Education Programme Terms 3-4 govettbrewster.com

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Jul Nov 2015 Education Programme Terms 3-4 govettbrewster.com

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Contents Introduction 4 Len Lye Centre exhibitions 6 Govett-Brewster Art Gallery exhibitions 10 Primary and intermediate schools programme 12 Secondary schools programme 18 Education events 24 Lifelong learning 25 Exhibitions, tours and experiences 26 Monica Brewster Evenings 27 Looking ahead 28 Planning your visit 29 Meet our education team 30 Govett-Brewster Art Gallery Education Programme P / 3

Tēnā koutou. Welcome. Kōrihi te manu! Takiri mai te ata! Ka ao! Ka ao! Ka awatea! Tihei mauri ora! As the bird sings to greet the dawn, a new day begins Behold! There is life! The Govett-Brewster Art Gallery/ Len Lye Centre on New Plymouth s Queen St. Photo Glenn Jeffrey P / 4

We open the doors to the refurbished Govett-Brewster Art Gallery and new Len Lye Centre with great excitement, energy and a sense of renewal. Our opening programme, which draws on two unique collections, promises a provocative, audacious and confident series of exhibitions and events. The Govett-Brewster reopening is a celebration in itself, but we also mark an incredible milestone with the opening of the Len Lye Centre a building already creating international interest as a destination for the development, research and exhibition of kinetic sculpture and moving image. We invite you to make the Govett-Brewster Art Gallery and Len Lye Centre part of your teaching plan this year. We look forward to introducing your students to the vivid, original artworks in our current exhibitions, helping them explore the concepts within the art, and educating them about the artists behind these works. Our education programmes are designed to inspire and inform your students through access to contemporary art experiences and the work of pioneering New Zealand filmmaker and kinetic artist Len Lye. We tailor our programmes to make use of the current exhibitions and to fit with classroom learning objectives and national curriculum standards in English and Te Reo from preschool to tertiary. We are an accredited Learning Experience Outside the Classroom (LEOTC) provider and, during their time with us, your students will be able to make use of our purpose-built education studios in the Todd Energy Learning Centre and 62-seat state-of-the-art cinema in the Len Lye Centre. You can start your planning by taking a look at the exhibition and education programme detailed in this brochure, but if you would like to discuss other options, further develop detailed content, discuss the format of your visit, or choose the most appropriate exhibition or programme for your visit, our education team is happy to help. Ngā mihi, Govett-Brewster education team Chris Barry, Rebecca Fawkner-Egli and Kaiako Māori Morgana James Govett-Brewster Art Gallery Education Programme P / 5

Len Lye Centre Exhibitions P / 6

Len Lye s Jam Session 25 Jul 29 Nov Len Lye Centre galleries Music permeates much of Len Lye s oeuvre, from the jazz and Latin standards he translates in film to his dancing, singing sculptures. We open the Len Lye Centre with a new survey that highlights the jazz-like improvisation at the heart of Lye s practice. Len Lye s Jam Session explores the musical elements in Lye s work as a filmmaker, sculptor, painter and thinker, set against the wider picture of 20th century music both the popular and the avant-garde that inspired him. Curated by Paul Brobbel Len Lye film still from Swinging the Lambeth Walk 1939 4 min, digital video from 35mm source, sound Courtesy of the Len Lye Foundation from material preserved and made available by Ngā Taonga Sound & Vision Govett-Brewster Art Gallery Education Programme P / 7

