PRODUCTION INFORMATION

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PRODUCTION INFORMATION 1

Thank you for your interest in San Diego's historic Balboa Theatre. This information is provided to assist you in planning your event. The Balboa Theatre was originally opened in 1924 as a vaudeville house and then transitioned into showing films in the 1930's and continued operating until 1985. It was closed at that time, until being reopened in January 2008 following a $26.5 million restoration and renovation by the City's Redevelopment Agency. San Diego Theatres welcomes the opportunity to work with you and to make your event a success at the Balboa Theatre. GENERAL ACCESS Administration & Booking.... (619) 615-4000 Event & Patron Services... (619) 615-4003 Primary FAX...............(619) 615-4001 1st St. 2nd St. 163 Ticket Sales & Information..... (619) 570-1100 Date St. 5 Ticketing Services Management... (619) 615-4172 Ticketing Services FAX... (619) 615-4175 Union St. Front St. Cedar St. Beech St. Ash St. Production & Facility Services Management... (619) 615-4150 Production FAX............(619) 615-4155 Theatre Location.... 868 Fourth Ave. (at E St.) San Diego, CA 92101 Horton Plaza 3rd St. CIVIC THEATRE A St. B St. 4th St. 5th St. 6th St. 7th St. 8th St. 9th St. BALBOA THEATRE 10th St. 11th St. 12th St. C St. Broadway E St. F St. General Information The Balboa Theatre is a 1,339 capacity restored historic performing arts venue. It was originally opened in 1924 as a vaudeville house and then transitioned into a movie palace. It was closed in the 1980's and was awaiting its rebirth for over twenty years. The City s Redevelopment Agency made the commitment to retain it as a publicly-owned venue for the benefit for future generations of San Diegans, and invested $26 million into its renovation and restoration. W E St. W F St. 1st Ave. Broadway Cir. balboa theatre horton plaza E St. 4th Ave. F St. San Diego Theatres, a non-profit, public benefit corporation, manages and operates the Balboa Theatre on behalf of the City and its citizens. San Diego Theatres also manages and operates the San Diego Civic Theatre. W G St. G St. 3rd Ave. 2nd Ave. 2

PRODUCTION INFORMATION Proscenium Opening Height 24' Width 41' Selected Measurements (subject to change) Proscenium to Upstage Pillars 27 5" Curtain line to Apron Edge 4 Curtain line to Orchestra Pit Stage Extension 14' 6" Smoke pocket to Last Line Set 27 Wall to Wall on Stage 82 Load-in Door (door is arched) 10 w x 10 h-12 h Interior Dock to Stage Door 7 w x 12 h Floor to Grid 79 Curtain Line to Orchestra Rear Wall 96 Curtain Line to Balcony Rail (center) 58 Curtain Line to Follow Spot Booth 116 Stage Deck Above Orchestra Floor 3' 6" The stage is constructed of soft wood on wood sleepers and covered with ¼ masonite. The stage is painted black. The Orchestra Pit is a mechanical Gala lift that can be used as an apron extension, at Orchestra seating level, Orchestra Pit level, and may be used to transport equipment and materials to the basement. The overall dimensions of the Pit are approximately 10 6 by 40. Weight capacity is 50 lbs/sq ft live load lifting and 150 lbs/sq ft live load static capacity. The pit lift is in two sections. The stage right section is approximately 12 wide and also serves as the Organ lift. The stage left section is approximately 28 wide. When the pit lift is at seating height, it can accommodate audience seating of 27. Loading is on the west side of Fourth Avenue, just south of E Street, along the side of the Theatre. The loading door is 10 wide by 10 to 12 high (the center of the door is arched.) Except while being loaded/unloaded, vehicles must be relocated from this loading zone. Production will endeavor to assist in facilitating alternate holding/staging locations. 1st Flo or 1st floor There is an exterior cross-over accessible through the upstage exit doors stage right and stage left in the upstage wall. Orchestra Shell Storage down to dressing rooms stairs down to women's restroom exterior exiting and cross over stage 73' 77' 6" 41'x24H mix stairs up to mezzanine and balcony lobby 27' 5" 7'x10H elevator down to dressing rooms down to dressing rooms men's family restroom ticketing entry elevator to upper floors 10'x10H 4th Avenue 3

