Goals and Rationales

Similar documents
Special Issue Introduction: Coming to Terms in the Muddy Waters of Qualitative Inquiry in Communication Studies

The Power and Wonder of Qualitative Inquiry. Jim Lane, Ed.D. University of Phoenix KWBA Research Symposium July 22, 2017

Autoethnography. IIQM Webinar Series Dr. Sarah Wall July 24, 2014

The Critical Turn in Education: From Marxist Critique to Poststructuralist Feminism to Critical Theories of Race

Autoethnography. A brief history of autoethnography

Stenberg, Shari J. Composition Studies Through a Feminist Lens. Anderson: Parlor Press, Print. 120 pages.

Hidalgo, Alexandra. Cámara Retórica: Feminist Filmmaking Methodology for Rhetoric and Composition

Autoethnography as the Engagement of Self/Other, Self/Culture, Self/Politics, and. Selves/Futures

Discourse analysis is an umbrella term for a range of methodological approaches that

Qualitative Design and Measurement Objectives 1. Describe five approaches to questions posed in qualitative research 2. Describe the relationship betw

Voices, where to begin.

Interdepartmental Learning Outcomes

Emerging Questions: Fernando F. Segovia and the Challenges of Cultural Interpretation

A Guide to Acquisitions

Images of America Syllabus--1/28/08--Page 1 1

CUA. National Catholic School of Social Service Washington, DC Fax

English English ENG 221. Literature/Culture/Ideas. ENG 222. Genre(s). ENG 235. Survey of English Literature: From Beowulf to the Eighteenth Century.

Ontology, Agency, and Aesthetics in Mathematics Education Research: Methodological Reflections

UNIVERSITY OF BRITISH COLUMBIA-OKANAGAN

Hunter H. Fine, Ph.D. Humboldt State University Syllabus: Communication SOCIAL ADVOCACY THEORY AND PRACTICE

Community Music Therapy & Performance in Adolescent Mental Health

A guide to the PhD and MRes thesis in Creative Writing candidates and supervisors

Introduced Reinforced Practiced Proficient and Assessed. IGS 200: The Ancient World

Deconstruction is a way of understanding how something was created and breaking something down into smaller parts.

FORUM: QUALITATIVE SOCIAL RESEARCH SOZIALFORSCHUNG

MYKOLAS ROMERIS UNIVERSITY FACULTY OF SOCIAL TECHNOLOGIES INSTITUTE OF PSYCHOLOGY

TROUBLING QUALITATIVE INQUIRY: ACCOUNTS AS DATA, AND AS PRODUCTS

Performance and Storytelling

ENG English. Department of English College of Arts and Letters

Cultural Studies Prof. Dr. Liza Das Department of Humanities and Social Sciences Indian Institute of Technology, Guwahati

Sam Gill, Dancing Culture Religion

Program General Structure

Edinburgh Research Explorer

Review of 'Religion and Hip Hop' by Monica R Miller

Speaking for the Dead: Funeral as Ritual Performance

Holliday Postmodernism

DEPARTMENT of CINEMA STUDIES Spring 2019 Course List (See page 2 for CINE course descriptions.) Core B: Theory and Criticism

ASA (American Sociological Association) Format

Tension and Care as Cornerstones of Criteria for Poetic- Visual Inquiry as Arts-Based Educational Research

kk Un-packing the Visual: Youth Narratives on HIV/AIDS

Playing The Fool: An aesthetic of relationality as a brave & vulnerable approach to performance-research

Introduction. Sheila Khan, Jessica Falconi and Kamila Krakowska

Toward a Critical Pedagogy of Visual Culture: Mapping the Socioscopic

UCUES 2014 Student Response Summary Reports: Time Allocation

New Course MUSIC AND MADNESS

Exo-Autoethnography: writing and research on transgenerational transmission of trauma

Utopias Gone Awry: CHID CHID 250 A. Conflict and Paradise in the Black Sea Region. Mary Childs CHID 250 A TTh 10:30-12:20 I&S, VLPA WINTER 2019

Philip Kitcher and Gillian Barker, Philosophy of Science: A New Introduction, Oxford: Oxford University Press, 2014, pp. 192

10/24/2016 RESEARCH METHODOLOGY Lecture 4: Research Paradigms Paradigm is E- mail Mobile

Mixed Methods: In Search of a Paradigm

Ethnomusicology at the University of Manchester

Perspectives in Education

This course will empower you with the theoretical and practical knowledge that will allow you to become a critical ethnographer.

