ull score Solo B Cornet (Trumet) Piccolo st lute nd lute st Ooe nd Ooe English Horn st Bassoon nd Bassoon Contraassoon E Sorano Clarinet st B Clarinet nd B Clarinet rd B Clarinet B Bass Clarinet BB Contraass Clarinet st E Alto Saxohone nd E Alto Saxohone B Tenor Saxohone E Baritone Saxohone st B Trumet nd B Trumet rd B Trumet th B Trumet or Wynton Marsalis Naoli Variations on a Neoolitan Song or solo cornet and wind and Hermann Bellstedt (858 89) arranged y DONALD HNSBERGER (ASCAP) instrumentation st Horn nd Horn rd Horn th Horn st Tromone nd Tromone rd Tromone th Tromone Euhonium Tua String Bass Har Mallet Percussion (Bells) Mallet Percussion (Xylohone/Tamourine) Timani Percussion (Snare Drum) Percussion (Crash Cymals, Bass Drum) Sulemental and WORLD Parts Availale or download rom wwwalredcom/worldarts Baritone Trele Cle st Horn in E nd Horn in E rd Horn in E th Horn in E st Tromone in B Bass Cle nd Tromone B Bass Cle rd Tromone B Bass Cle th Tromone B Bass Cle st Tromone in B Trele Cle nd Tromone B Trele Cle rd Tromone B Trele Cle th Tromone B Trele Cle Baritone in B Bass Cle Tua in E Bass Cle Tua in E Trele Cle Tua in B Bass Cle Tua in B Trele Cle EW PRE IEW VIEW Please note: Our and and orchestra music is now eing collated y an automatic highseed system The enclosed arts are now sorted y age count, rather than score order IEW PREV EW PREV
CARNAVAL A 5 th Anniversary! Carnaval is a celeration o the master cornet soloists and erormers o the late 9th and early 0th centuries through a recording, touring and ulication roect created or Wynton Marsalis and the Eastman Wind Ensemle, Donald Hunserger, Conductor This reissue o the original solo with iano olio and the release o the accomaniments or wind and, in rint and/or rental, salutes Wynton and the erormers and conductor o the EWE Cornet erormers including eanbatiste Aran, ules Levy, Matthew Aruckle, W Paris Chamers, Walter Rogers, Herert L Clarke, Del Staigers, rank Simons and Herman Bellstedt among many others, have long een the idols or succeeding rass layers due to their extraordinary erormance ailities and their inventive solo and edagogical writings These soloists, at the eginning o the last century, were endowed with lowing, agile techniques involving raid, light multile tonguing, the mastery o harmonic series slurs, extreme registers and esecially, the aility to roect warm, singing, cantaile melodic lines The themes that ormed the oundation or their variations were selected y the soloist/writers rimarily on the asis o their simlicity and eauty Not only did the rincial melodies oer the audience eelings o warmth and reose, they esecially rovided a lyrical contrast to the lashy yrotechnics that surrounded them Carnaval was created to salute these earlier day erormers through dislaying the unique ailities o one o today s master soloists: Wynton Marsalis Perhas, it is est to have Wynton descrie the events that led to this unique collaorative undertaking, as written y him in the oreword (Decemer 988) to the original ulication o these solos and accomaniments Ray Wright and Wynton This roect egan in 98 when CBS Masterworks asked me to consider recording an alum o cornet masterieces with a wind and accomaniment I immediately elt that this was something I wanted to do ecause I grew u laying these ieces and entered all the estivals and contests that high school layers today have availale to them One area I wanted to see changed or this recording, however, was the arrangements: In articular, the introductions and reakstrains that today sound so corny ecause they requently were more iller than sustantive musical material So, during a visit to the Eastman School o Music, where I was aearing as soloist with the Eastman azz Ensemle [Rayurn Wright, Director], I met with Donald Hunserger, Conductor o the Eastman Wind Ensemle and a well known arrangerorchestrator I asked him