Museum of Installation
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1 Mark Themann Museum of Installation THEMANN-INT.indd 1 26/02/08 17:07:53
2 THEMANN-INT.indd 2 26/02/08 17:07:54
3 THEMANN-INT.indd 3 26/02/08 17:07:54
4 Made while listening to: Pont du Garigliano 4 THEMANN-INT.indd 4 26/02/08 17:07:54
5 Made while listening to: Pont du Mirabeau 5 THEMANN-INT.indd 5 26/02/08 17:07:56
6 Made while listening to: Pont du Grenelle 6 THEMANN-INT.indd 6 26/02/08 17:07:56
7 Made while listening to: Pont du Bir-Hakeim 7 THEMANN-INT.indd 7 26/02/08 17:07:56
8 Made while listening to: Pont d Iéna 8 THEMANN-INT.indd 8 26/02/08 17:07:56
9 Made while listening to: Passerelle Debilly 9 THEMANN-INT.indd 9 26/02/08 17:07:56
10 Made while listening to: Pont de l Alma 10 THEMANN-INT.indd 10 26/02/08 17:07:57
11 Made while listening to: Pont des Invalides 11 THEMANN-INT.indd 11 26/02/08 17:07:57
12 Made while listening to: Pont Alexandre III 12 THEMANN-INT.indd 12 26/02/08 17:07:57
13 Made while listening to: Pont de la Concorde 13 THEMANN-INT.indd 13 26/02/08 17:07:57
14 Made while listening to: Passerelle Solférino 14 THEMANN-INT.indd 14 26/02/08 17:07:57
15 Made while listening to: Pont Royal 15 THEMANN-INT.indd 15 26/02/08 17:07:58
16 Made while listening to: Pont du Carrousel 16 THEMANN-INT.indd 16 26/02/08 17:07:58
17 Made while listening to: Pont des Arts 17 THEMANN-INT.indd 17 26/02/08 17:07:58
18 Made while listening to: Pont Neuf 18 THEMANN-INT.indd 18 26/02/08 17:07:58
19 Made while listening to: Pont au Change 19 THEMANN-INT.indd 19 26/02/08 17:07:58
20 Made while listening to: Pont St Michel 20 THEMANN-INT.indd 20 26/02/08 17:07:58
21 Made while listening to: Pont Notre Dame 21 THEMANN-INT.indd 21 26/02/08 17:07:59
22 Made while listening to: Petit Pont 22 THEMANN-INT.indd 22 26/02/08 17:07:59
23 Made while listening to: Pont au Double 23 THEMANN-INT.indd 23 26/02/08 17:08:00
24 Made while listening to: Pont d Arcole 24 THEMANN-INT.indd 24 26/02/08 17:08:00
25 Made while listening to: Pont de l Archevêché 25 THEMANN-INT.indd 25 26/02/08 17:08:01
26 Made while listening to: Pont St Louis 26 THEMANN-INT.indd 26 26/02/08 17:08:01
27 Made while listening to: Pont Louis Phillippe 27 THEMANN-INT.indd 27 26/02/08 17:08:01
28 Made while listening to: Pont de la Tournelle 28 THEMANN-INT.indd 28 26/02/08 17:08:01
29 Made while listening to: Pont Marie 29 THEMANN-INT.indd 29 26/02/08 17:08:02
30 Made while listening to: Pont de Sully 30 THEMANN-INT.indd 30 26/02/08 17:08:02
31 Made while listening to: Pont d Austerlitz 31 THEMANN-INT.indd 31 26/02/08 17:08:02
32 Made while listening to: Pont Charles de Gaulle 32 THEMANN-INT.indd 32 26/02/08 17:08:02
33 Made while listening to: Pont de Bercy 33 THEMANN-INT.indd 33 26/02/08 17:08:02
34 Made while listening to: Pont de Tolbiac 34 THEMANN-INT.indd 34 26/02/08 17:08:03
35 Made while listening to: Pont National 35 THEMANN-INT.indd 35 26/02/08 17:08:03
36 THEMANN-INT.indd 36 26/02/08 17:08:03
37 THEMANN-INT.indd 37 26/02/08 17:08:03
38 Index to page 4 38 THEMANN-INT.indd 38 26/02/08 17:08:03
39 Index to page 5 39 THEMANN-INT.indd 39 26/02/08 17:08:03
40 Index to page 6 40 THEMANN-INT.indd 40 26/02/08 17:08:03
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160 Using the Trojan horse of orthodoxy, in the form of content and index, the Museum of Installation opens up to a multivalent layering and circularity. No matter where one enters the book, via the obese presence of an indexical structure, one is continuously guided back to its beginning section. On second glance, it could be said that this beginning, evidences a certain ambivalence, regarding authenticity, authorship, place and time, while citing all the bridges crossing the Seine, in the city of Paris. The remaining 80% of the book, is devoted to a superstructure of multiple indexes. Such an overbearing structure, may give cause for suspicion, regarding the content it seeks to reference. If some deem the contents of this index, necessary, for both subjectivity and a hermeneutic of its gestures, maybe this Trojan horse can be co-opted, to investigate the possibility of the provisional, oscillating within the covers of a museum reference. In this spirit, the Museum of Installation continues certain conceptual strategies, employed in my previous works, such as Solvitur Ambulando Tokyorama 1 (Palais de Tokyo, Paris 2001) and Metronom (Museum of Installation, London 1999). M.T. Mark Themann was born in Australia in Since 1984, his works have been realized in Galleries, Museums and other sites, in Australia, Europe and the USA. In a practice not delimited by artistic disciplines or media, his works have taken the form of performances, site-specific projects/ Installations, 2D and 3D works, collaborations, print and book works. THEMANN-INT.indd /02/08 17:08:25
161 Mark Themann Museum of Installation First edition limited to 250 numbered copies. A 30 copy deluxe limited edition of this book, accompanied by a signed and numbered original photograph by the artist, is available from Onestar Press Layout and photos: Mark Themann Assistant to the artist: Mélanie Scarciglia Printed and bound by Dupli-print, France 2002 Mark Themann & Onestar Press For their kind support of this project, the artist wishes to thank: Helène Aziza, Amanda Browne, Paul-Armand Gette, Horst + Erica Kron, Dieter Maug, Sophie N Diaye. Write us at: Onestar Press a collection of books, movies and multiples by artists 16, rue Trolley de Prévaux Paris France Tel: +33 (0) info@onestarpress.com This project has been supported by the Victorian Government through Arts Victoria - Department of Premier and Cabinet. THEMANN-INT.indd /02/08 17:08:25
162 THEMANN-INT.indd /02/08 17:08:25
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