Celebrate. with Cambridge. cambridge.org/shakespeare. twitter.com/cambshakespeare

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1 1 Celebrate with Cambridge twitter.com/camb cambridge.org/shakespeare

2 Recent and forthcoming highlights 2 for Freedom Why the Plays Matter Ewan Fernie for Freedom shows why has mattered for four hundred years, and why he still matters today. March x 152 mm 336pp Hardback C and the Admiral s Men Reading across Repertories on the London Stage, Tom Rutter This book examines the two-way influence between and his company s main competitors in the 1590s, the Admiral s Men. February x 152 mm 236pp Hardback, Music and Performance Edited by Bill Barclay and David Lindley This volume traces the uses of music in an performance from the first Globe and Blackfriars to contemporary, global productions. April x 152 mm 302pp 10 b/w illus. 2 tables 7 music examples Hardback C on Screen The Tempest and Late Romances Edited by Sarah Hatchuel and Nathalie Vienne-Guerrin This volume provides up-to-date coverage of recent screen versions of s plays, as well as critical reviews of older canonical films. on Screen April x 152 mm 330pp 20 b/w illus Hardback C Theatre and Governance in Britain, Democracy, Disorder and the State Tony Fisher A critical evaluation of how theatre was assimilated to the interests of government by suppressing democratic disorders associated with the stage. June x 152 mm 290pp Hardback an Star Laurence Olivier and National Cinema Jennifer Barnes This is the first study to comprehensively analyse Laurence Olivier s an films alongside his unique an star image. July x 152 mm 226pp Hardback Stage and Picture in the English Renaissance The Mirror up to Nature John H. Astington This book demonstrates the pervading influence of visual art in the composition, production and reception of Renaissance English drama. May x 174 mm 280pp 52 b/w illus. 12 colour illus Hardback s Reading Audiences Early Modern Books and Audience Interpretation Cyndia Susan Clegg This book asks what s contemporary audiences read and how their reading shaped their reception of his work. July x 152 mm 226pp Hardback

3 Recent and forthcoming highlights 3 in the Marketplace of Words Jonathan P. Lamb This book explores the words, forms, and styles used to interact with the verbal marketplace of early modern England. July x 152 mm 254pp Hardback s Two Playhouses Repertory and Theatre Space at the Globe and the Blackfriars, Sarah Dustagheer Sarah Dustagheer offers the first in-depth, comparative analysis of the performance conditions of the Globe and the Blackfriars Theatres. August x 152 mm 236pp Hardback s Workplace Essays on an Theatre Andrew Gurr Andrew Gurr s work offers the best access to the original an theatre. This is a selection of his key essays. October x 152 mm 292pp Hardback C Constructing the Canon of Early Modern Drama Jeremy Lopez Through short, provocative readings of unfamiliar plays, this book provides the first ever history of the canon of Renaissance drama. October x 152 mm 243pp 1 b/w illus Paperback C Canonising Stationers and the Book Trade, Edited by Emma Depledge and Peter Kirwan This book demonstrates how the book trade of canonised by selling, editing and promoting his plays and poems. September x 152 mm 282pp 12 b/w illus Hardback The an Forest Anne Barton Anne Barton s final book uncovers the pervasive presence of woodland in early modern drama, revealing its persistent imaginative power. August x 152 mm 200pp Hardback and Millennial Fiction Edited by Andrew James Hartley This book analyses the ways contemporary fiction writers draw on the man, his work and his cultural legacy. November x 152 mm 276pp 1 table Hardback Survey 70 Creating Volume 70 Edited by Peter Holland The seventieth volume in the annual series of volumes devoted to study and production. The theme is Creating. Survey, 70 December x 189 mm 414pp Hardback R

4 Recent and forthcoming highlights 4, Popularity and the Public Sphere Jeffrey S. Doty This book argues that through dramatizations of popularity the attempt to win public opinion s theatre fostered a critical public. January x 152 mm 218pp Hardback Screening Early Modern Drama Beyond Pascale Aebischer Pascale Aebischer provides the only comprehensive analysis of early modern drama on screen, expanding the scope of an performance studies. October x 152 mm 286pp 20 b/w illus. 1 table Paperback C, Love and Language David Schalkwyk Comprehensive study of the concept of love in s work, exploring historical contexts, theory and philosophy of love. January x 152 mm 260pp Hardback Christopher Marlowe, Theatrical Commerce, and the Book Trade Edited by Kirk Melnikoff and Roslyn L. Knutson Examines Christopher Marlowe and his work in the overlapping contexts of the professional theatre and the book trade. August x 152 mm 320pp Hardback A fascinating and timely work of cultural history. James Shapiro IMAGINING SHAKESPEARE S WIFE The Afterlife of Anne Hathaway KATHERINE WEST SCHEIL and the Soliloquy in Early Modern English Drama Edited by A. D. Cousins and Daniel Derrin This is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy. April x 152 mm 300pp Hardback Imagining s Wife The Afterlife of Anne Hathaway Katherine West Scheil Examines representations of Anne Hathaway from the eighteenth century to contemporary portrayals in theatre, biographies and novels. April x 152 mm c.320pp Paperback c P Believing in Studies in Longing Claire McEachern A discussion of the connections between believing in s play and a post- Reformation understanding of salvation. March x 152 mm c.338pp 4 b/w illus Hardback Theology and Agency in Early Modern Literature Timothy Rosendale Explores fundamental questions of human will and action in early modern theology and literature. March x 152 mm c.300pp Hardback

