Notes. Prefatory Essay
|
|
- Kerry McKenzie
- 5 years ago
- Views:
Transcription
1 Notes Prefatory Essay 1. The commentary on literature and religion is extensive, including the excellent collections Religion and Modern Literature: Essays in Theory and Criticism, ed. G.B. Tennyson and Edward Ericson, Jr. (Grand Rapids, MI: Eerdmans, 1975), which includes the important essays by T.S. Eliot and J. Hillis Miller, among others, and Religion and Literature: A Reader, ed. Robert Detweiler and David Jasper (Louisville, KY: Westminster John Knox, 2005). See also Helen Gardner, Religion and Literature (London: Faber and Faber, 1971). My own earlier writings include Dehellenizing Literary Criticism, College English, 41 (1980), , and A(fter) D(econstruction): Literature and Religion in the Wake of Deconstruction, Studies in the Literary Imagination, 18 (1985), Ezra Pound, ABC of Reading (New York: New Directions, 1950). 3. See Rowan Williams, Grace and Necessity: Reflections on Art and Love (Harrisburg, PA: Morehouse, 2005). 4. T.S. Eliot, Ash-Wednesday (New York: Harcourt, Brace, 1930). 5. Ezra Pound, I Gather the Limbs of Osirus, Selected Prose, , ed. William Cookson (New York: New Directions, 1975), I have discussed this tradition in The Faith of John Dryden: Change and Continuity (Lexington: University Press of Kentucky, 1980). 7. Christopher Hill, The World Turned Upside Down: Radical Ideas during the English Revolution (New York: Viking, 1972). 8. See my Tracing the Essay: Through Experience to Meaning (Athens: University of Georgia Press, 2005) and Reading Essays: An Invitation (Athens: University of Georgia Press, 2008). 9. John Dryden, Poems and Fables, ed. James Kinsley (London: Oxford University Press, 1962).
2 154 Notes 10. Jacques Derrida, Living On: Border Lines, trans. James Hulbert, in Deconstruction and Criticism, by Harold Bloom, Paul de Man, Jacques Derrida, Geoffrey Hartman, and J. Hillis Miller (New York: Seabury Press, 1979). 11. Alexander Pope, Poetry and Prose, ed. Aubrey Williams (Boston: Riverside-Houghton Mifflin, 1969). 12. Maynard Mack, introduction, The Twickenham Edition of The Poems of Alexander Pope: An Essay on Man, ed. Mack (New Haven, CT: Yale University Press, 1950). 13. Cid Corman, The Faith of Poetry (Guilford, VT: Longhouse, 1989). 14. Ibid., Ibid. 16. Peter Gizzi, The Outernationale (Middletown, CT: Wesleyan University Press, 2008). 17. Corman, 7; italics added. 18. Andrew Lytle, preface, The Hero with the Private Parts (Baton Rouge: Louisiana State University Press, 1966), xx. I have discussed writing-as-reading in Reading Essays, especially 1 17 and Cynthia Ozick, Metaphor and Memory, Metaphor and Memory (New York: Knopf, 1989), 279. Introduction: The hint half guessed, the gift half understood 1. T.S. Eliot, Four Quartets (New York: Harcourt, Brace, 1943). 2. T.S. Eliot, The Pensées of Pascal, Selected Essays, 3rd ed. (London: Faber and Faber, 1951), Flannery O Connor, Mystery and Manners (New York: Farrar, Straus and Giroux, 1969), 66. See my Tracing the Essay: Through Experience to Meaning (Athens: University of Georgia Press, 2005). 4. Quoted in The Art of the Personal Essay, ed. Phillip Lopate (New York: Anchor-Doubleday, 1995), xxxvii. 5. Herbert N. Schneidau, Sacred Discontent: The Bible and Western Tradition (Baton Rouge: Louisiana State University Press, 1976), William J. Harvey, The Art of George Eliot (London: Chatto and Windus, 1961).
3 Notes G.K. Chesterton, A Piece of Chalk, in Lopate, ed., The Art of the Personal Essay, Robert Browning, Fra Lippo Lippi, in M.H. Abrams et al., eds., The Norton Anthology of English Literature, 6th ed. (New York: Norton, 1993), vol Louis Menand, Revising Modernism: T.S. Eliot and His Context (New York: Oxford University Press, 1986), Quoted in Ezra Pound, Selected Prose , ed. William Cookson (New York: New Directions, 1975), Ibid. Cookson quotes Pound s Terra Italica (1932). 12. F. Scott Fitzgerald, The Crack-Up, The Crack-Up, ed. Edmund Wilson (New York: New Directions, 1945), 69; James Baldwin, Notes of a Native Son, Notes of a Native Son (Boston: Beacon Press, 1955), T.S. Eliot, The Metaphysical Poets, Selected Essays, T.S. Eliot, Andrew Marvell, ibid., T.S. Eliot, The Sacred Wood (London: Methuen, 1920), Ibid., Ibid., Ibid., xi xii. 19. Eliot, Selected Essays, James Joyce, A Portrait of the Artist as a Young Man, ed. Chester G. Anderson (New York: Viking, 1968), T.S. Eliot, Baudelaire in Our Time, Essays Ancient and Modern (London: Faber and Faber, 1936), 66n. 22. C.H. Sisson, Sevenoaks Essays, The Avoidance of Literature: Collected Essays (Manchester: Carcanet, 1978). 23. Pound, The Wisdom of Poetry, in Selected Prose , Vincent E. Miller, Eliot s Submission to Time, Sewanee Review, 84 (1976), Essaying the VIA MEDIA: John Dryden s RELIGIO LAICI and Alexander Pope s A N ESSAY ON MAN 1. The commendatory poems are reprinted in the California Edition of The Works of John Dryden: Poems , ed. H.T. Swedenberg, Jr. (Berkeley: University of California Press, 1972),
4 156 Notes 2. John Dryden, Poems and Fables, ed. James Kinsley (London: Oxford University Press, 1962). All quotations of Dryden s poems come from this edition. 3. Alexander Pope, Poetry and Prose, ed. Aubrey Williams (Boston: Riverside-Houghton Mifflin, 1969). All quotations of Pope s poems come from this edition, unless otherwise indicated. 4. I elaborate on this minor tradition in The Faith of John Dryden: Change and Continuity (Lexington: University Press of Kentucky, 1980). 5. On these points, see my Tracing the Essay: Through Experience to Meaning (Athens: University of Georgia Press, 2005). 6. For the religious and political backgrounds, see my book cited above, as well as Dryden s Religio Laici: A Reappraisal, Studies in Philology, 75 (1978), In both places, I appraise at some length earlier treatments of Dryden s poem and of his evolving religious understanding. 7. Aubrey Williams, introduction, The Twickenham Edition of The Poems of Alexander Pope: Pastoral Poetry and An Essay on Criticism (New Haven, CT: Yale University Press, 1961). 8. See my Poetic Strategies in An Essay on Criticism, Lines , South Atlantic Bulletin, 44 (1979), T.S. Eliot, Baudelaire in Our Time, Essays Ancient and Modern (London: Faber and Faber, 1936), 66n. 10. Alexander Pope, The Universal Prayer, The Twickenham Edition of The Poems of Alexander Pope: Minor Poems, ed. Norman Ault and John Butt (London: Methuen, 1964). 2 A grander scheme of salvation than the chryst<e>ain religion : John Keats, a New Religion of Love, and the Hoodwinking of The Eve of St. Agnes 1. The Letters of John Keats, ed. Hyder E. Rollins (Cambridge, MA: Harvard University Press), , Quoted in Robert Gittings, John Keats (London: Heinemann, 1968), 425. As Gittings notes, Keats omitted some potentially offensive oaths from the mouths of Madeline and Porphyro, while retaining that in line Letters The text used throughout for the poems is Keats: Poetical Works, ed. H.W. Garrod (1956; rpt. London: Oxford University Press, 1966).
