Version 9/20/2018 MW1 (61 ) Sep Bernstein: Candide: Overture (5 ) Schumann: Piano Concerto (31 ) Lise De la Salle, piano

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Version 9/20/2018 MW1 (61 ) Sep. 28 30 Bernstein: Candide: Overture (5 ) Schumann: Piano Concerto (31 ) Lise De la Salle, piano Kodály: Háry János Suite (25 ) Instrumentation for MW1 Bernstein 3[1.2.pic] 2 4[1.2.Ebcl.bcl] 3[1.2.cbn] 4 2 3 1 tmp+5 hp str Schumann 2 2 2 2 2 2 0 0 tmp str Kodály 3[1/pic.2/pic.3/pic] 2 2[1/Ebcl.2/asx] 2 4 6[3tp, 3crt] 3 1 cimbalom [or hpsd, or pf] tmp+6 cel, pf str 3 cornets in last mvt only. 3[1/pic.2/pic.3/pic] 2 4[1/Ebcl.2/asx.Ebcl.bcl] 3[1.2.cbn] 4 6[3tp, 3crt] 3 1 tmp+6 hp cel, pf, hpsd str

MW2 (68 ) Oct. 19 21 Brahms: Tragic Overture (13 ) Jandali: Viola Concerto (world premiere) (21 ) Roberto Diaz, viola Beethoven: Symphony No. 4 (34 ) Instrumentation for MW2 Brahms 3[1.2.pic] 2 2 2 4 2 3 1 tmp str Jandali: Viola Concerto 2[1.2/pic] 2[1.Eh] 2 2 2 2 2 0 timp+2 hp str Beethoven: Symphony No. 4 1 2 2 2 2 2 0 0 tmp str 3[1.2.pic] 2[1.2/Eh] 2 2 4 2 3 1 tmp+2 hp str

MW3 (73 ) Nov. 30 Dec. 2 Horton: Make Gentle the Life of this World (13 ) 50 th anniversary of the assassination of Dr. Martin Luther King, Jr.. Using the speech by Senator Robert Kennedy on the night of the assassination. Mendelssohn: Violin Concerto (26 ) Livia Sohn, violin Dvořák: Symphony No. 8 (34 ) Instrumentation for MW3 Horton (2[1.2/pic] 1 2 1 2 2[1/flug.2] 0 0 tmp+2 str* *Instrumentation possibly up to Dvořák. Horton: I have prepared a new version of the work with cues and minor re scoring, making the work playable by any sized ensemble from chamber orchestra (2[1.2/pic] 1 2 1 2 2[1/flug.2] 0 0 tmp+2 str perc: bd, field dr, glock, xyl, vib) to full orchestra (3[1.2.3/pic] 3[1.2.Eh] 3[1.2.bcl] 3[1.2.cbn] 4 3[1/flug] 3 1 tmp+2 str perc: bd, field dr, glock, xyl, vib). Mendelssohn 2 2 2 2 2 2 0 0 tmp str Dvořák 2[1.2/pic] 2[1.2/Eh] 2 2 4 2 3 1 tmp str 2[1.2/pic] 2[1.2/Eh] 2 2 4 2[1/flug.2] 3 1 tmp+2 str

Holiday (81 ) Dec 13 15 Praetorius, arr. Singleton: In dulci jubilo (3 ) Gabrieli: Canzon septimi toni no. 2 (3 ) Manfredini: Sinfonia da chiesa, op.2, no.12 (Christmas Symphony) (6 ) Gershwin: Lullaby (8 ) Dvořák: Nocturne (7 ) Pez: Concerto pastorale (20 ) Albinoni: Oboe Concerto No. 2 (14 ) Kristin Kessler, oboe Sing along with brass (20 ) 1. Deck the Hall (repeat first 4 measures) F Major 2. We Three Kings of Orient Are (repeat first 8 measures) F minor 3. The First Noel (repeat first 8 measures) Eb Major 4. O Holy Night (repeat first 2 measures) C Major 5. Joy to the World (repeat first 4 measures) Eb Major 6. Jingle Bells (play intro) Ab Major 7. God Rest You Merry Gentleman (repeat first 4 measures) F minor 8. O Christmas Tree (repeat first 4 measures) F Major 9. Hark! The Herald Angels Sing (repeat first four measures) G Major 10. Silent Night (play intro) C Major Instrumentation for Holiday Praetorius brass ensemble Gabrieli brass ensemble Manfredini cnt str Gershwin str Dvořák str Pez 2 0 0 0 0 0 0 0 cnt str We will do it w/2 recorders. Albinoni: Oboe Concerto No. 2 cnt str 2 2 0 0 2 0 0 0 cnt (myself playing) str + brass ensemble 2* 2 3 1

