IPL woos digital consumers

Similar documents
IPL woos digital consumers

Introducing MX1 Sports & Events. September 2017

VIVO INDIAN PREMIER LEAGUE 2019 REGULATIONS FOR NEWS AND CURRENT AFFAIRS BROADCASTERS FOR AUDIO VISUAL BROADCASTING

The whole picture. Seamlessly connecting your media world

Using Make.TV s Live Video Cloud and Playout to deliver great content across platforms during the world s biggest sports event.

SPT 4K Discussion. August, 2013 DRAFT

CAMIO UNIVERSE PRODUCT INFORMATION SHEET

Welcome from Mickey. It s no secret that video is a go-to strategy for consumer marketers.

Video over the Internet Can we break the Net? CBS Interactive

Connected Broadcasting

SPORTS BROADCAST SCOUTING SYSTEMS & ON-AIR GRAPHICS. wtvision.com

USING LIVE PRODUCTION SERVERS TO ENHANCE TV ENTERTAINMENT

Martial Arts Australia MEDIA PACK. Fight Show - Tournament PROMOTERS. RTO Coaching Courses. Martial Arts Australia

Sports Production Perspective: Drivers of Change

Broadcasting from 1 West. The leading position in the Nordic region and a hotspot location for broadcasting in Central and Eastern Europe BROADCAST

The. Roadmap ENABLING CHANGE

WAYS YOU CAN BENEFIT FROM LOTAME TV VIEWERSHIP DATA

JOB DESCRIPTION FOR PICTURE EDITOR VISUAL JOURNALISM ARABIC SERVICE

"Just as it turns people into stars, TV turns brands into household names." ThinkBox

HbbTV Symposium Asia 2014

NATURAL LIGHT The stuff you don t see. STEAMY SCENES Shooting in the dressing room. SUMMER STREAMING Capturing anything under the sun

Requirements for the Standardization of Hybrid Broadcast/Broadband (HBB) Television Systems and Services

Title VI in an IP Video World

INTRODUCTION. FREEVISION Launch Presentation 30 September

Production Automation To Add Rich Media Content To Your Broadcasts VIDIGO VISUAL RADIO PRODUCT INFORMATION SHEET

MOBILE DIGITAL TELEVISION. never miss a minute

APPLICATION NOTE EPSIO ZOOM. Corporate. North & Latin America. Asia & Pacific. Other regional offices. Headquarters. Available at

BBC WORLD SERVICE JOB SPECIFICATION

How FOX Sports Brasil complemented their linear production infrastructure with live content during Summer Olympic Games in Rio de Janeiro.

BEFORE THE HOUSE ENERGY AND COMMERCE SUBCOMMITTEE ON COMMUNICATIONS AND TECHNOLOGY THE FUTURE OF VIDEO

TV Data Report: Time Shifting. alphonso.tv

BROADCAST. The following concepts help ensure the way we distribute revenue to members is equitable.

The New Standard In Mobile Entertainment

Introduction slide 1 Digital Television 1. produced consumed New companies online continuation experimentation fragmenting reception dispersed

About us. pioneers trendsetters leaders. Started in 1956 by L.V.Prasad Actor, Director and Producer. Prasad Corporation

& TV E & TV EVERYWHERE. Jack Chang Director, Business Development EchoStar Taiwan/Dish HD Nov., 2009

PIERO SPORTS GRAPHICS

Production Automation To Add Rich Media Content To Your Broadcasts VIDIGO VISUAL RADIO PRODUCT INFORMATION SHEET

Performance review (continued)

ENABLING THE NEXT VIDEO REVOLUTION

Policy on the syndication of BBC on-demand content

The Industry s Most Adopted Ticker and Branding CMS NEWSTICKER PRODUCT INFORMATION SHEET

Competition Works. Consumers Win!