Len Lye: Four Fountains From 25 Jul Large Works gallery Len Lye Centre We open the dedicated Large Works gallery in the new Len Lye Centre with an audience favourite: the gentle, swaying Fountain, a bundle of rotating stainlesssteel rods that twist, flex and shimmer. Among the earliest of Lye s tangible motion sculptures, Fountain became a work he returned to throughout the 1960s and 70s. We present four from the series, including a new member an eight-metre tall version engineered by the Len Lye Foundation based on Lye s detailed design drawings and notes. Projection Series #1: Len Lye s Colour Box 25 Jul 1 Nov 1 pm daily Len Lye Centre Cinema The pioneering film A Colour Box (1935) is as acclaimed now as it was in its day, and leads us into a survey of Lye s colourful, musical and technically thrilling short films made between the 1930s and 1950s. Drawing, painting or scratching onto film leader without the need for a camera to make the image, Lye brought the concept of direct animation to life. The selection will include the recently restored and rarely seen All Souls Carnival (1957). Total running time: 51 minutes. Curated by Paul Brobbel Curated by Paul Brobbel In association with the Len Lye Foundation and Technix. Len Lye s Fountain Len Lye film stills P / 8

Revealed #1 Anthony McCall and Henri Gaudier-Brzeska 25 Jul 29 Nov West Ramp Len Lye Centre Have you ever wondered about the art that artists collect? Our pocket exhibition series Revealed shows work from the private collections of artists, exposing friendships, artists admired and global connections. Our first reveal is from the collection of New York-based British film and installation artist Anthony McCall, showing drawings by French sculptor Henri Gaudier-Brzeska (1891 1915). Curated by Simon Rees Henri Gaudier Brzeska Standing Male Nude, 1912/13. Crayon on paper 442mm x 288mm. Collection of Anthony McCall Govett-Brewster Art Gallery Education Programme P / 9

Our Hearts of Darkness Govett-Brewster Art Gallery Exhibitions 25 Jul 29 Nov Govett-Brewster Art Gallery Our Hearts of Darkness, our major exhibition for 2015, draws on the breadth of the Govett-Brewster Collection and newly commissioned work from 2014 Govett-Brewster Aotearoa New Zealand Artist-in- Residence Ngahina Hohaia. Carefully selected works are used to shine a light on the complex legacy of first contact between Māori and the colonists and ongoing tensions that feed into our national sense of self. We also chart the way that violence is embedded within New Zealand identity and used against people different to a mono-cultural ideal. The exhibition features sculpture, photography, video and paintings, and includes Colin McCahon s Parihaka Triptych and Len Lye s Trilogy. Hohaia s work (on show from October) references an old waiata called Te Piukara (The Bugle) from Parihaka, and can be considered a visual song. Curated by Simon Rees P / 10

Peter Peryer Television, 2005. Govett-Brewster Collection. Image courtesy of the artist Govett-Brewster Art Gallery Education Programme P / 11

25 Jul 29 Nov Primary and Intermediate School Programme Making art like Len Lye All primary and intermediate programmes take place throughout the building with our educators, and include hands-on activities for your students. The programmes below indicate what you can expect from each session; please note however, that each programme can be customised for your class age group and area of focus simply chat with our team today. Te Reo Māori The Govett-Brewster and Len Lye Centre welcome kura kaupapa and bi-lingual classes across all exhibitions. Our Kaiako Māori works with teachers to ensure visits meet their language and hands-on activity needs. Please contact Morgana James at kaiako@govettbrewster.com or phone 06 759 0858 to discuss options P / 12

Abstract Animation Years 5 8, 75 mins How did old-school animation work? What makes Len Lye s films so cool? We go to the cinema to discover how image, movement and sound are combined to create an illusion. Students analyse animation techniques and use zoetropes to create their own moving image. Bring your school video camera or mobile phone to record students animations. Govett-Brewster Art Gallery Education Programme P / 13

Light Moves Years 1 4, 75 mins Years 5 8, 90 mins Len Lye said, Why pretend they [drawings of clouds] are moving, why not just move something? Students learn about the art and science of movement by activating their whole being. Moving among the sculptures, we are inspired to stretch and recoil, glide and rotate. We sequence our moves like a Lye scratch film, contrasting repetition with improvisation in response to the film s soundtrack. In the darkened studio we team up and transform our moves into a UV-lit dance sequence. Science Sculpture Years 3 4, 75 mins Years 5 8, 90 mins How did Len Lye use science to create ideas and make his art? Students see how his fascination with nature inspired his sculpture, and activate their own understanding of the physical world through a series of mini experiments. In the studio, students construct a kinetic sculpture that represents understandings of types of motion, properties of materials, light, sound and gravity. Len Lye s Fountain P / 14