Communication Studies Publication details, including instructions for authors and subscription information:

Copyright 2015 The Guilford Press. Although I entered the sociology graduate program at Boston College. Preface

2018 Advertising Rates and Specifications

MARXISM AND EDUCATION

African Fractals Ron Eglash

Cambridge University Press The Cambridge Introduction to Performance Theory Simon Shepherd Frontmatter More information

The Debate on Research in the Arts

What have we done with the bodies? Bodyliness in drama education research

KALAMAZOO COLLEGE ACADEMIC CATALOG. Professors: Bade, Fong, Heinritz, Katanski, Mills, Mozina, Salinas, Seuss, Sinha (Chair), Smith

DOCUMENTING CITYSCAPES. URBAN CHANGE IN CONTEMPORARY NON-FICTION FILM

205 Topics in British Literatures Fall, Spring. 3(3-0) P: Completion of Tier I

Students enrolling in courses numbered 201 and above must have credit for the Writing Requirement.

Comparative Literature: Theory, Method, Application Steven Totosy de Zepetnek (Rodopi:

Communication Office: Phone: Fax: Associate Professors Assistant Professors MAJOR COMM 105 Introduction to Personal Communication (3)

Critical Coalitions in Play. Robert W. Sweeny. Indiana University of Pennsylvania

philippine studies Ateneo de Manila University Loyola Heights, Quezon City 1108 Philippines

Exo-Autoethnography: An Introduction

Short Course APSA 2016, Philadelphia. The Methods Studio: Workshop Textual Analysis and Critical Semiotics and Crit

FRENCH 111-3: FRENCH 121-3: FRENCH 125-1

Reflexive Methodology

Review Essays. Marks of Distinction: Appreciable Differences in Composition Scholarship

Practices of Looking is concerned specifically with visual culture, that. 4 Introduction

Breaking New Ground in Ecocomposition: An Introduction

High School Photography 1 Curriculum Essentials Document

New Course MUSIC AND MADNESS

An Open Letter to Bob Marley: Time to Create Reggae Dialogues. articulated both the condition of the marginalized and the humanistic potentials of

QUALITATIVE INQUIRIES IN MUSIC THERAPY: A MONOGRAPH SERIES

Thai Architecture in Anthropological Perspective

Review. Discourse and identity. Bethan Benwell and Elisabeth Stokoe (2006) Reviewed by Cristina Ros i Solé. Sociolinguistic Studies

TEACHING A GROWING POPULATION OF NON-NATIVE ENGLISH SPEAKING STUDENTS IN AMERICAN UNIVERSITIES: CULTURAL AND LINGUISTIC CHALLENGES

Foreword and Conclusion

Luis Martín-Estudillo and Nicholas Spadaccini University of Iowa and University of Minnesota

Overcoming obstacles in publishing PhD research: A sample study

COURSE SLO ASSESSMENT 4-YEAR TIMELINE REPORT (ECC)

From the Editor. Kelly Ritter. n this issue, we present to you a range of fascinating takes on the borders

Introduction. Cambridge University Press Making Sense of Mass Education Gordon Tait Excerpt More information

WRITING A PRÈCIS. What is a précis? The definition

[T]here is a social definition of culture, in which culture is a description of a particular way of life. (Williams, The analysis of culture )

Narrative Case Study Research

CONFERENCE REVIEW Popular Music and Power. Sonic Materiality between Cultural Studies and Music Analysis, June 2016, Berlin

ASA (American Sociological Association) Format

Simona Bertacco (ed.), Language and Translation in Postcolonial Literature

Not capturing voices: a poststructural critique of the privileging of voice in research

AXL4201F - Debates in African Studies Intellectuals of the African Liberation First Semester, 2018 Tuesday 10-12pm Room 3.01 CAS

DEGREE IN ENGLISH STUDIES. SUBJECT CONTENTS.