to create new arrangements or the solos to e included on the alum The result, as you can hear, and now see, rovided an entirely new view o these great solos; we used only the original melodic lines and Don wrote a comination o new and modiied original material or the accomaniments The cadenzas are also new, excet or Herert L Clarke s cadenzas, where I wished to use some o his original writing EW PRE IEW VIEW ollowing the recording, the roect continued with a tour o the East Coast and Canada The Eastman Wind Ensemle and I layed maor halls such as The Place des Arts in Montreal, Roy Thomson Hall in Toronto, Boston s Symhony Hall, The Academy o Music in Philadelhia, Kennedy Center, Washington, Carnegie Hall in New York and inished in the Eastman Theatre in Rochester Wynton Marsalis New York City As Wynton Marsalis so clearly states in his accomanying oreword, the develoment o a lyrical concet is o utmost imortance Heavy, overlown attacks and tonguing will imede the seed and clarity necessary or clear articulations and will create awkward, or sloy, unmusical eects While it is ossile to develo the technical resources to lay these solos, the aility to sing rom the heart is requently more diicult to achieve Wynton clearly demonstrates in the various lyrical selections that he indeed has that aility Carnaval was recorded in the Eastman Theatre o the Eastman School o Music, niversity o Rochester, in early Setemer, 986 y Producer Steve Estein and Engineer Buddy Graham Originally issued as CBS Masterworks LP IM7, it was later renumered Sony CD MK 7 Nominated or a Grammy Award in the Best Instrumental Soloist with Orchestra category, it has now ecome availale as well in various download ormats Donald Hunserger Rochester, NY Setemer, 00 Wynton and Donald Hunserger relax etween takes at the CBS Masterworks recording sessions Photos y Louis Ouzer Photos courtesy o Secial Collections, Siley Music Lirary, Eastman School o Music, niversity o Rochester IEW PREV EW PREV
The Comoser HERMANN BELLSTEDT (858 89) Herman Bellstedt, orn in Bremen, Germany in 858, emigrated to America with his amily in 867 They settled in Cincinnati, OH, which served as his rimary residence throughout his career An early rodigy on the cornet, he layed with several rominent ands and was hired y Patrick Gilmore as assistant to the amous Ben Bent as well as serving as cornet soloist ollowing Gilmore s death in 89, he organized a and and served as Conductor and cornet soloist In 90, he oined the Sousa Band, erorming solos and laying alongside Walter Rogers and Herert L Clarke, (the three were known as the amed Three Solitaires ), and uon Rogers dearture rom the Band, ecame Clarke s stand artner Bellstedt returned to Cincinnati ollowing numerous years laying and touring and ecame a edagogue at the Cincinnati Conservatory o Music where one o his most successul students was rank Simon Bellstedt was a successul comoser/arranger or oth Sousa and the rederick Innes Band; the solos Mandolinata and Naoli remain as his two most rememered erormance vehicles Naoli Bellstedt s variations on Naoli eatures the oular Neoolitan song iniculi, inicula (comosed y Luigi Denza in 880) that celerated the unicular railway uilt u the side o Mt Vesuvius in 880 The oular tune was used y Richard Strauss in his comosition Aus Italien under the mistaken idea that it was a olk song, not someone s actual comosition Denza took Strauss to court and won an inunction that orced Strauss s ulisher to ay Denza a royalty every time Aus Italien was erormed! Schoenerg also wrote a version o the song or string quartet Other oular Amali Coast songs include O Solo Mio and Torna a Sorriento (Come Back to Sorrento) EW PRE IEW VIEW Wynton and Donald Hunserger in concert, Carnegie Hall, March, 987 IEW PREV EW PREV
