What is the Connoisseur Virtual Theatre Pipe Organ Series?

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What is the Connoisseur Virtual Theatre Pipe Organ Series? The Connoisseur Virtual Theatre Pipe Organ Series is an expandable series of high resolution sample sets engineered and developed expressly for the exciting Hauptwerk 2 software for the PC & MAC platforms. Created by Crumhorn Labs U.K., Hauptwerk 2 is an organ specific sampler software application with programming parameters that synergistically combine to create and deliver in a virtual domain, the musical illusion, performance and idiosyncrasies that form part of the real theatre pipe organ experience. Hauptwerk creates an open and complete solution combining the platform for organ design (such as Connoisseur Virtual Theatre Pipe Organ Series) and sound engine in one elegant cost effective software solution. Each package in the series represents a Virtual Theatre Pipe Organ complete within and of itself. However, it does not stop there each instrument is expandable by subsequent expansion packages. Our series commence at 3 manuals and 11 ranks and is expanded in three successive packages of 19, 27 and 36 ranks plus ancillary traps, percussions, effects and features. The customer s hardware, audio, personal computer, and budgetary factors can influence the size of the Virtual Theatre Organ s size and specification. Hence we felt it prudent to design an expandable range of Virtual Theatre Organ products that can be seamlessly and easily expanded in conjunction with the updating and upsizing of these factors. Please refer to our PC and Mac system requirement tables in the relevant product links. Accompanying each Virtual Organ in the series, in addition to the library of digital samples, is a specifically designed and engineered Virtual Organ Definition File and a General User Interface of The console. This Virtual Console includes a unique and state-of-the-art specification of stops (which caters for both traditional and modern playing paradigms), manuals, piston combination action; and swell pedals all visibly displayed on the customer s personal computer monitor. Touch screens are supported and provide an ideal cost effective alternative to hardware stop boxes and stop rails, thereby bringing a Virtual Theatre Pipe Organ into homes with even the most modest of instruments with MIDI capability. Programmed into the Organ s Definition Files are the parameters which comprise Winding systems, tremulant model, swell enclosure architecture, swell (expression) curves, the relay (connecting circuitry) and many more. These parameters are appropriately programmed and represented in a virtual form, directly influencing the randomness and finer nuances of the organ performance.

What applications does the Connoisseur Virtual Theatre Pipe Organ Series have? Virtual Theatre Pipe Organs offer many versatile solutions from retro-fit of theatre organ scale consoles through to digital augmentation of existing theatre pipe organ instruments, electronic organs and D.I.Y Digital Theatre Organ Construction projects.whatever your imagination may conjure up! Simple Single MIDI Keyboard Solution using Touch Screen as Virtual Stop Rails.

Two Keyboard & Pedal MIDI Solution using Touch Screen as Virtual Stop Rails.

Retro Fit Out of WurliTzer Console with MIDI Encoder using Touch Screen as monitor and virtual ancillary stop rail to hardware stop rail and mapped to a multi channel audio system. While Hauptwerk and our Sample Sets offer outstanding instruments from a virtual representation and reproduction standpoint, a host or controller and audio system are required. Keymedia can advise the customer on the optimum choice of these elements. By special arrangement, we can even sample your favorite ranks and incorporate them in any one of the sample sets on offer.

The Sampling, Engineering and Design of our Virtual Theatre Pipe Organs. The complexity, integrity and sophistication of the Hauptwerk platform has unlike any other digitally replicated Theatre Pipe Organ or Soft Sampler application allowed for virtual modeling, sample reproduction and performance to an unparalleled degree of detail, precision and realism. Sample libraries of considerable size on the Hauptwerk platform can now be accommodated due to current modern and advancement in personal computer design and RAM capability. All samples within our instruments are prepared and cached to RAM. What makes a fine organ is the quality of the ranks and instruments which it comprises. We have sought the finest ranks from various manufacturers and our sampling techniques using high end equipment at 24bit, 96 KHz, ensure our customers have the flexibility to possess a Virtual Theatre Pipe Organ in any acoustical settings from studio to theatre. Naturally occurring nuances of the start, sustain and release transients of each sampled pipe, percussion and novelty effects have been faithfully captured. In our commitment to an utmost realistic outcome, a sample and tremulant waveform set is provided for every note for every rank. Sample stretching has been avoided. The length of each sample is 3 8 seconds in length thus capturing the natural dithering behavior of each and every pipe. A typical multi second sample depicting programmed multiple loops and the pipe s release transient.

