Reading a poem aloud: metre. Richard Dury Bergamo, 29 th October 2008

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Transcription:

Reading a poem aloud: metre Richard Dury Bergamo, 29 th October 2008

4-beat verse GI-ra GI-ra TON- DO

4-beat verse GI-ra GI-ra TON- DO CAS- CA il MON- DO

4-beat verse GI-ra GI-ra TON- DO CAS- CA il MON- DO RING a RING o RO- SES

4-beat verse GI-ra GI-ra TON- DO CAS- CA il MON- DO RING a RING o RO- SES a POCK-et -FUL of PO- SIES

4-beat verse GI-ra GI-ra TON- DO CAS- CA il MON- DO RING a RING o RO- SES a POCK-et -FUL of PO- SIES a-tish- OO a-tish- OO

4-beat verse GI-ra GI-ra TON- DO CAS- CA il MON- DO RING a RING o RO- SES a POCK-et -FUL of PO- SIES a-tish- OO a-tish- OO we ALL FALL DOWN (X)

4-beat verse Gi ra gi ra ton do Ring a ring o ro ses A pock et full of po sies

4-beat verse / x / x / / Gi ra gi ra ton do Ring a ring o ro ses A pock et full of po sies

4-beat verse / x / x / / Gi ra gi ra ton do / x / x / / Ring a ring o ro ses A pock et full of po sies

4-beat verse / x / x / / Gi ra gi ra ton do / x / x / / Ring a ring o ro ses x / x / x / / A pock et full of po sies

Derek Attridge, Poetic Rhythm. An Introduction (Cambridge University Press, 1995) Derek Attridge, The Rhythms of English Poetry (Longman, 1982)

5-beat verse: iambic pentameter That time will come and take my love a- way (64)

5-beat verse: iambic pentameter / That time will come and take my love a- way (64)

5-beat verse: iambic pentameter / / That time will come and take my love a- way (64)

5-beat verse: iambic pentameter / / / That time will come and take my love a- way (64)

5-beat verse: iambic pentameter / / / / That time will come and take my love a- way (64)

5-beat verse: iambic pentameter / / / / / That time will come and take my love a- way (64)

5-beat verse: iambic pentameter x / x / x / x / x / That time will come and take my love a- way (64)

Variation 1: inversion / x As an un- per- fect ac- -tor on the stage (23)

Variation 1: inversion / x x / As an un- per- fect ac- -tor on the stage

Variation 1: inversion / x x / x / x / x / As an un- per- fect ac- -tor on the stage

Variation 1: inversion / x x / x / x / x / As an un- per- fect ac- -tor on the stage (23) Look- ing on dark- ness which the blind do see (27)

Variation 1: inversion / x x / x / x / x / As an un- per- fect ac- -tor on the stage (23) / x Look- ing on dark- ness which the blind do see (27)

Variation 1: inversion / x x / x / x / x / As an un- per- fect ac- -tor on the stage (23) / x x / Look- ing on dark- ness which the blind do see (27)

Variation 1: inversion / x x / x / x / x / As an un- per- fect ac- -tor on the stage (23) / x x / x / x / x / Look- ing on dark- ness which the blind do see (27)

Variation 2: two beats together (i) / / x x

Variation 2: two beats together (i) / / x x And troub- le deaf heav n with my boot- less cries (29)

Variation 2: two beats together (i) / / x x / / / And troub- le deaf heav n with my boot- less cries (29)

Variation 2: two beats together (i) / / x x / / / / / And troub- le deaf heav n with my boot- less cries (29)

Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (29)

Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (29)

Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (ii) x x / / (29)

Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (ii) x x / / (29) as the death bed where- on it must ex- pire (73)

Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (ii) x x / / (29) / / / / as the death bed where- on it must ex- pire (73)

Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (ii) x x / / (29) / / / / / as the death bed where- on it must ex- pire (73)

Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (ii) x x / / (29) x x / / x / x / x / as the death bed where- on it must ex- pire (73)

Variation 2: two beats together (i) / / x x x / x / / x x / x / And troub- le deaf heav n with my boot- less cries (ii) x x / / (29) x x / / x / x / x / as the death bed where- on it must ex- pire (73)

Problem cases x / x / x / x / x / In pro- cess of the seas- ons I have seen x / x / x / Three Ap- ril per- fumes in three hot Junes burned (104)

Problem cases x / x / x / x / x / In pro- cess of the seas- ons I have seen x / x / x / x / x / Three Ap- ril per- fumes in three hot Junes burned (104)

Problem cases x / x / x / x / x / In pro- cess of the seas- ons I have seen x / x / x x / / / / Three Ap- ril per- fumes in three hot Junes burned (104)

Problem cases x / x / x / x / x / In pro- cess of the seas- ons I have seen x / x / x x / x / / Three Ap- ril per- fumes in three hot Junes burned (104)

So your sweet hue which me- thinks still doth stand (104)

x / x / / x / So your sweet hue which me- thinks still doth stand (104)

x / x / x x / x / So your sweet hue which me- thinks still doth stand (104)

x / x / / x x / x / So your sweet hue which me- thinks still doth stand (104)

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