Wynton Marsalis Wynton Marsalis is an internationally acclaimed musician, comoser, andleader, educator and a leading advocate o American culture The world s irst azz artist to erorm and comose across the ull azz sectrum rom its New Orleans roots to eo to modern azz, Marsalis has exanded the vocaulary or azz and has created a vital ody o work that laces him among the world s inest musicians and comosers Born in New Orleans, Louisiana on Octoer 8, 96 to Ellis and Dolores Marsalis, the second o six sons, he exhiited at an early age a suerior atitude or music and a desire to articiate in American culture At age, he erormed with the New Orleans Philharmonic and during high school, also erormed with the New Orleans Symhony Brass Quintet, New Orleans Community Concert Band, New Orleans Youth Orchestra, New Orleans Symhony, various azz ands and the oular local unk and, the Creators At age 7, Wynton ecame the youngest musician ever to e admitted to Berkshire Music Center at Tanglewood where, desite his youth, he was awarded the school s restigious Harvey Shairo Award or outstanding rass student Wynton moved to New York City to attend uilliard in 979 The ollowing year Wynton seized the oortunity to oin the azz Messengers to study under master drummer and andleader Art Blakey In the years to ollow Wynton erormed with Sarah Vaughan, Dizzy Gillesie, Sweets Edison, Clark Terry, Sonny Rollins, Ron Carter, Herie Hancock, Tony Williams, and countless other azz legends Steve Estein (CBS/Sony roducer), Donald Hunserger, and Wynton sort their new Tshirts Wynton assemled his own and in 98 and hit the road, erorming over 0 concerts and workshos every year or 5 consecutive years Many distinguished azz musicians o today were students at one o his workshos including ames Carter, Christian McBride, Roy Hargrove, Harry Connick r, Nicholas Payton, Eric Reed, and Eric Lewis, to name ut a ew Wynton s love o the music o Bach, Beethoven, Mozart, and others drove him to ursue a career in classical music as well He recorded the Haydn, Hummel, and Leoold Mozart trumet concertos at age twenty, a deut recording that received glorious reviews and won the Grammy Award or Best Classical Soloist with an Orchestra He went on to record 0 additional classical records, all to critical acclaim In 986, he recorded the Carnaval roect with the Eastman Wind Ensemle conducted y Donald Hunserger and it was also nominated or the Grammy Award in the Best Classical Soloist with an Orchestra category EW PRE IEW VIEW Wynton has erormed with leading orchestras including the New York Philharmonic, Los Angeles Philharmonic, Boston Pos, The Cleveland Orchestra, Saint Louis Symhony Orchestra, English Chamer Orchestra, Toronto Symhony Orchestra, and London s Royal Philharmonic, working with eminent conductors including: Raymond Leard, Charles Dutoit, Loren Maazel, Leonard Slatkin, EssaPekka Salonen, and Michael Tilson Thomas amed classical trumeter Maurice André raised Wynton as otentially the greatest trumeter o all time To date Wynton has roduced over 60 records which have sold over 7 million coies worldwide including Gold Records A roliic and inventive comoser, the dance community has emraced Wynton s inventiveness with commissions to create new music or Garth agan (Citi MovementGriot New York), Peter Martins at the New York City Ballet (azz: Six Syncoated Movements and Them Twos), Twyla Thar with the American Ballet Theatre (um Start), udith amison at the Alvin Ailey American Dance Theatre (Sweet Release and Here Now), and Savion Glover (Petite Suite and Saces) Marsalis collaorated with the Lincoln Center Chamer Music Society in 995 to comose the string quartet At The Octoroon Balls, and again in 998 to create a resonse to Stravinsky s A Soldier s Tale with his comosition A iddler s Tale In his dramatic oratorio Blood OnThe ields, Wynton makes use o the lues, work songs, chants, call and resonse, sirituals, New Orleans azz, Ellingtonesque orchestral arrangements, and