Twenty Studies by Peter Billam Foriano Peter J Billam, 201-1 This score is oered under the Creative Commons Attribution.0 International licence; see creativecommons.org This edition December 201.
2 1. Finger exercise Twenty Studies 2 10 1 1 2 20 (c) 201 Peter J Billam
1. Finger exercise 2 0 2 2 1 0 (c) 201 Peter J Billam
2. Scales at Three Semitones Twenty Studies mf 10 1 (c) 201 Peter J Billam
2. Scales at Three Semitones voilé, geschliert, veiled 20 cresc... m oco a oco rit... temo f mf 2 oco a oco rit... f 0 (c) 201 Peter J Billam
6. Scales at Four Semitones Twenty Studies cantabile... dim... 10 (c) 201 Peter J Billam
. Scales at Four Semitones 7 1 : : 20 (c) 201 Peter J Billam
. The 2++ Chord Twenty Studies (c) 201 Peter J Billam mf 10 mf 1 20 dim... 2
9. The 2++ Chord (c) 201 Peter J Billam 0 mf 0 mf 0 dim... cresc... dim...
10. Scales at Two Semitones Twenty Studies 10 1 20 (c) 201 Peter J Billam
. Scales at Two Semitones 11 2 0 0 (c) 201 Peter J Billam
12. Scales at Two Semitones 0 60 (c) 201 Peter J Billam
Twenty Studies 6. Contrary Motion 1 m 2 m 2 m 10 2 2 m 1 m 2 m 20 2 oco a oco cresc... 2 (c) 201 Peter J Billam
1 6, Contrary Motion 0... forte... oco a oco dim 2 m 2 2 0 m 2 m m 6 6 (c) 201 Peter J Billam
Twenty Studies 7. Three against One 1 10 (c) 201 Peter J Billam
7. Three against One 1 20 2 (c) 201 Peter J Billam
17. Shimmer Twenty Studies (c) 201 Peter J Billam 7 7 1 1 6 6 2 2 2 2 10 1 20 2 0
1 (c) 201 Peter J Billam. Shimmer 0 0
. Shimmer 60 19 6 70 7 0 tr tr tr diminuendo al fine... tr tr tr tr tr tr tr e rallentando il trillo...,, niente (c) 201 Peter J Billam
20 9. Chords including a al Twenty Studies 1 1 10 (c) 201 Peter J Billam
9. Chords including a al 1 21 20 2 10 dim e rit... 10 (c) 201 Peter J Billam
22 10. Passing Notes, simile Twenty Studies f, m 10 f 1 (c) 201 Peter J Billam
10. Passing Notes 2 20 f 2 m 0 (c) 201 Peter J Billam
2 10. Passing Notes 0 oco rit... (c) 201 Peter J Billam
Twenty Studies 11. Crossrhythms 2 12 12 10 10 10 1 1 1 12 12 (c) 201 Peter J Billam
26 11. Crossrhythms 20 2 20 20 (c) 201 Peter J Billam
11. Crossrhythms 27 0 12 12 0 (c) 201 Peter J Billam
2 12. 12=2x6=x=x=6x2 Twenty Studies arox. cro=60 f f f f mf semre... f f f f m f 10 f f f m m (c) 210 Peter J Billam
Twenty Studies 1. The 1+n 1 Line 29 f 6 6 mf f 6 6 mf 10 f 6 6 mf 1 6 cresc oco a oco... 6 (c) 201 Peter J Billam
0 1. The 1+n 1 Line 20 7 7 2 (c) 201 Peter J Billam
1. The 1+n 1 Line 1 0 f 6 6 (c) 201 Peter J Billam
2 1: The Rabbit Sequence Twenty Studies 0 1 1 Una Corda 1 ( semre con... ) 1 1 1 1 1 6 Tre Corde 10 1 1 1 1 1 1 1 (c) 201 Peter J Billam
1. The Rabbit Sequence 20 1 1 1 1 m 1 mf 1 f 1 1 2 1 1 mf 0 1 1 cresc... 1 1 1 1 dim... (c) 201 Peter J Billam
1: Three Hands Twenty Studies 9 9 9 cantabile 10 1 20 dim... (c) 201 Peter J Billam
1. Three Hands 2 0 tr tr tr tr 0 tr tr (c) 201 Peter J Billam
6 1. Three Hands 0 tr tr tr tr tr dim... 60 dim... 6 (c) 201 Peter J Billam
1. Three Hands 70 dim... f 7 dim... dim... mf dim... cresc... 7 m dim... cresc... cresc... 0 m m (c) 201 Peter J Billam
1. Three Hands dim... dim... 90 dim... dim... dim... 9 (c) 201 Peter J Billam
Twenty Studies cantabile, iano : Voice Leading 9 areggiando ma non troo Sos ad lib., ad lib. 10 1 (c) 201 Peter J Billam
