Editorial. Wim Van Deuren, Product specialist, Roland Central Europe. There are things that are inextricably linked to a brand name or a type name.

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DIGITAL PIANO CATALOGUE 2011 EDITION

Editorial There are things that are inextricably linked to a brand name or a type name. all these things helped give the (digital) piano its present shape: a symbol of music par excellence. But not so the topic of this catalogue - the piano. The rich history of the piano spans three centuries, letting loose just as many models as types made by just as many manufacturers on the musical world. Some of these models and brands grew to become legendary instruments; others disappeared ingloriously or are now no more than mere humorous footnotes in the history of the piano. But we actually appreciate this variety nonetheless. It is only thanks to the inventiveness of the manufacturers that we are able to make music on an instrument of such quality. Starting from the revolutionary piano hammer mechanism developed by Cristofori to improvements such as the steel frame, escapement action and - later, in the digital era - the continuous improvements of sample possibilities and virtual emulation software... Equally universal as it is versatile; equally indispensible as it is applicable. The piano is for the musician what the compass is for the sailor: the link between here and there. Even if the piano cannot be so easily kept in a shirt pocket like a compass... Wim Van Deuren, Product specialist, Roland Central Europe

The piano In the beginning of the eighteenth century, the harpsichord was undisputedly the most popular instrument. However, the mechanism of the harpsichord (in contrast to the piano, the strings of a harpsichord are plucked with a plectrum) results in the rather limited sound level of the instrument: it is impossible to play both loudly and softly. For more than three decades, Roland has been at the forefront of digital piano research and development. This continual determination to maintain a spirit of innovation has led to quite a number of legendary milestones including the EP-30, the RD-1000, the acclaimed HP Series and of course the revolutionary V Piano. In 1695, Bartolomeo Cristofori had a luminous idea: he designed a piano hammer mechanism with which the strings could be struck. This invention made it possible to play the instrument dynamically: the strength with which the string is struck is translated into a soft (piano) or a hard (forte) resonance of the string. We are proud to be able to present you with our new and enhanced piano series at the beginning of this new decade. The V Piano with its unique technology, the brand-new HP series and the classical grand pianos of our RG series: all these instruments were created by people with a passion for music... for people with a passion for music. Although the instrument was not met with overwhelming enthusiasm, it had its definite breakthrough after 1750 (after the Baroque period and at the beginning of the classical era). In the course of time, the piano was developed further, adapted and enhanced. By the end of the 19th century, the piano as we now know it had become the most popular instrument of its day. The emergence of blues, jazz and pop music in the 20th century also facilitated the break-through of electric and electronic instruments. In particular with the rise of the digital era, the electronic piano underwent a remarkable evolution. "The piano is the most popular instrument per se

Virtual pianos. oland's product range includes different types of pianos. We don't mean the type of instrument (such as grand piano, home piano and stage piano), but rather what is underneath the cover... Our V Piano and V Piano Grand are instruments that make use of the V Piano technology. This technology is based on the virtual emulation of all aspects of a piano's sound. This is why it is possible to control and adjust the sound of the piano down to the most minute of details. To a large extent, our SuperNATURAL Piano technology makes use of the V Piano technology. The most significant difference between the two technologies is that the V Piano technology creates sounds completely virtually, whereas the SuperNATURAL Piano technology is based on samples. Roland guarantees high-quality samples - top-class basic material, so to speak. Our SuperNATURAL Piano technology, in turn, guarantees that we get the best out of this material, making use of these high-quality samples. of course also equipped with immaculate basis material (high-quality samples) and provide an excellent piano experience. Concerning the processing and modification of the piano sounds, these pianos are less sophisticated than the ones equipped with our SuperNATURAL Piano or V Piano technology. Therefore, we believe that our pianos equipped with the sample technology are ideal pianos for those beginning to learn the piano. We have listed all our models in this catalogue. Please take your time to read through all this information in order to be able to make a well-founded choice. Should you still have questions after having read this information in its entirety, please don t hesitate to contact one of our product specialists on 01792 702701. But don't forget to consider rule number one when purchasing an instrument: play it! Please visit a dealer in your area (you will find a dealer locator at www.roland.co.uk), take a seat behind one of our pianos and... play! We are quite sure that our pianos will seduce and persuade you right away! A number of models still make use of the "standard sample technology". However, these models are

V Piano technology The V Piano technology was first introduced in 2009 with the launch of the first V Piano. And right from the beginning, this unique concept was appreciated by pianists the world over. The V Piano is (still) unique amongst its contemporaries: the sound is created without the use of one single sample. No other technology can rival this performance - and no other technology is consequently able to achieve such detail when adjusting and creating its own sounds. V PIANO VS. SAMPLE TECHNOLOGY A digital piano that makes use of the standard sample technology, is actually based on a very simple mechanism: samples of an acoustic piano are recorded in a studio; these samples are saved in the memory of a digital piano and are assigned to a key. If you strike the key of a digital piano, the corresponding sample is "played" and you hear the sound. This is - quite simply - how a sample piano actually works. The V Piano, however, does not use samples. If you strike the key of the V Piano, no previously recorded sound is played. But how is the sound actually created? In the case of the V Piano, the piano sound is stripped to the bone. Or should we say: to the string? The sound of an acoustic piano is indeed more than a hammer that makes the string resonate - the sound of an acoustic piano is the sum of a number of parts or aspects, which together give each piano its unique acoustic colour. It took Roland more than ten years of research and development to strip the sound of an acoustic piano to the very basics and to map it out. All these facets of the piano sound are digitalised - or better: mathematised. These uncountable mathematic formulas form the basis of the V Piano; formulas that create a sound wave. It is because we are no longer dependent on a source, which was recorded previously (i.e. a sample), that we can go much further in terms of sound. The V Piano, which does not depend on previously recorded source material, is able to produce a more nuanced and richer sound than any other digital piano. MAKE INDEFINITE SOUNDS Due to the technology incorporated within the V Piano, it is not only possible to simulate an acoustic piano down to the most minute of details... we can even go further than that what is even conceivable on an acoustic instrument. We can play with the components of the piano by virtually exchanging the wooden soundboard with a metal soundboard. We can make the soundbox of the piano out of glass; we can change the material of the strings; we can even adjust the number of strings per key. This means that the V Piano not only enables us to follow all avenues known already for the piano, but we are also able to discover new horizons and go beyond the boundaries of the acoustic piano. EVOLUTION Yet another invaluable advantage of the V Piano technology: expandability! The incredibly strong technology at the core of this type of instrument enables us to continuously develop the technology further and to expand its features. In 2010, for instance, the V Piano's standard sound range was expanded to include new models and new possibilities. This upgrade, termed Evolution by us, is available for each V Piano and can be downloaded for free from our website. With the V Piano you purchase an instrument for life: an instrument that is just as up-to-date now as it will remain for the years to come.

