BILL AUDITION PACKET

BILL AUDITION PACKET

BILL I P. 1 of 4 BILL TOTAL 1 of 4 MAMMA MIA! AUDITION SIDES /BILL/SAM THE COURTYARD SAM, BILL and are arriving from the etty. (Upstage.) The tavern that they speak about in the scene is out in front of them (audience.) SAM sees the Taverna and stops. and BILL come on behind him. They have made their way up from the ETTY. is a bit breathless from lugging his expensive and elegantlymonogrammed luggage to The Taverna. I m glad to get off that boat. BILL That was nothing. You should try a kayak in the Okavango Swamps. Yes I read your book A Bloke and A Boat in Botswana. BILL Thanks, Harry I heard I d sold a copy somewhere. Travelbooks are my passion. A welcome distraction from the tedious ourney to work. SAM Do you two want to hear something interesting You see this Taverna I m rather impressed. I remember an old hut here I was dreading bedding down with the goats. BILL Give me goats before camels. There was this time in the Kalahari The sun was beating down SAM Sorry to interrupt Indiana but the point is this is my Taverna I built it! Well, I designed it. Drew up the plans what twentyone years ago I can t believe she s actually gone and built the damn thing.

BILL I P. 2 of 4 TOTAL 2 of 4 Who SAM Donna. Who else This is something I scribbled on the back of a menu, I had no idea. BILL How do you know it s yours SAM Buildings are like babies. You always know your own. BILL I wouldn t know anything about babies. I ve been living out of a knapsack for most of my life. The Happy Wanderer, eh (TO BILL) Do you think the island will inspire some prose BILL I hope so. When I got the wedding invite I sold my editor a piece on Childhood Haunts Revisited. Were you born here BILL No I m from America, but my mother s Greek. The only time I came to Greece was to visit my GreatAuntie on the mainland and that was twentyone years ago. So now you can write about Sam s Taverna and the tourists will flock. PRONOUNCIATION NOTE : idyll rhymes with fiddle. BILL No, I think this island should remain the secret idyll I ve always remembered.

BILL I P. of 4 TOTAL of 4 SAM Yes, but if you lived here, maybe the idyll would be the boatload of tourists with big bucks. At least they might have some staff then. Where is everybody SOPHIE ENTERS FROM THE TAVERNA. SOPHIE Good afternoon. Can I help you BILL Hello there. I m Bill Austin. You have a room for me Bill Austin. SOPHIE (STARES AT HIM) I m Bright. Harry Bright. SOPHIE (STARING) Harry (TO SAM) so you must be SAM Sam Carmichael. SOPHIE NODS, STARING AT SAM. SAM You are expecting us SOPHIE Oh yes, I ll go and I ll get the keys. SOPHIE EXITS TO FETCH THE KEYS. TURNS TO SAM. DURING THE FOLLOWING DIALOGUE SOPHIE SPIES ON THE MEN FROM THE TAVERNA. Charming. But I hope I get the chance to get my tongue around a little Greek. I haven t spoken it for twentyone years.

BILL I P. 4 of 4 TOTAL 4 of 4 SAM Twentyone years You know, this is beginning to feel like a setup hey, Bill here s a story for you. Three men strangers receive an invitation to a wedding. They are invited to a place they haven t seen for twentyone years, by a woman they haven t seen for twentyone years why are they here BILL That s not bad ok, Harry what s your excuse What s torn you away from the Bank of England Is this an interview Alright, well for me, Donna s invitation brought back many happy memories (SPOTTING THE GUITAR HANGING ON THE WALL) Bloody Norah! BILL Is that a quote (TAKING THE GUITAR DOWN) No, no, I know this guitar! (INDICATING A CARVING) HB HeadBanger, that s what they used to call me in those days and DS Donna Sheridan I bought this for her! Ten quid and my ohnny Rotten teeshirt so now who says I m an unadventurous old stickinthemud Who SAM My other half. A big house, a fast car and a season ticket to Chelsea Football Club isn t enough for some people, is it They want The Great White Hunter, too. Well, I can do spontaneity. That s why I m here. Donna knew my wild side. I was an exchange student in Paris when we met, and I ust followed her to Greece spontaneously END

Piano/ Vocal 70's Set (Oasis Class) Everlasting Love Everlasting Love Arranged by Dave Roppolo q = 120 Ooo Piano 2 4 5 Hearts go a stray lea ving hurt when they go Ooo 6 7 8 9 10 70's Set (Oasis Class) Prepared by Robert Kling, 2008 RCCL Productions

2 Piano/ Vocal Everlasting Love I went a way ust when you need me so 11 12 1 14 Ooo Filled with re gret I come back beg gin' you Ooo 15 16 17 18 For give for get where's the we once new Ooo 19 20 21 22 RCCL Productions 70's Set (Oasis Class)

Everlasting Love Piano/ Vocal 2 24 25 O pen up your eyes Then you re a lize Here I stand with my ev er last ing Need you by my 26 27 28 side Girl to be my bride Ne ver be de nied ev er last ing 29 0 1 70's Set (Oasis Class) RCCL Productions

4 Piano/ Vocal Everlasting Love From the ver y start O pen up your heart Be a lasting 2 4 part of ev er last ing Real will last Oh for yeah ev er 5 6 7 Real yeah, will yeah 8 9 40 RCCL Productions last for ev er Look in my 70's Set (Oasis Class)