0 20 : Voice Leading 2 0 (c) 201 Peter J Billam
Twenty Studies 17: Toccata 1 2 2 f grave 1 agitato 1 10 1 (c) 201 Peter J Billam
2 17: Toccata subito 20 f 2 0 semre iano... Una Corda (c) 201 Peter J Billam
17: Toccata 0 leggerio subito (c) 201 Peter J Billam Tre Corde
0 17: Toccata 60 (c) 201 Peter J Billam
Twenty Studies 1. Lines cresc.. mf dim.. simile.. agitato f 10 1 (c) 201 Peter J Billam
6 1. Lines 20 7 7 mf 2 (c) 201 Peter J Billam
1. Lines 7 f 0 (c) 201 Peter J Billam
1. Lines 7 7 mf 0 2 2 f (c) 201 Peter J Billam
1. Lines 9 0 f dim... cresc... mf dim... (c) 201 Peter J Billam
0 19. Variations Twenty Studies 10 1 20 (c) 201 Peter J Billam
19. Variations 1 2 tr (c) 201 Peter J Billam
2 19. Variations 0 f 22 22 0 2 (c) 201 Peter J Billam
19. Variations 0 60 6 (c) 201 Peter J Billam
19. Variations 70 7 0 90 (c) 201 Peter J Billam
19. Variations 9 100 10 110 (c) 201 Peter J Billam
6 19. Variations 11 120 12 molto legato 10 (c) 201 Peter J Billam
19. Variations 7 1 semre ianissimo... dim... (c) 201 Peter J Billam
9 9 9 9 Eight or nine ths er second 20: Two Pianos Twenty Studies 10 1 f f (c) 201 Peter J Billam
20. Two Pianos 20 9 m m 2 f 0 m f m (c) 201 Peter J Billam
60 20. Two Pianos f m 0 f m f f m f m f 0 m (c) 201 Peter J Billam
20. Two Pianos 61 2 2 2 2 60 (c) 201 Peter J Billam
62 6 20. Two Pianos 2 2 2 2 6 nicht eilen 70 6 6 6 7 (c) 201 Peter J Billam
20. Two Pianos 0 6 9 a temo 9 9 9 9 9 9 9 (c) 201 Peter J Billam
6 90 20. Two Pianos 9 9 9 9 9 100 (c) 201 Peter J Billam
20. Two Pianos 10 6 110 (c) 201 Peter J Billam
66 11 20. Two Pianos 120 12 f m f (c) 201 Peter J Billam
20. Two Pianos 10 67 1 2 2 2 2 6 10 6 6 6 (c) 201 Peter J Billam
6 1 20. Two Pianos 10 1 a temo 9 9 9 9 (c) 201 Peter J Billam
20. Two Pianos 0 69 170 (c) 201 Peter J Billam
70 20. Two Pianos 17 10 (c) 201 Peter J Billam
20. Two Pianos 1 71 190 (c) 201 Peter J Billam
72 19 20. Two Pianos 200 20 (c) 201 Peter J Billam
20. Two Pianos 210 7 21 (c) 201 Peter J Billam
7 220 dotted th = quarter 20. Two Pianos dim e rall... dotted th = quarter 22 20 (c) 201 Peter J Billam
Peter Billam was born in London in 19, studied iano, and lived in Switzerland from 197 to 19, where he studied comosition, classical guitar, flute and voice, worked as Musical Director of the Théâtre Poulaire Romand, and as recording engineer, record roducer and comuter rogrammer. Hemoved totasmania in 19, and lectured in comosition at the Conservatorium. He founded, becoming the first comoser to sell scores on-line, taking scores from Comoser to Performer in one immediate ste. Www.jb.com.au oers a new aroach to music ublishing. These ieces are written to be read, made to be layed! Comositions at include: Five Short Pieces, guitar, 1979; Divisions on an Italian Ground, flute and guitar, 190; De Profundis and Nacht, on oems by Lama Anagarika Govinda, voice and iano, 190; Fünf Bagatellen, iano, 190; Five Rounds, choir, 196; Go Forth and Multily, choir, 196; Three Violin Duets, 197; Fable, for iano, 197; To Erich Jantsch, SAATTB recorders, 19; A Suite of Curves, trombone (or horn) and iano, 1990; Two Recorder Duets, alto recorders, or other melody instruments, 1991; Trombone Quintet, trombone, flute, iano, bass, and ercussion, 199; Three Songs, on oems by Jack Kerouac, Vikram Seth and Dylan Thomas, voice