The piano redefined The acoustic piano is and remains an impressive example of musical and optical rationality. Although the instrument has developed over the centuries to meet the needs of composers and musicians, the basic principle has remained unchanged. Roland s V Piano redefines the classical piano. Owing to the large range of functions, you may tune the V Piano according to your own requirements and play it as expressively as an acoustic instrument. But that's only the the beginning. With the "living" sound engine inside, the V Piano soars above the limits of all physical and technological solutions of all existing acoustic and digital instruments. This is a musical instrument - with emphasis on "musical" - with a great number of expressive possibilities. starting from when the hammer hits the strings. The timbre evolves quite naturally and depends on the force with which you press the keys. Whereas this is realised in clearly audible steps on a digital piano, the V Piano masters it seamlessly. The notes of the V Piano fade out naturally, too. The fact that no samples are used prevents a sterile end of the sound made by the note. The V Piano is the first electronic instrument that replicates an acoustic piano down to even the most minute of details. ADVANCED SOUND CREATION BASED ON ACOUSTIC PIANO COM- PONENTS An acoustic piano produces a sound when a key is pressed. This causes a small hammer to hit the allocated metal strings. The resulting sound causes other strings to resonate as well. The frame, the soundboard and the cabinet amplify these vibrations. This process was fundamental in the development of the V Piano. The complex interaction of components was recreated meticulously, resulting in a rich, realistic and organic grand piano sound. ONLY THE V PIANO OFFERS THE EXPRESSIVE CAPABILITIES OF AN ACOUSTIC GRAND PIANO NEW PHA III KEYBOARD WITH IVORY FEEL AND PRESSURE POINT ( ESCAPEMENT ) The V Piano is equipped with a new keyboard, with which the numerous nuances of the soundboard can be fully used. The PHA III Ivory Feel keyboard with escapement performs even better than its predecessor and responds much more dynamically to your touch. Moreover, the keyboard of the V Piano replicates the escapement mechanism, i.e. the slight resistance of the keys when pressed down. This particularly improves expression when playing pianissimo parts. The name Ivory Feel refers to the material used, which absorbs the moisture, so that your fingers won t slide off - not even in the hottest of locations. All you need to do is press just one key of the V Piano to realise that this instrument indeed lives. This is due to the fact that the V Piano replicates every detail of an acoustic grand piano's sound-creation process, Strings Soundboard Damper Frame Keyboard/action

Vintage FOR THE DEMANDING CONCERT PIANIST. ALMOST PERFECT CLASSICAL PERFORMANCE. V Piano's "Vintage" model is based on a meticulous analysis of the great acoustic concert pianos of the past. Roland's master sound designers did a great job: the realism and the sound quality are stunning. The fine-tuning of the strings, the hardness of the hammers, the complex resonance and many other parameters can be adjusted. With the V Piano, you can even create instruments that have that little something which some pianists might miss in modern grand pianos. THE MOST IMPORTANT VOICING PARAMETERS: This efficient approach enables you to draw on the perfect piano for each piece, even when playing live music. Finally, one single instrument sounds like all existing and all those yet to be invented pianos in one! Copper-wrapped strings, Editor: the pitch can be set Silver-wrapped strings, three strings per key separately for each key zone three strings per key THE V PIANO MAKES SHORT WORK OF THE LIMITATIONS OF PAST TECHNOLOGIES "BUILD" YOUR OWN PIANOS THAT PERFECTLY MIRROR THE ATMOSPHERE OF YOUR MUSIC AND REPERTOIRE The parameters of the V Piano are crystal clear, i.e. you can even tailor the complex interaction between the strings, the frame, the soundboard and the cabinet to your personal needs. V Piano's "Vanguard" model provides you with the perfect "equipment" for creative piano sounds. This gives you the freedom to decide to use a piano with three strings for every key, even in the low register, or to use strings wrapped in copper or made of steel. Sounds that seemed to be impossible, are not a problem at all anymore and what's more, they sound very natural. And if you want to accentuate your musical statement even further, you can make use of three (virtual) strings in the low register. The V Piano contains separate parameters for each register, enabling you to easily build up your "ideal" piano - without having to worry about the physical limitations of an acoustic instrument. At your choice, V Piano's Vanguard comes with silver-wrapped strings and therefore has a fresh and even "bold" sound. Since silver strings are a little softer and heavier than copper strings, the Vanguard model provides extra-hard (virtual) hammers to compensate. The V Piano is able to make your dream of the perfect piano come true. Choose your sustain and optimal brilliance. If necessary, you can change the acoustic colour during playing with a pedal by assigning cross resonance or the hardness of the strings to it. And of course you can also tune the piano yourself. Adjusting the hardness of the hammers Tuning the strings Enrich your vocabulary with "historical" and "avant-garde" pianos

V PIANO GRAND A grand piano to the core FEATURES With its groundbreaking approach to grand piano modelling, and incredibly realistic sound and response, Roland's V Piano has received practically all prestigious international awards and accolades since its debut in 2009. And since then, it has become the first choice for many of the world s most discerning pianists. So how does a strong concept like this evolve? The answer is: V Piano Grand. Built into an elegant grand piano cabinet, and with a unique, multi-channel sound system that reacts naturally to your playing, this exquisite instrument blurs the line between the digital and acoustic worlds, leaving room for just one conclusion: this is a magnificent instrument. Besides, the V Piano Grand is more than just another sound engine in disguise: the technology has been further refined, and new piano models have been added to the onboard library. Welcome to a new world of boundless musical and technical possibilities.

