Emily Dickinson's Poetry Emily Dickinson ( )

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Transcription:

Emily Dickinson's Poetry Emily Dickinson (1830 1886) HSPA FOCUS Her Talent is Recognized Reading Informative Texts A Life Apart Dickinson's Legacy The Belle of Amherst Literary Analysis exact rhyme Reading Strategy analyze images slant rhyme 1

Important Literary Terms Poetry alliteration personification internal rhyme slant rhyme rhyme scheme symbol metaphor paradox stanza format meter 2

Because I could not stop for Death Emily Dickinson Because I could not stop for Death He kindly stopped for me The Carriage held but just Ourselves And Immortality. We slowly drove He knew no haste And I had put away My labor and my leisure too, For His Civility We passed the School, where Children strove At Recess in the Ring We passed the Fields of Gazing Grain We passed the Setting Sun Or rather He passed us The Dews drew quivering and chill For only Gossamer, my Gown My Tippet only Tulle We paused before a House that seemed A Swelling of the Ground The Roof was scarcely visible The Cornice in the Ground Since then 'tis Centuries and yet Feels shorter than the Day I first surmised the Horses' Heads Were toward Eternity 3

I heard a fly buzz when I died Emily Dickinson I heard a Fly buzz when I died The Stillness in the Room Was like the Stillness in the Air Between the Heaves of Storm The Eyes around had wrung them dry And Breaths were gathering firm For the last Onset when the King Be witnessed in the Room I willed my Keepsakes Signed away What portion of me be Assignable and then it was There interposed a Fly With Blue uncertain stumbling Buzz Between the light and me And then the Windows failed and then I could not see to see 4

There's a certain slant of light, On winter afternoons, That oppresses, like the weight Of cathedral tunes. Heavenly hurt it gives us; We can find no scar, But internal difference Where the meanings are. None may teach it anything, 'Tis the seal, despair, An imperial affliction Sent us of the air. When it comes, the landscape listens, Shadows hold their breath; When it goes, 't is like the distance On the look of death. 5

My life closed twice before its close; It yet remains to see If Immortality unveil A third event to me, So huge, so hopeless to conceive, As these that twice befell. Parting is all we know of heaven, And all we need of hell. 6

The Soul selects her own Society, Then shuts the Door On her divine Majority Present no more. Unmoved she notes the chariot's pausing At her low Gate; Unmoved an Emperor is kneeling Upon her Mat. I've known her from an ample nation Choose one Then close the valves of her attention Like stone 7

The Brain is wider than the Sky For put them side by side The one the other will contain With ease and You beside The Brain is deeper than the sea For hold them Blue to Blue The one the other will absorb As Sponges Buckets do The Brain is just the weight of God For Heft them Pound for Pound And they will differ if they do As Syllable from Sound 8

There is a solitude of space A solitude of sea A solitude of death, but these Society shall be Compared with that profounder site That polar privacy A soul admitted to itself Finite infinity. 9

Water, is taught by thirst. Land by the Oceans passed. Transport by throe Peace by its battles told Love, by Memorial Mold Birds, by the Snow. 10

Grammar Lesson (p. 430) GERUNDS gerund: verb form that ends in -ing and is used as a noun -function as subjects, direct objects, predicate nominatives & objects of prepositions Examples Subject - Writing requires discipline. Direct Object: Dickinson left her writing in her dresser. Object of Preposition: She learned about writing by practicing. Practice: Identify each gerund below and tell how it is used in the sentence. 1. We paused before a House that seemed / A Swelling of the Ground. 2. Writing was Dickinson's passion. 3. Parting is all we know of heaven. 4. Her favorite activity was cooking. 5. Dickinson avoided traveling great distances. 11

ANSWER KEY Practice: Identify each gerund below and tell how it is used in the sentence. 1. We paused before a House that seemed / A Swelling of the Ground. predicate nominative 2. Writing was Dickinson's passion. subject 3. Parting is all we know of heaven. subject 4. Her favorite activity was cooking. predicate nominative 5. Dickinson avoided traveling great distances. direct object 12

TPS-FAST Analysis Method for Poetry T- Title: consider literal and metaphoric meanings P Paraphrase: go through and summarize each stanza in your own words S Speaker: consider the narrator or persona of the poem is he/she an observer or a participant? How "emotionally close" is the speaker? Is he/she experiencing this event right now, or reflecting back on it later? F - Figurative Language (look for at least three patterns similes, metaphors, repetition, sound devices, rhyme, opposites, or particular patterns of words) A Attitude: what is the speaker's attitude toward the subject of the poem? In short, what is the tone? S Shift: where does the poem change? why might this turning point be significant? T Theme: a complete statement that expresses the meaning of the poem and highlights two techniques the poet uses to express that meaning...e.g., In the poem "insert title," [the poet] uses device #1 and device #2 to suggest (that) poem's meaning. 13

Think / Pair / Share Answer questions #1 though #6. Be prepared to share your answers. 14

page 429 #1-#6 1. me, away, and day = slant rhymes 2. Stanza One Stanza Two light (a) use (a) noons (b) scar (b) heft (a slant) difference (a slant) Tunes (b full) are (b full) Stanza Three any (a) Despair (b) affliction (c) Air (b full) Stanza Four listens (a) breath (b) Distance (a slant) Death (b full) 2b. repetitive, musical quality 3. Yes both discuss the nature of the soul as the innermost core of our being 4. "There is a solitutude..." "The Soul..." "The Brain..." human consciousness as boundless 4b. "...Slant..." "I heard a fly..." human consciousness limited by mortality 4c. self presented through poems is engaged with the world BUT always aware of eternity and human mortality 5. uses image of house below ground 6a. each line presents an image 6b. each stanza presents an image 6c. images use concrete objects to illustrate abstract ideas 15

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