Telve Canons for recorder ensemble page 1 Round for 3-6 treble recorders A round is a type of canon, hich may continue repeating it indefinitely. This round is at maximum a canon in six. A ne part can join every measure. Michael Praetorius (1571-1621). c Ó. Bo - na dies om - nes Stu - den - tes, Cha - ri - tes et Mu - sas co - li - te: Source: Musae sioniae VIII Round for 4-6 tenor or treble recorders This round is the oldest knon six-part canon. The year of composition is estimated to be c. 1260. b 4 6. Ó. Sum - er is i - cu - men in, Lhu - de sing cuc - cu! Gro - eth sed and b. Ó. 5.... Ó. 6. blo-eth med And springth the - de nu, Sing cuc - cu! A - e ble - teth b. Ó. af-ter lomb, lhouth af - ter cal - ue cu. Bul - luc ster - teth, buc - ke uer - teth, Mur - ie sing cuc- b. Ó...... Ó.. cu! Cuc - cu, cuc - cu, el sin-ges thu cuc - cu; Ne sik thu nau-er nu.
Telve Canons for recorder ensemble page 2 Canon in three for three treble or bass recorders in C ohann Walter (1496-1670).......... Ó.. Ó.
Telve Canons for recorder ensemble page 3 Ó.... Ó.. Ó...... Ó.. Ó # U # U. #
Telve Canons for recorder ensemble page 4 Tenor recorder ith normal fingerings B Canon in three for treble, tenor- and bass recorder Don't orry about unusual clefs! Here you allays use G-clef c-fingerings for all recorders. The first part starts ith tenor recorder, the second part to bars later ith bass recorder played like a tenor recorder and further the treble recorder in the same ay. Attention: bass and treble recorder require f sharp instead of f. in Bass recorder ith B 8 Treble recorder ith tenor fingerings tenor fingerings and f# instead of f and f# instead of f C ohann Walter (1496-1670). Ó.. Ó.. n
Telve Canons for recorder ensemble page 5 only b Ó. # Ó # Ó. I only U U U Source: 26 fugues, contain «Secundi toni» and «Septimi Toni»
Telve Canons for recorder ensemble page 6 5. Canon in three at the second for a tenor and to bass recorders The first part starts playing the bass recorder ith bass fingerings (incl. f#), the second part follos to bars later ith tenor recorder fingerings on the bass recorder (read G-clef ith f# and c#!) and the third part again to bars later playing the tenor recorder ith treble recorder fingerings (read G-clef f-fingerings ithout key signature!) Bass recorder? # # # # B Bass recorder ith Tenor recorder ith ith normal tenor fingerings, Ê? treble fingerings and c fingerings play f# and c#! ithout key signature Giovanni Pierluigi da Palestrina (ca. 1515-1594). Ple - ni sunt c - li? # et. ter. - - - ra, et ter - - - -? #. Ó Œ. - - - - - - - ra glo - ri - a tu -? #. j Œ - a, glo - ri - a tu - - - - - - - - a, glo -? #.. ri - a tu - - - - - a, glo - ri - a tu - - - Œ? # U. I U. - - - a, tu - - - - a, glo - ri - a tu - a. Source: Missa Sacerdotes Domini, Sanctus
Telve Canons for recorder ensemble page 7 6. Canon in three «Prenez sur moi» for tenor, bass and great bass recorder The first part of this chanson starts playing as usual the great bass or tenor recorder, the second part one bar later on the bass or treble recorder, but ith tenor recorder fingerings (read G-clef ith f#!) and the third part again a bar later playing the tenor or descant recorder, but no in the ay if you ould play a bass recorder (read F-clef, bass fingerings and b flat!) Great bass Bass recorder ith Tenor recorder ith V B 2 3 recorder ith tenor fingerings bass fingerings tenor fingerings and f# instead of f B 8 and b b instead of b. Pre ohannes Ockeghem (1410-1497) - nez sur. moi. Ó vo - stre_e-xem - ple_a - mou - reux: Ó Com. j - men - - - ce - ment d a - mours Œ Œ est sa Œ - - - vou - reux et le moy - en plain Œ de pai-ne_et tris - tes - - - - se et la fin est d a - voir plai -. Œ Ó. - - sant mais - tres - - - - - - - - - -
Telve Canons for recorder ensemble page 8 Œ. - - se, mais au sail - lir sont les pas Œ dan. - ge - reux.. j I only U U. Basso ostinato ith great bass recorder in C? 4 b 2. Ó F, A, B, E, 7. FABER-Round for 3-7 tenor recorder and great bass recorder ohann Sebastian Bach composed this round probably for Benjamin Gottlieb Faber or Balthasar Schmidt or ohann Schmidt (Schmied = engl. Smith = lat. Faber). Bach rote: Domine Possessor Fidelis Amici Beatum Esse Recordari tibi haud ignotum: itaque Bonae Artis Cultorem Habeas verum amicum Tuum. Repetatur ohann Sebastian Bach (1685-1750) b Œ b... Ó Œ Œ BWV 1078
Telve Canons for recorder ensemble page 9 Great bass V recorder ith tenor fingerings Tenor recorder B 8 ith normal fingerings 8. Canon in three for treble, tenor and great bass recorder You allays use G-clef c-fingerings for all recorders. Attention: the treble recorder requires f sharp instead of f. Treble recorder ith tenor fingerings V and f# instead of f c Wolfgang Amadeus Mozart (1756-1791). V. j Π# V b Π# # 9. Four-part round U u Source: KV 508a original F major b C b U for four treble or tenor recorders # oseph Haydn (1732-1809) # # # b U # b U #. Source: Hob. XXVIIa:5 original G minor = using c-fingerings ith treble recorders
Telve Canons for recorder ensemble page 10 Three four-part rounds for four treble recorders You can play this three rounds ith treble recorder fingerings on tenor or bass recorders. 10. Adrian Wehlte # 4 3. 4 2 4 3. 4 2 # 4 3 4 2 4 3.. 1 b. 4 2 4 3 4 2 b 4 3 4 2 4 3. j.. 1 # 4 3. # Œ # # # Œ. # Œ # #. #. Œ Œ Œ.