Errata to the first printing, A Technical Introduction to Digital Video

Similar documents
Errata to the 2nd, 3rd, and 4th printings, A Technical Introduction to Digital Video

RECOMMENDATION ITU-R BT (Questions ITU-R 25/11, ITU-R 60/11 and ITU-R 61/11)

Multimedia. Course Code (Fall 2017) Fundamental Concepts in Video

Progressive Image Sample Structure Analog and Digital Representation and Analog Interface

Rec. ITU-R BT RECOMMENDATION ITU-R BT PARAMETER VALUES FOR THE HDTV STANDARDS FOR PRODUCTION AND INTERNATIONAL PROGRAMME EXCHANGE

Television History. Date / Place E. Nemer - 1

Rec. ITU-R BT RECOMMENDATION ITU-R BT * WIDE-SCREEN SIGNALLING FOR BROADCASTING

Chrominance Subsampling in Digital Images

5.1 Types of Video Signals. Chapter 5 Fundamental Concepts in Video. Component video

Video Signals and Circuits Part 2

CHAPTER 3 COLOR TELEVISION SYSTEMS

RECOMMENDATION ITU-R BT Studio encoding parameters of digital television for standard 4:3 and wide-screen 16:9 aspect ratios

High-Definition, Standard-Definition Compatible Color Bar Signal

To discuss. Types of video signals Analog Video Digital Video. Multimedia Computing (CSIT 410) 2

Module 1: Digital Video Signal Processing Lecture 5: Color coordinates and chromonance subsampling. The Lecture Contains:

Specification of interfaces for 625 line digital PAL signals CONTENTS

BTV Tuesday 21 November 2006

Multimedia Systems Video I (Basics of Analog and Digital Video) Mahdi Amiri April 2011 Sharif University of Technology

Chapter 3 Fundamental Concepts in Video. 3.1 Types of Video Signals 3.2 Analog Video 3.3 Digital Video

Dan Schuster Arusha Technical College March 4, 2010

Signal processing in the Philips 'VLP' system

Ch. 1: Audio/Image/Video Fundamentals Multimedia Systems. School of Electrical Engineering and Computer Science Oregon State University

TSG 90 PATHFINDER NTSC Signal Generator

NAPIER. University School of Engineering. Advanced Communication Systems Module: SE Television Broadcast Signal.

A Guide to Standard and High-Definition Digital Video Measurements

Preventing Illegal Colors

DATASHEET HMP8154, HMP8156A. Features. Ordering Information. Applications. NTSC/PAL Encoders. FN4343 Rev.5.00 Page 1 of 34.

Color Spaces in Digital Video

Processing. Electrical Engineering, Department. IIT Kanpur. NPTEL Online - IIT Kanpur

ZONE PLATE SIGNALS 525 Lines Standard M/NTSC

Welcome Back to Fundamentals of Multimedia (MR412) Fall, ZHU Yongxin, Winson

Colour Reproduction Performance of JPEG and JPEG2000 Codecs

Lecture 2 Video Formation and Representation

Mike Robin MIKE ROBIN S COLUMN SEPTEMBER Introduction. Generation of a color bars signal

Primer. A Guide to Standard and High-Definition Digital Video Measurements. 3G, Dual Link and ANC Data Information

SM01. Standard Definition Video Encoder. Pattern Generator. User Manual. and

An Overview of Video Coding Algorithms

Serial Digital Interface

SM02. High Definition Video Encoder and Pattern Generator. User Manual

4. ANALOG TV SIGNALS MEASUREMENT

MACROVISION RGB / YUV TEMP. RANGE PART NUMBER

User Manual VM700T Video Measurement Set Option 30 Component Measurements

RECOMMENDATION ITU-R BT STUDIO ENCODING PARAMETERS OF DIGITAL TELEVISION FOR STANDARD 4:3 AND WIDE-SCREEN 16:9 ASPECT RATIOS

Rounding Considerations SDTV-HDTV YCbCr Transforms 4:4:4 to 4:2:2 YCbCr Conversion

Analog TV Systems: Monochrome TV. Yao Wang Polytechnic University, Brooklyn, NY11201

PAST EXAM PAPER & MEMO N3 ABOUT THE QUESTION PAPERS:

COMPOSITE VIDEO LUMINANCE METER MODEL VLM-40 LUMINANCE MODEL VLM-40 NTSC TECHNICAL INSTRUCTION MANUAL

Midterm Review. Yao Wang Polytechnic University, Brooklyn, NY11201

DELTA MODULATION AND DPCM CODING OF COLOR SIGNALS

DEPARTMENT OF THE ARMY TECHNICAL BULLETIN CALIBRATION PROCEDURE FOR AUTOMATIC VIDEO CORRECTOR TEKTRONIX, MODEL 1440 (NSN )

Implementation of 24P, 25P and 30P Segmented Frames for Production Format

Federal Communications Commission

!"#"$%& Some slides taken shamelessly from Prof. Yao Wang s lecture slides

RECOMMENDATION ITU-R BT Digital interfaces for HDTV studio signals

SingMai Electronics PT55. Advanced Composite Video Interface: Encoder IP Core. User Manual. Revision th November 2016

Mahdi Amiri. April Sharif University of Technology

Audio and Video II. Video signal +Color systems Motion estimation Video compression standards +H.261 +MPEG-1, MPEG-2, MPEG-4, MPEG- 7, and MPEG-21

SDTV 1 DigitalSignal/Data - Serial Digital Interface

Assessing and Measuring VCR Playback Image Quality, Part 1. Leo Backman/DigiOmmel & Co.

CCVS + Component Generator SAF/ CCVS Generator SFF

SingMai Electronics SM06. Advanced Composite Video Interface: HD-SDI to acvi converter module. User Manual. Revision 0.

Instruction Manual. SMS 8601 NTSC/PAL to 270 Mb Decoder

WVR500 Waveform/Vector Monitor

sdiscope Signal Analysis Software Version 6

Rec. ITU-R BT RECOMMENDATION ITU-R BT *, ** DIGITAL INTERFACES FOR HDTV STUDIO SIGNALS. (Question ITU-R 42/6)

RECOMMENDATION ITU-R BT Digital interfaces for HDTV studio signals

Understanding Human Color Vision

TERMINOLOGY INDEX. DME Down Stream Keyer (DSK) Drop Shadow. A/B Roll Edit Animation Effects Anti-Alias Auto Transition

So far. Chapter 4 Color spaces Chapter 3 image representations. Bitmap grayscale. 1/21/09 CSE 40373/60373: Multimedia Systems

Camera Interface Guide

EBU Time-And-Control Code FOR TELEVISION TAPE-RECORDINGS (625-LINE TELEVISION SYSTEMS) CONTENTS

Essence of Image and Video

EECS150 - Digital Design Lecture 12 Project Description, Part 2

COPYRIGHTED MATERIAL. Introduction to Analog and Digital Television. Chapter INTRODUCTION 1.2. ANALOG TELEVISION

Learning to Use The VG91 Universal Video Generator

OVE EDFORS ELECTRICAL AND INFORMATION TECHNOLOGY

Using the MAX3656 Laser Driver to Transmit Serial Digital Video with Pathological Patterns

ECE 5765 Modern Communication Fall 2005, UMD Experiment 10: PRBS Messages, Eye Patterns & Noise Simulation using PRBS

Measurements in digital component television studios 625 line systems at the 4:2:2 and 4:4:4 levels using parallel and serial interfaces (SDI)

Serial Digital Interface Checkfield for 10-Bit 4:2:2 Component and 4fsc Composite Digital Signals

EBU INTERFACES FOR 625 LINE DIGITAL VIDEO SIGNALS AT THE 4:2:2 LEVEL OF CCIR RECOMMENDATION 601 CONTENTS

VGA Port. Chapter 5. Pin 5 Pin 10. Pin 1. Pin 6. Pin 11. Pin 15. DB15 VGA Connector (front view) DB15 Connector. Red (R12) Green (T12) Blue (R11)

IQDEC01. Composite Decoder, Synchronizer, Audio Embedder with Noise Reduction - 12 bit. Does this module suit your application?

Advanced Test Equipment Rentals ATEC (2832)

4kScope Signal Analysis Software Version 6

Model 7405 High Definition Test Signal Generator Data Pack

This paper describes the analog video signals used in both broadcast and graphics applications.