and iano (only the first and third of these are available), 199; Piano Study, iano, 199; Four Dances, various ensembles including recorder quartet, string quartet, 199; The Poet in the Clouds, on a oem by S. T. Coleridge, SATB choir, 199; Tres Casidas del Diván del Tamarit, on oems by Federico García Lorca, voice and iano, 1997; Three Suites, for the solo line, iano, and iano and a solo line, 2000; Die Zeiten, on oems by Kästner, Bachman and Jünger, choir (only the second and third of these are available), 2000; Three Duets for flutes, 2001; ForFour Hands for iano four hands, 2002; Three Preludes for iano, 200; Second Solo Suite for flute, violin, viola or cello, 200; Guitar Duet for two guitars, 2006; We Who Mourn for choir, 2007; Trio With Guitar for guitar and two clarinets or two recorders or two violas, 200; Canons for two- and four-hand iano, 2009; Flute Trio, 2012; Twenty Studies for iano, 201-1; Music for Strings and Two Encores for Strings for 2vln, 2vla, 2vlc, 201; Album for Choir, 201. Arrangements include: By J. S. Bach: Trio BWV 6, iano and flute; Vordeinen Thron BWV 66, iano; Fugue in F minor BWV 69, SATBrecorders; Four Duets BWV 02-, keyboard; Six Preludes and Fugues from Book I, keyboard; Flute Sonata BWV 101 transosed into G major for alto recorder and keyboard; Flute Sonata BWV 102 comleted by Peter Billam for flute and keyboard, also in C major for alto recorder, and in G major for descant; Ricercare a,from the Musikalisches Ofer for keyboard; Ricercare a 6, for ssatbg recorders, or strings, or two keyboards; and Fuga Canonica in Eidiaente; from the Art of Fugue: Contrauncti 1, and 9 for keyboard, and Contraunctus 1 as comleted by D. F. To v e y, for keyboard, or for SATB recorders, or for strings; Passacaglia and Fugue in c for iano four hands; Chorales with Descant for melody instrument and iano; Cello Suites I, II and III for flute or alto recorder, Forty Chorales for iano, Der Geist hilft for SATB-SATB recorders. By Brahms: Fugue in Ab minor for organ, for SATB recorders and gamba, in A minor; Choralvorsiele for organ lus settings by Isaac, Bach, Praetorius, recorders. John Carr, Divisions on an Italian Ground, flute or recorder and guitar. Franz Liszt, Late iano ieces, G.F. Händel: Concerto Grosso in A minor o 6 no, harsichord and recorders; Recorder Sonata in Bb no, in G for tenor recorder and keyboard. Claudio Monteverdi, Ecco Mormorar l Onde, SSATB recorders. Arnold Schoenberg: Verklärte Nacht for iano. Franz Schubert: Four Songs, voice and guitar; Dances, recorders and guitar, Dances, iano hands. Scriabin, Two Preludes o.67; Five Preludes o.7, iano. Telemann, Twelve Flute Fantasias, recorder. Wilbye, Draw on sweet Night, SSATTB recorders, and for flute choir. Twelve Italian Songs, voice and guitar; Seven English Songs, voice and guitar; Fourteen Folk Dance Tunes, recorder and guitar; Bushband Dances, violin, accordeon and banjo; Easy Classical Pieces, Bbtrumet and iano; Famous Beginnings, for iano. These ieces are under the Creative Commons Attribution.0 licence. Very briefly: You may coy and redistribute the material in any medium or format. You may transform and build uon the material for any urose. cc You must give aroriate credit, and indicate if changes were made. BY Feel free to visit...