5 Notes Ibid., 2.80, Ibid., Ibid., Ibid. 8. Ibid., Ibid., Hugh Miller, Essays (London, ), 1.452; William Michael Rossetti, Life of John Keats (London, 1887), Earl Wasserman, The Finer Tone: Keats Major Poems (Baltimore, MD: Johns Hopkins Press, 1953). 12. Jack Stillinger, The Hoodwinking of Madeline: Scepticism in The Eve of St. Agnes, Studies in Philology, 58 (1961), The present essay modifies my original The Eve of St. Agnes Re-Considered, Tennessee Studies in Literature, 18 (1973), See also Stuart M. Sperry, Jr., Romance as Wish- Fulfillment: Keats s The Eve of St. Agnes, Studies in Romanticism, 10 (1971), I take this notion from the highly suggestive book by Walter A. Davis, The Act of Interpretation: A Critique of Literary Reason (Chicago: University of Chicago Press, 1978). 15. Letters, James D. Boulger, Keats Symbolism, ELH, 28 (1961), Letters, Ibid., George Eliot s Layman s Faith : The Lyrical Essay-Novel ADAM BEDE 1. William J. Harvey argues, however, that Eliot so constructs the story narrative and commentary as to engage the reader directly, entangling us, complexifying our response. It requires some effort, however, to convince oneself, let alone others, of Eliot s masterful technique and rhetorical strategy, although many have tried. See The Art of George Eliot (London: Chatto and Windus, 1961). 2. For the reader s convenience, given the large number of quotations from the novel, I have given page numbers thusly; they are to Adam Bede (New York: Signet-New American Library, 1961). 3. William Wordsworth, Preface to Lyrical Ballads, in M.H. Abrams et al., eds., The Norton Anthology of English Literature, 6th ed. (New York: Norton, 1993),
6 158 Notes 4. Donald Davie, These the Companions (Cambridge: Cambridge University Press, 1982). 5. Cynthia Ozick, Metaphor and Memory (New York: Knopf, 1989), Quoted in ibid., Ibid. 8. Cynthia Ozick, The Riddle of the Ordinary, in Lydia Fakundiny, ed., The Art of the Essay (Boston: Houghton Mifflin, 1991), Priests of Eternal Imagination: Literature and Religion The Instance of James Joyce and A PORTRAIT OF THE ARTIST AS A YOUNG MAN 1. The text of the novel used throughout is James Joyce, A Portrait of the Artist as a Young Man, ed. Chester G. Anderson (New York: Viking, 1968). For the reader s convenience, I include all page references thusly. 2. See Wayne C. Booth, The Rhetoric of Fiction (Chicago: University of Chicago Press, 1961). 3. Anderson, 520 n., in Joyce, A Portrait. 4. Anderson, 521 n., in ibid. 5. John Dryden, Poems and Fables, ed. James Kinsley (Oxford: Oxford University Press, 1962). 6. Alexander Pope, Poetry and Prose, ed. Aubrey Williams (Boston: Riverside-Houghton Mifflin, 1969). 7. Maynard Mack, introduction, The Twickenham Edition of The Poems of Alexander Pope: An Essay on Man, ed. Mack (London: Methuen, 1950), lxxvii. 8. Hugh Kenner, In the Wake of the Anarch, Gnomon: Essays on Contemporary Literature (New York: McDowell, Obolensky, 1958), M.H. Abrams, Natural Supernaturalism: Tradition and Revolution in Romantic Literature (New York: Norton, 1971). 10. William Wordsworth, The Prelude, in M.H. Abrams et al., eds., The Norton Anthology of English Literature, 6th ed. (New York: Norton, 1993), Ezra Pound, Credo, in Selected Prose , ed. William Cookson (New York: New Directions, 1975), Pound, Axiomata, in ibid., 49.
7 Notes Pound, Deus et Amor, in ibid., Ibid. 15. Pound, Religio or, The Child s Guide to Knowledge, in ibid., Peter Makin, Bunting: The Shaping of His Verse (Oxford: Clarendon Press, 1992), 202. In footnote 42 on page 202, Makin identifies the sources of his quotations. 17. T.S. Eliot, Four Quartets (New York: Harcourt, Brace, 1943). 18. Vincent Sherry, The Uncommon Tongue: The Poetry and Criticism of Geoffrey Hill (Ann Arbor: University of Michigan Press, 1987), Ibid., Geoffrey Hill, quoted in ibid. 21. Ibid. 22. Ibid., Sherry, 22. The quotation is, according to Sherry, a description offered by Joseph Cary in Three Modern Italian Poets (New York: New York University Press, 1969). 24. Geoffrey Hill, The Mystery of the Charity of Charles Péguy (London: Andre Deutsch, 1983), Journey toward Understanding: T.S. Eliot and the Progress of the Intelligent Believer 1. T.S. Eliot, preface, For Lancelot Andrewes: Essays on Style and Order (London: Faber and Gwyer, 1928), ix. 2. T.S. Eliot, The Pensées of Pascal, Selected Essays, 3rd ed. (London: Faber and Faber, 1951), See Lyndall Gordon, T.S. Eliot: An Imperfect Life (New York: Norton, 2000). 4. T.S. Eliot, The Pensées of Pascal, Selected Essays, Ibid., Ibid., Ibid., Alexander Pope, The Dunciad (4.471) in Poetry and Prose, ed. Aubrey Williams (Boston: Riverside-Houghton Mifflin, 1969). 9. For a number of reasons, not least the rhetorical value of keeping in mind the intersection of whole and part, I will read
8 160 Notes Four Quartets in the four individual and separate editions, all published by Faber and Faber: Burnt Norton (1941), East Coker (1940), The Dry Salvages (1941), and Little Gidding (1942). All four were published together for the first time in See Helen Gardner, The Composition of Four Quartets (London: Faber and Faber, 1978). 10. See my forthcoming study T.S. Eliot and the Essay (Waco, TX: Baylor University Press, 2010). 11. C.H. Sisson, Anglican Essays (Manchester: Carcanet, 1983). 12. T.S. Eliot, Tradition and the Individual Talent, The Sacred Wood (London: Methuen, 1920), Ibid., Cynthia Ozick, Metaphor and Memory, Metaphor and Memory (New York: Knopf, 1989), Religious feeling without religious images : E.B. White s Essays and the Poetics of Participation 1. E.B. White, Essays (New York: Harper and Row, 1977), 235. Page references as here are given in the text for the reader s convenience. 2. John Dryden, Poems and Fables, ed. James Kinsley (London: Oxford University Press), Quoted in Marie Cabaud Meaney, Simone Weil s Apologetic Use of Literature: Her Christological Interpretation of Greek Texts (Oxford: Oxford University Press, 2007), Ibid., vii. 5. Ibid., Ibid., Ibid., T.S. Eliot, The Dry Salvages (London: Faber and Faber, 1941). 9. T.S. Eliot, Little Gidding (London: Faber and Faber, 1942). 10. T.S. Eliot, The Sacred Wood (London: Methuen, 1920), T.S. Eliot, Selected Essays, 3rd ed. (London: Faber and Faber, 1951), Tracing the Essay: Through Experience to Meaning (Athens: University of Georgia Press, 2005). 13. Cynthia Ozick, Metaphor and Memory (New York: Knopf, 1989), 279.
9 Notes Richard Selzer, A Worm from My Notebook, in Lydia Fakundiny, ed., The Art of the Essay (Boston: Houghton Mifflin, 1991), 435. I have written about this essay at some length in Reading Essays: An Invitation (Athens: University of Georgia Press, 2008), Paul H. Fry, The Reach of Criticism: Method and Perception in Literary Theory (New Haven, CT: Yale University Press, 1983), See Joseph Epstein, A Line Out for a Walk: Familiar Essays (New York: Norton, 1991). 17. I discuss Death of a Pig at length in Tracing the Essay. 18. It is this book from which I have taken all quotations of Here Is New York (New York: Harper and Brothers, 1949), with page references provided in text. I discuss this essay at some length in On the Familiar Essay: Challenging Academic Orthodoxies (New York: Palgrave Macmillan, 2009). 7 RELIGIO CRITICAE: An Essay on Reception and Response 1. John Dryden, Poems and Fables, ed. James Kinsley (London: Oxford University Press, 1962). 2. Alexander Pope, Poetry and Prose, ed. Aubrey Williams (Boston: Riverside-Houghton Mifflin, 1969). 3. Adam Nicolson, God s Secretaries: The Making of the King James Bible (New York: HarperCollins, 2003), Geoffrey H. Hartman, Criticism in the Wilderness: The Study of Literature Today (New Haven, CT: Yale University Press, 1980), Quoted in ibid., Ibid., William Wordsworth, Preface to Lyrical Ballads, in M.H. Abrams et al., eds., The Norton Anthology of English Literature, 6th ed. (New York: Norton, 1993), Hartman, E.B. White, Essays (New York: Harper and Row, 1977), T.S. Eliot, Essays Ancient and Modern (London: Faber and Faber, 1936), 66n. 11. Ibid., T.S. Eliot, Selected Essays, 3rd ed. (London: Faber and Faber, 1951), 408.
10 162 Notes 13. T.S. Eliot, Burnt Norton (London: Faber and Faber, 1941). 14. Sister Benedicta Ward, introduction, The Spirit of Holiness: An Introduction to Six Seventeenth-Century Anglican Writers. By Richard Southern, Sister Benedicta Ward, Kathleen Lea, and Mary Chitty (Oxford: SLG Press, 1976), vii viii. 15. T.S. Eliot, Little Gidding (London: Faber and Faber, 1942).