Sound Explorer Years 1 4, 75 mins How does sound work? What can we learn about sound through Len Lye s art? Students enter a world of tingles, boings, crashes and ch-ch-ch. We tune our ears to the sounds of the kinetic sculptures and films. We connect movement with sound and discover how sound turns into music. In the studio, students cut and fold aluminium pie plates and attach other materials to construct a sound sculpture. Students then practise making music together. Dream-o-scope Years 3 6, 75 mins How do art makers generate an idea? We take a guided imaginative journey through the shadows and sounds of Len Lye s art. Students dream up some descriptive words. They try out Surrealist techniques for tapping into their subconscious to create fresh imagery unique to them. We analyse how Lye translated his vision into his paintings, photograms and films. In the studio each student combines his or her own images and words onto acetate to create a projectable translucent artwork. Govett-Brewster Art Gallery Education Programme P / 15

Exploring Themes in Our Hearts of Darkness Our History Our Art Years 5 8, 90 mins 26 Sep 29 Nov Did you know that in 1881 Māori prisoners were marched down Queen Street in chains for the people of New Plymouth to see? Ngahina Hohaia s powerful artwork, in the opening exhibition Our Hearts of Darkness, presents the story of Parihaka in a new way (on show from October). We use simple drama activities to connect Ngahina s art to the Parihaka story. Students discover how Colin McCahon, Ralph Hotere and Michael Parekowhai use their work to broadcast a message. Students research some key messages from the exhibition about our past and create a collaborative artwork to spread positive messages for the future. Classes visiting Puke Ariki s Soldier on and Parihaka lessons can extend their learning by visiting both institutions. Planning a multi-class rotation may be advantageous. P / 16

Ngahina Hohaia Te Kahu o te Karauna/ This is why I won t stand for the national anthem 2005 2012. Installation view. Courtesy the artist and Te Manawa Museums Trust. Govett-Brewster Art Gallery Education Programme P / 17

Secondary School Programme Depending on your curriculum and class needs we can shape a lesson tailored specifically for you and your students. Below are some ideas based on our opening exhibitions to help inspire your programme. P / 18

Inspiration from the Len Lye Foundation Collection Junior Art Who was Len Lye and what can we learn from his art? Why is he important in art history? Len Lye s Jam Session introduces students to his approaches to art making. Students play some of the same art games and experiment with similar techniques that he used to get ideas. We also discover how his art connects with the wider art world, focusing on Surrealism. Dance Len Lye said, If there were such a thing as composing music there could be such a thing as composing motion. His kinetic sculptures are perfect motivation for sitespecific dance. Students interpret Lye s art by moving both on their own and in groups through the gallery spaces. In the Todd Energy Learning Centre, students develop their movement ideas focusing on specific Govett-Brewster Art Gallery Education Programme P / 19

dance elements. Teachers, please talk to the education team about your learning outcome requirements. DVC and Materials Technology What have design and visual communication and materials technology to do with art? Explore how Len Lye considered art, science and technology as one. His ideas and outcomes for kinetic sculptures align perfectly with the technology curriculum. Experiencing Lye s works opens students to new design possibilities as they witness technologies, mechanical properties, engineering and movement in a range of transformations. Media Studies How did old-school animation work? What makes Len Lye s films so cool? Inspired by his innovative approach to filmmaking and the stimulating art environment, we lead students to deepen their knowledge of where film came from through a variety of hands-on options including zoetropes and direct filmmaking. Bring your school video camera or mobile phone to record students animations. The Len Lye Centre includes a state-of-the-art 62-seat cinema and access to Nga Tāonga Sound and Vision, enabling students year-round access to New Zealand s rich history of film and television. Science What has science to do with art? Len Lye s kinetic sculptures enable students to witness physics in action. Students will have the opportunity to apply their classroom learning in the unique and imaginative contexts within our galleries through a range of hands-on activities that will challenge and activate learning. Senior Art and Photography When visiting Top Art (a display of the top 2014 NCEA Level 3 art portfolios) allow some time for your students to experience the energy and innovation of Len Lye s art. Students will: Compare and contrast a variety of Lye s artworks Make connections between Lye s art and Surrealism Discuss pros and cons of making kinetic sculpture and consider how students could evoke movement in their art Play some of Lye s art games and consider how his approach to getting art ideas could be used by students Please contact the education team to plan a visit gbeducation@govettbrewster.com Darcy Lange Waitara Freezing Works, Taranaki 1974. Courtesy Darcy Lange Estate P / 20