Superb Tremulant Modeling Every pipe in our virtual instruments has been sampled off and on tremulant. As theatre Pipe Organ Tremulants are not linear nor is one waveform shape constant over the entire compass of a rank, a set of tremulant waveforms (3) for each note is software generated by comparing the amplitude and frequency (1 st & 3 rd and greater harmonic) differences between the tremmed and non-tremmed samples. This yields an exact and in phase replication of the original tremulant musical outcome and dynamic. Complementing the total illusion optional tremulant mechanical noise can be selected by the customer. Screenshots Non Linearity of Theatre Pipe Organ Tremulant replicated in the Hauptwerk Tremulant Model Tremulant Frequency Waveform & 1 st Harmonic Amplitude Waveform. Tremulant 3 rd Harmonic & Greater Amplitude Waveform.

User Regulation The ranks supplied in each sample set within the Connoisseur Virtual Theatre Pipe Organ Series have been painstakingly regulated and voiced by our artistic directors over hundreds of hours. But let that not stop you! Note for note regulation and adjustment of various tremulant parameters can be custom tailored using the on board Voicing Palette available within Hauptwerk 2. Additionally, within the Voicing Palette, note for note voicing, regulation, scaling and the establishment of power curves can be user configured. Comprehensive Note for Note Voicing & Regulation Palette. Note for Note Tremulant Adjustment Parameters.

Comments relate to the Concert Edition of HW (multi-channel audio, voicing, wind supply model not available in the Studio Edition, and polyphony restricted to 1024 simultaneous pipes in SE).

CHAMBER ANALYSIS MAIN CHAMBER PERCUSSION CHAMBER SOLO CHAMBER TRUMPET 'D' STYLE' (WurliTzer) Wood Harp/Marimba (WurliTzer) TUBA MIRABALIS (WurliTzer) Tuba Horn (WurliTzer) Xylophone/Re-it Xylophone (WurliTzer) English Horn (Stephens) DIAPHONIC DIAPSON (WurliTzer) Glockenspiel/Orchestral Bells (WurliTzer) Brass Trumpet (WurliTzer) *Open Diapason (Christie) Chrysoglott (WurliTzer) Horn Diapason (Palmer) Tibia Clausa 10" Scale (WurliTzer) Cathedral Chimes (Christie) Horn Diapason Celeste (Palmer) Clarinet (WurliTzer) Vibraphone (Musser) Tibia Clausa (WurliTzer) Musette (WurliTzer) ORCHESTRAL HARP TIBIA MINOR (Morton) Viol d' Orchestre (WurliTzer) TUNED TIMPANI Krumet (WurliTzer) Viol Celeste (WurliTzer) Kinura (WurliTzer) Salicional (Christie) Bass Drum Orchestral Oboe (WurliTzer) Celeste (Christie) Bass Drum Roll Brass Saxophone (WurliTzer) Oboe Horn (WurliTzer) Cymbal Crash Solo String (WurliTzer) Quintadena (WurliTzer) Ride Cymbal Solo String Celeste (WurliTzer) QUINTADENA CELESTE (WurliTzer) Ride Cymbal Back Beat Lieblich Flute (Morton) Concert Flute (WurliTzer) Jazz Cymbal Vox Humana (WurliTzer) Concert Flute Celeste (WurliTzer) Brush Cymbal DOLCE FLUTE (Unknown) Vox Humana (WurliTzer) Snare Drum DOLCE FLUTE CELESTE (Unknown) Rim Shot Cymbal Roll Mezzo * Notes 24-41 Wood Diaphone Open Hi Hats Blue * denotes prerequisite packages Closed Hi Hats Pedal Hi Hats Choke Cymbal Tom Tom Tambourine Castanets Maraccas Wood Block Cow Bell Sand Block Temple Block Triangle Bell Tree Choke (Tight) Piatti Symphonic Cymbal Roll Drum Roll / Cymbal Crash Bird Whistle Train Whistle Novelty Whistle Chinese Gong UNENCLOSED Grand Piano (Kawai 7'4') String Bass PEDAL TIBIA PIZZICATO (WurliTzer)