MULTIDYNE INNOVATIONS IN TELEVISION TESTING & DISTRIBUTION DIGITAL VIDEO, AUDIO & DATA FIBER OPTIC MULTIPLEXER TRANSPORT SYSTEM

Specifications. Reference Documentation. Performance Conditions

Waveform Monitor/Vectorscope, PM 5661 Waveform Monitor/Vectorscope, Sc-H, PM 5661/70

Department of Communication Engineering Digital Communication Systems Lab CME 313-Lab

An Alternative Architecture for High Performance Display R. W. Corrigan, B. R. Lang, D.A. LeHoty, P.A. Alioshin Silicon Light Machines, Sunnyvale, CA

Transitioning from NTSC (analog) to HD Digital Video

The Development of a Synthetic Colour Test Image for Subjective and Objective Quality Assessment of Digital Codecs

Information Transmission Chapter 3, image and video

Analog Reconstruction Filter for HDTV Using the THS8133, THS8134, THS8135, THS8200

Software Analog Video Inputs

Presented by: Amany Mohamed Yara Naguib May Mohamed Sara Mahmoud Maha Ali. Supervised by: Dr.Mohamed Abd El Ghany

ATSC vs NTSC Spectrum. ATSC 8VSB Data Framing

Toward Better Chroma Subsampling By Glenn Chan Recipient of the 2007 SMPTE Student Paper Award

Transcription:

Charles Poynton tel +1 416 486 3271 fax +1 416 486 3657 poynton @ poynton.com www.inforamp.net/ ~ poynton Errata to the first printing, A Technical Introduction to Digital Video This note contains errata to the first printing of the book A Technical Introduction to Digital Video, by Charles Poynton (New York: Wiley, 1996). I encourage you to make these corrections in your copy of the book. Several replacement figures are provided here. This note contains errata for the first second, third, and fourth printings. To determine which printing of the book you have, turn to the copyright page of the front matter, page iv, and examine the bottom line: The rightmost digit of that line indicates which printing you have. If you have the first printing, obtain the Errata for that printing. If you have the second printing, although the necessary information is provided here, you will find it easier to correct from the Errata for that printing. I revise this note as I discover errors, and I tag each entry with the date it was posted. I suggest that you annotate the back of the title page of your book with the revision date that you find at the bottom of this page. Then when you check future revisions of this document, you can determine if additional corrections need to be made. In the entries below, I acknowledge individuals who have contributed corrections. All of the errors dated 1996-06-05 were identified by David J. Carlstrom; those dated 1996-12-30 by Chris Pirazzi of SGI. I am very grateful to them. Other entries without attribution are mine. In the entries below, I acknowledge individuals who have contributed corrections. All of the errors dated 1996-06-05 were identified by Chris Pirazzi of SGI. I am very grateful to him. Other entries without attribution are mine. Preface 1996-03-21: Page xxix of the front matter. The correct title of the third book mentioned in the marginal note is Envisioning Information. 1999-12-28 Charles Poynton 1 of 14

