SCHOOL OF MUSIC. Page 1 of 7

Similar documents
at least one work different to those offered in the preliminary audition. Scales, arpeggios and sight-reading may be tested.

PERFORMING ARTS. Head of Music: Cinzia Cursaro. Year 7 MUSIC Core Component 1 Term

Requirements for the aptitude tests at the Folkwang University of the Arts

GRADUATE AUDITION REQUIREMENTS

UNDERGRADUATE AUDITION & MUSIC TECHNOLOGY PORTFOLIO REQUIREMENTS

Music Scholarships for 2019

OF THE ARTS ADMISSIONS GUIDE 2016 ACADEMY

Audition Guidelines & Repertoire Lists Season

Huntsville Youth Orchestra Auditions. Philharmonia VIOLIN

Sample Entrance Test for CR121 (BMus Degree)

Greater Cleveland Instrumental Solo and Ensemble Contest Association. RULES AND REGULATIONS (revised September 2016)

Studio Lesson Policy

UNDERGRADUATE AUDITION REQUIREMENTS

MUSIC DEPARTMENT MUSIC PERSPECTIVES: HISTORY OF POPULAR MUSIC A/B /656600

These requirements are to be completed at the spring semester jury during a student s sophomore year of study:

Sample Entrance Test for CR121 (BMus Degree)

Assessment Guidelines

Sample Entrance Test for CR121 (BMus Degree)

Master of Music. Music Composition

INTERNATIONAL (HONG KONG) AUDITION ADVICE PACK

Audition Information. Audition Repertoire

Flint School of Performing Arts Ensemble Audition Requirements

Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music.

Sight-reading Studies comparable to Charlie Parker Omnibook Demonstrate proficiency at sight reading standard big band or fusion arrangements

Register for your audition at Questions: or

Music. Music Instrumental. Program Description. Fine & Applied Arts/Behavioral Sciences Division

Huntsville Youth Orchestra Auditions. Sinfonia VIOLIN

Register for your audition at Questions: or

Sample Entrance Test for CR (BA in Popular Music)

MUSC 100 Class Piano I (1) Group instruction for students with no previous study. Course offered for A-F grading only.

Talent Academy 2018 Preparation Notes and Checklist for Music Applicants DSA-Secondary and DSA-Secondary (Non-MOE)

Music Semester in Greece Spring 2018 Course Listing January 29 June 1, 2018 Application Deadline: October 16, 2017.

Fall Audition Procedure for Santa Rosa Symphony Youth Ensembles

ABOUT THE QCSYE. generally rehearses on Sundays from 3:30 5:15 p.m.

Jury Examination Requirements

2017 GRADUATE AUDITION, INTERVIEW & PORTFOLIO REVIEW GUIDELINES

MUSC 100 Class Piano I (1) Group instruction for students with no previous study. Course offered for A-F grading only.

WSMA Festival Rules and Information

UNIVERSITY COLLEGE DUBLIN NATIONAL UNIVERSITY OF IRELAND, DUBLIN MUSIC

MUSIC (MUS) Music (MUS) 1

DELAWARE MUSIC EDUCATORS ASSOCIATION ALL-STATE ENSEMBLES GENERAL GUIDELINES

1000 PERFORMANCE ATTENDANCE

Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music.

SPECIAL NOTICES (updated 2007)

MUSIC (MUS) Music (MUS) 1

MUSIC (MU) Music (MU) 1

2016 GRADUATE AUDITION, INTERVIEW & PORTFOLIO REVIEW GUIDELINES

Missouri Educator Gateway Assessments

Level performance examination descriptions

MUSIC (MUAP, MUEN, MUSI)

Brass Scales, Major (to be played in tongued quarter notes at a minimum speed of 110 bpm)

Music. Music-Instrumental

Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music.

GSA Applicant Guide: Instrumental Music

These are the courses that need the information included:

COURSE TITLE: Advanced Chorus (Grades 9-12) PREREQUISITE:

Dear musician, Establish Musical Qualification

School of Church Music Southwestern Baptist Theological Seminary

College of MUSIC. James Forger, DEAN UNDERGRADUATE PROGRAMS. Admission as a Junior to the College of Music

California Subject Examinations for Teachers

APPLICATION CHECK LIST. To apply to Special Music School High School s Instrumental program you will need to:

NEMC COURSE CATALOGUE

TALENT ACADEMY 2017 Preparation Notes for Submission and Audition in Music DSA-Secondary and DSA-Secondary (Non-MOE) Applicants. Eligibility Criteria

FINE ARTS PERFORMING ARTS

Audition Guide. Overview 2 Our Ensembles 3 Student Progression 4. Musical Skills Required: Strings 5 Winds/Brass 7 Percussion 8 Jazz 9

School of Creative Arts Conservatorium of Music AUDITION INFORMATION

College of MUSIC. James Forger, DEAN UNDERGRADUATE PROGRAMS. Admission as a Junior to the College of Music

Eligibility Criteria. Phase 1: Shortlisting. What to submit for Music Portfolio

GYJO Auditions for Director: Peter Martin Audition Panel: T.B.A.

