DISTRIBUTOR AND BENEFICIARY FUNDING ACKNOWLEDGEMENT LOGOS. Version 1-03/02/16 USAGE GUIDELINES

Similar documents
Appendix 01: Logo Usage. Brand Identity Guidelines 2015

BRAND / The CDW Logo

Asia-Europe Meeting (ASEM)

Brand Guidelines. Version 4 - Dec 2016

Version 3:0 September 2015

HarvestMaster Logo LOGO COLORS: STANDARD COLOR & SPACING LOGO COLORS: SIMPLIFIED

Brand identity guidelines

Wales Coast Path LBrand Guidelines

AUCA Standard Graphic Identity Manual

Working with The Space: Branding Guidelines VERSION 2.1

Version 1 / February IADC Logo Usage Guidelines

CAMPAIGN TAGLINE GUIDELINES

Guidelines update February 2017

VISUAL BRAND IDENTITY GUIDELINES

Visit Greenwich Full Logo Guides

YOU HAVE A NEW LOGO, NOW WHAT?

wirelessgroup.co.uk Updated: Brand Guidelines 1/7/2018 V1.0 Brand Guidelines Version 1.0

UNREAL ENGINE STYLE GUIDE

United Way Waterloo Region Communities Brand Identity Guidelines September 2018

Guidelines Irish Aid Logo

Associate Degree for Transfer. Logo Guidelines. February 2017

CMA VISUAL IDENTITY GUIDE. January 2018

one M2M Logo Brand Guidelines

BRAND GUIDELINES VENDOR COPY AUGUST ecoatm BRAND GUIDELINES

Introduction. using. our identity

BRAND GUIDELINES CRAFTSMAN QUALITY STAINS & FINISHES SINCE 1953.

CORPORATE LOGO BRAND GUIDELINES

INTRODUCTION. NASS is an action sports & music festival that celebrates the very best of alternative culture, bringing you three days of:

CORPORATE LOGO LOGO. Here s how to best represent our logo in any experience: Treat the logo as one individual unit never divide it.

Brand Guidelines Consumer Marketing

FOURSQUARE BRAND GUIDE LOGO USAGE. Brand Guide FALL 2014

MER MEC S.p.A. // B R A N D G U I D E USE OF THE LOGO. version EN

School of Social Work. Partnering for Change Style Guide

A guide to using your Star Rating

Introduction Brand Philosophy

VMWARE LOGO GUIDELINES FEBRUARY 2017

Corporate Identity and Visual Identity Guidelines June 2011

01. Who is eligible to use the RICS Registered Valuer logo?

VISUAL IDENTITY STANDARDS

JUNE 24, 2014 SCHOOL OF PROFESSIONAL STUDIES VISUAL IDENTITY. Mark Courtney, Visual Identity Manager, ,

AMBA Development Network Brand Usage and Style Guidelines

BRAND. niagaracanada.com

For Children with Developmental Differences. Brand Identity Guide

ENGINEERING VISUAL IDENTITY

STYLE GUIDE CITY OF ORLANDO

Centennial Year Brand Standards Guide

BRANDING GUIDELINES Foundation for Environmental Education

Primary Logo. Primary Logo Size and Scaling. The primary logo is also based on a natural rhythm or meter of five.

IREM Headquarters and Chapter Version January 9, Brand and Style Guide

The logo. Diamond mark

Foundation...3 Messaging...4 Visual Identity...6 Primary Logo Mark...7 Secondary Marks...8 Colors...9 Fonts Usage Guidelines...

Introduction. All collateral outlined within these guidelines can be downloaded at leicesterbusinessfestival.com

Branding guidelines. This quick reference guide is designed to help you consistently apply our brand when you communicate.

GRAPHIC STANDARDS MANUAL Policy and guidelines for using the Hostos Community College 50 th Anniversary Brand Identity

BRAND GUIDELINES 2017

Flinders University 50 th Anniversary Style Guide

Sandra B. Cochran President and Chief Executive Officer

ABOUT THESE GUIDELINES

Introduction. Page 1. Welcome to the signage guidelines for St John Ambulance premises, updated as of May 2013.

v CORPORATE GUIDELINES

The Dodge Brand. Key Visual Elements and Usage Guidelines

National Association of Professional Surplus Lines Offices

TOWN OF QUEEN CREEK BRAND GUIDE

Brand Guidelines 2018

Accreditation Guidelines. How to acknowledge support from Creative Scotland and the National Lottery.

brand guidelines march 2013

Brand Standards QUICK GUIDELINES

7 steps to know the basic design principles

GEORGIA BRANDING STANDARDS USAGE GUIDE

BRAND GUIDELINES 1 BRAND GUIDELINES

Thank you for your continued support, and as always your feedback is welcome.