Revolutionary V Piano modelling technology in a stylish grand piano cabinet Multi-channel amplifier system for an "acoustic" grand piano sound High-quality PHA III Ivory Feel keyboard with escapement Progressively adjustable damper pedal with the same response as an acoustic grand piano Splendid, classical and sophisticated grand piano cabinet New piano models that are perfectly tuned to the V Piano Grand MORE INFORMATION AN INSTRUMENT OF FLESH AND BLOOD The V Piano Grand soars above the limitations of past technologies with its revolutionary "living" piano engine. Each note played sounds "real" from beginning to end. With the V Piano Grand, there is no velocity switching or looping, resulting in smooth, natural notes that must be heard to be believed. Organic, natural, beautiful - the V Piano Grand is a dream to play. SPACE FOR THE SOUND Unlike any instrument before it, the V Piano Grand's built-in sound system employs intelligent multi-channel audio technology that fills the room with amazing spatial sound in which the player and audience actually forget that the sound is really being produced by speakers. Each and every component of the piano sound is allocated to the appropriate location immediately, changing fluidly and naturally based on the performance. This results in a natural 3D sound pattern, so to speak. From the player's perspective, hammer clicks sound closer, for example, and ringing strings are at a distance. Each element is allocated intelligently in real time and space to create a perfect acoustic illusion. And even from a distance (i.e. in the audience) you really have the impression that this just cannot be a digital instrument... Furthermore, sound spaces are uniquely created for each piano model. This amazing feature is unique to the V Piano Grand.

SOUND DESIGNERS The V Piano Grand contains "Vintage" piano models that come very close to an acoustic, high-class grand piano with regard to maturity and richness. In addition, there are futuristic "Vanguard" models and the possibility to create your own sounds. Vary the hardness of the hammer felts and experiment with exotic string configurations, tunings and materials, such as all-silver triple strings for each key. Play on a dream grand piano or "build" your own dream instrument - everything is possible. INNOVATIVE CABINET In a Roland first, the V Piano Grand lets you enjoy the aesthetic beauty of the mirror-finished fallboard while also concealing the control panel. In addition, the fallboard can function as a sliding lid. In the past, Roland pianos had either a fallboard or sliding-type lid, but the V Piano combines both these principles to ensure a "classical" impression: only when the lid is fully opened, the control panel is visible. To conceal the control panel, the opened lid just needs to be slid a little further. Naturally, the music rest can be folded down. If you close the lid as well, the top of the V Piano Grand is completely flat. TECHNICAL SPECIFICATIONS Keyboard: 88 keys (PHA III Ivory Feel keyboard with escapement) Sound generator: V Piano Maximum number of sound-producing virtual strings: 264 (varies depending on the load of the sound generator) Dimensions: 1,485 (W) x 1,505 (D) x 1,544 (H) (open lid) / 1,485 (W) x 1,505 (D) x 939 (H) (closed lid)

V PIANO EVOLUTION New system version for the V Piano FEATURES FOUR NEW PIANOS! Roland's revolutionary V Piano is warmly received by ambitious pianists all over the world. Thanks to a completely new approach to the term "piano synthesis", the V Piano goes well beyond the digital pianos that are based on samples. This upgrade of the control system adds four new piano models to the original V Piano range. All V Piano owners can download this upgrade from the Roland website at no charge. Four new models for the V Piano: two Vintage and two Vanguard types. Vintage type: Vertical (warm sound of a square piano), V1 Im- pactance ( Vintage 1 piano with heavier hammers for more power and energy) Vanguard type: Triple Large (model of a piano with three strings per note and a larger cabinet), Metallic SB (based on the existing All Silver model, but with a new soundboard based on a sandwich construction with metal and wooden plates for a high, clear sound). All V Piano owners can download this upgrade from the Roland website at no charge. MORE INFORMATION A NEW HIGHLIGHT With a sound engine of "flesh and blood", the V Piano soars above the limitations of past technologies. As a result of the fact that samples are not

used, each note played sounds "real" from beginning to end. With the V Piano Grand, there is no velocity switching, resulting in smooth, natural notes that must be heard to be believed. COMPILE YOUR DREAM COLLECTION The V Piano contains numerous presets of the world's best grand pianos, but you can just as well model all sound aspects to your individual needs. Vary the hardness of the hammer felts and experiment with exotic string configurations and tunings, play on a dream of a grand piano or "build" your own dream instrument - everything is possible. NEW PHA-III IVORY FEEL KEYBOARD The PHA-III keyboard of the V Piano contains an escapement simulation and the Ivory Feel function. Thanks to a revolutionary technology, this keyboard feels like the (white) ivory and (black) ebony keys of an acoustic instrument - with the same refined responses. Even the slight clicking feel when releasing the (virtual) hammers of the keys is simulated. INTUITIVE BUT STILL COMPLEX Despite the many technological innovations, the V Piano contains a logically structured control panel and a user interface that promptly guides you to the required sound. Even the most minute of details can be changed without any great technological capabilities being necessary, i.e. within a few minutes, you will hear precisely the sound that you always wanted to use. TECHNICAL SPECIFICATIONS Revolutionary "living" piano soundboard engine, which eliminates the constraints of a digital piano Impressive piano sounds, from grand piano to fresh, futuristic hybrid sounds All pianos can be edited New PHA-III Ivory Feel keyboard with escapement (88 keys) Analogue (XLR and 1/4 ) outlets and digital coax outlet, USB port for data carrier and MIDI inlets/outlets Power consumption: 27 W Dimensions: 1411 (W) x 530 (D) x 166 (H) mm Weight: 38.2 kg Accessories: manual, CD ROM ( editor ), piano pedal unit, power cord Options: keyboard stand

