes no difference how they re untied, and cut through all the thongs with his sword. (Quintus Curtius Rufus) To which was Alexander more addicted, power or glory? OR: QUESTION TWO With Darius dead, and therefore unable to abdicate in his favour, Alexander s claim on the Achaemenid throne remained that of a foreign invader. (Peter Green) After the death of Darius, which was a more serious threat to Alexander, the disaffection of the local populations he encountered, or the disaffection of his own troops? AND / OR: CONTEXT B: AUGUSTUS EITHER: QUESTION THREE His early record as Octavian was a mixture of sadism, scandal and illegality. (Mary Beard) How valid is this assessment of Augustus modus operandi* during his rise to power? *modus operandi typical way of operating / working OR: QUESTION FOUR It would be difficult to administer so great a power in any other way than by entrusting it to one man as a father; and in fact the Romans and their allies had never been able to enjoy so many blessings as Caesar Augustus provided from the time he took over absolute power. (Strabo) Why did many of Augustus contemporaries see his personal supremacy as a blessing for Rome and the empire?

4 AND / OR: CONTEXT C: SOCRATES EITHER: QUESTION FIVE By interpreting his activity as a mission with divine approval, [Socrates] effectively hijacks the conventional framework of state piety to sanction a personal and exclusive relationship with the gods. His is the only real piety, he claims, and to try to stop him is itself impious. (C. Emlyn-Jones) Discuss the nature of Socrates relationship with the gods. Were his religious beliefs as unconventional as Emlyn-Jones suggests? OR: QUESTION SIX The Greek word elenchus means to examine, refute, or put to shame. (Kenneth Seeskin) Discuss the advantages and disadvantages of elenchus (the Socratic method). EITHER: QUESTION SEVEN AND / OR: CONTEXT D: ARISTOPHANIC COMEDY So once again your Champion fought for you And sought to purge the land of grievous ills. (Aristophanes, Wasps) How valid is it to view Aristophanes as the people s champion? OR: QUESTION EIGHT Laughter is essentially derisory* or is the expression of the laugher s superiority over, and contempt for, the butt of his laughter. (Mary Beard on one of Aristotle s theories of laughter) To what extent does Aristophanic humour depend on mockery? * derisory disparaging, scornful

5 AND / OR: CONTEXT E: VIRGIL S AENEID EITHER: QUESTION NINE To what extent does Virgil act as a mouthpiece of Augustan hopes for a new age? OR: QUESTION TEN Even then Aeneas, chieftain of Troy, shaken by the bitter blow, pondered his heavy responsibilities he wondered whether he should forget his destiny and settle in Sicilian lands, or strike out for the coast of Italy. (Aeneid, Book 5) Why is Aeneas such a conflicted character? Is there any ultimate resolution to his conflict? EITHER: QUESTION ELEVEN AND / OR: CONTEXT F: ATHENIAN VASE PAINTING In the course of the fifth century BCE, vase-painters treatment of drapery changes from a severe and restrained elegance to a theatrical, transparent, richly detailed style of dress. With reference to at least THREE painters, discuss how the treatment of drapery in red-figure vasepainting adds to the impact of the scenes depicted. OR: QUESTION TWELVE A high proportion of Athenian vases were made for the symposium. With reference to at least THREE such vases, discuss how the choice of scenes is appropriate for their function. AND / OR: CONTEXT G: ROMAN ART AND ARCHITECTURE EITHER: QUESTION THIRTEEN How important was it for Roman artists to reflect the personalities or inner lives of their subjects in portraiture? OR: QUESTION FOURTEEN To what extent were public buildings and monuments concerned with the physical and moral welfare of the general population of Rome and the Empire?

SECTION B Answer ONE question, with reference to the source material provided in Resource Booklet 93404R. Answer in paragraph or essay format. 6 EITHER: QUESTION FIFTEEN: DEATH AND THE AFTERLIFE Choose EITHER ancient Greece (Resources A D) OR ancient Rome (Resources E H) to answer this question. The resources provide evidence about death and the afterlife in the classical world. Discuss at least THREE of the resources and the insight they give into public and private reactions to death. Your response should focus on analysis of the source material provided, but you may also draw on your wider knowledge of the classical world. OR: QUESTION SIXTEEN: ATTITUDES TO WAR Choose EITHER ancient Greece (Resources I L) OR ancient Rome (Resources M P) to answer this question. The resources provide evidence about attitudes to war in the classical world. Discuss at least THREE of the resources and the insight they give into honourable conduct and / or the acquisition of personal glory in war. Your response should focus on analysis of the source material provided, but you may also draw on your wider knowledge of the classical world.

7 Acknowledgements Question One Question Two Quintus Curtius Rufus, The History of Alexander, trans. John Yardley (London: Penguin Books, 1984), p. 27. Peter Green, Alexander of Macedon (Berkeley: University of California Press, 1991), p. 329. Question Three Mary Beard, SPQR, A History of Ancient Rome (London: Profile Books, 2015), p. 340. Question Four Strabo, Geography in Augustus, Classical Studies for Schools, Study Materials No. 8, compiled by C. T. H. R. Ehrhardt (Dunedin: Classics Department, University of Otago, 1982), pp. 24 25. Question Five C. Emlyn-Jones, Socrates, Plato, and Piety, in Mediterranean Studies 2 (Pennsylvania: Penn State University, 1990), p. 24. Question Six Question Seven Question Eight Kenneth Seeskin, Dialogue and Discovery: a Study in Socratic Method (Albany, N.Y.: State University of New York Press, 1987), p. 1. Aristophanes, The Wasps, The Poet and The Women, The Frogs, trans. David Barrett (Harmondsworth: Penguin Books, 1964), p. 77. Mary Beard, Laughter in Ancient Rome (Oakland: University of California Press, 2014), p. 29. Question Ten Virgil, The Aeneid, trans. W. F. Jackson Knight (London: Penguin Books, 1958), p. 140.

93404Q