ERRATA, A TECHNICAL INTRODUCTION TO DIGITAL VIDEO 2 Chapter 1, Basic principles 1996-06-01: Page 11. In Figure 1.7, Interlaced scanning, at the bottom of the page, several numbers need to be incremented by one. Change 261 to 262, 262 to 263, 263 to 264, and 264 to 265. A replacement figure is provided on page 9 of this document. 1997-09-07: Page 14. In Figure 1.8, Vertical sync waveform of 525/59.94, the 0 V notation should lie under the fourth tick from the left, not the seventh. A replacement figure and caption can be found on page 9 of this document. 1999-06-30: Page 19. In Figure 1.11, Frequency response, bandwidth should refer to the frequency where amplitude has fallen to 0.707. A replacement figure and caption can be found on page 9 of this document. 1999-06-30: Page 20. In the penultimate line of the first paragraph, replace half with 0.707. 1997-09-04: Page 25. To clarify that MPEG-2 chroma subsampling is different from the subsampling used in JPEG, H.261, and MPEG-1, I refined Figure 1.14 and its caption. A replacement figure and caption can be found on page 10 of this document. 1997-09-04: Page 26. To clarify JPEG, MPEG-1, and MPEG-2 subsampling, replace the 4:2:0 paragraph in the middle of page 26 with this: 4:2:0 JPEG, H.261, MPEG-1, and MPEG-2 usually use 4:2:0 sampling. C B and C R are each subsampled by a factor of 2 both horizontally and vertically; C B and C R are sited vertically halfway between scan lines. Horizontal subsampling is inconsistent. In MPEG-2, C B and C R are cosited horizontally. In JPEG, H.261, and MPEG-1, C B and C R are not cosited horizontally; instead, they are sited halfway between alternate luma samples. 1996-06-05: Page 29. In the penultimate line of the fifth paragraph, 7 8 of the way down the page, replace synctip by blanking. Chapter 2, Raster images in computing 1996-12-09: Page 37. In the third paragraph under Truecolor, exchange the italicized word truecolor in the third line with the italicized words direct color in the last line. Chapter 3, Filtering and sampling 1998-04-28: Page 44. In the first line of the lead paragraph under Sampling theorem, insert the word be between to and digitized.

ERRATA, A TECHNICAL INTRODUCTION TO DIGITAL VIDEO 3 Boxcar 0 1 t 1998-05-30: Page 52. In Figure 3.7 Fourier transform pairs, the two boxcar functions are improperly scaled: The function should have a value of unity across the range ±0.5 (not ±1). 1999-06-30: Page 57. In the penultimate line of the first paragraph in the section Lowpass filter, replace half with 0.707. In the last line of the page, replace f P by f C. 1999-06-30: Page 58. In Figure 3.12, Lowpass filter characterization, bandwidth should refer to the frequency where amplitude has fallen to 0.707. A replacement figure and caption can be found on page 10 of this document. 1996-03-21: Page 59, Figure 3.13, Rec. 601 filter templates. The y-axis is labeled incorrectly. In two places, change Insertion Loss to Insertion Gain. At the top, the ticks -0.050 and -0.010 need to have their minus signs changed to plus signs; the ticks 10, 20,..., 60 in the stopband need to be prepended by minus signs. 1996-03-21: Page 61, Figure 3.15, Half-band filter. The y-axis is labeled incorrectly. In two places, change Insertion Loss to Insertion Gain. At the top, the tick -0.050 needs to have its minus sign changed to a plus sign. The ticks 10, 20,..., 80 in the stopband need to be prepended by minus signs. Chapter 4, Image digitization and reconstruction 1996-03-21: Page 72, Figure 4.10. In the center of the figure, the parenthesized phrase should read fraction of picture height. 1996-03-21: Page 73, in the second paragraph, third line, add an s to pluralize the first word of the line: samples. 1996-03-21: Page 73, Figure 4.11. The figure should be titled Spatial frequency spectrum of NTSC. You may also wish to correct that entry in the List of figures, on page xx [sic] of the front matter. 1996-03-21: Page 73, 74, and 75, Figures 4.11, 4.12, and 4.13. The horizontal axis in each of these three figures should be labelled C/PW. Chapter 5, Luminance and lightness 1999-12-28: On page 82, replace the first paragraph with: Intensity measures the flow of power in a particular, specified direction that is, power per unit solid angle. Radiance is intensity per unit area. It is measured with an instrument called a radiometer, and is what I call a linear-light measure, expressed in units such as watts per steradian per square meter (W sr 1 m 2 ).