Supernatural pianos. Our SuperNATURAL Piano technology is a sophisticated combination of the established sample technology and the innovative V Piano technology. The core of the sound production are high-quality samples. But with the SuperNATURAL Piano technology, we go beyond the "traditional" sample technology. Way beyond... THREE PILLARS The SuperNATURAL Piano is based on three elementary pillars: seamless tone variations, smooth and natural tone decay and expressivity in every single key WHAT DOES THAT MEAN PRACTICALLY? SEAMLESS TONE VARIATIONS DEPEND- ING ON TOUCH Conventional piano sound engines (usually) incorporate several different tones per key, but the switch between these different tones depending on touch can usually be heard. However, acoustic pianos do not have this characteristic: their acoustic colour varies continuously (i.e. seamlessly). Our new SuperNATURAL Piano sound engine eliminates this unnatural phenomenon. Through our V Piano technology, we have been able to achieve natural and seamless variations in tone, making the difference between virtual and acoustic instruments yet a little bit smaller. SMOOTH AND NATURAL TONE DECAY After you strike a key, not only its volume but its tone changes as it decays. Most digital piano sound engines are actually able to reduce the volume of the struck key, but the tone usually remains static. The SuperNATURAL Piano sound engine changes all this. With its use of the V Piano technology, the tones decay just as they would on an acoustic piano - they not only become quieter, but also increasingly subdued. EXPRESSIVITY IN EVERY SINGLE KEY The strings of an acoustic grand piano have different lengths and thicknesses. The number of strings and the size of the hammers differ, too. In addition, the resonance of the soundboard, the cabinet and the other strings always depend on the pitch of the played notes. Therefore, each note sounds slightly differently. Our instruments of the HP series were one of the first digital pianos to feature 88-key stereo multi-sampling. Roland first sampled all 88 keys from a variety of world-class grand pianos. We then analysed and synthesised these tones using Roland's state-of-the-art digital technology to develop a high-quality, very expressive piano sound.

RG-3F-PE A breakthrough instrument with the soul of a classic T o an observer, it s an object of beauty for the eyes and ears. For an artist it's like coming home. Anyway, the intention during the development of the RG-3F was clear: Roland wanted to build a mini grand piano in a classical look, which thanks to the SuperNATURAL technology also sounded as versatile as an acoustic instrument. THIS INSTRUMENT IS JUST SUBLIME. The PHA III "Ivory Feel" keyboard with escapement provides an authentic feeling and response, while the four speakers were chosen and placed with a persuasive sound quality in mind. Perfect for homes, hotels, restaurants and environments that can benefit from a great-sounding, great-looking piano, the RG-3F is compact in its dimensions and attractively priced. MORE INFORMATION Advanced SuperNATURAL Piano engine provides a new level of authenticity and sophistication "Piano Designer" feature allows customisation of sounds (resonance, hammer noise, etc.) PHA III "Ivory Feel" keyboard with escapement provides grand-piano feel and response Beautifully polished mini grand finish - the fallboard reflects the performer s hands while playing Progressive Damper Action pedals provide accurate response and resistance of the pedals Compact instrument (depth of 95 cm) Built-in amplifier system with 4 speakers (60 W x 2) Clear operation panel that s easy to use Lightweight, fall-safe lid with lock mechanism and two-position height adjustment

RG-1F-SB Contemporary mini grand goes SuperNATURAL Inheriting most of the functions of its RG-1 predecessor, the RG-1F goes upscale with the new SuperNATURAL Piano engine and PHA III "Ivory Feel" keyboard. The stylish satin black finish blends elegantly into any environment, while the built-in speaker system provides rich, stereo sound. And

did we already mention the special features of the RG-1F? It is equipped with a USB port and contains exercises, which makes it a pleasure to refine your technique. Advanced SuperNATURAL Piano engine provides a new level of authenticity and sophistication "Piano Designer" feature allows customisation of sounds (resonance, hammer noise, etc.) PHA III Ivory Feel keyboard with escapement Beautifully streamlined grand piano with a lid that can be opened and closed (73 cm depth, 75 kg weight) Progressive Damper Action pedals provide accurate response and resistance of the pedals Stylish satin black finish with gold-cuffed legs Internal stereo speaker system with rich, natural sound Clear operation panel that s easy to use Lightweight, fall-safe lid