Visual Identity and Brand Guidelines

WHAT S NEW TABLE OF CONTENTS

HSE Video Branding and Style Guidelines

DPS Logo. Version 1.0

GLOBAL BRANDING LOGO

Swansea University Brand Asset Guidelines. Version 2 May 2018

VISUAL IDENTITY GUIDELINES. Updated

University Marks 2.1. Institutional Logo Overview

LOGO GUIDELINES. A guide for partners

University of Iowa Stead Family Children s Hospital Brand Identity Standards

IDENTITY GUIDELINES BUILDING THE SKYWARD BRAND

Basic Elements > Logos and Markings

Branding Style Guidelines. (Revised: September 6, 2017)

Avast logo manual. Logo Overview

Logo Overview. Always use the original digital artwork, available through the Brand Center, to help maintain consistency and integrity.

TERADATA 2015 PARTNERS CONFERENCE & EXPO BRANDED ST YLE GUIDE

Voqal Identity Guidelines. August 2018 Version 4.0

OUYA IS A NEW KIND OF GAME CONSOLE FOR THE TV THAT BRINGS THE OPENNESS OF MOBILE AND INTERNET PLATFORMS TO THE BIG SCREEN FOR THE FIRST TIME.

Graphic Identity Standards

TITLE MASTER GARDENER PROGRAMS STYLE GUIDE MASTER GARDENER STYLE GUIDE

GETTING UMSU BRAND BASICS RIGHT

Brand Guidelines. A quick guide to using the British Shooting Show brand correctly.

Logo Standards Manual E X T E R N A L U S E A N D F U N D I N G C R E D I T G U I D E L I N E S

Brand Guidelines. January 2015

A GUIDE TO LOGO USAGE AND CORPORATE STYLES A HANDBOOK FOR VENDORS

BRANDING STANDARDS MANUAL

CERTIFICATION MARK STANDARDS GUIDE

FALL 2013 PRINTED COMMUNICATIONS STYLE GUIDELINES

DESIGN & BRAND Guidelines

Transcription:

AND BENEFICIARY FUNDING ACKNOWLEDGEMENT LOGOS Version 1-03/02/16 USAGE GUIDELINES

CONTENTS 3 Introduction 4 The National Lottery brand 5 Distributor logo 6 Beneficiary logo 7 Using this guide BENEFICIARY LOGOS BASIC ELEMENTS 9 Primary lock-up 10 Multiple lock-up 11 Secondary lock-up 12 Colours 13 Min size / clearspace 14 Messaging 15 Messaging examples MASTER ARTWORK 21 Colour logos 22 Colour bilingual logos 23 Mono logos 24 Mono bilingual logos 25 Mono reverse logos 26 Mono reverse bilingual logos LOGOS BASIC ELEMENTS 17 Distributor logo 18 Colours 19 Min size / clearspace 2

INTRODUCTION Our logos are a great way to show how we ve worked together to make a big difference across the UK. So, here s your guide to using the right logos, the right way. It covers those to use as a distributor and as a beneficiary of funding. 3

THE NATIONAL LOTTERY BRAND To help raise awareness of National Lottery funding and its impact, it s important to show how the constituent parts work together. To make it easy for the audience to understand, we have a consistent look and feel across logos. THE NATIONAL LOTTERY LOGO Used when talking about The National Lottery games and winners and National Lottery projects. LOGO Used specifically by distributors of National Lottery funding. However, distributors may also use the beneficiary logo (below) if more appropriate. For example, in public facing initiatives where a higher impact version is required. Bilingual versions are available. Awarding funds from BENEFICIARY LOGOS Used by beneficiaries of National Lottery funding in accordance with the Conditions of Grant. Bilingual versions are available. (Welsh is shown here as an example) 4

LOGO This is the distributor logo. Welsh and Gaelic versions are also available as shown here. This logo is specifically for use by distributors of National Lottery funding. We have supplied you with full colour (as shown here), mono and mono reverse master artworks of these logos Awarding funds from Yn dyfarnu arian / Awarding funds from Y LOTERI GENEDLAETHOL Always use master artworks A Toirt Seachad Maoin Bhon / Awarding funds from AN CRANNCHUR NÀISEANTA 5

BENEFICIARY LOGOS Here are all the primary versions of the beneficiary logos. We have supplied you with full colour (as shown here), mono and mono reverse master artworks of these logos. We have also supplied bilingual versions where relevant. Distributors may also use the beneficiary logo if more appropriate. For example, in public facing initiatives where a higher impact version is required. Always use master artworks 6