ERRATA, A TECHNICAL INTRODUCTION TO DIGITAL VIDEO 4 Also on page 82, in the Luminance section, second paragraph, second line, replace radiant power by radiance. 1996-06-05: Page 82. In the Luminance section, second paragraph, sixth line, replace CIIE by CIE. Chapter 6, Gamma 1999-12-28: On page 91, add this margin note: In physics, intensity is defined as radiant power per unit solid angle; it has units of watts per steradian (W sr 1 ). Grayscale image data is normally based upon relative luminance, which is intensity per unit area, weighted by the spectral sensitivity of human vision, and normalized to a reference white. This chapter concerns the nonlinear mapping of relative luminance. In this chapter, I use the term intensity to emphasize the linear-light nature of the associated quantity. In the following chapter, I will detail luminance. 1996-03-21: On page 94, in the fourth line up from the bottom of the page, replace above by below. 1997-12-29: At the top of page 102, on the y-axis (Video signal) of Figure 6.6, replace 0.099 by 0.081. Thanks to Michael Laird of Avid. Chapter 7, Color science for video 1999-10-07: On page 119, in the second line of the first paragraph, replace per unit area by in a particular direction. Replace the last two words of the paragraph, square meter, by steradian. In the second paragraph, replace the word power by intensity (per unit area). 1997-07-01: On page 130, in the third line up from the bottom of the page, replace or by of. 1998-12-22: On page 135, the chromaticity diagram of Figure 7.12, all of the features associated with blue primary should be positioned about 1 cm lower than shown. A replacement figure is provided on page 13. Chapter 8, Luma and color differences 1996-06-05: Page 156, Fig. 8.1, RGB and Y, B -Y, R -Y cubes. In the bottom sketch of the pair, the (Y=0) and (Y=1) tags are reversed: The tag beside Wt at the top of the cube should be labelled (Y=1); the one at the bottom labelled Bk should be tagged (Y=0).

ERRATA, A TECHNICAL INTRODUCTION TO DIGITAL VIDEO 5 1996-05-07: Page 157, in the third paragraph, second line, replace brightness luminance with luminance comprises. 1996-04-28: Page 159, Figure 8.2, B -Y, R -Y Orthographic views. The end of the caption paragraph has a truncated page reference: append page 173. Eq 8.2 1997-11-19: Page 165. The offset terms of Equation 8.2 need to be corrected by changing 0.0228 to 0.1115, in three places. Thanks to Jan van Rooy of Philips, Breda. The correct equations are these: 045. R240 = 1. 1115R 0. 1115 045. G240 = 1. 1115G 0. 1115 045. B240 = 1. 1115B 0. 1115 1999-12-28: Page 166. Equation 8.5 was correct when printed, but ITU-R subsequently changed the Rec. 709 luma coefficients in the fourth decimal place. The correct coefficients are now these: Eq 8.5 Y709 = 0. 2126 R + 0. 7152 G + 0. 0722 B Chapter 9, Component video color coding 1996-05-02: Page 174. On the fifth line of the section C B C R Components, change two s complement to offset binary. 1996-04-28: Page 175, Figure 9.3, C B C R Components. The extreme value of C B on the horizontal axis is erroneously indicated as 224: change this to 240. Similarly, change 224 on the vertical axis to 240. In Equation 9.5, in the numerators of the scale factor fractions for C B and C R, change 0.5 to 1 in two places. Thanks to Rob Engle of Hewlett-Packard, and to Bill Herz of S3, for reporting these problems. 1998-04-28: Page 177. In the final line of the page, change the phrase 9-bit multipliers are required to multipliers having more than 8 bits are required. Thanks to Chris Parazzi. 1997-11-14: Page 178. In the second paragraph of the section Kodak PhotoYCC, at the end of the fifth line, change 189 to 182. In Eq. 9.12, change the subscript 189 to 182. 1996-03-21: Page 183, Figure 9.6 IQ Components has its color hexagon rotated 33 degrees counterclockwise, instead of clockwise. A replacement figure is provided on page 11 of this document. Chapter 10, Composite NTSC and PAL 1996-06-27: Page 186. In the paragraph Subcarrier regeneration, in the fourth line, replace cos by sin.