Any attempt to revitalize the relationship between rhetoric and ethics is challenged

ABSTRACT. In this autoethnography, I focus on personal exploration of memory, time, and place

Transcription:

1 Qualitative Inquiry Special Issue Title: Transnational Autoethnography in Higher Education: The (Im)Possibility of Finding Home in Academia (Tentative) Editors: Ahmet Atay and Kakali Bhattacharya Marginalization of diverse bodies in the U.S. academia has been articulated by several scholars and issues of race, ethnicity, gender, and even sexual orientation have already been increasingly addressed, to a certain degree (Cole & Hassel, 2017; hooks 1994; Miller & Rodriguez 2016; Tierney 1997). Similarly, the body of literature, both in qualitative and quantitative methods, is already established on international students and their challenges in higher education in the U.S. However, thus far, not much have written about the experiences of transnational scholars, their experiences or challenges in higher education (Bhattacharya, 2012; Moreira, 2009). Hence, the goal of this issue is to provide a scholarly space, created through critical autoethnographic writing, for transnational scholars to narrate, name, and claim their experiences about institutional power structures, immigrant experiences in academia, living in borderlands, displacement, negotiating issues of disciplinary and interdisciplinary voice, and their persistent search for finding home in academia. Transnational, in this context, refers to people who are connected to multiple nation states as they understand and author themselves, and are often in movement between multiple subject positions produced by the nation states with which they are connected (Bhattacharya, 2009). This special issue builds on Bhattacharya s (2012) previous work and Atay and Chawla s special issue on decolonizing authoethnography (Cultural Studies <=> Critical Methodologies, 2017). In their essay, Introduction: Decolonizing Autoethnography, Chawla and Atay call for decolonization of autoethnography to allow historically marginalized bodies/scholars, even within autoethnographic circles, to embody decolonizing autoethnographic writing practices to destabilize colonizing understanding of autoethnography. In the same issue, both Atay (2017) and Bhattacharya (2017) wrote about their experiences as transnational scholars, being a faculty in U.S. higher education, trying to belong to an institutional culture, and their yearning for finding homes (physical, ideological, intellectual, and emotional). This proposed special issue recognizes that transnational scholars who are using qualitative methods, specifically performative methods, narratives, autoethnographic writing, and arts-based research methods, are also marginalized within these critical, cultural, and performative method circles due to the domination of a particular form of English usage, differences in storytelling techniques, and varied ways of performing (both in theatrical and everyday performance sense). The purpose of this special issue is to propose de/colonizing (Bhattacharya, 2009) autoethnography as a way of legitmizing marginalized transnational voices in higher education and creating frameworks to make sense of transnational experiences in academia. Autoethnography as a method of inquiry emerged in the 1990s due to the critical turn in ethnographic studies and as a reaction to scientific research and the dominance of white/western voices within this paradigm. Like Chawla and Rodriguez (2008), Holman Jones, Adams, and Ellis (2014), articulated, autoethnography is a narrative or story about the self, told through the lens of culture (Holman Jones, Adams, & Ellis, 2014, p. 1). Further, according to Adams, Holman Jones, and Ellis (2014) definition, Autoethnographic stories are artistic and analytic