USING THIS GUIDE We have taken a template approach within this guide and for consistency have used the basic shapes of distributor logos to create boundary boxes as shown here. These basic shapes should be used when creating beneficiary logo lock-ups as shown in the section labelled: BENEFICIARY LOGOS BASIC ELEMENTS. Note: The boundary boxes shown here should be used when creating new lock-ups as the height of logos vary. 7

BENEFICIARY LOGOS BASIC ELEMENTS Inc. PRIMARY LOCK-UP MULTIPLE LOCK-UP SECONDARY LOCK-UP COLOURS MIN SIZE / CLEAR SPACE MESSAGING MESSAGING EXAMPLES

PRIMARY LOCK-UP The beneficiary logo should be the same height as the Crossed Fingers. Spacing is calculated by using a third of the width as illustrated below. Typography should align with the width of the overall lock-up. LOGO HEADLINE TYPE SETTINGS Font: TNL Effra HEAVY Tracking: -25 (Kerning: Optical) Leading: 80% of type size (eg. 100pt type = 80pt leading) LOGO LOGO = = MAXIMUM CAP HEIGHT Note: Bilingual versions are available. (Welsh is shown here as an example) 9

MULTIPLE LOCK-UP The principles of constructing the primary lock-up also apply to the multiple lock-up as shown here. When setting the type, if the maximum CAP height is met, the type should be centre aligned with the width of the overall lock-up. LOGO 1 LOGO 2 HEADLINE TYPE SETTINGS Font: TNL Effra HEAVY Tracking: -25 (Kerning: Optical) Leading: 80% of type size (eg. 100pt type = 80pt leading) LOGO 1 LOGO 2 LOGO 3 = LOGO 1 LOGO 2 LOGO 3 = MAXIMUM CAP HEIGHT Note: Bilingual versions are available. (Gaelic is shown here as an example) 10

SECONDARY LOCK-UP The secondary lock-up should be used for horizontal formats when it isn t possible to use the primary version. Here s how to construct the secondary lock-up. The same principles apply for all variants and languages. HEADLINE TYPE SETTINGS Font: TNL Effra HEAVY Tracking: -25 (Kerning: Optical) Leading: 80% of type size (eg. 100pt type = 80pt leading) LOTTERY FUNDED ARIENNIR GAN Y LOTERI LOTTERY FUNDED LOGO LOGO HERE LOGO 1 LOGO 2 = LOGO 1 LOGO 2 = MAXIMUM CAP HEIGHT Note: Bilingual versions are available. (Welsh (middle) and Gaelic (bottom) are shown here as examples) 11

COLOURS Full colour on white is the preferred colour way. Mono and mono reverse versions can also be used if full colour on white is not possible. The National Lottery elements of the lock-up are always mono. FULL COLOUR CROSSED FINGERS MONO LOGO FULL COLOUR AND MONO MONO LOTTERY TYPOGRAPHY FUNDED MONO MONO REVERSE 12

MIN SIZE / CLEARSPACE We have defined an exclusion zone to protect the logo from other graphic elements like type, images or lines. The minimum size of the logo should be taken from the relevant distributor logo minimum size guidelines. It should not be smaller than the crossed fingers minimum size as shown here. CLEARSPACE The clearspace is 2X around the logo. = X CROSSED FINGERS MINIMUM SIZE Print: Screen: LOGO 8mm LOGO 40px LOGO 13

MESSAGING This messaging can be used to supplement the logos on signage that acknowledges the specific roles we all play in delivering life changing projects across the UK. Use capital first letters when typesetting The National Lottery as shown here; use a capital T, N and L. Never like this: the national lottery and never like this: the National Lottery. Remember, you can choose to reference either The National Lottery or our players. See examples on the next page for how this messaging can flex. GENERIC MESSAGING TO ACKNOWLEDGE THE NATIONAL LOTTERY PLAYERS: Thanks National Lottery players. You helped make this possible. PROJECT/ SPECIFIC MESSAGING TO ACKNOWLEDGE THE ROLE OF THE NATIONAL LOTTERY (OR NATIONAL LOTTERY PLAYERS) AND THE : Funding for [project name] was raised by [The] National Lottery [players] and awarded by [distributor name] 14