STOP SPECIFICATION 3 Manuals 35 Ranks PEDAL ACCOMPANIMENT GREAT SOLO TREMULANTS 32 Diaphone 8 Tuba Mirabilis 16 Tuba Mirabalis (Ten C) 16 English Horn (Ten C)(NC) Main 32 Contra Violone 8 English Horn 16 English Horn (Ten C) 8 Tuba Mirabilis Solo 32 Contra Bourdon 8 Brass Trumpet 16 Brass Trumpet (Ten C) 8 English Horn Strings 16 Ophicleide 8 Trumpet 16 Trumpet (Ten C) 8 Brass Trumpet Clarinet 16 Diaphone (Wood) 8 Tuba Horn 16 Ophicleide 8 Trumpet Tuba Mirabalis 16 Diaphonic Horn 8 Diaphonic Diapason 16 Open Diapason 8 Tuba Horn Tibia Sax Vox 16 Tibia Clausa 8 Horn Diapason 16 Diaphonic Horn 8 Diaphonic Diapason Brass Trumpet 16 Violone 8 Tibia Clausa (M) 16 Tibia Clausa (S) 8 Open Diapason Tuba Horn & Trumpet 16 Oboe Horn 8 Clarinet 16 Tibia Clausa (Ten C)(M) 8 Tibia Clausa (S) Vibraphone 16 Bourdon 8 Saxophone 16 Clarinet (Ten C) 8 Tibia Clausa (M) 8 English Horn 8 Solo String (2 Rks) 16 Krumet (Ten C) 8 Clarinet GENERAL 8 Tuba Horn 8 Viol d' Orchestre (2 Rks) 16 Orchestral Oboe (Ten C) 8 Krumet Lieblich Flute OFF 8 Open Diapason 8 Salicional (2 Rks) 16 Musette (Ten C) 8 Kinura Tibia Minor ON 8 Horn Diapason 8 Oboe Horn 16 Saxophone (Ten C) 8 Orchestral Oboe Solo String > Flauto Dolce 8 Tibia Clausa 8 Quintadena 16 Solo String (2 Rks) 8 Musette Horn Diapason Celeste ON 8 Tibia Pizzicato 8 Lieblich Flute 16 String Ensemble (4 Rks) 8 Saxophone Quintadena Celeste ON 8 Clarinet 8 Concert Flute 16 Oboe Horn 8 Solo String (2 Rks) Concert Flute Celeste ON 8 Cello (2 Rks) 8 Vox Humana (S) 16 Bourdon 8 String Ensemble (4 Rks) String Celestes OFF 8 Oboe Horn 8 Vox Humana (M) 16 Vox Humana (Ten C)(S) 8 Oboe Horn Dampers (Vibraphone & Tympani) 8 Concert Flute 4 Octave 16 Vox Humana (Ten C)(M) 8 Quintadena Percussion Re-it 16 Piano 4 Octave Horn 8 Tuba Mirabilis 8 Lieblich Flute Percussion Un-expressed 8 Piano 4 Piccolo (Main) 8 English Horn 8 Vox Humana (S) Swell Master 8 String Bass 4 Solo String (2 Rks) 8 Brass Trumpet 8 Vox Humana (M) Tympani (Tuned) 4 Viol (2 Rks) 8 Trumpet 4 Piccolo (S) SWELL TOGGLE Tympani Rolls (Tuned) 4 Salicet (2 Rks) 8 Tuba Horn 4 Piccolo (M) Solo Sustain Bass Drum 4 Quintadena 8 Open Diapason 4 Solo String (2 Rks) Solo Sostenuto Bass Drum Roll 4 Lieblich Flute 8 Horn Diapason 4 String Ensemble (4 Rks) Great Sustain Crash Cymbal 4 Concert Flute 8 Tibia Clausa (S) 4 Vox Humana (S) Great Sostenuto Cymbal Roll 4 Vox Humana (S) 8 Tibia Clausa (M) 4 Vox Humana (M) Vibraphone Rotor Ride Cymbal 4 Vox Humana (M) 8 Clarinet 4 Lieblich Flute Piano Sustain Jazz Cymbal 2 2/3 Lieblich Twelfth 8 Krumet 2 2/3 Twelfth (Tibia)(S) Finger Cymbal 2 2/3 Twelfth 8 Kinura 2 2/3 Twelfth (Tibia)(M) EFFECTS Brush Cymbal 2 Lieblich Piccolo 8 Orchestral Oboe 2 