ERRATA, A TECHNICAL INTRODUCTION TO DIGITAL VIDEO 6 1996-06-27: Page 187. In the second paragraph, under Quadrature modulation, in the third line of the second paragraph, exchange cos and sin. Change Equation 10.1 so as to appear: Eq 10.1 C = Usin ωt + Vcos ωt ω = 2πf SC 1996-06-27: Page 188, 189. Figures 10.3 and 10.4 contain wiring errors. Replacements are provided at the end of this note. 1996-06-05: Page 194. In the fourth line under the topic PAL-M, PAL-N, replace the second instance of M/PAL (PAL-M, PAL-525) by N/PAL (PAL-N, PAL-3.58). Chapter 11, Field, frame, line, and sample rates 1996-06-08: Page 200. In the third paragraph, second line, replace 60 by 30. In the last line of that paragraph, replace 5 5 5 5 by 5 6. In the fifth line of the next topic Sound subcarrier, replace monochrome 525/59.94 by monochrome 525/60. 1996-08-02: Page 205. In the last paragraph on the page, at the start of the fourth line from the bottom, insert is between This and a hundred. Thanks to Brian Murray. Chapter 13, 525/59.94 Component video 1997-11-13: Page 216. In the second paragraph under Component digital 4:2:2 interface, in the third line, change 732 to 736. In Figure 13.2 on the facing page, change two occurrences of 732 to 736. 1996-12-30: Page 218. In the y-axis legend of Figure 13.3, replace 54 4 7 by 53 4 7, and replace -286 5 7 by -285 5 7. Chapter 14, 525/59.94 NTSC composite video 1996-06-27: Page 223, Color difference filtering. Delete the second bulleted item. In Equations 14.1 and 14.2, exchange cos and sin, and add ω = 2πf SC : Eq 14.1 C = Usin ωt + Vcos ωt ω = 2πf SC Eq 14.2 ( ) + + C = Qsin ωt+ 33 Icos( ωt 33 ) ω = 2πf SC 1996-12-30: Page 227. In the y-axis legend of Figure 14.4, replace 54 4 7 by 53 4 7, and replace -286 5 7 by -285 5 7. Chapter 15, 625/50 scanning and sync 1997-11-13: Page 230, Table 15.1, 625/50 Line assignment. A marginal note is missing from the table: The vertical center of the picture is located midway between lines 479 and 167.

ERRATA, A TECHNICAL INTRODUCTION TO DIGITAL VIDEO 7 The terms odd and even are ambiguous when referring to fields in 625/50 scanning. To avoid confusion, I recommend that you use the terms first and second instead. In the heading row, replace Even with Second and Odd with First. In the shaded area at the bottom right of the table, delete two instances of Even and two instances of Odd. On the facing page, delete even and odd from bullet items 1, 5, 6, and 10. Chapter 16, 625/50 Component video 1997-11-13: Page 238. In the second paragraph under Component digital 4:2:2 interface, in the second line, change 736 to 732. In Figure 16.1 on the facing page, change two occurrences of 736 to 732. Chapter 17, 625/50 PAL composite video 1996-06-27: Page 242. The three paragraphs under the heading Burst should be replaced; in addition, two marginal notes should be added. Page 14 of this Errata provides a complete replacement page. 1996-06-27: Page 243, under Color difference filtering, delete the second item in the bulleted list. In Equation 17.1, exchange cos and sin. 1997-10-15: Page 244. At the end of the penultimate paragraph, delete the phrase with 7.5-percent setup. Thanks to Vince Capizzo. Chapter 18, Electrical and mechanical interfaces 1997-11-13: Page 248. At the end of the last paragraph on the page, change instead of TRS to in addition to TRS. Chapter 19, Broadcast standards 1996-03-21: Page 251, Table 19.1, Summary of broadcast standards. In the entry for M/NTSC, subcarrier frequency should be 3.579545454+. Thanks to Marty Kirkland of KUHT. Chapter 20, Test signals 1998-10-16: Page 257, Figure 20.1, Colorbars. Replace two instances of WHITE by 100% WHITE. In the narrow horizontal band between vertical coordinates 0.67 and 0.75, in the third column (underneath CYAN), change BLUE to MAGENTA. In the fifth column (underneath MAGENTA), change BLUE to CYAN. In the seventh column (underneath BLUE), change BLUE to 75% WHITE. A replacement figure is provided. 1996-04-28: Page 263, Figure 20.10, Modulated 12.5T pulse waveform. At the bottom of the figure, change 3.579454 to 3.579545. Chapter 21, Timecode 1996-03-21: Page 267. In the second to last paragraph, delete the last line and its parentheses, and replace it with using three-pin XLR connectors. Thanks to the sharp-eyed Larry Martin.