Aro Cariean rhythms, and he uses Greek chorusstyle recitations to move the work along Wynton extended his achievements in Blood On The ields with All Rise, an eic comosition or ig and, gosel choir, and symhony orchestra a classic work o high art which was erormed y the New York Philharmonic under the aton o Kurt Masur along with the Morgan State niversity Choir and the Lincoln Center azz Orchestra (Decemer 999) Marsalis urther exanded his reertoire or symhony orchestra with his Symhony No, Swing Symhony, remiered y the renowned Berlin Philharmonic in une 00 and erormed y the New York Philharmonic and the Lincoln Center azz Orchestra in Setemer, 00 Photo y Ro Waymen Wynton and the EWE in rehearsal in Carnegie Hall, March, 987 IEW PREV EW PREV
In Octoer, 995 Wynton launched two maor roadcast events when PBS remiered Marsalis On Music, an educational television series written and hosted y Marsalis on azz and classical music That same month National Pulic Radio aired the irst o Marsalis 6week series entitled Making the Music; the radio and television series were awarded the most restigious distinction in roadcast ournalism, the George oster Peaody Award Marsalis has also written ive ooks: Sweet Swing Blues on the Road, azz in the Bittersweet Blues o Lie, To a Young Musician: Letters rom the Road, azz AB (an A to collection o oems celerating azz greats), and his most recent release Moving to Higher Ground: How azz Can Change Your Lie Wynton Marsalis has won nine Grammy Awards and honorary degrees have een conerred uon Wynton y thirtyone o America s leading academic institutions including Columia, Harvard, Princeton, Howard and Yale nited Nations SecretaryGeneral Koi Annan aointed him a N Messenger o Peace in 00 and in 005, he received The National Medal o Arts, the highest award given to artists y the nited States Government In 997 Wynton Marsalis ecame the irst azz musician ever to win the Pulitzer Prize or Music or his eic oratorio Blood On The ields In 987, Marsalis coounded a azz rogram at Lincoln Center In uly 996, due to its signiicant success, azz at Lincoln Center ecame a ermanent equal artner at Lincoln Center, along with the New York Philharmonic, Metroolitan Oera, and New York City Ballet He resently serves as Artistic Director or azz at Lincoln Center and Music Director or the azz at Lincoln Center Orchestra which has develoed an international agenda resenting rich and diverse rogramming that includes concerts, deates, ilm orums, dances, television and radio roadcasts, and educational activities Donald Hunserger Donald Hunserger is Conductor Emeritus o the Eastman Wind Ensemle, having served as its Music Director rom 965 to 00 He also holds the title Proessor Emeritus o Conducting and Ensemles at the Eastman School o Music, where he served or many years as Chair o the Conducting and Ensemles Deartment nder his leadershi, the Eastman Wind Ensemle continued its develoment as an international erormance model in the creation o numerous new works or the wind and roviding a rime examle o contemorary erormance techniques as demonstrated on numerous recordings on Sony Classics, CBS Masterworks, Mercury Records, DGG Records, Philis and Decca among others In 987 his scores and recording o Carnaval were nominated or a Grammy Award in the Best Solo Perormance with Orchestra catagory His inal recording roect with the EWE was a three CD set (the Eastman Wind Ensemle at 50 DHWL 00CDWBP) celerating its 50th anniversary nder his direction, the EWE erormed throughout aan and South East Asia in 978 or the Kamara Agency and the S State Deartment Sony Cororation and Eastman Kodak, aan, sonsored an additional six tours o aan and Taiwan etween 990 and 000 EW PRE IEW VIEW He led the EWE on S concert tours to erorm at national conerences o MENC and CDBNA, the MidWest International Conerence lus numerous state meetings Since 00 