A ten-minute comedy inspired by Aesop's Fable The Ant and the Chrysalis by Nicole B. Adkins SkyPilot Theatre Company Playwright-in-Residence

Similar documents
A short dramedy by Jeri Weiss

BABIES. A short comedy by Don Zolidis

G.B.F. FOREVER. A ten-minute dramedy by Asher Wyndham

BROOKLYN PUBLISHERS, LLC

THE GLASS SLIPPER By Claudia Haas

ABBOTT AND COSTELLO By Jonathan Mayer

A one-act drama by Danny Rothschild

A ten-minute comedy by Jeff Goode. Inspired by Mark Twain's novel

QUACK. By Patrick Gabridge

THE LIBRARIAN AND THE JOCK

The Love Potion Of Ikey Schoenstein

GHOSTS By Bradley Walton

HIPSTER VAN WINKLE. A short comedy by Abigail Taylor-Sansom

THE TICK OF THE CLOCK

Please Enjoy the Following Sample

ASSAULT TOAST A COMEDY DUET

DESTITUTE. By Bradley Walton

NO MORE TEEN STEREOTYPES By Kelly Meadows

SHAMELESS SELF-PROMOTION By Leon Kalayjian

DEVIOUS DATING By David Burton

WHATEVER HAPPENED TO GODOT? By Jonathan Dorf

LIFE JITTERS Dramatic Comedy Duet

I DID IT ALL FOR THE SCISSORS By Bradley Walton

HE WON T QUIT SMOKING

CANDI WITH AN I By Macee Binns

ADAM By Krista Boehnert

THE BOYS, THE BED, AND THE BALSA

THREE LITTLE WORDS By Krista Boehnert

LIFETIME ACHIEVEMENT

Proof Of The Pudding By Robert Frankel

(UN)COMFORTABLE SILENCE By DJ Sanders

A SMALL, SIMPLE KINDNESS By Bradley Walton

A PRESCRIPTION FOR EMBARRASSMENT By Jerry Rabushka

SUPERMARKET OF LOST. A short drama by Cassandra Hsiao

CUSTOMER SERVICE A Comedy Duet

THE CHEKONSTINESTANISLAVEMEYERHOLDSKI METHOD By David J. LeMaster

LESSON PLAN. By Carl L. Williams

HOW I GOT A RHINOCEROS INTO THE ELEVATOR AT SAKS By Kelly Meadows

DRINKING UP HOT. By Jerry Rabushka

POVERTY By Bobby Keniston

SO YOU WANNA MARRY MY DAUGHTER

I DON T WANT YOUR PITY I WANT YOUR BROCCOLI By Bradley Walton

HOW TO MEET MY MOTHER

NEVER CALL ME A LADY By Rusty Harding

ANTI-DEPRESSANTS. By Jeff Weisman

The Caliph, Cupid, And The Clock

DUELING PHOBIAS By Brenda Cohen and Jonathan Mayer

PERFORMANCE RIGHTS AND ROYALTY PAYMENTS:

Please Enjoy the Following Sample

Please Enjoy the Following Sample

FRANK AND HARRY: A WALK IN THE WOODS By Joseph Sorrentino

CONFIRMED SIGHTING A Ten-Minute Comedy Duet

WHEN BIRDS CRY By Mike Willis

THE OBJET FORMERLY KNOWN AS POTATO By Bradley Walton

THE CASHIER IN LANE 8 By Jerry Rabushka

THE TICK OF THE CLOCK By Ron Dune

DADDY S HOME. A Ten-Minute Comedy Duet. by Alan Haehnel. Brooklyn Publishers, LLC Toll-Free Fax Web

Please Enjoy the Following Sample

ABBOTT AND COSTELLO TEN MINUTE PLAY. By Jonathan Mayer

WHY I HATE MY SISTER By Kelly Meadows

ELEVATOR GAMES A COMEDY SKIT

JENNY & PETE BROOKLYN PUBLISHERS, LLC A ROMANTIC COMEDY DUET. by Cheryl D. Duffin. Publishers of Contest-Winning Drama