2 demonstrations of how we come to know, name, and interpret personal and cultural experiences (p. 1). Therefore, autoethnography is a research method that highlights the reciprocal relationship between self, self in relation to other, and self and culture. Thus, in this special issue, we use transnational autoethnography as an umbrella term to refer to autoethnographies written by scholars who belong to more than one nation-state, possibly speak more than one language, and move between, among, and outside national and cultural borders, practices, and ontoepistemologies. This special issue has several interrelated goals: Goals and Rationales 1. Even though autoethnographies written by transnational scholars have been featured in various journals, including Qualitative Inquiry and Cultural Studies <=> Critical Methodologies, they have been rare. With some exceptions (Chawla, 2011; Moreira, 2009), more autoethnographies are needed that address global issues in academic contexts or challenge the existing power structures. Hence, this special issue highlights the importance of transnational autoethnographies that aim to decolonize the method and challenge the larger academic and institutional structures. 2. As scholars have (Atay, 2017; Bhattacharya, 2017; Chawla & Atay, 2017; Chawla & Rodriguez, 2008; Holman Jones, Adams, & Ellis, 2014; Pathak, 2014) suggested, autoethnography has the potential to challenge and change power structures through storytelling. Therefore, in this special issue we would invite authors who challenge dominant structures through using multiple languages, ontoepistemologies, and border crossings as necessary to narrate and juxtapose their narratives within local, national, and global terrains. 3. In this special issue, we go beyond the traditional discourses of racialized experiences limited to a Black and white binary structure. Transnational experiences blur these simplistic boundaries and highlight the complexities of how power structures play out in lived experiences, within academic contexts, which is a microcosm of the broader culture within which they are situated. These experiences include, but are not limited to, experiences of liminality, hybridity, polyphony, academic homelessness, academic silencing and marginalization and the constant flux between multiple nation-based and other subject positions. 4. In this special issue, we aim to theorize the notion of home (physical, academic, intellectual, emotional, and spiritual) for transnational academics whose experiences are always shifting, their voices are always marked and questioned, their bodies and identity performances are critiqued or pushed aside, and their stories are often silenced, dismissed, scrutinized, caricatured, or co-opted. Hence, this special issue aims to create dialogic spaces to highlight the challenges of belonging in academia and creating the im/possibilities of finding home. 5. Finally, we offer transnational autoethnography as a home space where transnational scholars write themselves in existence and use the legitimizing space offered within this journal to situate this scholarly work as tenure and promotion worthy while they negotiate the academic terrain.

3 Editor Biographies Ahmet Atay (Ph.D., Southern Illinois University, Carbondale) is an Associate Professor at The College of Wooster. His research revolves around media and cultural studies, globalization, postcolonial studies, and critical intercultural communication. Particularly, he focuses on diasproic experiences and cultural identity formations of diasporic individuals, political and social complexities of city life, such as immigrant and queer experiences, the usage of new media technologies in different settings, and the notion of home. Currently he is carrying out an ethnographic project on the current state and the future of the soap opera genre in the US and UK. He is the author of Globalization s Impact on Identity Formation: Queer Diasporic Males in Cyberspace (2015, Lexington Books) and the co-editor of The Discourse of Disability in Communication Education: Narrative-Based Research for Social Change (2016, Peter Lang), The Discourse of Special Populations: Critical Intercultural Communication Pedagogy and Practice (In Press, Routledge) and Communication, Culture and Making Meaning in the City: Ethnographic Engagements in Urban Environments (In Press, Lexington Books), and he published a number of journal articles and book chapters. He is the editor of two book series, Transnational Communication and Critical/Cultural Studies (Lexington Books) and Critical Communication Pedagogy (co-editor, Deanna Fassett) (Lexington Books). Kakali Bhattacharya (Ph.D) is an associate professor and program coordinator of Qualitative Research Graduate Certificate at the Kansas State University. Her research interests include contemplative and de/colonizing epistemologies, ontologies, pedagogies, and methodologies. She focuses on creativity in inquiry, and transnational issues of race, class, gender in higher education. She has published widely, including articles in Qualitative Inquiry, International Journal of Qualitative Studies in Education, Cultural Studies <=>Critical Methodologies, International Review of Qualitative Research, Creative Approaches to Research. She has book chapters on various methodological and pedagogical aspects of qualitative research in Enhancing qualitative and mixed methods research with technology (2014), and Academic Knowledge Construction and Multimodal Curriculum Development (2013), Qualitative Inquiry as Global Endeavor (2013), Higher Education: Handbook of Theory and Research (2009), and Arts-Based Research in Education: Foundations for Practice (2007). Her recent book, coauthored with a former student, Kent Gillen, titled, Power, Race, and Higher Education: A Cross Cultural Parallel Narrative, has won two prestigious awards, one from American Educational Research Association for outstanding publication and another from International Congress of Qualitative Inquiry as the 2017 Outstanding Book award. Her other text, Foundations of Qualitative Research: A Practical Guide book (Routledge) has been widely used as a required text in qualitative research methods class. Currently she is working on two texts focusing on Creativity in Higher Education and Educational Research (Springer) and Critical Contemplative Approaches to Qualitative Research (Sage). Important Dates Abstracts are due by November 15, 2017, with a word length of no more than 500 words. Fulllength manuscripts are due on June 15, 2018, with a word length of no more than 6,000 words including references, endnotes, and so forth. Manuscripts should be formatted according to the guidelines of the 6 th edition of the American Psychological Manual. Abstracts should be emailed as Word documents to co-editors Ahmet Atay (aatay@wooster.edu) and Kakali Bhattacharya (kakalibh@ksu.edu) for an initial review.