11 Bibliography Abrams, M.H. Natural Supernaturalism: Tradition and Revolution in Romantic Literature. New York: Norton, Anderson, Chester G. See Joyce, James. Atkins, G. Douglas. A(fter) D(econstruction): Literature and Religion in the Wake of Deconstruction. Studies in the Literary Imagination 18 (1985), Dehellenizing Literary Criticism. College English 41 (1980), Dryden s Religio Laici: A Reappraisal. Studies in Philology 75 (1978), The Eve of St. Agnes Reconsidered. Tennessee Studies in Literature 18 (1973), The Faith of John Dryden: Change and Continuity. Lexington: University Press of Kentucky, On the Familiar Essay: Challenging Academic Orthodoxies. New York: Palgrave Macmillan, Poetic Strategies in An Essay on Criticism, Lines South Atlantic Bulletin 44 (1979), Reading Essays: An Invitation. Athens: University of Georgia Press, Tracing the Essay: Through Experience to Meaning. Athens: University of Georgia Press, Baldwin, James. Notes of a Native Son. Boston: Beacon Press, Booth, Wayne C. The Rhetoric of Fiction. Chicago: University of Chicago Press, Boulger, James D. Keats Symbolism. ELH 28 (1961), Browning, Robert. Fra Lippo Lippi. In The Norton Anthology of English Literature. Chesterton, G.K. A Piece of Chalk. In Lopate, ed., The Art of the Personal Essay, Corman, Cid. The Faith of Poetry. Guilford, VT: Longhouse, Livingdying. New York: New Directions, 1970.
12 164 Bibliography Davis, Walter A. The Act of Interpretation: A Critique of Literary Reason. Chicago: University of Chicago Press, Derrida, Jacques. Living On: Border Lines, trans. James Hulbert. In Deconstruction and Criticism, by Harold Bloom, Paul de Man, Jacques Derrida, Geoffrey Hartman, and J. Hillis Miller. New York: Seabury Press, Detweiler, Robert, and David Jasper, eds. Religion and Literature: A Reader. Louisville, KY: Westminster John Knox, Dryden, John. Poems and Fables. Ed. James Kinsley. London: Oxford University Press, Works (California Edition): Poems Ed. H.T. Swedenberg, Jr. Berkeley: University of California Press, Eliot, George. Adam Bede New York: Signet-New American Library, Eliot, T.S. Ash-Wednesday. New York: Harcourt, Brace, The Dry Salvages. London: Faber and Faber, Essays Ancient and Modern. London: Faber and Faber, Four Quartets. New York: Harcourt, Brace, Little Gidding. London: Faber and Faber, Religion and Literature. In Tennyson.. The Sacred Wood. London: Methuen, Selected Essays. 3rd ed. London: Faber and Faber, Epstein, Joseph. A Line Out for a Walk: Familiar Essays. New York: Norton, Fakundiny, Lydia, ed. The Art of the Essay. Boston: Houghton Mifflin, Fitzgerald, F. Scott. The Crack-Up. Ed. Edmund Wilson. New York: New Directions, Fry, Paul H. The Reach of Criticism: Method and Perception in Literary Theory. New Haven, CT: Yale University Press, Gardner, Helen. Religion and Literature. London: Faber and Faber, Gittings, Robert. John Keats. London: Heinemann, Gizzi, Peter. The Outernationale. Middletown, CT: Wesleyan University Press, Gordon, Lyndall. T.S. Eliot: An Imperfect Life. New York: Norton, Harvey, William J. The Art of George Eliot. London: Chatto and Windus, Hill, Christopher. The World Turned Upside Down: Radical Ideas during the English Revolution. New York: Viking, 1972.
13 Bibliography 165 Hill, Geoffrey. The Mystery of the Charity of Charles Péguy. London: Andre Deutsch, Joyce, James. A Portrait of the Artist as a Young Man. Ed. Chester G. Anderson, New York: Viking, Keats, John. The Letters of John Keats. Ed. Hyder E. Rollins. 2 vols. Cambridge, MA: Harvard University Press, Poetical Works. Ed. H.W. Garrod London: Oxford University Press, Kenner, Hugh. Gnomon: Essays on Contemporary Literature. New York: McDowell, Obolensky, Lytle, Andrew. The Hero with the Private Parts. Baton Rouge: Louisiana State University Press, Mack, Maynard. Introduction. The Twickenham Edition of The Poems of Alexander Pope: An Essay on Man. Ed. Mack. New Haven, CT: Yale University Press, Meaney, Marie Cabaud. Simone Weil s Apologetic Use of Literature: Her Christological Interpretation of Greek Texts. Oxford: Oxford University Press, Menand, Louis. Revising Modernism: T.S. Eliot and His Context. New York: Oxford University Press, Miller, Hugh. Essays. London, Vol. 1. Miller, J. Hillis. Literature and Religion. In Relations of Literary Study: Essays on Interdisciplinary Contributions, ed. James E. Thorpe. New York: Modern Language Association, O Connor, Flannery. Mystery and Manners. New York: Farrar, Straus and Giroux, Ozick, Cynthia. Metaphor and Memory. New York: Knopf, The Riddle of the Ordinary. In Fakundiny, Pope, Alexander. Poetry and Prose. Ed. Aubrey Williams. Boston: Riverside-Houghton Mifflin, Pound, Ezra. ABC of Reading. London: Routledge, Selected Prose, Ed. William Cookson. New York: New Directions, Rossetti, William Michael. Life of John Keats. London, Schneidau, Herbert N. Sacred Discontent: The Bible and Western Tradition. Baton Rouge: Louisiana State University Press, Selzer, Richard. A Worm from My Notebook. In Fakundiny, Sherry, Vincent. The Uncommon Tongue: The Poetry and Criticism of Geoffrey Hill. Ann Arbor: University of Michigan Press, 1987.
14 166 Bibliography Sisson, C.H. Anglican Essays. Manchester: Carcanet, The Avoidance of Literature: Collected Essays. Manchester: Carcanet, Sperry, Stuart M., Jr. Romance as Wish-Fulfillment: Keats s The Eve of St. Agnes. Studies in Romanticism 10 (1971), Stillinger, Jack. The Hoodwinking of Madeline: Scepticism in The Eve of St. Agnes, Studies in Philology 58 (1961), Tennyson, G.B., and Edward Ericson, Jr., eds. Religion and Modern Literature: Essays in Theory and Criticism. Grand Rapids, MI: Eerdmans, Ward, Sister Benedicta. Introduction. The Beauty of Holiness: An Introduction to Six Seventeenth-Century Anglican Writers. By Richard Southern, Sister Benedicta Ward, Kathleen Lea, and Mary Chitty. Oxford: SLG Press, 1976, v x. Wasserman, Earl. The Finer Tone: Keats Major Poems. Baltimore: Johns Hopkins Press, White, E.B. Essays. New York: Harper and Row, Here Is New York. New York: Harper and Brothers, Williams, Aubrey. Introduction. The Twickenham Edition of The Poems of Alexander Pope: Pastoral Poetry and An Essay on Criticism. Ed. Williams. New Haven, CT: Yale University Press, Williams, Rowan. Grace and Necessity: Reflections on Art and Love. Harrisburg, PA: Morehouse, Wordsworth, William. Preface to Lyrical Ballads. In The Norton Anthology of English Literature, 6th ed., ed. M.H. Abrams et al. New York: Norton, Vol. 2.. The Prelude. In The Norton Anthology of English Literature.