Govett-Brewster Art Gallery Education Programme P / 21

Junior Art Exploring Themes in Our Hearts of Darkness Why have art galleries? What s art for? Introduce your students to the art of open-minded interpretation. The breadth of Our Hearts of Darkness offers students an insight into the diversity of New Zealand art. It challenges us to confront our past, question our present, and embrace a richer life through confronting and contemplating our conventions. The education team provides interactive strategies enabling Junior Art students to think deeply about what they can learn from visiting an art museum. Colin McCahon Am I Scared 1976. Govett-Brewster Collection. Reproduced courtesy of the Colin McCahon Research and Publication Trust P / 22

Art History Our Hearts of Darkness offers students working with.2 and.3 achievement standards a great opportunity to experience major artworks from the Govett-Brewster Collection in the flesh. We will lead an inquiry with students so they gain a deeper understanding of how artists use their work to communicate a message, and the relationship between art and context. Highlights include Colin McCahon s Parihaka Triptych, Ngahina Hohaia s Te Kahu o te Karuna/This is why I don t stand for the national anthem, Ralph Hotere s Untitled and Tony Fomison s The man of peace and the man of war (Te Whiti and Titokowaru). Students will: Analyse a variety of paintings, sculpture, photography, and video, identifying and discussing techniques, formal elements, subject matter and symbols, and discuss how these contribute to their meaning and impact Compare and contrast New Zealand modernist and post-modernist art Reflect on the cultural and sociopolitical contexts of art Māori studies Join Kaiako Māori Morgana James to discover how Ngahina Hohaia s practice keeps the story of Parihaka alive, and challenges the past in order to build a better future. Students will discuss the messages of protest and commemoration behind art by Colin McCahon, Ralph Hotere and Michael Parekowhai, then create their own collaborative artwork to spread positive messages for the future. Classes visiting Puke Ariki s Soldier on and Parihaka lessons can extend their learning by visiting both institutions. Senior Art and Photography When visiting Top Art (a display of the top 2014 NCEA Level 3 art portfolios) be sure to allow some extra time for your students to experience a wide range of art media, techniques and motivations presented by Our Hearts of Darkness. Students will: Decipher Colin McCahon s painting technique, compositional devices and symbolism Discover ways their own Taranaki histories can be part of art Compare and contrast various documentary photography sub-genres Reflect on political motivations for art and how their own art might have a message Please contact the education team to plan a visit gbeducation@govettbrewster.com Govett-Brewster Art Gallery Education Programme P / 23

We invite you to take part in these special events held for our education community Primary Teachers Welcome Thu 13 Aug 4.30 6 pm The Govett-Brewster/Len Lye Centre education team invite principals and teachers to an introduction to New Zealand s newest art museum. After a tour we meet in the Todd Energy Learning Centre for refreshments and an opportunity to find out the possibilities for student learning at the Govett-Brewster Art Gallery/Len Lye Centre. For catering purposes please RSVP to rsvp@govettbrewster.com by Monday 10 August Education Events Top Art 24 30 Aug Mon 24 Aug 12 pm Sun 30 Aug 6 pm Todd Energy Learning Centre See a display of New Zealand s 2014 secondary schools NCEA Level 3 art portfolios that achieved Excellence or Scholarship, including four Taranaki folios. Muka Youth Prints 27 28 Nov Todd Energy Learning Centre Come to the annual exhibition of Muka Studio lithographs. These original prints by prominent artists are to be exclusively seen and potentially owned by people under the age of 19. No adults allowed! Each print costs $67 unframed, $137 framed. For more information, and to see the Govett-Brewster s after school education programme, go to govettbrewster.com P / 24