4 References Adams, T. E., Holman Jones, S., & Ellis, C. (2014). Autoethnography: Understanding qualitative research. New York: Oxford University Press. Atay, A. Journey of errors: Finding home in academia. Cultural Studies <=> Critical Methodologies. (In Press). Bhattacharya, K. (2009). Othering research, researching the Other: De/colonizing approaches to qualitative inquiry. In J. Smart (Ed.), Higher Education:Handbook of Theory and Research (Vol. XXIV, pp. 105-150). Dordect, The Netherlands: Springer. Bhattacharya, K. (December, 2012). Cirque du Silence: Acrobatics of a Transnational Female Academic. Cultural Studies Critical Methodologies 1532708612468871, first published on December 20, 2012 as doi:10.1177/1532708612468871 Bhattacharya, K. Coloring memories and imaginations of home : Crafting a de/colonizing Autoethnography. Cultural Studies <=> Critical Methodologies. (In Press). Chawla, D. (2011). Between solids/monologues in brown: A mystery performance. Critical Studies <--> Critical Methodologies, 11(1), 47-58. Chawla, D., & Rodriguez, A. (2008). Narratives on longing, being, and knowing: Envisioning a writing epistemology. International Journal of Progressive Education, 4 (1) http://www.inased.org/v4n1/ijpev4n1.pdf Cole, K., & Hassel, H. (Eds.). (2017). Surviving sexism in academia: Strategies of feminist leadership. New York: Routledge. Holman Jones, S., Adams, T., & Ellis, C. (2014). Coming to know autoethnography as more than a method. In S. Holman Jones, T. Adams, & C. Ellis (Eds.), Handbook of autoethnography (pp. 17-47). Walnut Creek, CA: Left Coast Press hooks, b. (1994). Teaching to transgress: Education as the practice of freedom. New York: Routledge. Madison, D. S. (2012). Critical ethnography: Methods, ethics, and performance (2 nd Ed.) Thousand Oaks, CA: Sage. Miller, sj., & Rodriguez, N. M. (Eds.). (2016). Educators queering academia: Critical memoirs. New York: Peter Lang. Moreira, C. (2009). Unspeakable Transgressions: Indigenous Epistemologies, Ethics and Decolonizing Academy/Inquiry. Cultural Studies, Critical Methodologies: 9:5, 647-660.

5 Pathak, A. (2013). Musings on postcolonial autoethnography. In S. Holman Jones, T. Adams, & C. Ellis (Eds.), Handbook of autoethnography (pp. 595-608). Walnut Creek, CA: Left Coast Press Tierney, W. G. (1997). Academic outlaws: Queer theory and cultural studies in the academy. Thousand Oaks, CA: Sage.