15 Index Abrams, M.H., 75, 100 Anderson, Chester G., 92, 93 Andrewes, Lancelot, 103, 148 Aquinas, Thomas, 85 Aristotle, 29, 85 Arnold, Matthew, 9, 10 Athanasius, St., 33 Atterbury, Francis, 16, 99 Augustine, St., 116 Baldwin, James, 7 8 Bloom, Harold, 104 Bolingbroke, Viscount (Henry St. John), 15, 99 Booth, Wayne C., 81 Boulger, James D., 51 2 Bramhall, John, 103 Brawne, Fanny, 43, 54 5 Browne, Sir Thomas, xiv, 16 Browning, Robert, 4 6 Bultmann, Rudolf, 11, 127 Bunting, Basil, xv, 7, Byron, George Gordon, Lord, 80 Carlyle, Thomas (Sartor Resartus), 3 Charles I, xiv, 117 Chesterton, G.K., 4, 5, 117 Christ, xxii, 14, 30, 32, 47, , 117, 127, , 144, 148 Christianity, xv, xvii, xix, xxii, 2, 7, 30, 45, 48, 75, 78, 113, 127, 130 Anglo-Catholic, 1, 9, 109, 110, 128, 149 as both/and, 93 as bridging of opposites, 148 embodies pattern, 130 its current decline, 148 and literature s relation to, xxii, 1 2, 149 and part-iality, 17, 20, 21, 23 4, 31 and religion, xii Cicero, 29 Clarke, Samuel, 40 Coleridge, Samuel Taylor, 60, 110, 147 comparison, xiii, 8, 112, 115, 151 Cookson, William, 6, 11 Corman, Cid, xvii xix, 7 Creech, Thomas, 15 Dante, xix xx, 54 5, 95, 116, 129 Davie, Donald, 63 Derrida, Jacques, xv, xx, 7, 8, 114, 149 Dickinson, Henry, Donne, John, xiii, 10 Dryden, John, ix, xvii, xviii, 15 42, 97, 101, 103, 107, 114, 115, 120, 128 conversion of, 98 his bridging of contradictory qualities, 148 as layman, 15, 16, 22, 99 and the priesthood of all readers, 10, 18, 98 Works: Absalom and Achitophel, 15
16 168 Index Dryden, John Continued Essay of Dramatick Poesy, xv The Hind and the Panther, 41 Religio Laici, 10, 104 anticlericalism in, 15 19, 23 4 argues against interpreting, 20, 23 and balance, 21, 23, 26 Church of England as middle way in, 41 against Deism, xiv xv, 16 17, 23, 28 9, 33, and embodiment, xv xvi, 33, 41, 42 as essay, xiv xvi, 99 against exclusivism, xiv xv and Incarnation, 20, and indirectness, 31 its Horatian nature, 25 as layman s faith, xiv, 16, 99 and matters crucial to salvation, 16 and mediation, xvi, 23 and modesty and humility, 17 18, 21, 22, 33 moral focus of, 25, 26, 28 opposes self-interest, 30 and part-iality, 17, 19 21, 23 4, 27, 28, 31 2 and the post-reformation laity, 24 5 and the private spirit, 23 5, 145 and reading as site, 18 19, 22 reason as medium in, 27 and the responsible layman, 27 and tension, 17, 18, 26, 27, 29, 42, 98 thesis of, 20, 23 and the via media, 21, 26, 27, See also essay, layman s faiths Eliot, George, xii, difference from T.S. Eliot, 66 7, 77 Work: Adam Bede, 3 as (also) an essay, 59 61, 71 as Bildungsroman, 60 and Christianity, 75 and the clerical character, 60, 62 4, 68 the commonplace in, 61, 66 8, 71 and difference in times, 59 66, 71 and education, 60, 64 6, 72 6 and embodiment, 69, 70 embraces participation in suffering, 65 7, 69, 73, 74, 78 imagined reader in, 61, 62, 64 5, 67, 71, 72 and journey toward understanding, 65, 74 and layman s faith, 59, 64, as mixed entangled affair, 65, 71 2, 76 narrator in, 59 61, 64, 67 9, 71, 76 natural imagery in, 64 primacy of feelings in, 69 and religion and literature, 59, 61, 65, 69, 71 and Romantic values, 59 64, 66 and The Scarlet Letter, 60 sympathy and understanding in, 70, 72, 74 8 truth-telling in, 61, 65, 66, 71 Eliot, T.S., xix, 32, 36, 37, 66, 85, 98, 101, 106 7, and asceticism, 110, 116 and autobiography, 130 and doubt, 109, 110, 123 his early life and thinking, 9 10, 109, 128 9
17 Index 169 his progress toward Christianity, the idea of journey in, 110 1, 115 as layman, 110, 114 6, 123, 130 and necessity to amalgamate disparate experience, 7 8, 9 opposes directness, 129, 130, 149 opposes immanentism, 7 opposes Wordsworth, and participation, 115, 120, 121 questions of heterodoxy in, and tension, 110, 115 and understanding, 113, 115, 116, and world as it is, 6 and writing, Works: Ash-Wednesday, xiii, 103, 112, For Lancelot Andrewes, 109 Four Quartets, xi, xii, 6, 13, 80, 91 bridges apparent opposites, 114, 146 Burnt Norton, 112, 116, 150 The Dry Salvages, 1, 112, 113, 117, 128 and each moment burning with meaning, 112 East Coker, 9, 14, 104, 111, , 116, 117, 120, 150, 151 as essay, 111, 117 identifies the Incarnational pattern, and the journey toward understanding, 115 and layman s faith, 115 and the letter versus the spirit, 11 and the literal, 12 Little Gidding, 9, 104, 105, 111, 112, 117, 118, 120, 122, 123, 128, 150 and the middle way, 113 and necessarye coniunction, and the necessity of embodiment, 117 and the prominence of I in, 121 purgation of desire in, 116, 121, 122 and the Resurrection, 123 and time, 3, , 118, 122 and understanding, 111, 113, 115 and The Waste Land, 145 and writing, , 117, The Hollow Men, 109 The Metaphysical Poets, 8, 147 The Pensées of Pascal, 109, 110 Prufrock and Other Observations, 111 Religion and Literature, 9 10, 149 The Sacred Wood, 9, 10, 112, 128 9, 149 A Sermon, 103, Thoughts After Lambeth, 103 Tradition and the Individual Talent, 8, 112, 115, 119, 121 2, 129, 147 The Waste Land, 6, 93, 103, 109, 110, 112, 117, 118, 121, 140, 141 2, 145 Epstein, Joseph, 134, 135 essay and affirmativeness, 135 and Anglicanism, 16 17, 41 and the bringing together of opposites, 134 its difference from literature, 2, 3 as form, xxii, 2 as indirect, 2, 3 invites, 135 and layman s faith, 10, 13
18 170 Index essay Continued poetry became, 147 its tension, 134 and the via media, 17, 21, 26, 27 Faber, Geoffrey, 109 familiar criticism, 137 Ferrar, Nicholas, 117 Fitzgerald, F. Scott, 7 8 Flaubert, Gustave, xx, xxi, 93, 16 Fry, Paul H., 133 Gascoyne, David, 145 Gizzi, Peter, xix Gnosticism, 2, 79, 88, 148 Hartman, Geoffrey H., 131, 147, 148 Harvey, William J., 3 Hawthorne, Nathaniel (The Scarlet Letter), 60 Hazlitt, William, 134 Heidegger, Martin, 11 Herbert, George, xiii, 10, 127 Herbert of Cherbury, Lord Edward, xiv Hesse, Hermann (Siddhartha), 3, 93 Hill, Geoffrey, Hoagland, Edward, 134 Homer (The Odyssey), xix, 65, 66, 80, 81, 94, 97, 129. See also Odysseus Hopkins, Gerard Manley, xiii Hobbes, Thomas, 34 immanence, xv, xix, 5, 7, 11 13, 57, 101, 113, 148, 149 Incarnation, xiii, xxii, 1, 5 6, 14, 22, 83, 91, 92, 99, 110, 111, 113, 114, 117, 118, 121, 122, 127, 148, 151 defined, and discarnation, 41, 88 and embodied truth, xx and every moment, 4, 11 its indirectness, 5, 149 and literature, 2 3, 11 and paradigm, 7 as pattern, xvi, xvii, xx, xxi, 9 10, 30, 32, 39, 41, , 149 indirectness, xvi, 2, 3, 5, 31, 39, 71, 116, 149 and detour, 9, 129, 130 intersection of time and the timeless, 3 4, 112, 118, 136 7, 142 Johnson, Samuel, 10 11, 103, 110 Joyce, James, xii, , 129 and the Church, 93 his understanding of religion and literature, 97 8, 106, 107 Works: A Portrait of the Artist as a Young Man and aesthetics, 79, 80, 85 8 authorial distance in, 80, 81, 89, 92, 97 and autobiography, 81, 85, 89 as Bildungsroman, 80 its change in narrative form, 97 its fire sermon, 81, 93 5 and disembodied mind, 84, 88 dislike of physical world in, 79, 81 2, 86 8, 90, 91, 96, 97 epiphany in, 83, 88 9, 96 and the Eucharist, 83 and Gnostic desire, 79, 88 and the imagination, 96, 97 and impersonality, 88 and Incarnation, 83 irony in, 80 1, 85, 92, 96 issue of forgery in, 79, 90 2, 96, 97, 106 and the journey toward understanding, 81, 90 1 and layman s faith, 106 pattern in, 83, 88, 96