BCCI ACCREDITATION TERMS & CONDITIONS FOR MEDIA

a new generation of interactive tv

TV EVERYWHERE /OTT CTVE

INTELLIGENT CONTENT DELIVERY: THE KEY TO UNLOCKING THE FUTURE OF VIDEO SERVICES

FILM, TV & GAMES CONFERENCE 2015

PROJECT THE SHORT FILM SHOW

THE SVOD REPORT: CHARTING THE GROWTH IN SVOD SERVICES ACROSS THE UK 1 DAILY CONSOLIDATED TV VIEWING 2 UNMATCHED VIEWING

Our Media Networks. TERT.am. MIS holds the exclusive rights to sell media time on the following leading Armenian TV stations in North America:

An Introduction to Dolby Vision

ROY JONES JR. BOXING PROMOTIONS SPONSORSHIP PACKAGE

Video & Digital Signage Solutions in Stadiums

The value of DTT. Alex Buchan, DTG Spectrum Summit 5 th July 2017

Half. Morgan Stanley. 7 th Annual TMT Conference

7 MYTHS OF LIVE IP PRODUCTION THE TRUTH ABOUT THE FUTURE OF MULTI-CAMERA TELEVISION PRODUCTION

UTV Software Communications Limited

INSPIRE ENCOURAGE CONNECT. Rate Card

Transforming broadcast delivery realizing the software-defined channel

Mobile Television, Radio & Social Media Broadcast Studios.

Making the Most Out of SMPTE 2012!

F5 Network Security for IoT

Eros: A Multi-Platform Model

Mobile TV Goes Hollywood: Opportunities for Broadcasters. Doug Rasor Vice President Manager Worldwide Strategic Marketing

SES s efficient solution for DTT Networks. October Pietro Guerrieri, General manager SES Astra Italia

hawkeyeinnovations.com pulselive.com

Department for Culture, Media and Sport. The balance of payments between television platforms and public service broadcasters

M RKET FICCI FRAMES. at March 5-7, 2018, Mumbai Content Connect Commerce

A Boutique Streaming Platform

Virtual Graphics & Enhancements Virtual Advertising Insertion For All Sports VIRTUAL PLACEMENT PRODUCT INFORMATION SHEET

UTV Software Communications Limited

FISA s Policy for Filming at World Rowing Regattas

143 rd Annual Westminster Kennel Club All Breed Dog Show Monday-Tuesday, Feb , 2019 / Piers 92/94 and at Madison Square Garden

LED Large Screen Solutions

InfoCaster Digital Signage Solution

Online Intelligence Solutions. France Télévisions. France Télévisions and AT Internet decipher how audiences use smart TV CASE STUDY

Metadata for Enhanced Electronic Program Guides

OTTS VS TV NETWORKS ~ 3 WINNING STRATEGIES

Television Audience 2010 & 2011

Company Overview. November 2012

Life Changers International Church. Job Description

Research & Development. White Paper WHP 318. Live subtitles re-timing. proof of concept BRITISH BROADCASTING CORPORATION.

Australian Broadcasting Corporation. Screen Australia s. Funding Australian Content on Small Screens : A Draft Blueprint

SPORTS, ENTERTAINMENT AND MEDIA. Bringing live events to life

DRAFT Starz Subscription Pay Television Features Output Deal

Welsh print online THE INSPIRATION THE THEATRE OF MEMORY:

Nobody Monitors Media Better

Get with the Program What is Digital Signage, how can it help your business, and why switch over?

Extraordinary Together. Zee Entertainment Entertainment Content Company

Vista Group International Limited 2015 Annual General Meeting Chairman s Address

Williamson County, TX EXPRESSION OF INTEREST

Product Proposal. Digital Signage Solution. Provided By:

1. Introduction. 2. Part A: Executive Summary

Ad Benchmark s Insertion Workflow. Increase revenues and flexibility with advanced regionalization for broadcast ads and programs

OMVC Non-Real Time Mobile DTV Use Cases

Excellence in Enterprise Video Awards

TP-100KA. IP Broadcast Workflow applications over Ka-Band satellite with 3G/Wi-Fi backup

Three Traditional US Markets Reshaped by Tech Giants

Sinclair Broadcast Group (SBG)

Transcription:

IPL woos digital consumers

Client profile The Indian Premier League (IPL) is a professional cricket league created and promoted by the Board of Control for Cricket in India (BCCI) and backed by the International Cricket Council (ICC). With a brand value currently estimated in excess of US$4.1billion, IPL is one of the largest sporting leagues in the world. Featuring international cricketing stars playing 59 matches over a 44 day tournament, its compelling combination of sporting action and glamour has captured the imagination of Indian and international audiences alike. Business context The third season of the tournament, which opened in March 2010, was the most successful yet, with 42 million television viewers in India alone tuning in for the opening match, and a dramatic increase in interest from across the globe especially from the UK, North America and South Africa. The 2010 tournament was also notable for the fact that it was the first sporting event ever to be broadcast live on YouTube a breakthrough enabled by Prime Focus Technologies (PFT) and its proprietary live event editing and delivery technology platform, CLEAR Live. Delivering the IPL FunFeed Channel The IPL FunFeed channel ran alongside the live match stream on YouTube as a screen-in-screen, which was packaged and played out live by PFT. Consisting of video packages covering the fun element around the tournament both on and off the ground, this stream was conceived by the organisers to bring the tournament closer to the fans, giving them exclusive access to the players and celebrities attending the matches. A dedicated production crew was allocated to the creation of the FunFeed, working across the various grounds at which the matches were being played and PFT s production and playout facility in Mumbai. Live content was uplinked via satellite as the games progressed, for PFT to receive at its Mumbai facility. Once downlinked, it was cut by PFT editors into FunFeed packages that could be scheduled into the playout list. Chief Producer of The FunFeed then mixed between the live feed, the FunFeed packages from the editors, IPL Fun Feed Channel IPL is all about entertainment cricket is at the centre of the experience, but the organisers of the 2010 tournament were also keen to focus on the entertainment and fun happening behind the scenes, and on reaching the fans in new ways. For the first time, there was a clear strategy and a concerted effort to take the tournament to platforms beyond television. PFT solution Live feed from Stadium Receiver Highlight packages Storage Adverts Web stream, production, mixing & playout Operator Banners & tickers Producer PFT s role in the 2010 tournament was to take IPL to the fans via web and mobile. There were three key deliverables which PFT provided: Delivering the IPL FunFeed channel Delivering live match streams and Video on Demand (VoD) packages to IPL s internet channel Delivering video updates to the mobile internet platform within 45 seconds of the live event Primary program feed Back-up program feed Encoder Encoder 256 kbps 512 kbps kbps 256 512 kbps Quality check/ monitoring Broadcast Yourself TM

offline content (information about the city hosting the match, interviews with the players, footage from the IPL Nights parties that were being held every night and more) and commercials, adding banners, slates and lower thirds (aston band) to create an SDI stream which was then encoded to a Flash stream and delivered to the content delivery networks (CDNs) for distribution. The FunFeed was extremely well received by the fans, with 65,000 plus unique consumers on day one of the tournament alone. Delivering live match stream and VoD packages to IPL s internet channel PFT was also responsible for delivering the live match streams to YouTube the first time this had been undertaken for a major sporting event. The streams were played out live for some countries, and were delayed for others, and each territory had its own specific advertising requirements to cater to an interesting set of logistical challenges. Delays were introduced for some countries to protect IPL s telecast and broadcast partners, permission only being granted for live feeds to YouTube in areas where IPL s agreement with the partner permitted. unique and exclusive FunFeed content, meant that the IPL online channel was an unqualified success. Delivering Video updates to the mobile internet platform within 45 seconds of the live event Another important audience for IPL in 2010 was mobile users. Mobile handsets are hugely prevalent in India, and even those with no access to televisions or computers use mobile phones. This is a fact not lost on advertisers, who are keen to reach these users through their handheld devices. For the IPL, the mobile channel allowed them to reach fans without access to TV and web fans who wanted to be kept abreast of the game in near real-time. The clips therefore had to be available within seconds, rather than minutes or hours. PFT powered the IPL mobile internet platform and more specifically, the video scorecard which was available on m.iplt20.com. CLEAR Live was again deployed to clip the incoming live feed ball-by-ball and deliver it, with appropriate metadata, to Mobile clips & web packages PFT also created and delivered up to 30 VoD highlight packages per match for the online channel. These television style highlight shows were compiled and creatively packaged by PFT during the match and made available on YouTube within 60 minutes of the match ending an amazing advance on the previous turnaround time (TAT) of approximately 6 to 8 hours for similar packages. Live feed from Stadium Receiver Encoder This was achievable because CLEAR Live enabled the PFT team to clip the live feed as it was downlinked via the satellite receiver at the PFT playout facility, allowing the editors to easily find relevant clips for the highlight packages, and to spend time on the creative treatment rather than hunting for footage. Integration of CLEAR Live with the Final Cut Pro (FCP) editing environment further enhanced the ease and speed of the creative process. The VoDs were delivered to the channel with accompanying XML files, which provided YouTube s system with metadata allowing fully automated exhibition of the content on the correct page. Upon delivery from PFT, the VoDs populated YouTube s IPL channel pages with no manual intervention. The delivery of up to 30 sponsor-driven VoD highlight packages within 60 minutes of the match ending, the convenience of having matches streamed live to your desktop, and the availability of Ball by ball video clip updates within 45s from real time Mobile delivery platform Quality check/ Monitoring Clipping tool Operator Broadcast Yourself TM Central Storage EDL Editing system Highlight packages