LX-10F TRADITIONAL PIANO FUNCTIONS Design and quality JUST BEAUTIFUL... The LX 10F s polished ebony and satin black finish emanates superiority. The look is strong and bold, yet the depth of the piano is only 45.3 cm. The fallboard s interior has a mirror finish that reflects the keyboard and moving fingers in the style of a grand piano. The fallboard can also be used as a music rest when opened. Due to a special mechanism, it closes smoothly and gently, combining both safety and aesthetic grace. In addition to its beautiful appearance, the movable top lid also shapes the piano s overall tonal character. This enables you to change between soft and clear sounds. All cables of the LX 10F are discretely hidden away and invisible when placed against a wall. But even its back is perfectly finished, i.e. it is also possible to place this instrument in the middle of the room. NATURAL SOUND DESPITE SPEAKERS The LX 10F is equipped with a high-quality, internal speaker system. By taking advantage of the piano s vertical cabinet chamber with six speakers in optimal positions, the LX 10F is able to produce sounds that fill the room with a rich, resonant tone. PEDALS THAT REACT ACCURATELY TO YOUR TECHNIQUE AND EMOTIONS The LX 10F's damper and soft pedals react even to the slightest of touch. Moreover, their response is absolutely natural and authentic. This enables you to precisely control how much the dampers should damp the resonance of the strings. If you release the pedal just a little bit and press it down again, the (simulated) string remains resonating, while the resonance of the damper also remains intact. THE RICHNESS OF A CONCERT GRAND All sounds of the LX 10F are based on samples of the world's best acoustic grand pianos. Some sounds even use several separate stereo samples for each of the 88 keys. Roland spared neither trouble nor expense to collect these beautiful sounds and accompanying resonances. If you wish, you even have the resonances of a duplex scale at your disposal for a clearer high register. Either way, the sound will always be impressive. Yet, if you still have other preferences, the "Piano Designer" feature enables you to change resonance, hammer sound and other important details. With its 128-voice polyphony, the sound engine of the LX 10F is actually spacious enough to prevent notes from falling off when the pedals are frequently used. RESPONSE OF A CLASSICAL GRAND PIANO The LX 10F is equipped with our Ivory Feel PHA II keyboard ( Progressive Hammer Action II ). It has the advantage that the white keys feel like ivory, whereas the black keys seem to be really made of ebony. The moistureabsorbing characteristics of the keys' surface give your fingers a good grip and prevent them from slipping off. And the white keys have the same dual construction as a grand piano's keys (i.e. a basic layer and a finish layer). Not only does this contribute to a beautiful appearance, but it also meets the requirements of experienced pianists. The natural response is due to the counterweight of the hammers no springs are used in the mechanism. Moreover, the keyboard of the LX 10F simulates the escapement mechanism, i.e. the light resistance of the keys when pressed down.

LX-10F Classic cabinetry with SuperNATURAL piano technology At first glance, the LX-10F looks exactly like other traditional square pianos, but owing to the sophisticated SuperNATURAL sound engine, the disadvantages of such traditional instruments have been eliminated. It is unique in its price range, since its rich and three-dimensional tone sounds confoundedly acoustic. Owing to the superior PHA III Ivory Feel keyboard, the LX-10F's action and response are surprisingly authentic, too - and the high-quality amplifier system ensures that you actually can hear all these nuances. Advanced SuperNATURAL Piano engine provides a new level of authenticity and sophistication "Piano Designer" feature allows customisation of sounds (resonance, hammer noise, etc.) PHA III Ivory Feel keyboard with escapement Traditionally styled pedals with "Progressive Damper Action" and half-pedal recognition Stylish, space-saving cabinet with beautifully polished ebony and satin black hybrid finish 6-speaker system provides natural, rich sound Top lid can be opened/closed for tonal variation; fallboard can be used as a music rest when open

LX-10F LEARNING AND PLAYING WITH MUSICAL PLEASURE Learn and play USEFUL EDUCATIVE FUNCTIONS The LX 10F contains several useful functions for studying and learning, such as a metronome to keep the rhythm and a three-track recorder for the critical and objective analysis of your interpretations. The Twin Piano feature divides the piano into two separate instruments, enabling two pianists to play side by side in the same register. Anyone will progress with this variety of educative functions! PLAY YOUR FAVOURITE MUSIC The LX 10F contains a long list of classical compositions and jazz pieces. Additionally, the LX 10 can play songs* on data carriers**, such as audio CDs*** as well as standard MIDI files and audio files on USB memory sticks. You can not only change the tempo and the tone of the LX 10F's internal and external music pieces, but you can also switch off the left-hand or right-hand part to play it yourself, while the instrument plays the other part. It is even possible to change the tempo and tone of pieces from an audio CD or WAV files, enabling you to be accompanied by your favourite music. The available repertoire is only limited by your CD or standard MIDI file collection. * Compatible formats: Standard MIDI files and WAV files ** USB data carriers, CD-ROM and disks; playing of data on a CD-ROM requires an optional USB CD drive (CD-01A); disks can only be played with an optional USB disk drive (FD-01A). *** Playing of the data requires an optional USB CD drive (CD-01A). NEVER TUNE AGAIN! JUST ONE OF THE NUMEROUS ADVANTAGES OF THE LX 10F Since the LX 10F is a digital instrument, it does not contain strings and therefore there's no need to tune it. Not even the greatest variations in temperature and air humidity will have any influence on the tuning of the instrument. In addition, the LX 10F is equipped with a volume control button and a headphone jack, meaning that you don't have to disturb anyone. Compared to an acoustic piano, the LX 10F is light-weight and can be placed anywhere quite easily. This explains why Roland's pianos are so popular: they produce a fantastic sound - anytime and anywhere.

HP SERIES "An unrivalled realism in sound, action and playing sense" OUR HP SERIES HAS BEEN GAINING ITSELF A REPUTATION IN THE PIANO WORLD FOR QUITE A WHILE NOW. In the beginning of the 1990s, Roland was the first instrument manufacturer to acquaint the world with the first completely digital grand piano, the HP- 7700. Our commitment to improve and embellish our instruments has now resulted in the brand-new HP series: the HP302, the HP305 and its flagship, the HP307. And the highlight of the new range is our SuperNATURAL Piano technology. This technology is based on the powerful V Piano engine, offering unrivalled realism in sound, action and playing sense. The HP307 enables you to adjust practically

any aspect of your sound. This gives you access to an enormous variety of acoustic colours. And the PHA III keyboard with double escapement and "Ivory Feel" ensures that all nuances are translated into musical expression. MORE INFORM ATION Superior SuperNATURAL Piano sound quality (HP307/305/302) PHA III "Ivory Feel" keyboard with escapement (HP307), PHA II "Ivory Feel" keyboard with escapement (HP305), PHA II keyboard with escapement (HP302) The fallboard of the keyboard can be half closed, concealing the control panel ( classic position ) Piano Designer feature with more parameters than ever before (HP307) The special speaker housing ensures a powerful and full sound (HP307) Legs at the front for a deluxe look, 3 classically formed pedals (HP307/305/302) and foldable music rest (HP307/305) Advanced Twin Piano mode ( Individual ): two pianists can play on the same keyboard - side by side - without hearing or disturbing each other (HP307/305/302) USB host port for data carriers or an optional CD player (HP307/305/302) Exquisite design MIRROR- FINISHED BL ACK HP307 - HP305 Owing to a slight "mirror effect", the satin black finish of the HP307 and HP305 will captivate many a pianist. This is the design of choice for pianists, who appreciate a modern but at the same time elegant appearance. ST YLI SH AND YE T COMPACT DESIGN FOR E VERY INTERIOR All models of the new HP series are equipped with a fallboard with a "classical position", i.e. a position in which the keyboard is easily accessible, while the control panel is invisible. This position has the advantage that the audience is not distracted, giv-