19 Index 171 portrays lack of participation, 79, 81, 83, 84, 88 90, 94, 96, 97 and priest of eternal imagination, 10, 92, 95 8, 106 and question of a hero, 79, 80 and religion, 80, 83, 84, 87, 91 8 and Romanticism, 79, 80, 106 seeking of transformation in, 82 3, 86, 89 93, 95, 96 (mis)understanding in, 81, 84, 85, 88, 90, 92, 93, 95, 97 Stephen Hero, 79, 106 Ulysses, 80, 81 Julian, Dame, of Norwich, 121 Kazin, Alfred, 141 Keats, George, 44 Keats, Georgiana, 44 Keats, John, xii, xix, 43 57, 119 as anticlerical, 43 and Christianity, xvii, 43 and dreaming, 46, 56 7 faith in beauty, 45 7, 54 6 his alternative religion, 44, 45, 47 9, 51 2, 54, 56 his vale of soul-making, 44, 45 meaning as immanent for, 57 Works: La Belle Dame sans Merci, 56, Endymion, 45 6 The Eve of St. Agnes as delight of the senses, 48, 50, 52, 53 and the hoodwinking of the layman-poet, 57 as intense experience, 47 8, 52 6 its difference from The Divine Comedy, 54 5 its imagery, its realistic frame, 55 6 narrator in, 45, 50, 52 paralleling contrasts in, 48 9, 53, 54 physical love in, 50 2, 55 and skepticism, 55 6 treats asceticism, 48 9, 53, 55 The Fall of Hyperion, 46 Lamia, 56 Letters, 43 5, 49, 50 1, 54, 57 Ode to Fanny, 54 Ode on a Grecian Urn, 56 Ode on Melancholy, 46 Ode to Psyche, 43, 47, 101 Sleep and Poetry, 46, 56 Sonnet Written in Disgust of Vulgar Superstition, 44 Sonnet ( The day is gone, and all its weets are gone! ), 54 To J.H. Reynolds, 46 To ( What can I do to drive away... ), 54 Kenner, Hugh, 100 Kierkegaard, Soren, xiii Klee, Paul, 134 layman, and the common reader, 10, 13, 35, 151 and the direction of post- Reformation writing, xvii xviii and literature, 10 layman s faith, xiv, 10, 22, 150 culminates in today s students, 148 and Deism, 16 17, 23, and the essay, 13 14, 16, 26, 27 as individualistic, 15, 41 2 and reading, 35 and sympathy and charity, 33 and the via media, 21, 26, 27 see also individual authors Leviticus, 77, 78 Locke, John, 34 Lucretius, 15
20 172 Index Luther, Martin, 10, 97 Lytle, Andrew, xxi Mack, Maynard, 100 Makin, Peter, Manicheanism, 2, 6, 148 Maritain, Jacques, xiii Marvell, Andrew, 8 mediation, xvi, 3, 39, 115, 118 Merton, Thomas, xiii Miller, J. Hillis, ix Miller, Vincent E., 13 Milton, John, 39, 99, 104, 121 Montaigne, Michel de, 105, 134 Moore, Marianne, 11 Murray, Paul, xiii, xx Nashe, Thomas, 80 Newman, John Henry, Cardinal, 26, 109 O Connor, Flannery, 2 Odysseus, 6, 111, 115, 118, 119, 129, 131. See also Homer Oppen, George, xix Ozick, Cynthia, xxi, xxii, 77, 78, 134 participation, xx, xxi, 65 7, 69, 73, 74, 78, 79, 81, 88 90, 94, 96, 97, 115, 120, 121 and Christianity, 12 or identification, and listening, 132 and literary commentary, 135 and pattern, 139 and writing, Pascal, Blaise, 6, 105, 109, 130 pattern, xii, xiii, xvi, xvii, xx, xxi, 6, 7, 9 10, 11, 30, 32, 39, 41, 83, 88, 96, , 121 3, , 133, , 142, 149, 151. See also Incarnation Pickering, Samuel F., Jr., 134 Plato, 29 Plutarch, 29 Pope, Alexander, 15 42, 101, 107, 110, 111 and the clergy, 16, 34 his critical ideal, 35, and Deism, 15 on directness, 36, 39 as Erasmian Catholic, 16, 34 and Gen rous Converse, 133, and the layman s faith, 34 5, 42 and mediation, 30 and middle way, and moral response, Nature as means in, 40 and parts/whole, 34 40, 99 and reason, 100 and tension, 39 Works: Dunciad IV, 35, 38, 40 1, 99 An Essay on Criticism, 8, 16, 33 6, 133 An Essay on Man, ix, xvi xvii, 14 16, 37 40, 100, 121 The Universal Prayer, 15, 37 8 Pound, Ezra, xii, xiii, xv, 3, 6, 11 13, Ramus, Peter, 34 reading, xiv, xx, xxii and bridging of apparent opposites, 148 as participation, 133 and perception of relation, 7 and reception-response, xxi, 147, 150 and writing-as-, xxi See also religion; understanding religion desire for a new, xvii xviii its relation to reading and criticism, 9 10, 13, and literature, xi xii, 1 2 Romanticism, xvii, 9
21 Index 173 Schneidau, Herbert N., 3, 11 Selzer, Richard, Seneca, 29 Shakespeare, William (Hamlet), 2, 119, 120 Shelley, Percy Bysshe, 101 Sherry, Vincent, 104, 105 Simon, Richard, Father, 17 19, 21, 25 Sisson, C.H., 11 12, 104, 114 Southwell, Robert, St., 105 Sterne, Laurence, 10 Stillinger, Jack, 47, 50 Swift, Jonathan, xiii, 10, 16, 80, 81, 99, 103 Thomas, R.S., xiii xiv, xx Thoreau, Henry David, 10, 125, 131, 134 7, 148 Tiresias, 118, 129, 140 transcendence, xv, 5, 7, 11, 13, 86, 113, 148 understanding, 84, 85, 88, 92, 93, 95, 106, 111, 115, , 138, 139, 142, 148 entails participation, xx, xxi half-, 1, 5, 6, 13, 113 and listening, 131 love and, xix and reading, xx, xxii, 131 as sequence, 130 and sympathy, 81, 96, 131 via media (or middle way), xiv, 15 42, 85, 99, 100, 101, 113, 151 Virgin Mary, the, xx, 148 Ward, (Sister) Benedicta, 150 Wasserman, Earl, 47 Weil, Simone, xx, White, E.B. (Andy), difference from Thoreau, 125 6, 131, 137 does not identify with, 135 6, 139 and embodied truth, 131 and essayistic character, 131 as familiar essayist, 141, 143 and familiarity, 139 his reasons for writing, 139, 140 and immanence, 126 invites, 135 8, 144 and the layman, 126 and participation, and religion, 125 6, 131 self-centeredness of, 138 9, 144 and time, 139 and T.S. Eliot, 142 as understanding, Works: Charlotte s Web, 125 Death of a Pig, 131, 138 Essays, 133, 134, 139 Here Is New York, The Home-Coming, 139 Once More to the Lake, 138 A Slight Sound at Evening, 125, 135 Stuart Little, 125 Williams, Aubrey, 34, 37 Williams, Rowan, xiii Williams, William Carlos, 11 Woolf, Virginia, Wordsworth, William, xv, xvii, 3, 7, 59 60, 62, 67, 75, 80, 100 2, 119, 147 Yeats, William Butler, 147 8
Bibliography DOI: /
Bibliography Allchin, A.M. Trinity and Incarnation in Anglican Tradition. Oxford: SLG, 1977. Alldritt, Keith. Eliot s Four Quartets : Poetry as Chamber Music. London: Frank Cass, 1978. Andrewes, Lancelot.
More informationT.S. Eliot DOI: /
T.S. Eliot DOI: 10.1057/9781137444462.0001 Also by G. Douglas Atkins THE FAITH OF JOHN DRYDEN: Change and Continuity READING DECONSTRUCTION/DECONSTRUCTIVE READING WRITING AND READING DIFFERENTLY: Deconstruction
More informationContents 1. Chaucer To Shakespeare 3 92
( iii ) Contents Previous Years Solved Papers 1. Chaucer To Shakespeare 3 92 The Age of Chaucer 3 Life of Geoffrey Chaucer (1340-1400) 6 Main Poetical Works of Chaucer 7 Chaucer s Realism 11 Chaucer The
More informationDOI: / Swift s Satires on Modernism
Swift s Satires on Modernism Also by G. Douglas Atkins THE FAITH OF JOHN DRYDEN: Change and Continuity READING DECONSTRUCTION/DECONSTRUCTIVE READING WRITING AND READING DIFFERENTLY: Deconstruction and
More informationLT251: Poetry and Poetics
LT251: Poetry and Poetics Foundational Module: Poetry and Poetics Spring Term 2016 (8 ECTS credits) Instructor: James Harker Location: P98 Seminar Room 1 Wednesdays 13:30-15:00, Fridays 9:00-10:30 j.harker@berlin.bard.edu
More informationLT251 Poetry and Poetics
LT251 Poetry and Poetics Foundational Module: Poetry and Poetics Spring Term 2014-15 (8 ECTS credits) Instructor: James Harker Mondays and Wednesdays, 9.00-10.30 Seminar Room 4 (Platanenstr. 98A) Office
More informationPine Hill Public Schools Curriculum
Pine Hill Public Schools Curriculum Content Area: Course Title/ Grade Level: English English 12 Honors Unit 1: The Anglo-Saxon and Medieval Period/Middle Ages Duration: 9 Weeks Unit 2: Renaissance and
More informationENGLISH LIT. OF THE 18TH AND 19TH CENTURIES
Syllabus ENGLISH LIT. OF THE 18TH AND 19TH CENTURIES - 44310 Last update 01-01-2014 HU Credits: 4 Degree/Cycle: 1st degree (Bachelor) Responsible Department: English Academic year: 2 Semester: 1st Semester
More informationT. S. ELIOT AND DANTE
T. S. ELIOT AND DANTE T. S. Eliot and Dante DOMINIC MANGANIELLO Associate Professor of English Literature University of Ottawa, Canada Palgrave Macmillan Dominic Manganiello 1989 Softcover reprint of the
More informationIn 1925 he joined the publishing firm Faber&Faber as an editor and then as a director.