RIGGING SET Fixed Teaser - downstage of fire curtain/ proscenium Fire Curtain/Smoke Pocket 1 House Curtain 1 3 2 Border 2 3 3 Legs 2 11 4 #1 Electric 3 7 5 4 11 6 5 7 7 6 3 8 6 11 9 7 7 10 Black Border 8 11 11 Black Legs 9 7 12 10 3 13 10 11 14 #2 Electric 11 7 15 12 3 16 Mid Black 12 11 17 Black Legs 14 3 18 Black Border 15 7 19 16 3 20 16 11 ITEM 21 17 7 22 #3 Electric 18 3 23 18 11 24 19 7 25 Border 20 3 26 Black Legs 20 11 27 21 7 28 Cyc. Electric 22 3 29 23 3 30 23 11 31 24 7 32 25 3 33 Black Traveler 25 11 34 White Cyclorama 26 7 There are 33 sets of five (5) line tee-bar guided, single purchase manually operated counter-weighted lines. All sets are on 8 centers, except where there is an empty location. The house curtain and line sets #2 through #18 can be flown to 70. Line sets #19 through #33 can be flown to 60 11. Battens may be brought in to 4 off stage. Arbor capacity is 1,900#. The rail is on stage right. The battens are 54 long and are of pipe truss construction. There are no fixed electrics, due to the use of portable cable bundles. All battens may be cleared except for the House Curtain. Orchestra shell ceilings are stored between the pillars of the upstage wall and hung by dedicated ceiling winches. The house curtain is manually flown and can not travel. It is a reproduction of the historic curtain. The house curtain may not be removed. There is a fixed teaser downstage of the fire curtain within the proscenium arch opening. Additional house goods are black and consist of four sets of legs, four borders and one full black traveler. There is also a rust scrim. The Loading Bridge is 72 above stage. Grid Height is 79 2. There is a Pin Rail and Locking Rail on stage right s upper fly floor at 32. Over the orchestra pit, there are three pairs of AP hang pick points. There are three additional truss hang pick points just beyond the orchestra pit rail. The AP and truss pick points are center, left and right. Each pair of AP pick points and each truss pick point capacity is 2,000#. The roof deck of the stage left stair-to-basement enclosure is approximately 21 by 5 and is 16 above stage. Ten feet above that deck is a 1 ton electric chain hoist on a trolley to facilitate the lifting of portable dimmer racks to a stage left jump floor which is 20'6" x 7'10". The downstage rigging points will accommodate a 46' truss SOUND SYSTEM The house speaker system consists of center, right and left clusters permanently hung within the proscenium arch. These clusters are composed of EAW AX364 and AX396 3-way cabinets. Plus a pair of EAW AX122 cabinets for a low mid fill. There is also a pair of EAW SB1000 subwoofers. For Orchestra front fill coverage, there are Meyer MM4 speakers embedded within the front of the stage apron or JBL VRX 928 cabinets that can be placed on the edge of the stage. Additionally, there are EAW fill speakers mounted at the ceiling over the Balcony to provide fill coverage for the Balcony. For under Balcony fill coverage, there are 4 JBL VRX928 speakers. The house sound console is a Yamaha PM5D (non Recallable head amp version) mixer with 48 channels. The mix location is at the rear of the Orchestra. The house system utilizes QSC digital system processors. System equipment includes, solid state recorder/cd burner. recordable compact disc (CD-R), and MiniDisc (MD). The house console may be removed to accommodate touring sound console as well as for lighting control. Space available for touring sound & light mix consoles is 19 5 wide by 8'6" deep. To accommodate a touring console, a minimum of 175 of cable is required for snaking from the mix location to the stage left deck. All cables must be run through 16 conduit and are not to be run through the seating areas. CCTV and Audio program material is available in the dressing rooms, backstage and in the lobbies. Backstage paging is available in the dressing rooms and backstage area. The Theatre is equipped with an infra-red listening system to assist the hearing impaired. An audio feed from touring consoles is required for the activation of this system. ADJUSTABLE ACOUSTICS The audience chamber s acoustics are naturally bright for non-amplified sound. For amplified productions, there is a system of acoustic drapery sections that partially cover the side walls of the audience chamber. There are four sets of these 13 side side panels with each composed of two layers of 25 oz velour, sewn flat. The set closest to stage is 50 high, the second set is 39 high, the third set is 29 high and the further from stage set is 17 high. Each panel is operated by a separate electronic winch. ORCHESTRA SHELL The portable orchestra shell is comprised of two ceilings and movable wall units. The ceiling panels consist of two rows of panels suspended from stage rigging battens over the stage. Each row is comprised of four individual panels, each with built-in down lighting fixtures. Panels are stored against the upstage wall between the upstage support pillars. A portable eyebrow is available for hanging over the orchestra pit. However, the portable acoustical eyebrow is stored off-site. 4