HP307PE ing the instrument an "acoustic" look. The fallboard's edges are now also elaborated with veneer finish, ensuring an even more authentic appearance of the instrument. L ARGE MUSIC REST WITH MUSIC SCORE HOLDER FOR SMOOTH PL AYING ON SIGHT HP307 - HP305 The HP307 and HP305 come with stylish copper music score holders to prevent your music scores from falling shut during playing. In addition, the HP307 and HP305 have an extra large music rest, enabling you to use large music books as well. Of course, the music rest can be folded down to never block your view needlessly. Sublime technology THE NEW TWIN PIANO MODE OFFERS TWO PIANISTS THE POSSIBILITY TO PLAY SIDE BY SIDE Our popular Twin Piano mode comes in a yet more sophisticated design. Using the 2 headphones, two pianists can practice on the left side and the right side of the keyboard without hearing or disturbing each other (individual mode). This feature comes in handy when the offspring must practice "briefly" right before going to bed and you only have one HP piano. USB PORT FOR EXTERNAL DATA CARRIER OR CD PLAYER All pianos of the HP series are equipped with a USB port, enabling you to save your own record-

ings and play WAV files and SMF data. If you wish, you can even connect a USB compatible CD drive and play your favourite CD. WITH THE 3-TRACK RECORDER, YOU CAN RECORD AND PLAY THE LEFT-HAND AND RIGHT-HAND PART This function enables you to record, save and play up to 3 tracks of your own performances and compositions. If you use the built-in pieces to study new repertoire, you can start with one hand and work on the other hand later on. This procedure can be applied to the recording feature, too, if you are afraid that you won't be able to play both hands correctly. Your recordings can be saved to a USB data carrier, making them available for educative purposes.

HP307-RW THE HP SERIES IS AVAILABLE IN THE FOLLOWING DESIGNS: HP302-SB SATIN BLACK ROSEWOOD HP305-PE POLISHED EBONY SATIN BLACK ROSEWOOD HP307-PE ROSEWOOD POLISHED EBONY SATIN BLACK

RP201 Many features, economically priced The RP201 brings Roland s superb piano sound and hammer-action keyboard into a compact and classy instrument. The gorgeous, grand sound is made all the more realistic by the resonance-behaviour modelling for string, damper and the typical sound when releasing the key. Furthermore, the RP201 comes with handy educative features: a metronome, a recording function and the popular Twin Piano mode for four-hand- ed use within the same pitch range. The user-friendly panel features dedicated buttons for ease of use and fast navigation. Another important feature is the instrument s low power consumption without sacrificing output level. This model is available in satin black and rosewood.

THE RP201 IS AVAILABLE IN THE FOLLOWING DESIGNS: RP201-SB SATIN BLACK RP201-RW ROSEWOOD

HPi-7F / HPi-6F New active educational functions With core technology derived from Roland s awardwinning V Piano, the pianos of the HPi-F series feature amazing SuperNATURAL Piano sound engines, PHA Ivory Feel keyboards and interactive "DigiScore" training programs. A large, flat-screen display is built into the music rest of each piano, providing digital sheet music and a variety of skill-building programmes to improve your technique. "DigiScore" makes learning fun, because you get instant feedback of your performances and how evenly your finger strength is distributed. These incredibly sounding educational pianos fully realise the dreams of piano students, teachers and performers of all ages, playing these pianos time and again with the greatest of pleasure. With the acclaimed SuperNATURAL Piano engine onboard PHA III Ivory Feel keyboard (HPi-7F), PHA II Ivory Feel keyboard (HPi-6F) DigiScore feature via display in the music rest (10.4 for the HPi- 7F, 7 for the HPi-6F) Play along with digital sheet music, improve your technique interactively, play skill-building games, and more Built-in rhythm and auto-accompaniment features Microphone input and vocal harmony effect (HPi-7F) Beautiful wood cabinets: satin black or rosewood finishes

THE HPi SERIES IS AVAILABLE IN THE FOLLOWING DESIGNS: HPi-7F-RW HPi-7F-SB HPi-6F-SB HPi-6F-RW ROSEWOOD SATIN BLACK SATIN BLACK ROSEWOOD

F-110 Compact design with unique folding lid The newest member of Roland s compact digital piano line-up is the eye-catching F-110. Featuring an attractive wooden cabinet in gorgeous satin black, red or white finishes, blending well with any home environment. With its multi-sampled piano sound and high-quality library of sounds plus its unique cabinet with folding lid, acclaimed keyboard touch and the intuitive user interface, the F-110 is a smart choice for the budget and space-conscious musician. Folding lid cabinet design covers the keyboard when closed and functions as a music rest when opened Satin black or white finish 3-pedal unit of metal embedded in the stand User-friendly control panel with quick access to essential functions Multi-sampled piano onboard, along with a high-quality collection of sounds 128-voice polyphony PHA alpha II keyboard with 88 keys

THE F-110 IS AVAILABLE IN THE FOLLOWING DESIGNS: F-110-SB F-110-WH F-110-PE F-110-PW F-110-PR SATIN BLACK SATIN WHITE POLISHED EBONY POLISHED WHITE POLISHED RED

