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23. Synoptique 12 - Private Fears in Public Places: Network Narrative and the Post- Smart American Melodrama - by Lindsay Peters. Available at: http://www.synoptique.ca/core/articles/private_fears_in_public_places/. 24. Amores Perros Review. Available at: http://sensesofcinema.com/2001/current-releases/amores/. 25. Shaw, D. (Trans)National Images and Cinematic Spaces: the cases of Alfonso Cuarón s Y tu mamá también (2001) and Carlos Reygadas Japón (2002). Iberoamericana 44, 117 131 (2011). 26. Mexican Cinema Today Article: Movie City Focus Features. Available at: http://www.focusfeatures.com/article/mexican_cinema_today. 27. Transnational Film Financing in the Hispanic World. Contemporary Hispanic cinema: interrogating the transnational in Spanish and Latin American film. Colecciâon Tâamesis, (Tamesis, 2013). 28. Barrow, S. Out of the Shadows: New Peruvian Cinema, National Identity and Political Violence. Available at: http://www.modernlanguagesopen.org/index.php/mlo/article/view/18/56. 29. Mendez, J. Dâias de Santiago. (2004). 4/6
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38. Writing the History of Latin American Women Working in the Silent Film Industry Women Film Pioneers Project. Available at: https://wfpp.cdrs.columbia.edu/essay/writing-the-history-of-latin-american-women-working -in-the-silent-film-industry/. 39. Fernando Solanas - Director Profile. Available at: http://sensesofcinema.com/2010/great-directors/fernando-solanas/. 40. MICHAEL CHANAN The Audiovisual Essay. Available at: http://reframe.sussex.ac.uk/audiovisualessay/reflections/intransition-1-3/michael-chanan/. 6/6