MUSIC (MUSI) Calendar

STRING AREA HANDBOOK

Torrey Pines High School: Jazz Band Level of Difficulty: Estimated Homework : Prerequisites:

Music. Music 1. Career Directions

GRADUATE AUDITION REQUIREMENTS

Huntsville Youth Orchestra Auditions Huntsville Youth Symphony

Conservatory of Music: Curriculum Maps Learning Outcomes Assessment Report, Spring Bachelor of Arts in Music

LEVEL DESCRIPTIONS, CLASSICAL INSTRUMENTS AND VOCAL

Music. Associate in Arts in Music for Transfer (ADT: A.A.-T)

CALIFORNIA STATE UNIVERSITY, SACRAMENTO DEPARTMENT OF MUSIC ASSESSMENT PLAN. Overview and Mission

Portfolio Requirements Film/Video Division (B.F.A.)

Music Published on Programs and Courses (

Admission requirements for The Royal Academy of Music. Master's degrees 2018

2016 HSC Music 1 Aural Skills Marking Guidelines Written Examination

Music Performance: Woodwinds

Music Performance: Jazz Studies

THE MUSIC ACADEMY AT CCTS.

MUSIC (MUSC) Music (MUSC) 1. MUSC 7. Advanced Theory. 3 Units Prerequisite(s): MUSC 1 and MUSC 6. Corequisite(s): MUSC 2.

High School Master Musician

hhh MUSIC OPPORTUNITIES BEGIN IN GRADE 3

Department of Music Vocal Pedagogy and Performance Master of Music Degree Placement Examination Program Admission Requirements

Music (MUS) Courses. Music (MUS) 1

Piano Teacher Program

Music (MUSIC) Iowa State University

2011 New Brunswick Provincial Music Festival Finals Syllabus

Talent Academy 2019 Preparation Notes and Checklist for Year 1 Music Applicants DSA-Secondary and DSA-Secondary (Non-MOE)

MUSIC (MUS) Composition Sequence This 34 hour sequence requires:

SPECIMEN PAPER FOR MUSIC

Music. Music 1. Career Directions

Music. 418 Music. Degrees and Certificates Awarded. A.A. Degree: Music. Certificate of Achievement: Commercial Music.

School of Music Phone: (512) Office: Music Building 101 Fax: (512) Web:

Transcription:

SCHOOL OF MUSIC The School of Music will consider each applicant s musical training and performance standard as indicated in his/her application form, and will invite selected candidates to attend a preliminary audition in their chosen Major Study. Shortlisted candidates from the preliminary audition will be asked to attend a final audition as well as tests in music theory and aural perception. Applicants for BMus (Hons) Degree programme will also be interviewed on their commitment to studying performance or composition and their reasons for choosing the Academy. The audition panel will look for technical control, musical understanding and expressiveness, general musicianship, creativity and potential for further development. The number of places that can be offered for certain major studies is limited, and may vary from year to year. For BMus (Hons) Degree applicants, it may be necessary to re-direct the applicants to another study programme if their performance standard falls below the entry requirements of the chosen programme of study. Entrance Tests in Aural Perception and Music Theory For applicants of the BMus (Hons) Degree and in Music programmes, shortlisted candidates from the preliminary audition are required to attend entrance tests in aural perception and music theory. The test in aural perception includes questions in intervallic, chordal, harmonic, melodic and rhythmic recognition and dictation, as well as questions regarding the stylistic and formal characteristics of listening excerpts. The test in music theory includes questions in harmonization and score analysis. Sample papers of the tests have been uploaded to the website of the School of Music. Please note: Portfolios and recordings will not be returned to applicants. Page 1 of 7