MESSAGING EXAMPLES It s important to be clear. Make sure the reader understands that we ve worked together to deliver life changing projects. If you want to thank anyone, make sure it s our players not us. They make it all possible. You can be playful if you have the space. Headlines are a good chance to unleash some tone. HEADLINE TYPE SETTINGS Font: TNL Effra HEAVY Tracking: -25 (Kerning: Optical) Leading: 80% of type size (eg. 100pt type = 80pt leading) Example of using the generic messaging to acknowledge National Lottery players: Examples below show how the specific messaging can flex to acknowledge the individual roles of The National Lottery (or National Lottery players) and the distributor: PARAGRAPH TYPE SETTINGS Font: TNL Effra REGULAR or LIGHT Tracking: -25 (Kerning: Optical) Leading: Set solid. (eg. 12pt type = 12pt leading) 15

LOGOS BASIC ELEMENTS Inc. LOGO COLOURS MIN SIZE / CLEAR SPACE LOGO USAGE

LOGO These are the full colour distributor logos - we have supplied English, Welsh and Gaelic versions. Mono and mono reverse versions are also supplied. Distributors may also use the beneficiary logo if appropriate. In public facing initiatives for example, where a higher impact lock-up is required. Always use master artworks Awarding funds from Yn dyfarnu arian / Awarding funds from Y LOTERI GENEDLAETHOL A Toirt Seachad Maoin Bhon / Awarding funds from AN CRANNCHUR NÀISEANTA 17

COLOURS Full colour on white is the preferred colour way. Mono and mono reverse versions can also be used if full colour on white is not possible. FULL COLOUR Awarding funds from Awarding funds from MONO Awarding funds from MONO REVERSE 18

MIN SIZE / CLEAR SPACE We have defined an exclusion zone to protect the logo from other graphic elements like type, images or lines. To ensure legibility, the minimum size of the logo is determined by setting the crossed fingers minimum size as shown here. CLEARSPACE The clearspace is 2X around the logo. = X Awarding funds from Yn dyfarnu arian / Awarding funds from Y LOTERI GENEDLAETHOL CROSSED FINGERS MINIMUM SIZE Print: 8mm Awardin THE N Screen: 40px Awardin THE N 19

MASTER ARTWORK Inc. COLOUR LOGOS COLOUR BILINGUAL LOGOS MONO LOGOS MONO BILINGUAL LOGOS MONO REVERSE LOGOS MONO REVERSE BILINGUAL LOGOS

COLOUR LOGOS Here are all the full colour versions of The National Lottery funding logos. Always use master artworks Awarding funds from 21

COLOUR BILINGUAL LOGOS Here are all the full colour bilingual versions of The National Lottery funding logos. Always use master artworks CRANNCHUR MAOINITHE (IRISH) A Toirt Seachad Maoin Bhon / Awarding funds from AN CRANNCHUR NÀISEANTA MAOINICHTE LEIS A CHRANNCHUR Yn dyfarnu arian / Awarding funds from Y LOTERI GENEDLAETHOL MAOINICHTE LEIS A CHRANNCHUR ARGHASYS DRE WARI-DALL (CORNISH) MAOINICHTE LEIS A CHRANNCHUR 22

MONO LOGOS Here are all the mono versions of The National Lottery funding logos. Always use master artworks Awarding funds from 23

MONO BILINGUAL LOGOS Here are all the mono bilingual versions of The National Lottery funding logos. Always use master artworks CRANNCHUR MAOINITHE (IRISH) A Toirt Seachad Maoin Bhon / Awarding funds from AN CRANNCHUR NÀISEANTA MAOINICHTE LEIS A CHRANNCHUR Yn dyfarnu arian / Awarding funds from Y LOTERI GENEDLAETHOL MAOINICHTE LEIS A CHRANNCHUR ARGHASYS DRE WARI-DALL (CORNISH) MAOINICHTE LEIS A CHRANNCHUR 24

MONO REVERSE LOGOS Here are all the mono reverse versions of The National Lottery funding logos. Always use master artworks Awarding funds from 25

MONO REVERSE BILINGUAL LOGOS Here are all the mono reverse bilingual versions of The National Lottery funding logos. Always use master artworks CRANNCHUR MAOINITHE (IRISH) A Toirt Seachad Maoin Bhon / Awarding funds from AN CRANNCHUR NÀISEANTA MAOINICHTE LEIS A CHRANNCHUR Yn dyfarnu arian / Awarding funds from Y LOTERI GENEDLAETHOL MAOINICHTE LEIS A CHRANNCHUR ARGHASYS DRE WARI-DALL (CORNISH) MAOINICHTE LEIS A CHRANNCHUR 26

THANK YOU We rely on you to help us build a strong brand for The National Lottery and appreciate your work.