DP-990F / DP-990RF The new piano perfection with SuperNATURAL technology With Roland s groundbreaking SuperNATURAL Piano technology onboard, the DP990F brings a new dimension of acoustic-piano realism and authenticity to the digital domain. The magnificent PHA II keyboard is built into a stylish, space-saving cabinet with a flat lid that can be used as a music rest when opened. It s a new breed of musical sophistication and functional style. DP990F is available in medium cherry and satin black finishes. The DP990RF offers additional luxury with a polished ebony finish and an even more expressive PHA II "Ivory Feel" keyboard. * Except for the PHA II Ivory Feel keyboard and the satin black finish, the DP990RF is identical with the DP990F. Advanced SuperNATURAL Piano engine provides a new level of authenticity and sophistication Contains an amazing collection of 337 sounds PHA II keyboard with escapement (DP990F); PHA II Ivory Feel keyboard with escapement (DP990RF) 72 built-in play-along songs and for exercise purposes; additional.wav and MIDI files can be played from USB memory stick, CD drive (optional) can be connected "Twin-Piano" function splits the keyboard into two zones for side-by-side play; the notes of each zone can be played via the separate dual headphone outputs Stylish and compact cabinet with lid Built-in amplifier system with 4 speakers (60 W x 2) Medium cherry and satin black finishes (DP990F), polished ebony finish (DP990RF)

THE DP-990F/RF IS AVAILABLE IN THE FOLLOWING DESIGNS: DP-990F-SB SATIN BLACK DP-990F-MC MEDIUM CHERRY DP-990RF-PE POLISHED EBONY

SHOWN: FP-7F-WH WHITE FP-7F Groundbreaking features, enhanced creativity The new FP-7F takes Roland s popular FP-7 piano concept and injects four major components into the topselling design: a SuperNATURAL Piano engine, an allnew PHA III "Ivory Feel-S" keyboard with escapement, an onboard looper and a microphone input with automatic vocal harmony effect. This compact, contemporary piano is available in black and white finishes, with an optional RPU-3 triple-pedal unit and matching KSC-44 stand separately available. From professional stage entertainers and live musicians to demanding hobby musicians, the FP-7F is a great leap towards a more creative future. ALSO AVAILABLE: FP-7F-BK BLACK

SHOWN: FP-4F-BK BLACK FP-4F Superb piano quality that travels light The new travel-friendly FP-4F is the mobile successor to the most popular FP-4, adding a number of extra features: our SuperNATURAL Piano engine and the new "Ivory Feel-G" keyboard with escapement. Thanks to its built-in, 12 W x 2 stereo speaker system, the FP-4F can be used anywhere for "a little music", with no extra cables or amplification necessary. This compact, contemporary piano is available in black and white finishes, with an optional RPU-3 triple-pedal unit and matching KSC-44 stand separately available. Both for live and demanding hobby musicians, the FP-4F is a great leap towards a more musical future. ALSO AVAILABLE: FP-4F-WH WHITE

Keyboard. Superior touch THE PHA (PROGRESSIVE HAMMER AC- TION) III KEYBOARD IS EVEN MORE EXPRESSIVE AND MASTERS FAST-REPEATING NOTES AS WELL The PHA II keyboard of the HP305 and HP302 already offers a superior response. The "touch" of this unique Roland piano is almost identical with an acoustic piano's action. THE ESCAPEMENT MECHANISM TURNS THE RESISTANCE INTO THE NATURAL FEEL OF A GRAND PIANO KEYBOARD Press a key slightly to feel the resistance, which disappears again after a short while. This unique "click feeling" is called "escapement" in technical terms and is a typical characteristic of a grand piano's keyboard. The pianos of the HP series are most certainly suitable for any customer looking for authentic action and response. The action does not make use of springs but moving hammers that can also be found in acoustic instruments. Therefore, it is possible to distinguish exactly between pianissimo and fortissimo and it feels like playing on a "real" piano, since the keys in the low register are just a little heavier than the ones in the high register. The HP307 is equipped with a PHA III keyboard, going beyond the PHA II keyboard with regard to expressivity and repeating performance. Furthermore, slight differences in nuances are detected more easily and forwarded to the sound engine. This piano will convince even the most demanding of pianists. THE "IVORY FEEL" KEYBOARD: THE MORE YOU PLAY IT, THE MORE FAMILIAR IT WILL BECOME Both the HP307 and the HP305 are equipped with an "Ivory Feel" keyboard. This type of keyboard is very much appreciated among pianists. Owing to the special, moisture-absorbing material, the keys not only look like, but also have the texture and simulate the playing feeling of ivory and ebony keys of exclusive grand pianos. The white keys are made up of two parts, i.e. a basic layer and a finish layer, replicating the keys of an acoustic piano. This structure subdues the clicking sound of your finger nails on the keys and provides an attractive look.

Perfectly playable A CONSIDERATE KEYBOARD OFFERS THE PIANIST AN EVEN RESPONSE - BOTH AT THE FRONT AND THE BACK OF THE KEYS. When playing pieces that require extensive use of the black keys, your fingers will automatically choose a position near the back of the key instead of the front. The resistance of the white keys of an acoustic grand piano is almost the same at both points, since the tipping point of the keys is further back. If, however, the concealed part of the key is quite short, you must resolutely press down the back of the key due to the leverage effect. Since we strive to provide a response that feels as natural as possible, all Roland pianos presented in this catalogue have a longer invisible end to push the tipping point further back. This results in a much more natural and most of all more evenly distributed touch, enabling you to press the keys wherever you want to. THE FUNDAMENTAL PRINCIPLES OF AN ACOUSTIC PIANO: NOT THE KEY BUT THE HAMMER MAKES THE SOUND. Acoustic pianos have a hammer that strikes the respective string after the key has been pressed. Roland follows this principle in its creation of sounds: keyboard > hammer > sound. Owing to this approach, the hammers have a strong inertia even when playing fast and "superficial" passages - resulting in turn in a powerful sound. During the development of its pianos, Roland always keeps in mind that the sound is not created by the movement of the keys, but rather by the passion of the pianist and his finger movements.

