Mumbai opn - Month - 12 01 02 03 04 05 06 07 08 09 10 11. No.1 seed Aryna Sabalenka and unseeded Dalila Jakupovic will both be looking. No.1 seed Aryna Sabalenka lived up to her billing in Mumbai, as she ousted. No.1 seed Aryna Sabalenka lived up to her billing in Mumbai, as she ousted. WTA AND THE WTA LOGO ARE TRADEMARKS OF THE WTA TOUR, INC. Sabalenka claims L&T Mumbai Open for biggest career title. The following team received wildcards into the doubles main draw:. Sabalenka, Jakupovic to face off in Mumbai final. Content is available under CC BY-SA 3.0 unless otherwise noted. Aryna Sabalenka lived up to her No.1 seed billing with a straight-sets win over. Aryna Sabalenka lived up to her No.1 seed billing with a straight-sets win over. was a professional tennis tournament played on outdoor hard courts. It was the 2nd edition of the tournament overall, but the first in Mumbai, as the event made its debut in Pune in 2012 but was discontinued thereafter. It is part of the 2017 WTA 125K series. It took place between 20 November to 26 November 2017. Sabalenka, Jakupovic to face off in Mumbai final. The following players received wildcards into the singles main draw:. This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. - Month - 12 01 02 03 04 05 06 07 08 09 10 11. Sabalenka claims L&T Mumbai Open for biggest career title. - Month - 12 01 02 03 04 05 06 07 08 09 10 11. No.1 seed Aryna Sabalenka and unseeded Dalila Jakupovic will both be looking. The following players received entry from the qualifying draw:. ( Learn how and when to remove this template message ). Gajshield appoints Datasoft as "National Sole Distributor" for it's firewall and other security products. Dear Surajit Bose, The argument that because Rafi Sahaab was a Muslim he could sing better ghazals, qawwaalis, etc., does not hold water. If you hear Urdu from Muslims coming from different states in India and the Provinces in Pakistan you will know how different is their diction. Rafi Sahaabâ s mother tongue was Punjabi and it is natural to infer that he had to face the same difficulties to surmount as any other singer in the field of diction. Playback singers such as Lata, though a
Hindu and who had the Marathi/Konkani background, too had to correct her Urdu diction in the early part of her carrier and had a Maulana to teach her the language. The fact is that during those golden decades of the Thirties, Forties and even the Fifties, proper Urdu diction was a must since the Urdu language was at its zenith in India and in most of the films the language was certified by the censor as â œurduâ. Havenâ t you heard Sohrab Modi (a Parsi) rendering thunderous Urdu dialogues and oration in so many of the old movies? Or Munshi Prem Chand, Kishen Chander, Rajinder Singh Bedi et all writing Urdu novels? Naturally, the song writers had to know Urdu too for penning the songs. These song writers were not confined to some of those names you have given above. Have you forgotten Shailendra, Rajinder Kishan, Qamar Jalalabadi and so many other Hindu lyricists? Many non-muslims, especially from the film fraternity, knew fluent Urdu. Even the South Indians who wanted to make a name in Bollywood had to know how to pronounce the language. In short, the Urdu language is not the prerogative of any religion. Again, youâ re wrong in assuming that Kishore Kumar never had the language advantage. You surely know that he was born in Khandwa. Now this town is located in south-western Madhya Pradesh (MP) state, and MPâ s state language is Hindi the sister language of Urdu. Not to speak of his early Bollywood connections in the Forties when his elder brother, Ashok Kumar, was the superstar of the time. Have you forgotten the debut urdu song ren. Apply Online for RRC SCR Act Apprentice 4103 Vacancies @www.scr.indianrailways.gov.in. In addition to the true voice if the singer has a very good voice then in "most" cases he/she can better songs of others. It is this combination which makes Rafi stand out among the other male singers. There are many here who seem to have mistaken notions on a good bass and also on high pitch. My name is maroti kadam i studed in 10th class my exams are stars of SSC.my dream ir (ALP). comoing soon in (SCR) TY. In challenging business environment, Organizations need to focus on core business activities,. Ambient has served dozens of Global 2000 companies with a staff of 100 people that have expertise.. My DOB is 1987 im eligible or not rrb assistant loco pilot or technician exam. mera naam amit gupta h sir loco pilot aur group d ki vaccancy kb tk a rhi a jaise hi aye mujhe bta dena frnd plz. Respected Sir I am submit kumar. I am complete 10th in SC.from senior secondary school kurukhetra in 2016. My father is work labour. Mu age is 28, I am jobless, I am only son in my family. So i will be request you any job in the railway. Bryan Adams does not require a monster bass in "Summer of 69" to sound real manly. It is the punch which gives that feel and that is decided only by the comfort level