THE HABITUAL INSOMNIAC By Krystle Henninger

DEATH AND PEZ A Ten-Minute Comedy Duet

TURN IT ON, TUNE IT IN

FOR OLD TIME S SAKE By David MacGregor

THE BEST THANKSGIVING EVER By Monica Bauer

Matsukaze At Manzanar

CONFESSIONS OF A FACEBOOK ADDICT

I GOT A BALLOON ANIMAL FROM A CLOWN AT A FAST FOOD RESTAURANT NOW WHAT? By Bradley Walton

ANGEL TRACKS. A Ten-Minute Dramatic Duet. by Pat Morgan. Brooklyn Publishers, LLC Toll-Free Fax Web

LOVE IS MORE IMPORTANT THAN MY HISTORY PAPER By Kelly Meadows

SERIAL STAR A TEN MINUTE MONOLOGUE. By Deborah Karczewski

Contemporary Scenes for Young Actors

CONFIRMED SIGHTING By Patrick Gabridge

ONE MOM, ONE SPOON A Ten Minute Comedy Duet

Um... yes, I know that. (laugh) You don't need to introduce yourself!

HANGMAN. A Ten-Minute Dramatic Duet. by William Borden. Brooklyn Publishers, LLC Toll-Free Fax Web

WHEN AMOEBAS ATTACK By Jerry Rabushka

AN END TO NUCYALER PROLIFERATION

TAINTED LOVE. by WALTER WYKES CHARACTERS MAN BOY GIRL. SETTING A bare stage

Family Plays. Excerpt Terms & Conditions. This excerpt is available to assist you in the play selection process.

A one-act comedy by Jonathan Dorf

ELEPHANT IN THE ROOM: HOW I GOT A DATE WITH THE ZOOKEEPER S DAUGHTER By Kelly Meadows

DITZIES By Deborah Karczewski

Level: DRA: Genre: Strategy: Skill: Word Count: Online Leveled Books HOUGHTON MIFFLIN

DEATH AND PEZ By Bobby Keniston

DADDY S HOME By Alan Haehnel

THE TEXT ON THE DRIVE HOME By Bradley Walton

Please Enjoy the Following Sample

THANKS FOR NOTHING ANNE RICE By Jerry Rabushka

HO HO HO. By Joseph Sorrentino

AESOP REFABLED

Five Charmingly Irreverent Christmas Plays for High Schoolers by Samantha Macher

CAN T GET THERE FROM HERE

Clint Snyder Big Dog Publishing

B-I-N-G OH! TEN MINUTE PLAY. By Jonathan Markella. Copyright MMXIV by Jonathan Markella All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

PEOPLE WHO LIE. written by. Xavier Gonzalez

Family Plays. Excerpt Terms & Conditions. This excerpt is available to assist you in the play selection process.

THE IMAGINARY INVALID

Transcription:

ANDY AND CHRYS A ten-minute comedy inspired by Aesop's Fable The Ant and the Chrysalis by Nicole B. Adkins SkyPilot Theatre Company Playwright-in-Residence This script is for evaluation only. It may not be printed, photocopied or distributed digitally under any circumstances. Possession of this file does not grant the right to perform this play or any portion of it, or to use it for classroom study. www.youthplays.com info@youthplays.com 424-703-5315