he has een a Visiting Conducting ellow at the Kunitachi College o Music, Tokyo, aan In addition to erorming over 00 remiere erormances, Hunserger had een involved in writing roects including the ooks The Wind Ensemle and It s Reertoire (Alred Music Pulishing Co), The Art o Conducting (with Roy Ernst, Random House), The Emory Remington Warmu Studies (Accura Music), and numerous articles ulished in educational ournals He is well known and recognized or his innovative scoring techniques or varying instrumentations o the contemorary wind and with numerous ulications He is the ounder and editor o the Donald Hunserger Wind Lirary (Warner Bros/Alred) and an active contriutor to the Lirary s ulications His research into the history and develoment o scoring or wind ands in America has led to numerous articles in WindWorks, a ournal or wind conductors, erormers and comosers Active in oth wind and orchestral writing throughout his career, he created a allet, Americans We, or Twyla Thar and the American Ballet Theater at Lincoln Center in 996 Hunserger has een the reciient o numerous awards or research (Homesun America: the National Association or State and Local Historians), edagogy (The Eastman Alumni teaching Award, The Herert Eisenhart Award; Wiley Housewright ellow, lorida State niversity ) and erormance (the Crystal Award, rom the Asahi Broadcasting Comany, Osaka, aan; the Ehud Eziel Award, erusalem, Israel) He is a Past resident o the College Band Directors National Association and has served as a memer o the oards o CBDNA, the World Association o Symhonic Bands and Ensemles and the Conductor s Guild He currently serves as President o the Board o the Society or Chamer Music in Rochester In the orchestral world he has created and conducted erormances o orchestral accomaniments to over 8 silent ilms with ity orchestras including the National, San rancisco, Houston, Pittsurgh, Vancouver, tah, Virginia, San Diego, acksonville, Honolulu, Winnieg, Syracuse and North Carolina Symhony Orchestras and the Rochester, Bualo, Kansas City and Calgary Philharmonic Orchestras, among others He has created scores or such historical masterieces as The Phantom o the Oera, The Hunchack o Notre Dame, The General, The Mark o orro in addition to roducing and conducting erormances o Charlie Chalin s Goldrush, City Lights lus numerous short Chalin avorites In 99, he conducted the remiere erormance o Eisenstadt s Potemkin, with music y Shostakovitch, at Wol Tra with the National Symhony Orchestra IEW PREV EW PREV
Solo B Cornet (Trumet) Piccolo lutes Ooes English Horn Bassoons Contraassoon E Sorano Clarinet B Clarinets B Bass Clarinet/ BB Contraass Clarinet E Alto Saxohones B Tenor Saxohone E Baritone Saxohone B Trumets Horns Tromones Euhonium Tua String Bass Har Mallet Percussion (Bells) Timani Percussion (Snare Drum) Percussion (Crash Cymals, Bass Drum) Mallet Percussion (Xylohone/Tamourine) 888S 6 8 6 8 6 8 a a Allegro = ca a a or Wynton Marsalis Naoli LL SCORE Arox Duration 5:5 Variations on a Neoolitan Song or solo cornet and wind and By Hermann Bellstedt (85889) Allegro = ca Arranged y Donald Hunserger (ASCAP) 9 (Renewed) SOTHERN MSIC CO, San Antonio, TX 789 This Arrangement 990, 0 SOTHERN MSIC CO, San Antonio, TX 789 All Rights Reserved including Pulic Perormance sed y Permission a a a EW PRE IEW VIEW IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc a a a 5 6 Xyl a 7 EW PRE IEW VIEW 888S 8 7 IEW PREV EW PREV
8 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc Bells cresc cresc 9 0 St mute St mute EW PRE IEW VIEW 888S IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc l l l l l l l l l l l # n # # n n æ 5 EW PRE IEW VIEW 888S æ 6 9 IEW PREV EW PREV
0 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc n # n # # # n n n æ 7 a a a a 8 a æ Cr Cyms 9 BD a a a a EW PRE IEW VIEW 888S æ ~~~~~~~~~~~~~~~~~~~~~~~ 0 # ~~~~~~~~~~~~~~~~~~~~~~ IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 888S Cadenza, n Cadenza ~~~ Choke Oen Oen # n N # n, EW PRE IEW VIEW IEW PREV EW PREV