the mobile internet platform within 45 seconds of the live event. It was theoretically possible therefore to follow the match ball-by-ball on your mobile. Over 25,000 hours of IPL video had been downloaded to mobile devices by the end of the tournament. Considering that each clip was no more than 40 seconds, this equated to over 2 million video downloads viewed from the mobile portal alone each sponsored by an advertiser. This rich video experience was a welcome change for consumers used to just live text score updates. IPL 2010 has clearly demonstrated the vast potential for sporting events to exploit multi-platform channels such as web and mobile. It was extremely important for us to deliver the right IPL experience on the Web and Mobile. In PFT we found the best blend of TV & Internet skills to deliver rich experiences on Web and Mobile. We are extremely pleased with PFT s contributions and they are a great team to work with. Their flexibility and agility during the tournament has been commendable. Sameer Mehta Director, Willow TV (Online & TV broadcaster of Cricket in US and Canada)

Client Outcome By the end of the tournament, YouTube reported 55.7 million channel views and 31.7 million VoD views. With over 93,000 subscribers, the channel was rated as the #1 Most Subscribed Channel (All Time) India. Fans from over 200 countries watched IPL 2010 on YouTube India had the most views, with the United States in second place. Furthermore, the mobile internet platform delivered over 25,000 hours of IPL content, downloaded and viewed by fans on their mobile devices. Over 60% of this content had been accessed by consumers in the Tier 2 cities in India a growing consumer market which is of great interest to brands and advertisers. Conclusion New audiences are reached, existing fans are given the opportunity to consume content in different ways, brand visibility is enhanced, and new advertising opportunities become available, with better return on investment (RoI) and more specific analytics and profiling, allowing targeted marketing by sponsors. These multi-platform channels are also relatively inexpensive for advertisers when compared to traditional media such as TV and print, and in many cases the content is available free to the consumer, making the inclusion of advertising acceptable. PFT is at the forefront of enabling these benefits for clients. CLEAR Live is unique in its ability to provide editorial takes on a live feed and to take those editorial decisions to web and mobile channels in a fast and efficient manner. When it comes to live events, reaching web and mobile audience with compelling, tailored content in near real time is often a pre-requisite. CLEAR Live delivers this and much more in a fast, easily integrated, intuitive and cost efficient manner.

About Prime Focus Technologies Prime Focus Technologies (PFT) is the technology subsidiary of Prime Focus, the global leader in media and entertainment industry services. PFT brings together a unique blend of Media and IT skills backed by a deep understanding of the global media and entertainment industry. CLEAR, our award-winning Hybrid Cloud technology-enabled Media ERP platform and cloud media services help broadcasters, studios, brands, sports and digital businesses drive creative enablement, enhance ecosystem efficiencies & sustainability, reduce cost and realize new monetization opportunities. PFT works with major content owners like Bloomberg, Disney, Warner Bros., 21st Century Fox-owned STAR TV, ZEE TV, Warner Bros. Television Studios, CBS Television Studios, 20th Century Fox Television Studios, Relativity Media, Legendary Pictures, Starz Media, Lionsgate, EROS International, SONY Music, Viacom 18, SONY MSM, Fox Television Studios, Showtime, BCCI (Board of Control for Cricket in India), IPL (Indian Premiere League), Hindustan Unilever Limited, The Associated Press, A&E TV Network and Schawk! Prime Focus worldwide network of studios and WorldSourcing model supported by a Global Digital Pipeline allows PFT to offer customers transformational solutions that help them virtualize business processes around content and manage the business of content better. In April 2014, PFT acquired DAX, the creators of the Primetime Emmy Award winning Digital Dailies Prime Focus is listed on the NSE and BSE in India. www.primefocustechnologies.com 2014 Prime Focus Technologies. All Rights Reserved.