in most ranges (that is by what your throat can support). This you CAN never disguise with bass. Since people have talked about lack of manly voice viz. a viz. Rafi it was necessary to bring this point out. I have had the fortune of listening to most singers in studio and some times without a mike, practicing with MD's.When Lata or Rafi do, the level is so high that people hesitate to even hum. It felt silly to sing in their presence (and it feels silly when someone says his voice isn't manly). 10 Railway recruitment board Upcoming Jobs All updates. Versatility is not just the ability to sing in various styles, more important is how good you are singing in those styles. You have lot of Ghazal singers today but when Rafi sings a Ghazal you will sit up and take notice. You don't have to be part of the Ghazal listeners crowd. This is one important aspect. Whatever style you sing you should be able to pull the common man to listen and not just a particular crowd. Pick "parda hai parda" or any qawalli and it will stand tall among other qawalli's. hllo sir naa diploma mechanic engg anku workss. South Central Railway Recruitment 2018-2019 Current RRC SCR, Secundrabad Jobs Opening Notification Want to do work in Railway department then,. Read More. Hi sir I'm tenth pass see job in Central Railway department. You're browsing: Home / Meri awaaz suno / True Voice. 3.0.1 check: RRB Recruitment 2018 Detail for Group C AND Group D Posts 245000 Vacancies. Comparisons are bound to come, but almost every artist or I have met considers Lata to be beyond comparison. Her talents are beyond anyone's reach. Even Sirkazi used to talk of her singing like a die-hard fan as do countless others. classical singers are a failure in hfm and hence they boast that they are "puritans" not caring to have any links with film music. only k.j.yesudas stands out for he is a master in classica carnatic music and very popular as a singer in the south indian languages. Rafi was not only able to glide over a song, the important thing was that he could express each word/sound when singing. It is one thing to hold your breath, start and reach a crescendo (high note), as like in "Shankara", "Anbey (Yennai kaan villaye)" it is different ballgame if you have to do it from low notes or suddenly switch notes. With practice the former can be done, latter requires a special gift. Rafi had a natural ability to do the latter. In "Tum joh mil gaye ho" there is such a transition in the "karwaan mil gaya" part. I have never seen anyone do justice to most of his songs in my life time. In "parda hai parda" quawaali the similar part is "kar doon to, Akbar mera naam". In fact most of his songs will have these specialty as it was his natural ability to sing freely in a wide range at the same time giving that extra expression. You're browsing: Home / Meri awaaz suno / True Voice. To people exposed to
Rafi's talent, these or any amount of praise can only seem less. I just wish he was alive and you people could get a live chance to hear him. Probably you can get hold of the DD album for the Geet Gaata Chal series where the first four episodes were dedicated to Rafi. Rafi is on camera singing "O Duniya Ke Rakwaaley" and many other songs. If you see and hear the last part you will realize why SPB said "impossible". I think particularly those people who have talked about scales w.r.t Rafi should see this album. Its a known fact in industry that Rafi ruled high pitch and there is no male singer better in switching notes so easily. There are artists who can go beyond but then they sound strained or they don't have pleasant voices when they venture into those territories. I am Swaminatha Iyer and I am 78 years old. I hail from Tiruchi and I am a part of music associations in Tiruchi, M'as as well as in West Bengal and Maharashtra. 38 years after his death, he lives on eternally. His songs today are just as popular as they were during his lifetime. During one of my stays in M'as I had stayed with SPB. While talking of true voices he said, I don't feel like half a singer when listening to Rafi. True voice is not a tech term but many in circle use it. Perfect example would be lata, but to understand consider our own PS who within her range is superb. People who do not have such true voices can never do justice to original. They generally underplay many parts of the song or fake it with bass/superficial singing. True voices make people like Sirkazi, Nusrat Fateh Ali khan, Lata. Inimitable. However since Sirkazi and Nusrat did not have the filmy voices their "real" following is limited to their local arena. Datasoft wins Netapp Storage Award for "Debut Partner of the Year 2014. The very mention of those Rafi gems bring tears in my eyes just remembering the rendition of those songs.i feel enthralled and elevated and brings back all those wonderful memories of the golden age of hfm which are seemingly being forgotten in the midst of the noise that we now know as hfm. The more I hear rafi saab the more I feel Godliness around.we all are humble bhakt's of this divine voice. More than 23 years of Steady growth in business. i know of some ustads who came to be used in the hindi films by naushaad saaheb but failed. i also know of a "ustad" who as soon as a singer does well in hfm, visits his house and start giving instructions re: his singing. then, h e will claim that this singer is his "desciple". I am wary of classical singers who if given a chance will turn the normal song in to a classical song on our stage. the singer will also badmouth every other singer. we are scary of this breed. clasical students of music must "never" cross their music borders as they tend to get duly confused. we have seen this in the above discussions. classical singers are a failure in hfm and hence they boast that they are "puritans"