Andy and Chrys 2012 Nicole B. Adkins All rights reserved. ISBN 978-1-62088-174-3. Caution: This play is fully protected under the copyright laws of the United States of America, Canada, the British Commonwealth and all other countries of the copyright union and is subject to royalty for all performances including but not limited to professional, amateur, charity and classroom whether admission is charged or presented free of charge. Reservation of Rights: This play is the property of the authors and all rights for its use are strictly reserved and must be licensed by their representative, YouthPLAYS. This prohibition of unauthorized professional and amateur stage presentations extends also to motion pictures, recitation, lecturing, public reading, radio broadcasting, television, video and the rights of adaptation or translation into non-english languages. Performance Licensing and Royalty Payments: Amateur and stock performance rights are administered exclusively by YouthPLAYS. No amateur, stock or educational theatre groups or individuals may perform this play without securing authorization and royalty arrangements in advance from YouthPLAYS. Required royalty fees for performing this play are available online at www.youthplays.com. Royalty fees are subject to change without notice. Required royalties must be paid each time this play is performed and may not be transferred to any other performance entity. All licensing requests and inquiries should be addressed to YouthPLAYS. Author Credit: All groups or individuals receiving permission to produce this play must give the author(s) credit in any and all advertisements and publicity relating to the production of this play. The author's billing must appear directly below the title on a separate line with no other accompanying written matter. The name of the author(s) must be at least 50% as large as the title of the play. No person or entity may receive larger or more prominent credit than that which is given to the author(s) and the name of the author(s) may not be abbreviated or otherwise altered from the form in which it appears in this Play. Publisher Attribution: All programs, advertisements, flyers or other printed material must include the following notice: Produced by special arrangement with YouthPLAYS (www.youthplays.com). Prohibition of Unauthorized Copying: Any unauthorized copying of this book or excerpts from this book, whether by photocopying, scanning, video recording or any other means, is strictly prohibited by law. This book may only be copied by licensed productions with the purchase of a photocopy license, or with explicit permission from YouthPLAYS. Trade Marks, Public Figures & Musical Works: This play may contain references to brand names or public figures. All references are intended only as parody or other legal means of expression. This play may also contain suggestions for the performance of a musical work (either in part or in whole). YouthPLAYS has not obtained performing rights of these works unless explicitly noted. The direction of such works is only a playwright's suggestion, and the play producer should obtain such permissions on their own. The website for the U.S. copyright office is http://www.copyright.gov.

COPYRIGHT RULES TO REMEMBER 1. To produce this play, you must receive prior written permission from YouthPLAYS and pay the required royalty. 2. You must pay a royalty each time the play is performed in the presence of audience members outside of the cast and crew. Royalties are due whether or not admission is charged, whether or not the play is presented for profit, for charity or for educational purposes, or whether or not anyone associated with the production is being paid. 3. No changes, including cuts or additions, are permitted to the script without written prior permission from YouthPLAYS. 4. Do not copy this book or any part of it without written permission from YouthPLAYS. 5. Credit to the author and YouthPLAYS is required on all programs and other promotional items associated with this play's performance. When you pay royalties, you are recognizing the hard work that went into creating the play and making a statement that a play is something of value. We think this is important, and we hope that everyone will do the right thing, thus allowing playwrights to generate income and continue to create wonderful new works for the stage. Plays are owned by the playwrights who wrote them. Violating a playwright's copyright is a very serious matter and violates both United States and international copyright law. Infringement is punishable by actual damages and attorneys' fees, statutory damages of up to $150,000 per incident, and even possible criminal sanctions. Infringement is theft. Don't do it. Have a question about copyright? Please contact us by email at info@youthplays.com or by phone at 424-703-5315. When in doubt, please ask.

An Ant running around in the sunshine looking for food came across a Chrysalis nearing its time of change. The Chrysalis moved its tail, and the Ant noticed for the first time that the creature was alive. "You poor suffering thing!" cried the Ant. "How unfortunate that I can run here and there as fast as I like even climb the tallest trees while you hang imprisoned here in that shell with only the power to move your scaly tail!" The Chrysalis heard this, but did not reply. A few days later, when the Ant passed that way again, nothing but the shell remained. The Ant wondered what had become of the creature inside. Suddenly he felt himself shaded and fanned by the gorgeous wings of a beautiful butterfly. "Hello, Ant," said the Butterfly. "Remember me? Your sad, pitiable friend? Brag now of your powers to run and climb as long as you can get me to listen!" At that, the Butterfly rose into the air and floated away on a summer breeze, never again to be seen by the Ant. Do not be deceived by appearances. CAST OF CHARACTERS CHRYS, female, pretty, smart, talented, paralyzed from the waist down. ANDY, male, same age, plays basketball, but lacks game.