, 888S, n # #, n N N n n Otional rall EW PRE IEW VIEW N # n IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 6 8 6 8 6 8 = ca = ca dim dim EW PRE IEW VIEW 888S 5 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 6 a 6 a æ 6 7 8 EW PRE IEW VIEW 888S ~~~~~~~~~~ ~~~~~~~~~~~~ 9 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 888S ß ß ß ß ß ß ß ~~~~~~~~~~~~~~~~~~~~~~ 0 a a a a @ EW PRE IEW VIEW æ 5 IEW PREV EW PREV
6 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc n n n Tam 5 6 EW PRE IEW VIEW 888S 7 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 8 9 0 EW PRE IEW VIEW 888S a a 7 IEW PREV EW PREV
8 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc # n # n a # n Xyl # n # n # n n # # # EW PRE IEW VIEW 888S # n # n 5 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc n # # # # n # n 6 7 # # # 8 # n n# #n n# #n # n n # ## ## EW PRE IEW VIEW 888S # n 9 9 IEW PREV EW PREV
0 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc # # n # n # n # # # # # St mute St mute # a 50 5 æ 5 5 n n n n n # n n # # n EW PRE IEW VIEW 888S 5 A n 5 n n ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc n n 5 (To lute) n n 55 56 n EW PRE IEW VIEW 888S ~~~ n 57 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 58 a a 59 60 EW PRE IEW VIEW 888S 6 (To Cu mute) Oen n n n IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 6 n π n π π lute sotto voce n π n π 6 Solo only grad cresc sotto voce a sotto voce a sotto voce sotto voce a # π Solo only grad cresc Tam 6 A A A A N 6 6 n n n n # EW PRE IEW VIEW 888S 65 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc n n A n n A n # A n # A # # N 66 67 68 EW PRE IEW VIEW 888S 69 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc n n n n # # # # # # # # n 70 cresc (solo only) cresc (solo only) 7 n n n n n n # # # # # # # # # n n n 7 A N N EW PRE IEW VIEW 888S A A A æ æ 7 (To Picc) 5 IEW PREV EW PREV
6 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 7 Oen 75 76 n n # # # # EW PRE IEW VIEW 888S a a a Picc ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 77 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc A n A n 78 a n N # N n N n N # n 78 n 78 A A N A A N 79 R 80 n n # n n # EW PRE IEW VIEW 888S ~~~~ 8 7 IEW PREV EW PREV
8 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc n n n n # # n # n # # # 8 A A N N N N 8 8 EW PRE IEW VIEW 888S æ 85 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc n n n n n # # # # # # # n n n n # # # # æ 86 æ 87 n n n n n # # # # # # # # # # # n æ 88 A A Í N N N Í N EW PRE IEW VIEW 888S Í Í Í Í æ Í Í 89 9 IEW PREV EW PREV
0 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc a a 90 n n 9 9 EW PRE IEW VIEW 888S a æ æ a a 9 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 9 Pizz 9 Var = 8 Var = 8 9 95 96 EW PRE IEW VIEW 888S 97 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 98 99 ( ) 00 a a a EW PRE IEW VIEW 888S a 0 ~~~~~~~~~~~~~~~~~~~~~~~~~~ IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 0 0 0 0 0 EW PRE IEW VIEW 888S ~~ 05 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 06 07 a 08 ( ) EW PRE IEW VIEW 888S 09 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc a a 0 A n, # (To lute) C Cl (Str Bass) n # ## EW PRE IEW VIEW 888S ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n # # n 5 IEW PREV EW PREV
6 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc n # ## n # # n ruato (ad li) ruato (ad li) 5 # n # n n # ## n (A temo) (A temo) # # n 6 EW PRE IEW VIEW 888S 7 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc a a a a 8 a a Play a 9 0 EW PRE IEW VIEW 888S 7 IEW PREV EW PREV