2/3 Lieblich Twelfth Bell Tree Closed Hi Hats 2 Piccolo 8 Musette 2 Piccolo (Tibia)(S) Choke Pedal Hi Hats 8 Piano 8 Saxophone 2 Piccolo (Tibia)(M) Piatti Triangle Harp Sub 8 Solo String (2 Rks) 1 3/5 Tierce (Tibia)(S) Symphonic Cymbal Roll Temple Block Harp 8 Viol d' Orchestre (2 Rks) 1 1/3 Larigot (Tibia)(S) Drum Roll / Cymbal Crash MIDI on PEDAL Chrysoglott 8 Salicional (2 Rks) 1 Fife (Tibia) (S) Bird Whistle Accomp to Pedal Orchestral Harp 8 Oboe Horn 8 Piano Train Whistle Great to Pedal Snare Drum 8 Quintadena Harp Sub Novelty Whistle Rim Shot 8 Lieblich Flute Xylophone Chinese Gong Ride Cymbal 8 Concert Flute Glockenspiel Tremulant & Chamber Noise Ride Cymbal (Back Beat) 8 Vox Humana (S) Chrysoglott Sub Jazz Cymbal 8 Vox Humana (M) Chrysoglott COMBINATION ACTION Brush Cymbal 5 1/3 Fifth (Tibia) (M) Vibraphone 15 General Pistons Open Hi Hats 4 Octave Orchestral Harp 15 Solo Division Pistons Closed Hi Hats 4 Piccolo (S) Cathedral Chimes 15 Great Division Pistons Pedal Hi Hats 4 Piccolo (M) MIDI on SOLO 15 Accomp. Division Pistons Choke Cymbal 4 Solo String (2 Rks) Sub Octave 5 Pedal Division Piston Tom Tom 4 Viol d' Orchestre (2 Rks) Unison Off SET Tambourine 4 Salicet (2 Rks) Octave CANCEL Castanets 4 Lieblich Flute Great on Solo Marracas 4 Concert Flute Great Octave Solo MISCELLANEOUS Wood Block 4 Vox Humana (S) Solo Sub 5th Percussion Re-iteration Rate Cow Bell 3 1/5 Tenth (Tibia)(M) Solo 3rd Solo on Great Delay Rate Sand Block 2 2/3 Twelfth (Tibia)(S) Solo 5th 42 stage Configurable Crescendo MIDI on ACCOMP 2 2/3 Twelfth (Tibia)(M) Solo 7th Octave 2 2/3 Lieblich Twelfth Solo Major 7th DISPLAY Solo to Accomp 2 Piccolo (Tibia)(S) Solo MIDI Keyboard Activity 2 Piccolo (Tibia)(M) Great MIDI Keyboard Activity ACCOMP 2ND TOUCH 2 Fifteenth Accompaniment Keyboard Activity 8 Tuba Mirabilis 2 Lieblich Piccolo Accomp 2nd T Keyboard Activity 8 English Horn 1 3/5 Lieblich Tierce Pedal Board Activity 8 Brass Trumpet 1 Lieblich Fife Solo Chamber Swell Indicator 8 Trumpet 16 Piano Main Chamber Swell Indicator 8 Tuba Horn 8 Piano Percussion Chamber Swell Indicator 8 Diaphonic Diapason Harp Sub Crescendo Stage Indicator 8 Tibia Clausa (Solo) Xylophone Sustain Toggle Indicator 8 Tibia Clausa (Main) Glockenspiel 8 Clarinet Chrysoglott 4 Piccolo (Solo) MIDI on GREAT 4 Piccolo (Main) Sub Octave 8 Piano Unison Off Sub Harp Octave Chrysoglott Sub Solo Sub Great Glockenspiel Octave Solo to Great (Ten C) denotes Tenor C Triangle Solo on Great Melody (NC) denotes non couple MIDI on ACCOMP 2nd Touch Solo on Great Pizzicato (S) denotes Solo Chamber Great Octave Accomp Solo on Great Delay (M) denotes Main Chamber Solo to Accomp * Specification subject to change. Accomp Traps