T.S. ELIOT LIFE He was born in Missouri and studied at Harvard (where he acted as Englishman, reserved and shy). He started his literary career by editing a review, publishing his early poems and developing
More informationCourse Policies and Requirements for British Literature II
Course Policies and Requirements for British Literature II Professor: Course: Jack Peters English 3440, Section 002 209 Language 10:00-10:50 a.m. MWF Texts: The Norton Anthology of English Literature,
More informationAP English Literature & Composition
AP English Literature & Composition ASU Dual Credit, Spring 2018: ENG 2331 Readings in World Literature Course Overview and Syllabus Introduction The AP English Literature and Composition/ Dual Credit
More informationDEPARTMENT OF ENGLISH GOVT. V.Y.T. PG. AUTONOMOUS COLLEGE DURG SYLLABUS M.A. ENGLISH I SEMESTER - SESSION PAPER- I (POETRY I)
PAPER- I (POETRY I) Unit - I Geoffrey Chaucer : Prologue to the Canterbury Tales. - D Edmund Spenser : Epithalamion. - ND Unit - II John Donne : Death Be not Proud, Exstasie, Valediction: Forbidden Mourning,
More informationJOHN XIROS COOPER is Professor of English and Associate Dean in the Faculty of Arts at the University of British Columbia, Vancouver.
The Cambridge Introduction to T. S. Eliot T. S. Eliot was not only one of the most important poets of the twentieth century; as literary critic and commentator on culture and society, his writing continues
More informationU/ID 31520/URRA. (8 pages) DECEMBER PART A (40 1 = 40 marks) Answer ALL questions.
(8 pages) DECEMBER 2015 Time : Three hours Maximum : 100 marks PART A (40 1 = 40 marks) Answer ALL questions. 1. is the description of an ideal state of society. Utopia (b) Commonwealth (c) Republic 2.
More informationEveryman s Library Pocket Poet
Random House Everyman s Library Pocket Poet Letters Emily Dickinson; edited by Emily Fragos 978-0-307-59704-5 HC $13.50 On Sale 04-19-2011 Poems and Songs Leonard Cohen 978-0-307-59583-6 HC $13.50 On Sale
More informationReading Responses Note: please do the responses after they are assigned in class, for the prompts ahead of us may be revised as the semester progresses. Also, please do not print out all the questions
More informationMark Jarman. Body and Soul. essays on poetry. Ann Arbor
Body and Soul Mark Jarman Body and Soul essays on poetry Ann Arbor Copyright by the University of Michigan 2002 All rights reserved Published in the United States of America by The University of Michigan
More informationThe Romanticism Handbook
The Romanticism Handbook Edited by and continuum Contents Detailed Table of Contents General Editor's Introduction Introduction and Timeline vii xi xiii 1 Historical Contexts 1 2 Literary and Cultural
More informationShimer College HUMANITIES 2: Poetry, Drama, and Fiction Spring 2010
Instructor: Adam Kotsko E-mail: a.kotsko@shimer.edu Office: 219 Office phone: 312-235-3547 Section C: MWTh, 1:45-3:05 in Radical 2; Section D: MWTh, 4:45-6:05 in Hutchins Course Description Humanities
More informationMA SEMESTER I: July-November Note: Mid-term tests in Sept-end/early-October; Autumn break in October
MA ENGLISH PLANNER 2013 TILL DATE MA SEMESTER I: July-November Note: Mid-term tests in Sept-end/early-October; Autumn break in October PAPER I: LITERARY CRITICISM (NEHA; SUMATI) Introduction to Literary
More informationGNS 165: Introduction to English Literature 3 Credit Hours Instructor: Cheryl Hughes Winter Mini-Semester, 2013
I. Course Description GNS 165: Introduction to English Literature 3 Credit Hours Instructor: Cheryl Hughes Winter Mini-Semester, 2013 This course is an introduction to English literature at a University
More informationEnglish 334: Reason and Romanticism Fall 2009 (WEC/AA program) Vol. 10, No. 1 Price 7 Pence
English 334: Reason and Romanticism Fall 2009 (WEC/AA program) Vol. 10, No. 1 Price 7 Pence Vital Information About the Course and Instructor Latest Intelligence Instructor: Dallas Liddle, Ph.D. Meetings:
More informationIntroduction to Poetry: Forms and Elements Study Guide. Introduction
Introduction Poetry, in many ways, defies definition. Any restrictions would disqualify some works that are, nevertheless, poetry. The only statement about poetry that we can make with absolute certainty
More informationNFC ACADEMY ENGLISH IV HONORS COURSE OVERVIEW
NFC ACADEMY ENGLISH IV HONORS COURSE OVERVIEW English IV Honors continues to build on the sequential development and integration of communication skills in four major areas reading, writing, speaking,
More informationAugust Dear English Fresher
From: Dr Corinna Russell Director of Studies in English (Part I) Emmanuel College Email: cr215@cam.ac.uk August 2018 Dear English Fresher I am writing, first of all, to offer my congratulations to you
More informationCLASS NAME TITLE OF TEXT COVER IMAGE AUTHOR ISBN# PUBLISHER NOTES. English 9 Divine Comedy Dante Penguin Recommend new purchase
Sage Ridge School Book List Department: ENGLISH Chair: Dr. Tara McGann tmcgann@sageridge.org CLASS NAME TITLE OF TEXT COVER IMAGE AUTHOR ISBN# PUBLISHER NOTES English 9 Divine Comedy Dante 9780142437223
More informationEnglish - Optional of Part B - Main Examination of Civil Services Exam
English - Optional of Part B - Main Examination of Civil Services Exam English - Optional of Part B - Main Examination of Civil Services Exam The syllabus consists of two papers, designed to test a first-hand
More informationCURRICULUM CATALOG. English IV 2015 GLYNLYON, INC.
2015-2016 CURRICULUM CATALOG English IV 2015 GLYNLYON, INC. Welcome to Odysseyware We are excited that you are including Odysseyware as part of your program of instruction, and we look forward to serving
More informationBRITISH LITERATURE PRESENT
BRITISH LITERATURE 1800 PRESENT English 2202H (Autumn 2013) Class Meets: Denney Hall 245 Professor Thomas S. Davis TA: Yonina Hoffman (Hoffman.783@osu.edu) Office Hours: Monday 35 or by appointment, Denney
More informationV Conversations of the West Antiquity and the Middle Ages (Tentative) Schedule Fall 2004
Instructors: Jon Farina (section leader) Susan Harlan (section leader) Shayne Legassie (section leader) Hal Momma (lecturer) V55.0401 Conversations of the West Antiquity and the Middle Ages (Tentative)
More informationPERIODS OF ENGLISH LITERATURE. Daniel Schulze
PERIODS OF ENGLISH LITERATURE Daniel Schulze Repetition What is a text? What is an isotopy/isotopic field? What, according to de Saussure, is a linguistic sign? Name two differences between literary and
More informationT. S. ELIOT AND MYSTICISM
T. S. ELIOT AND MYSTICISM T. S. Eliot and Mysticism. The Secret History of Four Quartets PAUL MURRAY Lecturer in Mystical Theology Dominican Studium, Tallaght, and Angelicum University, Rome M Paul Murray
More informationThe Critical Response to John Milton's
The Critical Response to John Milton's Paradise Lost Edited by Timothy C. Miller Critical Responses in Arts and Letters, Number 26 Cameron Northouse, Series Adviser Greenwood Press Westport, Connecticut
More informationAP English Literature Summer Reading Assignment Bay Path Regional Vocational Technical High School
AP English Literature 2017-2018 Summer Reading Assignment Bay Path Regional Vocational Technical High School Congratulations on choosing AP Literature. Mrs. Lopez and I are very excited to study great
More informationFurther reading. 2 Historical context. Introductory texts. Critical theory
Further reading Introductory texts Critical theory BEFORE you get anywhere in literary studies you will need to work out some theory of what it is you are doing and why you are doing it. Otherwise it will
More informationLiterary Criticism: modern literary theory
Syllabus Literary Criticism: modern literary theory - 44956 Last update 11-03-2015 HU Credits: 4 Degree/Cycle: 2nd degree (Master) Responsible Department: English Academic year: 4 Semester: Yearly Teaching
More informationAlexander Pope, Poetry and Prose of Alexander Pope, ed. Williams (Riverside)
Prof. Pericles Lewis pericles.lewis@yale.edu December 23, 2003 Syllabus English 125b, Section 5 Major English Poets: Milton, Pope, Wordsworth, Yeats, Eliot Texts John Milton, Paradise Lost, ed. Elledge
More informationENGL10039: Approaches to Poetry (Anne Baden Daintree)
ENGL10039: Approaches to Poetry (Anne Baden Daintree) View Online Ashbery, J. (1994) What is Poetry?, in Selected poems. London: Penguin. Available at: https://content.talisaspire.com/bristol/bundles/5878e9914469eec6238b4594.
More informationTHE LYRIC POEM. in this web service Cambridge University Press.