Excellent sound. THE POLYPHONY IS SPACIOUS ENOUGH FOR EVEN THE MOST COMPLEX PIECES AND INTENSIVE USE OF THE PEDALS The 128-voice polyphony comes in handy when playing fast pieces, requiring the use of the damper pedal, but also for the playback of SMF files. The HP pianos master every task without any notes dropping off. YOU CAN TAILOR THE SOUND TO YOUR NEEDS WITH THE "PIANO DESIGNER" You can tune the resonance simulation of resonating strings and decide how far the grand piano's lid should be opened, coaxing your favourite timbres from the instrument. The HP307 even enables you to adjust the cabinet's resonance or to "remove" the virtual lid completely. GRAND PIANO PRESENCE II FOR THIS UNIQUE ACOUSTIC GRAND PIANO SOUND The 4 speakers (2 x full-range and 2 x for high frequencies) are arranged for an optimal replication of the presence of a grand piano. This means that the higher notes seem to "float" above the pianist, whereas the bass notes seem to come from beneath. This sound impression perfectly replicates the sound presence of an acoustic grand piano. SEAMLESS PEDAL ACTION FOR A PERFECT METERING All three HP models are equipped with three pedals: damper, soft and sostenuto. The damper and the soft pedal can be seamlessly played - the sound thus always depends on the pedal's position. This is important if you want to play the pedals expressively. Pressing in the damper pedal lightly results in subtle differences in acoustic colour, whereas the note's duration changes if the pedal is further pressed down.

Extras OVERVIEW OF TECHNICAL SPECIFICATIONS OVERVIEW OF OPTIONS

O V E R V I E W O F T E C H N I C A L S P E C I F I C A T I O N S G R A N D P I A N O S MODEL PHA II KEYBOARD PHA III IVORY FEEL FINISH Super- NATURAL PIANO RG-1F-SB RG-3F-PE V PIANO GRAND Satin Black Polished Ebony Polished Ebony V Piano H O M E P I A N O S MODEL PHA II KEYBOARD PHA III IVORY FEEL FINISH Super- NATURAL PIANO F-110-SB Satin Black F-110-WH White F-110-PE Polished Ebony F-110-PW Polished White RP201-RW Rosewood RP-201-SB Satin Black HP302-RW Rosewood HP302-SB Satin Black HP305-RW Rosewood HP305-SB Satin Black HP305-PE Polished Ebony HP307-RW Rosewood HP307-SB Satin Black HP307-PE Polished Ebony DP-990-MC Medium Cherry DP-990-SB Satin Black DP-990R-PE Polished Ebony

USB USB SONG SONG STAND STAND INCLUDED INCLUDED MEMORY MEMORY FORMATS FORMATS RECORDER RECORDER TRACKS TRACKS PLAYER PLAYER OPTIONAL OPTIONAL TO HOST TO HOST MODEL MODEL SMF Internal Internal Internal Internal Internal Internal 1 1 1 3 3 3 3 1 1 3 3 3 3 3 3 3 3 3 3 3

O V E R V I E W O F T E C H N I C A L S P E C I F I C A T I O N S H O M E P I A N O S MODEL PHA II KEYBOARD PHA III IVORY FEEL FINISH Super- NATURAL PIANO DP-990F-SB DP-990F-MC DP-990RF-PE LX-10F-BK HPi-6F-RW HPi-6F-SB HPi-7F-RW HPi-7F-SB Satin Black Medium Cherry Polished Ebony Ebony / Satin Rosewood Satin Black Rosewood Satin Black S T A G E P I A N O S MODEL PHA II KEYBOARD PHA III IVORY FEEL FINISH Super- NATURAL PIANO FP-4F-BK FP-4F-WH FP-7F-BK FP-7F-WH V PIANO Black White Black White Black V Piano O V E R V I E W O F O P T I O N S 1. 3. 6. 2. 4. 5. 1. DP-10 DAMPER PEDAL 2. EV-5 EXPRESSION PEDAL 3. FS-5U FOOT SWITCH 4. RH-300 STEREO HEADPHONES 5. KC-880 STEREO KEYBOARD AMPLIFIER 6. KS-V8 KEYBOARD STAND

USB SONG STAND MEMORY TO HOST PLAYER FORMATS RECORDER TRACKS INCLUDED OPTIONAL MODEL 3 3 3 3 16 16 16 16 USB SONG STAND MEMORY TO HOST PLAYER FORMATS RECORDER TRACKS INCLUDED OPTIONAL MODEL 3 3 1 KSC-44-BK KSC-44-WH KSC-44-BK KSC-44-WH KS-V8 8. 9. 11. 7. 10. 7. FS-6 DOUBLE FOOT SWITCH 8. DH-01 HOLDER FOR EXTERNAL CD DRIVE 9. FD-01A DISK DRIVE 10. M-UF2G USB FLASH MEMORY 11. CD-01A USB CD DRIVE

Roland not only manufactures user-friendly instruments but cares FOR THE ENVIRONMENT, TOO. The plastic components of the PHA III and PHA II keyboard (Progressive Hammer Action III & II) can be recycled for instance and the pianos do not contain any lead. The pianos, therefore, are indeed environmentally friendly. Our printed circuit boards do not contain any lead and the manufacturing process of our instruments is based on environmental considerations. REFORESTATION PROJECT IN INDONESIA The wood for the cabinets of Roland's pianos is imported from Indonesia. In 2008, Roland designated a 100-hectare area for tree planting. Since then, more and more trees have been planted. The area contains a mixture of protected forest and trees designated for digital-piano-cabinet production. This reforestation project is expected to offset approximately 10,000 tons of CO2 over a period of 20 years.

PLEASE VISIT OUR WEBSITE: www.roland.co.uk Statements are for information purposes only and non-binding. We reserve the right to change the specifications, the appearance and the availability of the shown products without notification. Translation, typesetting and printing errors reserved. All trade marks named in this catalogue belong to the owning companies.