not caring to have any links with film music. only k.j.yesudas stands out for he is a master in classica carnatic music and very popular as a singer in the south indian languages. 3,775 Blog Comments to "True Voice Mohd Rafi". post 980 and others of rafi lovers... between the lines there are bengalees who boast of having the entire collection of mohd rafi in west bengal. and, the bengalees waited in strength to hear mohd rafi at the calcutta stadium in the wee hours of a musical morning. In addition to the true voice if the singer has a very good voice then in "most" cases he/she can better songs of others. It is this combination which makes Rafi stand out among the other male singers. There are many here who seem to have mistaken notions on a good bass and also on high pitch. Many singers of today are his compulsive followers. But they end up inheriting only part of his quality. Md. Aziz ended up with a sad voice. Mahendra Kapoor with a thick nasal voice. Anwar with a nasal voice. Sonu Nigam with a feminine voice. Rafi neither had a soft voice nor a heavy (bass) voice he had a good voice. Importantly did not strain at high notes, and voice if at all only became better at higher notes. If you see him singing it will remind you of Janaki. However diff the song is or the note is he will be smiling and singing. It is unthinkable that he cannot sing something. You can leave a response, or trackback from your own site. One trivial point I would like to add is that singing in Hindi is harder. There are more "JHA","CHA","HA","THA", "KHA","JA","FA". These take away the breath faster. The more expressive you are the more air you are using up. Just singing from Nabhi will not help, your throat also needs to do a lot, for singing in Hindi, Bengali etc. SPB makes you fall in love with his south Indian songs but same cannot be said about his Hindi songs. If you just glide through words having these sounds, you will never be expressive. Doing this as well as reaching high notes is not easy. Rafi had this gift and that's why it is difficult to imagine anyone else in his shoes. Song "Chalkaaye jaam" has so much expression that it is unthinkable how anyone can sing it. When Rafi switches to a high note with "Mitwaa" in the song "Chaahunga mein tughey" you cannot replicate it with bass. Most others will sound as if they are shouting in such cases. That man's throat had the ability to freely sing at such levels. Rafi was not only able to glide over a song, the important thing was that he could express each word/sound when singing. It is one thing to hold your breath, start and reach a crescendo (high note), as like in "Shankara", "Anbey (Yennai kaan villaye)" it is different ballgame if you have to do it from low notes or suddenly switch notes. With practice the former can be done, latter requires a special gift. Rafi had a natural ability to do the latter. In "Tum joh
mil gaye ho" there is such a transition in the "karwaan mil gaya" part. I have never seen anyone do justice to most of his songs in my life time. In "parda hai parda" quawaali the similar part is "kar doon to, Akbar mera naam". In fact most of his songs will have these specialty as it was his natural ability to sing freely in a wide range at the same time giving that extra expression. There seems to be lot of talk about "Shankara Bharanamo" song. SPB has sung many a great numbers and things being said about this song in this forum are rather amusing, particularly b'cos 3 out of 4 people who can be called as singers will be able sing it and at least one out of 10 will sing it with the same effect. There are lot of other songs of SPB where this great singer has played with songs in total control. You will find most south Indian singers who have had a good exposure say that it is beneficial to learn Hindustani as it gives better breath control and improves expression. Versatility is not just the ability to sing in various styles, more important is how good you are singing in those styles. You have lot of Ghazal singers today but when Rafi sings a Ghazal you will sit up and take notice. You don't have to be part of the Ghazal listeners crowd. This is one important aspect. Whatever style you sing you should be able to pull the common man to listen and not just a particular crowd. Pick "parda hai parda" or any qawalli and it will stand tall among other qawalli's. If your comments hit the moderation queue, comments will be moderated within 7 days. Datasoft is upgraded to Premier Partner status by Dell. We are an authorized dealer & distributor of Microsoft office 365. Upgrade to Windows 8.1 online as you get a free* upgrade to Windows 10. Datasoft recommends Genuine windows Operating system for timely Windows security updates.