ERRATA, A TECHNICAL INTRODUCTION TO DIGITAL VIDEO 8 1997-07-11: Page 267. In line 2 of the last paragraph, replace 1.2 Kb/s with 2.4 kb/s. Thanks to Ian Holland. Glossary 1996-04-28: Page 277. In the top two lines of the page, in the final part of the glossary entry for C B, C R, replace use by apply, and insert in front of the colon at the end of the second line to B -Y and R -Y. In the equations immediately below, change both equal signs to colons, and in the numerators of each of the two fractions, change 0.5 to 1: In systems such as 525/59.94 and 625/50 using Rec. 601 luma, it is standard to apply these scale factors to B -Y and R -Y : 1 CB: 112 ; CR: 0. 886 1 112 0. 701 1997-07-01: Page 293. Near the top of the page, in the last line of item 3 of Resolution, limiting, change two cycles in a TV line to two TV lines in a cycle. Thanks to David Farrant. 1998-12-30: Page 295. In the entry for S-video, in the third line, change two only to exactly 2.

2... ERRATA, A TECHNICAL INTRODUCTION TO DIGITAL VIDEO 9 Replacement figures and pages Figure 1.7 Interlaced scanning forms a complete picture the frame from two fields, each comprising half the scanning lines. The second field is delayed half the frame time from the first. 1 262 263 264 265... 525 PRE- EQUALIZATION 0 V,525 BROAD PULSES POST- EQUALIZATION Figure 1.8 Vertical sync waveform of 525/59.94. Figure 1.11 Frequency response of any electronic or optical system falls as frequency increases. Bandwidth is measured at the half-power point (-3 db), where response has fallen to 0.707. Television displays are often specified at limiting resolution, where response has fallen to 0.1. Frequency response, relative Output Input 1.0 0.707 HALF-POWER (-3 db) 0.1 0 0 Frequency, relative BANDWIDTH LIMITING RESOLUTION

ERRATA, A TECHNICAL INTRODUCTION TO DIGITAL VIDEO 10 R G B 4:4:4 R 0 R 1 R 2 R 3 Y C B C R 4:4:4 4:2:2 (Rec. 601) Y 0 Y 1 Y 0 Y 1 Y 2 Y 3 Y 2 4:1:1 (DVC) 4:2:0 (JPEG/JFIF, H.261, MPEG-1) 4:2:0 (MPEG-2) Y 0 Y 1 Y 2 Y 3 Y 0 Y 1 Y 0 Y 1 Y 3 Y 4 Y 5 Y 6 Y 7 Y 2 Y 3 Y 2 Y 3 G 0 G 1 G 2 G 3 C B C B C B C B C B 0 1 C B 2 3 C B 0 3 C B 4 7 C B 0 3 C B 0 3 B 0 B 1 B 2 B 3 C R C R C R C R C R 0 1 C R 2 3 C R 0 3 C R 4 7 C R 0 3 C R 0 3 Figure 1.14 Chroma subsampling. A 2 2 array of R G B pixels can be transformed to a luma component Y and two color difference components C B and C R ; color detail can then be reduced by subsampling, provided that full luma detail is maintained. The wide aspect of the C B and C R samples indicates their spatial extent. The horizontal offset of C B and C R is due to cositing. (JPEG, H.261, and MPEG-1 do not use cositing; instead, their C B and C R samples are taken halfway between luma samples.) 1+ P 1 f 1- P 0.707 + S 0 - S 0 f P fc f S Frequency, f Figure 3.12 Lowpass filter characterization. A lowpass filter for use in video sampling or reconstruction has a cutoff frequency f C, where the attenuation is 0.707. In the passband, response is unity within P, usually 1 percent or so. In the stopband, response is zero within S, usually 1 percent or so. The transition band lies between the cutoff frequency and the edge of the stopband. The solid line shows that at certain frequencies, the filter causes phase inversion. Filter response is usually plotted as magnitude; phase inversion in the stopband is reflected as the absolute values shown in dashed lines.