MW4 (81 ) Jan 25 27 Sibelius: Finlandia (8 ) Theofanidis: Piano Concerto (20 ) (West Coast premiere) Chopin: Grande polonaise brillante (14 ) Jeffrey Biegel, piano Vaughan Williams: Symphony No. 5 (39 ) Instrumentation for MW4 Sibelius 2 2 2 2 4 3 3 1 tmp+1 str Theofanidis 2perc hp str (10 8 8 6 3/4 ideally) Chopin 2 2 2 2 2 0 1[btbn] 0 tmp str Preceded by an Andante spianato (4', also op.22) for unaccompanied piano, for a total duration of 14'. Vaughan Williams 2[1.2/pic] 2[1.Eh] 2 2 2 2 3 0 tmp str 2[1.2/pic] 2[1.2/Eh] 2 2 4 3 3 1 tmp+2 hp str

MW5 (82 ) Feb. 22 24 Stravinsky: Dumbarton Oaks concerto (15 ) Stravinsky: Concerto for Piano & Wind Instruments (rev. 1950 version) (19 ) Peter Serkin, piano Schubert: Symphony in C Major, Great (48 ) 2 2 2 2 2 2 3 0 tmp str Instrumentation for MW5 Stravinsky 1 0 1 1 2 0 0 0 3vn, 3va, 2vc, 2db Stravinsky 3[1.2.pic] 3[1.2.Eh] 2 2[1.2/cbn] 4 4 3 1 tmp db[section] Schubert 2 2 2 2 2 2 3 0 tmp str 3[1.2.pic] 3[1.2.Eh] 2 2[1.2/cbn] 4 4 3 1 tmp str

MW6 (83 ) Apr. 26 28 Beethoven: Piano Concerto No. 3 (34 ) Alexander Tutunov, piano Berlioz: Symphonie fantastique (49 ) Instrumentation for MW6 Beethoven 2 2 2 2 2 2 0 0 tmp str Berlioz: Symphonie fantastique 2[1.2/pic] 2[1.2/Eh] 2[1/Ebcl.2] 4 4 4[2tp, 2crt] 3 2[2oph] 4tmp+2 4hp [doubling 2 real parts] str perc: bd, cym, sus cym, sd, 2 low bells; 2 of the 4 timpanists double on percussion Offstage oboe (ob1) in mvt 3; offstage low bells in final mvt. A critical edition of the score with historical and analytical essays is available from Norton. Yoon Jae Lee has created a concordance of rehearsal letters and numbers as found in various editions; it is available gratis from Ondine Press (www.issuu.com/ondinepress) or at http://imslp.org/wiki/special:imagefromindex/365959. A special optional solo cornet part for the 2nd mvt (where trumpets and cornets are otherwise tacet) may have been written for a performance by the legendary Jean Baptiste Arban. This part is included in the Kalmus set; it is also available in Appendix III of the Bärenreiter collected edition of Berlioz in a format that can be photocopied and used in performance (v.16, p.197). The Norton score integrates the part into the score of the 2nd mvt. Max. instrumetation 2[1.2/pic] 2[1.2/Eh] 2[1/Ebcl.2] 4 4 4[2tp, 2crt] 3 2[2oph] 4tmp+2 4hp [doubling 2 real parts] str (see how to reduce the no. of players)

Discovery (50 ) May 18 Berlioz: March to the Scaffold from Symphonie fantastique (5 ) Stookey & Snicket: The Composer is Dead (30 +15 for supplementary excerpts) Instrumentation for Discovery Berlioz: reduced to the instrumentation of Stookey (no harp in Berlioz) Stookey & Snicket: The Composer is Dead narrator 2[1.2/pic] 2[1.2/Eh] 2[1.2/bcl] 2[1.2/cbn] 4 2 3 1 tmp+3 hp str perc: bd, cym, hi hat, sd, tambn, glock, xyl, marim, vib, chimes, marac, 3tomtom, 3woodblk The work includes a Marche funèbre, which quotes brief passages from celebrated orchestral works of the past. In some concert performances, the work as a whole has been preceded by slightly longer "supplementary excerpts" from these same works, and even a preliminary performance of the Marche funèbre itself. The composer endorses this practice, though it is by no means necessary. The "supplementary excerpts": 1. Beethoven: Marcia funebre from Sym. No.3, bars 1 16. 2. Mahler: Sym. No.5, bars 1 33. 3. Schubert: Sym. No.8, bars 42 104. 4. Tchaikovsky: Sym. No.6, 4th mvt, bars 1 18. 5. Berlioz: Symphonie fantastique, 5th mvt, bars 146 206. More info: https://en.wikipedia.org/wiki/the_composer_is_dead https://www.youtube.com/watch?v=ouabdronteq Represented by AMP: Associated Music Publishers US agent: G. Schirmer, rentals; Hal Leonard, sales 2[1.2/pic] 2[1.2/Eh] 2[1.2/bcl] 2[1.2/cbn] 4 2 3 1 tmp+3 hp str

Link Up May 29 The Orchestra Swings Instrumentation 2[1.2/pic] 2[1.2/Eh] 2 2 4 3 3 1 tmp+3 str Jazz Band: cl/tsx tp tbn pf db set