Young Visionaries Join our weekly after-school art classes and be inspired by great art. Classes are in the Todd Energy Learning Centre and led by Govett-Brewster educators and guest tutors. Term 3 Wednesdays, 29 Jul 23 Sep 5 8 years old, 4 5.30 pm Thursdays, 30 Jul 24 Sep 9 13 years old, 4 5.30 pm Lifelong Learning School Holiday Programme Children, get creative and accelerate your art skills. Join one of our educators for a fun art challenge. 5 8 years old Term 4 Wednesdays, 14 Oct 9 Dec 5 8 years old, 4 5.30 pm Thursdays, 15 Oct 10 Dec 9 13 years old, 4 5.30 pm $55 per term. Bookings essential. Book online at govettbrewster.com or phone 06 759 6060 Wed 30 Sep 9 am 12 pm or 1 4 pm, $5 5 12 years old Thu 1 Oct 10 am 12 pm or 1 3 pm, $5 9 13 years old Fri 2 Oct 9 am 3 pm, $10 (Lunch supervision provided, BYO lunch) 5 8 years old Wed 7 Oct 9 am 12 pm or 1 4 pm, $5 5 12 years old Thu 8 Oct 10 am 12 pm or 1 3 pm, $5 9 13 years old Fri 9 Oct 9 am 3 pm, $10 (Lunch supervision provided, BYO lunch) Parents, feel free to stay or go. Bookings essential. Book online at govettbrewster.com or phone 06 759 6060 Govett-Brewster Art Gallery Education Programme P / 25

Talk Art Lifelong learning for all ages. Join us for free-flowing conversation and experiences with contemporary art inside the current exhibitions. No knowledge of art is needed! Exhibition Tours and Experiences Quiet Art Second Wednesday of the month 9 10.30 am and 5.30 7 pm Visit with low light, noise and visitor numbers. Suitable for people within the autism spectrum and caregivers. Access Art Fourth Saturday of the month 2 3 pm Guided tours for people with hearing and vision impairments, and caregivers. To book attendance for Quiet Art and Access Art and for monthly session dates and themes visit our website at govettbrewster.com Babes First Friday of the month 10 am Adults $5 (includes morning tea) Under 5s Free Baby-friendly talks for mums, dads and caregivers followed by morning tea at Monica s Eatery Seniors Second Friday of the month Meet at Monica s Eatery 9.30 am ready for 10 am start For older people keen for a regular dose of art and culture Play Art Third Friday of the month 10 10.45 am Todd Energy Learning Centre Interactive art-making sessions for preschoolers and their caregivers For monthly session dates and themes visit our website at govettbrewster.com Open Late Every Thursday until 9 pm Experience art and ideas at night, with evening talks, film screenings, late-night shopping and dining at Monica s Eatery. Check the website for weekly details. Community groups have free use of facilities on late nights. Bookings are essential. Email venues@govettbrewster.com or phone 06 759 6060 to book. Free entry unless otherwise noted P / 26