Nicole B. Adkins 5 (CHRYS, a pretty girl, sits in a wheelchair, drawing. ANDY enters miming playing basketball. He stops and dribbles the ball, trying to look impressive.) ANDY: Hey there. CHRYS: Hello. ANDY: Whatcha drawing? CHRYS: Just...drawing. ANDY: O-kaay... Can I see it? CHRYS: I'm not done yet. ANDY: I'm Andy. Moved here a few weeks ago. (Beat.) What's your name? CHRYS: Chrys. ANDY: Saw you hanging out on the sidelines today. Seen you there before. You were drawing then too. CHRYS: Yep! ANDY: (Beat.) Just finished practice. Waiting for my mom. (Beat.) You might have noticed me on the team. Did you see my offense today? Might be shooting guard before the year is out. CHRYS: Who knows! ANDY: You come to all the games? CHRYS: I like sports. ANDY: The team at my old school was pretty good. Nationally ranked. CHRYS: That's cool. ANDY: (Shrugs nonchalantly:) I played point guard. much in charge. Pretty

6 Andy and Chrys (He takes a shot and misses.) Whoah! I missed. Guess I'm tired after practice today. (He dribbles the ball.) I just need to train harder. That's the problem with most people. They don't take stuff seriously. Someday I plan to go pro. (He dribbles, and goes through an elaborate, somewhat silly "focus" routine, to get ready to shoot. He sneaks glances at her. She is concentrating on her drawing. Finally he shoots. And misses. He runs to get the ball.) Geez! I probably need some potassium or something. (He puts the ball down and stretches.) Wow... I guess it was rude of me to go on about playing when you, when you're... CHRYS: When I'm...? ANDY: Never mind. (Beat.) Come on, what are you drawing? Can I see? (He moves to look at the drawing. She turns her pad over so he can't see it. After a while he goes back to stretching.) Do you wish you could play ball? CHRYS: I do. ANDY: I'm sorry. That's too bad. CHRYS: That I play ball? ANDY: What? No, I meant... Wait. You play? CHRYS: Believe it or not. ANDY: No offense, but are you pulling my leg? (Beat.) Oh wow oops. I didn't mean... To bring up, uh...

Nicole B. Adkins 7 CHRYS: What... Legs? ANDY: Right. CHRYS: Um... It's OK to talk about legs in my presence. (Beat.) If you want to ask a question about mine, just ask. ANDY: What? No... I don't CHRYS: Yes you do. I can tell. I get that look a lot. (Beat.) Ask, then. ANDY: OK. (He takes a deep breath:) Where do you play? CHRYS: Local league. ANDY: But how do you play? CHRYS: (Focused expression:) Like this. (Chrys makes a goofy face and mimes dribbling the ball.) Sorry. I couldn't help myself. (She laughs:) Should see the look on your face. (Beat.) It's a fair question. There's rules about our chairs and stuff like what kinds we can use, but otherwise it's pretty much the same as what you play. ANDY: Oh. Good for you, for playing. (Andy goes back to dribbling. Chrys goes back to drawing. While she is concentrating, he sneaks over to look at her drawing.) Wow... (She quickly turns her sketch-pad over.) CHRYS: I'm not done yet! ANDY: Is one of those people me? CHRYS: Yes. ANDY: (Beat.) It's really good. Can I see more?

8 Andy and Chrys (After a moment she begins to flip through the pad.) Wow! You drew everybody on the team! It looks like us too your drawings are so real... We really look like we're moving! Even the muscles in our arms how do you do that?! (She laughs.) CHRYS: I just pay attention, I guess. ANDY: Cool. It's really cool that you can draw like that. (Andy takes another shot and misses. He runs to get the ball.) Geez! Missed again! Guess I'm a little...nervous. CHRYS: Nervous? About what? ANDY: I...I wanted to ask you a question. CHRYS: Ask away! ANDY: You know I'm new here and everything, and I've, well, I've been noticing you. It seems like you...really know your way around. CHRYS: (Smiles at his awkwardness:) I've been with the same class since kindergarten. ANDY: What I mean is, I wondered if maybe...you'd like to show me around the neighborhood after school sometime? We could get ice cream or something. I could push your chair for you! CHRYS: (Laughs a little:) That's OK, Andy. I can get around pretty well myself. ANDY: Oh. Cool. That's cool...so...? CHRYS: Sure, Andy. I'll show you around sometime. ANDY: Awesome! (He misses his shot again.)

Nicole B. Adkins 9 Ahhh! Man... O for O! (Beat.) I'm really glad you said yes. I mean, I was pretty sure you would, but I was still sweating it some. CHRYS: (Beat.) What made you so sure I would say yes? Want to read the entire script? Order a perusal copy today!