balboa theatre cross section ap hang pick points foh LIGHTING pick points + APRON LIGHTING position a b Side Wall Booms c COVE FollowSpot Booth Cross section A Cove 86' B Side wall booms 57' C Followspot booth 116' D Balcony rail at center 59' E Mix 89' d e mix lobby Height Stage floor to: Mix Position 3' Loge Floor 16' Followspot Booth 44' FOH Lighting pick points 56' ELECTRICAL INFORMATION An ETC Ion console provides the lighting control. It is located adjacent to the sound mix position at the rear of the Orchestra. There is a wireless remote focus unit for remote control of stage lighting dimmers and RVI (Remote Interface Viewing) for the ION. House dimmer racks contain 244-2.4 kw stage lighting dimmers, 5-6.0 kw stage lighting dimmers and 24-2.4 kw house lighting dimmers. There is an Ethernet-based control system providing DMX data distribution from the stage lighting control console to the dimmer racks and to control taps/nodes located at each stage lighting position. Master house light control stations with multiple potentiometers and presets are provided in the control booth and backstage. There are two Lyciam 2k followspots in the booth with a third 30 amp/208 connector available. COMPANY SWITCHES Company switches are available for temporary show power. Each of these are 120/208V, 3-phase, 5-wire inputs are located as follows: 400 amp - SR upstage wall for stage machinery 400 amp - 2 each - SL (fly one on the floor for touring dimmer racks) 200 amp - SL upstage wall for audio 100 amp - Grid level for stage machinery 100 amp - Auditorium attic for FOH truss motor chain hoists 100 amp - Loading area for production trucks Ethernet tap/node Location Quantity Control Booth 2 taps with 4 switches FOH ceiling catwalk FOH proscenium down light slot Balcony rail FOH box booms (both sides) SL fly floor SR fly floor SL stage level, downstage SR stage level, downstage SL stage level, upstage & 1 node with 2 DMX outputs SL stage level, upstage & 1 node with 2 DMX outputs Orchestra pit Portable 1 node for control console Portable 8 nodes with 2 DMX outputs Portable 1 node for stage lighting control console video output Light dimming distribution system * Location Quantity circuit capacity FOH ceiling cove 36 20A FOH down light slot 14 20A Balcony rail 12 20A Balcony rail 2 50A Box Boom, House Right 16 20A Box Boom, House Left 16 20A Fly Floor, SL 18 20A Fly Floor, SR 18 20A Electrics in multi-cabled 6 circuit batten lays on stage pipe battens Electrics, #1 30 20A Electrics, #2 30 20A Electrics, #3 24 20A Stage level 24 20A Stage level 3 50A Orchestra Pit 6 20A * includes outlet boxes and circuits 5

DRESSING ROOMS / LOWER LEVEL All dressing rooms are on the lower level below stage. There are stairs just inside the stage door on Fourth Ave., stairs on SR and a 4000# freight elevator serving the loading dock and lower level dressing room area. Each dressing room has make-up mirrors with lighting, counters, sinks, restroom, and shower. Total make-up stations is 43. Dressing Rooms #1 & 2 - capacity of 2 per room Dressing Rooms #3 & 4 - capacity of 4 per room Dressing Room #5 - capacity of 15 Dressing Room #6 - capacity of 16 There is a wardrobe room with two washers and dryers (with usage fees) and additional power outlets. UP TO STAGE LEFT EQUIPMENT (SUBJECT TO AVAILABILTY) Contact us for applicable costs Audio Monitor System - JBL Wedges - 6, JBL Side Fills - 2 CD Player - 3 Clear Com Intercom Clear Com Intercom (in excess of 3 stations) Curtains: Black Legs & Boarders - 4 of each Black Back Drop (on traveler) White Cyclorama Dance Floor Surface, Harlequin Reversible, black/gray Follow Spots, Lycian XLT 2k xenon - 2 available Genie Lift Internet Access - (wired & wireless) Lectern - Formal Free-Standing Microphones: Wireless + Wired Direct Boxes Music Equipment: Conductor s podium Music Stand s w/lights - 30 Solid State CD Recorder Orchestra Shell, walls & ceilings Pianos: Upright - Yamaha Concert Grand - Steinway D Risers Telephone Service Washer & Dryer - 2 available Portable Wardrobe Racks PROJECTION/SCREEN Sanyo XP 100 LCD, 6500 lumen unit, either front or rear projection. 12'x16' screen with front and rear sheets. WARDROBE LIGHTING INSTRUMENT QUANTITY DR #6 DR #1 Source 4s 5 degree 4 Source 4s 10 degree 20 Source 4s 19 degree 76 Source 4s 26 degree 40 Source 4s-36 degree 24 Source 4s-50 degree 6 Source 4s-Par 18 Source 4s-Parnels 24 Par 64 28 Cyc Striplights, 100w, 3 Circut ETC Selador 11 Vivid R LED 16 10 UP TO STAGE RIGHT DR #5 DR #4 DR #3 DR #2 6

TOTAL SEATING CAPACITY...1,339 Capacity w/out Orchestra Pit Seats... 1,311 Orchestra Fixed & Loose Seats... 760 Wheelchair Locations & Companion Seats... 24 Orchestra Pit Loose Seats... 27 Main Floor Capacity...811 Loge.... 163 Balcony Fixed... 365 Wheelchair Locations & Companion Seats... 4 Loge & Balcony Capacity...528 Fourth Ave 7

868 F ourth A venue S an Diego C ali forni a 9 2 1 0 1 6 1 9. 6 1 5. 400 0 6 1 9. 6 1 5. 400 1 F A X www. san diego thea tres. org 03/2015