CHINESE MUSIC 2 works of contrasting musical style, character and tempo that will best demonstrate applicants technical and musical abilities. 3 works of different musical style, character and tempo. include at least one work different to those offered in the preliminary audition. Scales, arpeggios and sight-reading may be tested. COMPOSITION AND ELECTRONIC MUSIC interview Applicants will need to submit a portfolio of compositions for the audition interview. The portfolio should reach the School of Music office. - 3 compositions - 4 compositions Applicants must provide music scores for all their compositions. Score notation must be legible, and with details of instrumentation and performance. If possible, please include audiorecordings of the works in MD, CD or cassette tape format. Applicants will be asked to talk briefly about their portfolio, their musical experience and their interest in creative work. interview The interview will involve a more in-depth discussion of the creative processes and compositional craft as shown in applicants portfolio. Applicants may also be asked to demonstrate their keyboard skills if they learn the piano or another keyboard instrument. In addition to the interview, applicants will need to complete a 2-hour paper in harmony, counterpoint and orchestration. Page 2 of 7

KEYBOARD Applicants should prepare a programme of contrasting works of their own choice. All pieces for Piano must be played from memory. The audition panel reserves the right to hear only movements or portions of the works prepared. 2 works of contrasting musical style, character and tempo. The repertoire listed in the DipABRSM (Performing) of the "Associated Board of the Royal Schools of Music" Examination is an indication of the minimum standard required but other works of similar standard or above can be chosen. 3 works of different musical style, character and tempo. The repertoire listed in the DipABRSM (Performing) of the Associated Board of the Royal Schools of Music Examination is an indication of the minimum standard required but other works of similar standard or above can be chosen. include at least one work different to those offered in the preliminary audition. All pieces for Piano must be played from memory. Sight-reading Page 3 of 7

STRINGS VIOLIN, VIOLA, CELLO, DOUBLE BASS Applicants will need to provide their own pianist if they intend to perform pieces with piano accompaniment. Please note that it is important to have adequate rehearsals with a competent accompanist for the audition. 2 works of contrasting musical style, character and tempo. The repertoire listed in the ABRSM Grade 8 of the Associated Board of the Royal Schools of Music Practical Examination is an indication of the minimum standard required but other works of similar standard or above can be chosen. Applicants will also be asked to play one major and one minor scale of their own choice. 3 works of different musical style, character and tempo. The repertoire listed in the DipABRSM (Performing) of the "Associated Board of the Royal Schools of Music" Examination is an indication of the minimum standard required but other works of similar standard or above can be chosen. Applicants also need to prepare all major and minor scales, and one each of scales in thirds, sixths and octaves in any key of their own choice. include at least one work different to those offered in the preliminary audition. Sight-reading Page 4 of 7

STRINGS HARP, CLASSICAL GUITAR 2 works of contrasting musical style, character and tempo that will best demonstrate applicants technical and musical abilities. The music may be from studies or solo literature. 3 works of different musical style, character and tempo. The repertoire listed in the ABRSM Grade 8 of the "Associated Board of the Royal Schools of Music" Practical Examination may serve as a guide for the minimum standard expected but other works of similar standard or above can be chosen. include at least one work different to those offered in the preliminary audition. Sight-reading Page 5 of 7

WOODWIND, BRASS & PERCUSSION Percussion applicants will be required to perform on the snare drum and one tuned percussion instrument. Performing on the timpani is optional. Applicants will need to provide their own pianist if they intend to perform pieces with piano accompaniment. Please note that it is important to have adequate rehearsals with a competent accompanist for the audition. The requirements for the various programmes of study are: 2 works of contrasting musical style, character and tempo that will best demonstrate applicants technical and musical abilities. The music may be from studies, solo or concerto literature. Scales and arpeggios may be tested. 3 works of different musical style, character and tempo. The repertoire listed in the ABRSM Grade 8 of the "Associated Board of the Royal Schools of Music" Practical Examination may serve as a guide for minimum standard expected but other works of similar standard or above can be chosen. Scales and arpeggios will be tested. include at least one work different to those offered in the preliminary audition. Sight-reading Page 6 of 7

VOCAL STUDIES Applicants should prepare a programme of contrasting songs from the classical music repertoire of their own choice. The audition panel reserves the right to hear only part of the prepared works. Applicants will need to provide their own pianist if they intend to perform pieces with piano accompaniment. Please note that it is important to have adequate rehearsals with a competent accompanist for the audition. 2 contrasting songs from the classical music repertoire that will best demonstrate applicants technical and musical abilities. Applicants should sing from memory if possible. 3 art songs of different musical style, character and tempo, to be sung from memory if possible. At least one song must be sung in a European language other than English. include at least one song different to those offered in the preliminary audition. Sight-reading Last updated on 19 December 2017 Page 7 of 7