Everlasting Love Piano/ Vocal 5 eyes see my burn in' strong Ooo 41 42 4 No more good byes in your arms I be long Ooo 44 45 46 47 48 When my spir it flows 49 50 51 70's Set (Oasis Class) No one real ly knows 'Till someone dares to RCCL Productions

6 Piano/ Vocal Everlasting Love show a way to last ing Like the sun is shin in' End less ly it 52 5 54 shines You al ways will be mine in e ter nal 55 56 57 When o thers has gone I will be strong 58 59 60 RCCL Productions We have our ver y own ev er last ing 70's Set (Oasis Class)

Everlasting Love Piano/ Vocal 7 Real will last for yeah, ev er yeah Real will 61 62 6 last for ev er. O pen up your eyes 64 65 66 O pen up your eyes then then you re a you re a lize Here lize Here I stand with my ev er last ing I stand with my ev er last ing Need Need you by my you by my 67 68 69 70's Set (Oasis Class) RCCL Productions

8 Piano/ Vocal Everlasting Love side side There's There's no need to no need to 70 71 72 hide hide You'll ne ver be de nied ev er last ing You'll ne ver be de nied ev er last ing From the ver y start O pen up your heart Be a lasting From the ver y start 7 74 75 O pen up your heart Be a lasting part of ev er part of ev er last ing last ing 76 77 78 79 80 81 RCCL Productions 70's Set (Oasis Class)

royal caribbean cruise line Piano ~7} 7 medium swing ( q = 140 ) c c drs Ó Ó Ó gmi Ó bass solo 4 ƒ ~1} gmi 7 fma 7 mar vel ous night for a moon moondance 8 1 male vocal. 5 ebma 7 d ( 7 b5 ) b 9 dance with the 9 2 6. d ( # 5 7 b 9 ). Ó well, it's stars up a bove in your eyes arranged by mike lewis a 10 a fan 11 tab u lous night to make ro 12. mance 'neath the 1 cov er of oc to ber skies 14 and all the {15} leaves on the trees are fallgmi 9 ami 7 15

piano /conductor 2 moondance 16. ing to the ami 7 17 sound of the breez es that blow 18 and i'm 19 try ing to please to the call 20. ing of your heart strings that play soft and 21 {2}. low and all the night's mag. ic seems to Ó 22 f cmi 7 f 1 2 24 whis per and hush Ó. b and all the soft. moon 25 ami 7 (b5 ) d ( # 7 5 b 9 ) # 26 cmi 7 f 1 27

piano /conductor {1} 28. light seems to Ó 29 shine in your blush ami 7 (b5 ) moondance 0 d ( # 9 ) 7 # 5 can i 1 4 ust have one more P. Ó d 7 ( # 9. my. # 5 ) can i 5 2. moon dance with you. ust make some more P. Ó well, i 6.. my. ro mance with you. {9} wan na make to you to f e b 9 c gmi /d 9 7 8 c /d 9 F ami 7

piano /conductor 4 moondance 40. night i can't. F ami 7. know how the time is ust 41 wait 'til the morn ing has come. right and straight.. 42 Ó and i in to my arms you will 4 run Ó and when you 44 {47} come my heart will be 45. wait ing to make 46 47 ami 7 48 sure that you're nev er a lone Ó there and then all my dreams will come 49 50 51

piano /conductor 5 moondance. true dear there and then i will make you my own and ev 'ry {55} 52 f ami 7 time i touch. 55 cmi 7 f 1 5 56. you you ust Ó 54 57 trem ble in side Ó ami 7 (b5 ) d ( # 5 ) 7 b 9 #.. b and i know how. much you want me Ó 58 cmi 7 f 1 59 60 {6} 61 that ami 7 (b5 ) you can't hide 62 d ( # 9 ) 7 # 5 can i 6 ust have one more P.

piano /conductor. moon dance with you.. 6 moondance. my Ó can i 64 67 ust make some more P. {71} 65 68. ro mance with you. f 66 d 7. my. 69 e b 9 c gmi /d 9 tutti. 70 dr. fill 71 ami 7 72 7 74 75 76

piano /conductor 7 moondance {79} Ó. 77 ami 7 78 79 ami 7 80 81 85 89 Ó 82 86. Ó and ev 'ry trem ble in side Ó ami 7 (b5 ) d ( # 7 5 b 9 ) # 90 8 Ó {87} 84 time i touch. 87 cmi 7 f 1. b and i know how.. 88 91. you you ust Ó cmi 7 f 1 much

piano /conductor {95} 92 95 98. you want me Ó ust have one more P. Ó d 7. my. can i e b 9 c gmi /d 9 101 99 9 102 that 96 ami 7 (b5 ) you can't hide. moon dance with you. ust make some more P. Ó 8 moondance Ó can gmi 7 94 100 97 d 7 ( # 9 # 5 ) can.. my. i ro mance with you. {10Ç i 10 f ust have one more P.

piano /conductor 104. {107Ç slower moon dance with you. 105. 9 moondance. my 106 Ó rall d ( # 9 ) 7 # 5 U. can " U i ust make some more.. 107 {110Ç A Tempo 110 114. e b ma 9 cmi 9 mi 9 w N.C.. w Ó Ó π 111. 108..... f /g 115 U w U w w U w my ro mance with. e b 9 ( # 11) 112 w e. b 9 109 you U b. U d ( 7 b 5 b 9 ). #. 11 my " U " U. my Ó