Monica Brewster Evenings Spend a thoughtprovoking engaging evening with local and international cultural thinkers In association with Govett Quilliam The Lawyers Last Thursday of each month 6 8 pm Len Lye Centre Cinema Students with ID Free Entry $15 Friends of the Gallery $10 All welcome Radical Light: Alternative Film and Video in the San Francisco Bay Area with Kathy Geritz Thu 27 Aug American film curator Kathy Geritz, from the Berkeley Art Museum and Pacific Film Archive in California, discusses the history of experimental cinema in countercultural San Francisco. Kathy is the Govett-Brewster International Film Curator in Residence with us this winter. About Jazz with Mike Nock Thu 24 Sep Through film and live music, New Zealand-born jazz pianist Mike Nock takes us back to the 1970s, when he lived in New York working as a studio musician. Culture of Connection: The Future of Art and Business with Rick Ellis Thu 29 Oct Rick Ellis, chief executive of the Museum of New Zealand Te Papa Tongarewa, delivers a timely talk on the connections and potential opportunities in business and art. Censorship: Challenges and Opportunities in the Digital Age with Dr Andrew Jack Thu 26 Nov New Zealand s chief censor, Dr Andrew Jack, discusses how his office navigates the classification of sex, crime, cruelty and violence in film and television within the current cultural climate. Govett-Brewster Art Gallery Education Programme P / 27

Looking ahead To help you plan ahead for your teaching next year we ve put together a preview of our upcoming exhibitions Sister Corita s Summer of Love 18 Dec 2015 3 Apr 2016 Sister Mary Corita Kent (1918 1986) was an American Catholic nun, artist, educator and activist. Sister Corita s Summer of Love features a large number of screen prints and designs. Many of these are text-based, using pop culture as raw material and incorporating spiritual messages of love and peace. Len Lye: Flora and Fauna 18 Dec 2015 3 Apr 2016 An exploration of Len Lye s interest in biology and nature, featuring paintings and drawings, kinetic sculptures and Lye s first film, Tusalava. Emanations: The Art of the Cameraless Photograph 29 Apr 14 Aug 2016 Emanations: The Art of the Cameraless Photograph spans 170 years of cameraless photography. The exhibition presents a series of conversations investigating the juxtaposition of methods and themes via a wide range of historical, modernist and contemporary works. Open Collection 2016 Teachers, are your students studying an artist or art style that links with the Govett- Brewster Collection? Open Collection is an opportunity for teachers to curate a small number of artworks from the Collection to be exhibited and used by school groups visiting the Govett-Brewster. Please contact the education team to discuss how we can create an exhibition together for your students. For more information keep an eye on our website govettbrewster.com P / 28

Planning your visit All Govett-Brewster education programmes are free How do I book? Booking is essential. Complete your booking enquiry at, or download a form from the Govett- Brewster website (govettbrewster.com), then scan and email to education@govettbrewster.com. Once a booking is received teachers are sent pre- and post-visit information to complement the visit and link with the New Zealand Curriculum. Kura kaupapa Our education team s Kaiako Māori offers bilingual and kura kaupapa lessons that reflect te ao Māori. Please contact us to discuss your kura kaupapa visit. Special needs We welcome special needs students. Please help us cater for students by letting us know of your special needs when you book. We love parents and caregivers to stay with the class during the tour to share in learning and help with hands-on activities. The adult to student ratio should reflect your school s EOTC policy for your student level. Preschoolers need to be supervised by their parent/caregiver at all times. Planning a whole day out? Our education team is happy to be part of class rotations with other EOTC providers, including Puke Ariki. Call Chris or Rebecca with your special requests. Phone 06 759 0858 or email gbeducation@govettbrewster.com How do I keep in touch with future programmes? Information about Govett-Brewster and Len Lye Centre exhibitions and education programmes is sent to every school in Taranaki, a term in advance. Contact the education team if you wish to be a contact person for your school or to receive a copy of our brochure. Information is also available at govettbrewster.com Govett-Brewster Art Gallery Education Programme P / 29

Meet Our Education Team Chris Barry Rebecca Fawkner-Egli Kaiako Māori Morgana James for Te Reo or tikanga focus P / 30

Contact us at Govett-Brewster Art Gallery/Len Lye Centre Private Bag 2025 42 Queen Street New Plymouth 4342 Aotearoa New Zealand 06 759 0858 gbeducation@govettbrewster.com govettbrewster.com Funding Partner Programme Partner Govett-Brewster Art Gallery Education Programme P / 31

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