THE LYRIC POEM As a study of lyric poetry, in English, from the early modern period to the present, this book explores one of the most ancient and significant art forms in western culture as it emerges
More informationUnit 05: Centuries of Literature
Unit 05: Centuries of Literature Content Area: English Course(s): English 4 Time Period: Marking Period 3 Length: 5 weeks Status: Published Unit Introduction Our study of four centuries of literature will
More informationRomantic Poetry Presentation AP Literature
Romantic Poetry Presentation AP Literature The Romantic Movement brief overview http://ezinearticles.com/?expert=rakesh_ramubhai_patel The Romantic Movement was a revolt against the Enlightenment and its
More informationDelphi Complete Works Of John Keats (Illustrated) (Delphi Poets Series Book 1) By John Keats READ ONLINE
Delphi Complete Works Of John Keats (Illustrated) (Delphi Poets Series Book 1) By John Keats READ ONLINE If searching for a book Delphi Complete Works of John Keats (Illustrated) (Delphi Poets Series Book
More informationHENRY FIELDING. Literary Lives General Editor: Richard Dutton, Professor of English Lancaster University
HENRY FIELDING Literary Lives General Editor: Richard Dutton, Professor of English Lancaster University This series offers stimulating accounts of the literary careers of the most admired and influential
More informationEnglish 350 Early Victorian Poetry and Prose: Faith in an Age of Doubt
English 350 Early Victorian Poetry and Prose: Faith in an Age of Doubt Winter 2008 Dr. G. Glen Wickens TTH 10:00 Morris House,8 N.214 Office Hrs. MWF 10:00-11:00 am Telephone: 822-9600 ext. 2384 (office)
More informationU/ID 31520/URRA OCTOBER PART A (40 1 = 40 marks) Answer ALL questions. Fill in the blanks with the right answers from the options given :
OCTOBER 2011 Time : Three hours Maximum : 100 marks PART A (40 1 = 40 marks) Answer ALL questions. Fill in the blanks with the right answers from the options given : 1. Renaissance is said to have begin
More informationBibliography - I ( Books referred to in this study )
Bibliography - I ( Books referred to in this study ) Abrams, M. H. "Anatomy of Criticism". University of Toronto Quarterly. January, 1959. Adams, Hazard. 'The Criteria of Criticism in Literature'. Journal
More informationStyle Guide Gardner-Webb University Department of Religious Studies and Philosophy
Style Guide Gardner-Webb University Department of Religious Studies and Philosophy Basic Directions for Laying Out the Text Margins Leave a margin of one inch on all four edges of the page. Only the left
More informationENGL 1000 Introduction to Literature in English Fall Semester ( )
ENGL 1000 Introduction to Literature in English Fall Semester (2016-2017) Instructor Room No Office Hours Email Telephone Secretary/TA TA Office Hours Dr Saeed Ghazi Room No 129, Department of Humanities
More informationLahore University of Management Sciences. ENGL 1000 Introduction to Literature in English
ENGL 1000 Introduction to Literature in English Fall Semester (2017) Instructor Dr. Saeed Ghazi Room No. Room No. 129, Department of English, Academic Block Office Hours Friday 4:30 7:30 pm Email saeedg@lums.edu.pk
More informationF. B. Pinion A WORDSWORTH CHRONOLOGY A TENNYSON CHRONOLOGY A KEATS CHRONOLOGY
A KEATS CHRONOLOGY MACMILLAN AUTHOR CHRONOLOGIES General Editor: Norman Page, Professor of Modern English Literature, University of Nottingham Reginald Berry A POPE CHRONOLOGY Edward Bishop A VIRGINIA
More informationOffice hours: MW2:00and TTH 12:30-2:00 and by appointment Office Biddle 223C Phone ext. 7166
Survey of English Literature 2: 1800 - Present ENGLIT 0056 4010 28213 MW 3:00-4:20 Biddle 253 Dr. Ann Rea Spring 2018 Syllabus and Course Description anr12@pitt.edu Office hours: MW2:00and TTH 12:30-2:00
More informationJOHN DRYDEN. Macmillan Literary Lives General Editor: Richard Dutton, Senior Lecturer in English, University of Lancaster
JOHN DRYDEN Macmillan Literary Lives General Editor: Richard Dutton, Senior Lecturer in English, University of Lancaster This series offers stimulating accounts of the literary careers of the most widely
More informationU/ID 31521/URRB. (7 pages) OCTOBER 2011
(7 pages) OCTOBER 2011 Time : Three hours Maximum : 100 marks PART A (40 1 = 40 marks) Answer the following questions. Choose the correct answer from those given in brackets : 1. In memoriam is a poem.
More informationOSN ACADEMY. LUCKNOW
OSN ACADEMY www.osnacademy.com LUCKNOW 0522-4006074 ENGLISH LITERATURE TGT 9935977317 0522-4006074 [2] PRACTICE PAPER - 1 Q.1 William Shakespeare was born in (a) Canterbury (b) London (c) Norwich (d) Stratford-on-Avon
More informationOn the Familiar Essay
On the Familiar Essay Also by G. Douglas Atkins The Faith of John Dryden: Change and Continuity (1980) Reading Deconstruction/Deconstructive Reading (1983) selected by Choice as An Outstanding Academic
More informationLITR 100 Introduction to Literature in English Fall
Lahore University of Management Sciences LITR 100 Introduction to Literature in English Fall 2011-12 Saeed Ghazi, Ph.D. Office Ext: 8109 Office Hours: Friday 2:30 -- 5:30pm E-mail: saeedg@lums.edu.pk I
More informationCourse Syllabus. Professor Contact Information. Office Phone Office Location JO Course Description
Course Syllabus Course Information Course Number/Section HUSL 6312 Section 501 Course Title T. S. Eliot and William Carlos Williams: Dueling Modernists Term spring 2012 Days & Times M, 7-9:45 PM Professor
More informationWorks Cited. A word or two about Works Cited pages: All entries are to be. listed in alphabetical order, by the first important word of the
Note the Works Cited title is centered but there is no doubledouble spacing above/below it. Works Cited A word or two about Works Cited pages: All entries are to be listed in alphabetical order, by the
More informationUNIVERSITY OF MUMBAI
TYBA Paper VII and Paper VIII: UNIVERSITY OF MUMBAI University of Mumbai Syllabus for T.Y.B.A. English Program: B.A. Course: Literary Era (I&II) Course Codes: UAENG501& UAENG601 (75+25 Examination Pattern)
More informationJOHN KEATS: THE NOTION OF NEGATIVE CAPABILITY AND POETIC VISION
JOHN KEATS: THE NOTION OF NEGATIVE CAPABILITY AND POETIC VISION Abstract: Mukesh Kumar 1 John Keats has been remembered as one of the greatest British romantic poets in British English Literature. He was
More informationDOWNLOAD OR READ : THE MAJOR WORKS OF PETER CHAADAEV A TRANSLATION AND COMMENTARY PDF EBOOK EPUB MOBI
DOWNLOAD OR READ : THE MAJOR WORKS OF PETER CHAADAEV A TRANSLATION AND COMMENTARY PDF EBOOK EPUB MOBI Page 1 Page 2 the major works of peter chaadaev a translation and commentary the major works of pdf
More informationEnglish 56: Poets Nature Poetry - Lyric & Narrative
English 56: Poets Nature Poetry - Lyric & Narrative Professor Andrew Warren TF: Josephine Reece T/Th 10-1130 Barker Center 018; jreece@g.harvard.edu Th small discussions times to be arranged after shopping
More informationThe New York Public Library Henry W. and Albert A. Berg Collection of English and American Literature
The New York Public Library Henry W. and Albert A. Berg Collection of English and American Literature Guide to the 1816-1948 [bulk 1816-1924] Berg Coll MSS Keats Processed by Staff. Summary Creator: Keats,
More informationU ly s s e s E x p l a i n ed
Ulysses Explained Ulysses Explained How Homer, Dante, and Shakespeare Inform Joyce s Modernist Vision David Weir ULYSSES EXPLAINED Copyright David Weir, 2015. Softcover reprint of the hardcover 1st edition
More informationEnglish 495: Romanticism: Criticism and Theory
English 495: Romanticism: Criticism and Theory Tuesdays and Thursdays 2-3.40pm, Morrison 210 Keene State College, Fall 2008 Dr. William Stroup Office: Parker 102, office phone: 358-2692, email wstroup@keene.edu
More informationB.A. Special English Syllabus under CBCS w.e.f (Revised in April, 2016)
Structure of the Syllabus/Curriculum Year Semester Paper Category Hrs/wk Credits Internal External 2 3 I Core 5 4 00 25 75 II 2 Core 5 4 00 25 75 III 3 Core 5 4 00 25 75 IV 4 Core 5 4 00 25 75 V 5 Core
More informationEnglish Poetry. Page 1 of 7
English Poetry When did "English Literature" begin? Any answer to that question must be problematic, for the very concept of English literature is a construction of literary history, a concept that changed
More informationOUT OF REACH THE POETRY OF PHILIP LARKIN
OUT OF REACH THE POETRY OF PHILIP LARKIN Also by Andrew Swarbrick THE ART OF OLIVER GOLDSMITH (editor) PHILIP LARKIN: The Whitsun Weddings and The Less Deceived T. S. ELIOT: Selected Poems Out of Reach
More informationThe History of English Literature
補充資料 The History of English Literature 1. Old English Period (450-1066): *the invasion of the Germanic tribes (the Angles, Saxons, and Jutes) *oral literature *The poetry is written in vernacular Anglo-Saxon,
More informationDECONSTRUCTION: A CRITIQUE
DECONSTRUCTION: A CRITIQUE Deconstruction: A Critique Edited by RAJNATH Professor of English University of Allahabad M MACMILLAN Rajnath 1989 Softcover reprint of the hard cover 1st edition 1989 978-0-333-46950-7
More informationThe Odyssey Of Homer... (Greek Edition) By John Jason Owen, Homer
The Odyssey Of Homer... (Greek Edition) By John Jason Owen, Homer The Iliad & The Odyssey of Homer (1792) (1st edition) GOHD Books - The Odyssey (Greek:????????) is one of two major ancient Greek epic
More informationAdvanced Placement English Literature and Composition
Advanced Placement English Literature and Composition Welcome to AP! For centuries, writers have employed imaginative literature to better understand humans perpetual search for identity. By practicing
More informationGod and Elizabeth Bishop
God and Elizabeth Bishop Santa Efigênia, where slaves worshipped. Elizabeth Bishop s favorite church in Ouro Prêto, Brazil. Photo by Michael Harper. Used by permission. God and Elizabeth Bishop Meditations
More informationNATHANIEL HAWTHORNE. Critical Assessments. Brian Harding
NATHANIEL HAWTHORNE Critical Assessments Edited by Brian Harding VOLUME I The Contemporary Context HELM INFORMATION Contents VOLUME I: Hawthorne The Contemporary Context General Editor's Preface 1 Introduction
More informationLanguage Arts 11 Honors and Regular: Literature: The American Experience. Unit 1: The New Land
Language Arts 11 Honors and Regular: Literature: The American Experience Unit 1: The New Land How did early Native Americans, explorers and Puritans view God? study and analyze the different elements of
More informationANALYSIS. Four Quartets (1943)
ANALYSIS Four Quartets (1943) T. S. Eliot (1888-1965) These religious and philosophic meditations have a musical structure implied by their title, and are composed of four long lyrics titled by place names:
More informationSWAMI RAMANAND TEERTH MARATHWADA UNIVERSITY, NANDED.