ERRATA, A TECHNICAL INTRODUCTION TO DIGITAL VIDEO 11 I axis (wideband) R Yl Mg BURST 0 Q axis (narrowband) G B Figure 9.6 IQ Components. Cy Y Y, LUMA ADDER U LOWPASS FILTER QUADRATURE MODULATOR ADDER CHROMA BANDPASS FILTER C, CHROMA COMPOSITE VIDEO LOWPASS FILTER V SUBCARRIER OSCILLATOR cos sin BURST INVERTER BURST GATE Figure 10.3 NTSC encoder block diagram. COMPOSITE VIDEO Y /C SEPARATOR Y C QUADRATURE DEMODULATOR LOWPASS FILTER Y U LOWPASS FILTER SUBCARRIER REGENERATOR cos sin V Figure 10.4 NTSC decoder block diagram.

ERRATA, A TECHNICAL INTRODUCTION TO DIGITAL VIDEO 12 Figure 20.1 Colorbars. 2 3 3 4 100% WHITE BLUE YELLOW CYAN GREEN MAGENTA RED BLUE BLACK MAGENTA BLACK CYAN BLACK 75%WHITE I 100% WHITE +Q BLACK BLACK 4 BLACK BLACK + 4 BLACK

ERRATA, A TECHNICAL INTRODUCTION TO DIGITAL VIDEO 13 y 520 0.8 540 0.7 0.6 500 GREEN 560 SMPTE RP 145 ITU-R Rec. BT.709 EBU Tech. 3213 0.5 580 0.4 600 0.3 CIE D 65 RED 620 640 0.2 480 700 0.1 0.0 460 BLUE 440 400 0.0 0.1 0.2 0.3 0.4 0.5 0.6 0.7 x Figure 7.12 RGB primaries of video standards are plotted on the CIE (x, y) chromaticity diagram. The colors that can be represented in positive RGB values lie within the triangle formed by the primaries. The Rec. 709 standard specifies no tolerance. SMPTE tolerances are specified as ±0.005 in x and y. EBU tolerances are shown as white quadrilaterals; they are specified in u, v coordinates related to the color discrimination of vision. The EBU tolerance boundaries are not parallel to the (x, y) axes. CHAPTER 7 COLOR SCIENCE FOR VIDEO 135

ERRATA, A TECHNICAL INTRODUCTION TO DIGITAL VIDEO 14 Burst PAL +135 burst lies on the U-V axis; -135 burst lies on the U+V axis. The choice of addition or subtraction depends on the polarity of the V-switch. A PAL decoder should recover V-switch polarity through burst averaging, not by detecting burst meander. Burst or colorburst is formed by multiplying a phase-shifted version of subcarrier by a burst gate that has a duration of 10 ± 1 cycles of subcarrier, and is asserted to unity, 5.6 ± 0.1 µs after 0 H on every line that commences with a normal sync pulse (except lines 6, 310, 320, and 622, which are subject to meander, to be described in a moment). Burst gate has raised-cosine transitions whose 50 percent points are coincident with the time intervals specified above, and whose risetimes + 200 are ns. 300 100 In NTSC, burst is based on the inverted sin subcarrier. PAL uses what is known as swinging burst: On one line, burst is advanced 135 from the sin subcarrier; on the next line, it is delayed 135 from the sin subcarrier. PAL burst is located at +135 and -135 (+225 ) on a vectorscope display, compared to 180 for NTSC. The subcarrier regenerator of a typical PAL decoder does not process swinging burst explicitly, but relies on the loop filter to average the swinging burst to 180 phase. PAL systems have a burst-blanking meander scheme (also known as Bruch blanking or Bruch burst): Burst is suppressed from the first and last full lines of a field if it would take -135 phase. Burst is always suppressed from line 623. The suppression of burst ensures that the closest burst immediately preceding and following the vertical interval has +135 phase. Color difference components, U, V Color differences for PAL are computed by scaling B -Y and R -Y components to form U and V components, as described on page 180. The scaling limits the maximum value of the composite signal, to be defined in Composite PAL encoding, on page 244, to the range - 1 3 to + 4 3. The scale factors cause 100 percent colorbars to have an excursion from -33 1 3 percent to +133 1 3 percent of the picture excursion.the VHF/UHF PAL transmitter places no limit on composite picture excursion in this range (unlike NTSC, where the transmitter imposes a limit of 120 IRE). 242 A TECHNICAL INTRODUCTION TO DIGITAL VIDEO