8 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 888S n n n n n n n n ruato (ad li) ruato (ad li) n n n n n +C Cl n (A temo) (A temo) EW PRE IEW VIEW n 5 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 6 #, A, B n a a a 7 â â ä â 8 EW PRE IEW VIEW 888S 9 9 IEW PREV EW PREV
0 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 0 0 (Str Bass) Arco Poco meno mosso ( = 889) # Poco meno mosso ( = 889) Tam 0 # EW PRE IEW VIEW 888S ten IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc # # 5 6 7 Più animato ( = ca 00) 7 Più animato ( = ca 00) EW PRE IEW VIEW 888S Play 7 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 888S # n n n # # n n 8 9 # n n n # # n n n n n 0 B (To Picc) (nd time) EW PRE IEW VIEW IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc # n æ n # æ nd time nd time a nd time a nd time nd time nd time nd time a nd time nd time EW PRE IEW VIEW 888S To Xyl (nd time) 5 nd time IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 6 ( = ca 88) a 6 ( = ca 88) a 6 7 D a 8 a n n n # n n n # n n EW PRE IEW VIEW 888S ~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~ a n 9 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc n n n # n n # n a n 50 â â â D n 5 5 a EW PRE IEW VIEW 888S ~~~~~~~~~~~~~~~~~~~~~ 5 5 IEW PREV EW PREV
6 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc a rit a rit 5 æ 55 a a a Pizz 57 Var Moderato ( = 00) 56 57 Var Moderato ( = 00) a EW PRE IEW VIEW 888S 57 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc # 58 n # 59 60 EW PRE IEW VIEW 888S 6 7 IEW PREV EW PREV
8 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 6 6 # a # # # # # a # a # 6 a EW PRE IEW VIEW 888S 65 a a IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 66 67 # # 67 g 67 #, A n n n # # n # n # g #n n g 68 nâ n â n # # EW PRE IEW VIEW 888S n # n # g #n n g 69 nâ 9 IEW PREV EW PREV
50 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 70 a iacere a iacere n # ## # n A temo A temo 7 # 7 n n # # n # # EW PRE IEW VIEW 888S St mute St mute # n 7 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc n a n n n 7 75 n g 76 â n n # n EW PRE IEW VIEW 888S n g n g 77 5 IEW PREV EW PREV
5 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc g â â n n # n n n g 78 79 a iacere a iacere Oen Oen n n # n n A temo A temo 80 # EW PRE IEW VIEW 888S 8 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc g n n 8 Arco æ 8 8 (To Cu mute) (To Cu mute) 85 n n n ( = ca ) n C Cl 85 ( = ca ) EW PRE IEW VIEW 888S Tam 85 5 IEW PREV EW PREV
5 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc n 86 Cu mute 87 # 88 (To St mute) n EW PRE IEW VIEW 888S 89 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc n 90 9 9 # n # n # # # EW PRE IEW VIEW 888S 9 55 IEW PREV EW PREV
56 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 9 n n n # # # # # n n n 95 A N N a a A + A A A Thum roll æ æ 96 EW PRE IEW VIEW 888S 97 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 888S @ @ 98 ä # n 99 a a a a a a 00 +C Cl 0 St mute n 0 EW PRE IEW VIEW æ 0 57 IEW PREV EW PREV
58 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc n æ 0 0 # æ æ (Thum) 0 n EW PRE IEW VIEW 888S æ 05 IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc n æ 06 07 09 08 Pizz # n n # # # EW PRE IEW VIEW 888S 09 09 59 IEW PREV EW PREV
60 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 0 n # n # # # # # n n n â Oen EW PRE IEW VIEW 888S IEW PREV EW PREV
Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 7 @ @ 5 æ æ æ 6 EW PRE IEW VIEW 888S 7 6 IEW PREV EW PREV
6 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 888S æ æ æ 8 9 Cadenza, n a Cadenza ad li ad li Arco EW PRE IEW VIEW Choke 0 IEW PREV EW PREV
n A # EW PRE Otional 888S # # # # n # # # # n # #, n 8va lower ad li n 6 N,, IEW VIEW IEW PREV EW PREV
6 Solo Cor Picc ls Os EH Bsns Csn E So Cl Cls B Cl/ C Cl A Saxes T Sax Bar Sax Tts Hns Tns Euh Tua Str Bass Har Mlt Perc Tim Perc Perc Mlt Perc 6 8 6 8 6 8 ( ) a a ( ) æ æ EW PRE IEW VIEW 888S ( ) (Shake roll) æ æ æ u On cuto Choke IEW PREV EW PREV