SWAMI RAMANAND TEERTH MARATHWADA UNIVERSITY, NANDED. SYLLABUS ENGLISH B.A. Third YEAR (SEMESTER PATTERN) WITH EFFECT FROM JUNE, 2010 SWAMI RAMANAND TEERTH MARATHWADA UNIVERSITY, NANDED B. A. T. Y. (Optional
More informationEarly Modern English Poetry
Early Modern English Poetry A Critical Companion Edited by The Pennsylvania State University University of Sussex Garrett A. Sullivan, Jr. The Pennsylvania State University New York Oxford OXFORD UNIVERSITY
More informationHome > Printer-friendly PDF > Poets and Poetry of New England - General Sources
Published on Commonwealth Honors College (https://www.honors.umass.edu) Home > Printer-friendly PDF > Poets and Poetry of New England - General Sources Poets and Poetry of New England - General Sources
More informationIntroduction to British and Irish Literature
Emne ENG116_1, ENGELSK, 2014 HØST, versjon 31-May-2015 23:45:01 Introduction to British and Irish Literature Course Code: ENG116_1, Credits: 10 credits Offered by: Faculty of Arts and Education, Department
More informationhttps://ay13.moodle.umn.edu/course/view.php?id=11379
ENGL 3001W-004 TEXTUAL ANALYSIS T TH 8:00-9:55 AM Akerman Hall 327 Instructor: Dr. John Pistelli Email: piste004@umn.edu Office: 17 Lind Hall Office hours: TH 10:00 AM-12:00 PM Description text from Latin
More informationIntroduction to American Literature (KIK-EN221) Book Exam Reading List Autumn 2017 / Spring 2018
Introduction to American Literature (KIK-EN221) Book Exam Reading List Autumn 2017 / Spring 2018 Instructor: Howard Sklar, PhD E-mail: howard.sklar@helsinki.fi Office: Metsätalo C611 Office Hour: Monday,
More informationStandard reference books. Histories of literature. Unseen critical appreciation
Note Individual requirements for further reading are conditioned mainly by your own syllabus. Your lecturers and the editorial matter (introduction and notes) in your copies of the prescribed texts will
More informationVirginia English 12, Semester A
Syllabus Virginia English 12, Semester A Course Overview English is the study of the creation and analysis of literature written in the English language. In Virginia English 12, Semester A, you will explore
More informationJACOBEAN POETRY AND PROSE
JACOBEAN POETRY AND PROSE INSIGHTS General Editor: Clive Bloom, Lecturer in English and Coordinator of American Studies, Middlesex Polytechnic Editorial Board: Clive Bloom, Brian Docherty, Jane Gibb, Keith
More informationDepartment of English. Summer Reading for Students Commencing Studies in Single Honours English Literature in September 2016
Department of English Summer Reading for Students Commencing Studies in Single Honours English Literature in September 2016 July 2016 All books listed can be obtained from: John Smith's Bookshop, University
More informationJUNIOR HONORS ENGLISH
JUNIOR HONORS ENGLISH Respect--for who we are and what we do--is primary for this course. To read well, that is to read true books in a true spirit, is a noble exercise, and one that will task the reader
More informationContents ROMANTIC ERA Thomas Gray William Blake Robert Burns William Wordsworth Samuel Taylor Coleridge Lord Byron Percy Bysshe Shelley John Keats
Contents How to Use This Study Guide with the Text & Literature Notebook...5 Notes & Instructions to Student...7 Taking With Us What Matters...9 Four Stages to the Central One Idea...13 How to Mark a Book...18
More informationBritish Literary Periods American Literary Periods
Anglo Saxon Period (449-1066) A conquest philosophy/warrior society survival/ warfare dominated Allegiance to a lord or leader-in return the lord provided his warriors with gifts/loot - materialistic society
More informationB.A. IN JOURNALISM. B.A. in Journalism 1. Code Title Credits Major * General Education Electives Total Credits 122
B.A. in Journalism 1 B.A. IN JOURNALISM Code Title Credits Major in Journalism (B.A.) 115 Reporting I 3 120 Digital News Studio 3 211 Feature Writing 3 214 Principles of Editing 4 319 Reporting II 3 481
More informationModern Criticism and Theory A Reader
O Modern Criticism and Theory A Reader Edited by David Lodge Revised and expanded by Nigel Wood An imprint of Pearson Education Harlow, England London New York Reading, Massachusetts San Francisco Toronto
More informationJohn Keats Eve of St. Agnes
http John Keats Eve of St. Agnes http://academic.brooklyn.cuny.edu/english/melani/cs6/st_agnes.html Religious Background to St. Agnes Eve St. Agnes, the patron saint of virgins, died a martyr in fourth
More informationGraduate Courses. Fall Department of English. University of Miami
Graduate Courses Fall 2013 Department of English University of Miami ENG 504 Form in Poetry Jaswinder Bolina Section 1Q, Tues., 12:30-3:00 Poetic works as literary objects, with attention to poetic trends
More informationMATTHEW ARNOLD ( )
MATTHEW ARNOLD (1822-88) Arnold is the most important critic of the Victorian Age Victorian criticism in general may be classified in to two categories Critics who followed the school of Plato. This included
More informationJEFFERSON COLLEGE COURSE SYLLABUS ENG225 ENGLISH LITERATURE: BEFORE Credit Hours. Prepared by: Andrea St. John
JEFFERSON COLLEGE COURSE SYLLABUS ENG225 ENGLISH LITERATURE: BEFORE 1800 3 Credit Hours Prepared by: Andrea St. John Revised Date: March 2010 by Andrea St. John Arts and Science Education Dr. Mindy Selsor,
More informationAdvice from Professor Gregory Nagy for Students in CB22x The Ancient Greek Hero
Advice from Professor Gregory Nagy for Students in CB22x The Ancient Greek Hero 1. My words of advice here are intended especially for those who have never read any ancient Greek literature even in translation
More informationJohn Keats. di Andrea Piccolo. Here lies one whose name was writ in the water
John Keats Important poet for his fusion between neoclassical elements with the Romantic spirit. Love for Middle Ages ambientations and Ancient Greek world (great enthusiasm for the first translation of
More informationHumanities 2A Reading List and Semester Plan: Fall Cooper, Lindahl, Peter, Scaff
Humanities 2A Reading List and Semester Plan: Fall 2016 1 Cooper, Lindahl, Peter, Scaff Locations for Lecture and Seminars: Lectures are in Washington Square Hall 109 Tuesdays and Thursdays at 1030. Seminars
More informationOffice hours and office number TBA
DuPlessis, HL7111, syllabus final version 1 Nanyang Technological University, Singapore School of Humanities, Literature Department Spring 2018 (double time course; full course in half a semester) COURSE
More information