5 Recent and forthcoming highlights 5 an Arrivals The Birth of Character icholas Luke Provides a novel account of how constructs his great tragic characters. January x 152 mm 260pp Hardback s Double Plays Dramatic Economy on the Early Modern Stage Brett Gamboa The first comprehensive study of how designed his plays to suit his playing company. March x 152 mm c.316pp 10 b/w illus. 40 tables Hardback The Bible on the an Stage Cultures of Interpretation in Reformation England Edited by Thomas Fulton and Kristen Poole The first volume to consider how the context of early modern biblical interpretation shaped s plays. March x 152 mm 310pp 3 b/w illus Hardback Reading Dante in Renaissance Italy Florence, Venice and the Divine Poet Simon Gilson Examines Dante s reception in the culture and criticism of Renaissance Italy, with a particular focus on Florence and Venice. February x 152 mm 446pp 4 b/w illus Hardback C and Quotation Julie Maxwell and Kate Rumbold Material Texts in Early Modern England Adam Smyth This book combines book history and literary criticism to explore how early modern books were richer things than previously imagined. January x 152 mm 220pp 4 tables Hardback and Quotation Edited by Julie Maxwell and Kate Rumbold is both the world s most quoted author and a frequent quoter himself. This volume unites these creative practices. June x 152 mm 316pp Hardback Shaping Remembrance from to Milton Volume 1 Patricia Phillippy A study of remembrance in post- Reformation England in religious and secular artworks and texts by, Milton, and women writers. June x 152 mm c.280pp Hardback c C Discoveries on the Early Modern Stage Contexts and Conventions Leslie Thomson Detailed study of the action of discovery as plot device, visual motif, and thematic trope on the early modern stage. July x 152 mm c.278pp 32 b/w illus Hardback c.

6 from Cambridge 6 and the Natural World Tom MacFaul This book explores the rich range of meanings that finds in the natural world, enabling new readings of his works. January x 152 mm 220pp Hardback C and Manuscript Drama Canon, Collaboration and Text James Purkis This book explores collaboration, theatre practice, and s canon by analysing the evidence of manuscripts used in early modern playhouses. June x 152 mm 340pp 14 b/w illus Hardback C and the Eighteenth- Century Novel Cultures of Quotation from Samuel Richardson to Jane Austen Kate Rumbold Explores the significant presence of in major novels of the eighteenth and earlynineteenth centuries. March x 152 mm 254pp 7 b/w illus Hardback C s Literary Lives The Author as Character in Fiction and Film Paul Franssen In this book, Franssen investigates the use of as a fictional character in different literary genres, periods and cultures. November x 152 mm 288pp 10 b/w illus Paperback C Memory and Intertextuality in Renaissance Literature Raphael Lyne This book uses theories of memory derived from cognitive science to offer new ways of understanding how literary works remember other literary works. February x 152 mm 267pp 3 b/w illus Hardback C The Memory Arts in Renaissance England A Critical Anthology Edited by William E. Engel Rory Loughnane and Grant Williams This volume is the first critical anthology of contemporary writings and illustrations about memory in Renaissance England. July x 152 mm 394pp 24 b/w illus Paperback P Selling Biography, Bibliography, and the Book Trade Adam G. Hooks Adam G. Hooks offers a new history of s life in print and an innovative account of dramatic criticism and biography. February x 152 mm 218pp Hardback C Writing Performative s New Forms for Performance Criticism Rob Conkie This original and innovative study offers the reader an inventive analysis of in performance. March x 189 mm 174pp 51 b/w illus Hardback C

7 from Cambridge 7 The Model of Poesy William Scott Edited by Gavin Alexander s first critic: a newly discovered work of literary criticism from the 1590s, the most revolutionary decade in English literary history. January x 152 mm 350pp 2 b/w illus Paperback R The Value of Milton John Leonard Leading critic John Leonard explores the writings of John Milton from his early poetry to his major prose. The Value of July x 152 mm 174pp Paperback P Survey Volume 69: and Rome Edited by Peter Holland The theme for Survey 69 is and Rome. Survey, 69 October x 189 mm 450pp 65 b/w illus Hardback R The Cambridge Companion to s First Folio Edited by Emma Smith An international team of scholars covers every aspect of one of the most famous books in the English language. Cambridge Companions to Literature August x 152 mm 218pp Paperback P Archaic Style in English Literature, Lucy Munro Munro explores the conscious use of archaic language by poets and dramatists including, Spenser, Jonson and Milton. December x 152 mm 322pp 4 b/w illus Paperback C The Cambridge Guide to the Worlds of 2 Volume Hardback Set Edited by Bruce R. Smith General Editor Katherine Rowe Edited in association with Ton Hoenselaars Akiko Kusunoki Andrew Murphy and Aimara da Cunha Resende This transhistorical, international and interdisciplinary work will be of interest to students, theater professionals and scholars. February x 216 mm 2248pp 332 b/w illus Volume Hardback Set R The Circle An Alternative Biography Edited by Paul Edmondson and Stanley Wells This collection tells the life stories of the people whom we know encountered, shedding new light on s life and times. October x 152 mm 368pp 5 b/w illus Paperback G

8 from Cambridge 8 Celebrating Commemoration and Cultural Memory Edited by Clara Calvo and Coppélia Kahn This book explores how is still alive as a global cultural icon, on the 400th anniversary of his death. October x 152 mm 403pp 46 b/w illus Paperback C Occult Knowledge, Science, and Gender on the an Stage Mary Floyd-Wilson Mary Floyd-Wilson s groundbreaking study explores occult beliefs and their relation to women and scientific knowledge in six early modern plays. October x 152 mm 250pp 3 b/w illus Paperback C Environmental Degradation in Jacobean Drama Bruce Boehrer Bruce Boehrer s book is the first general history of the an stage to focus primarily on ecological issues. October x 152 mm 224pp Paperback C and Early Modern Religion Edited by David Loewenstein and Michael Witmore This volume freshly illuminates the diversity of early modern religious beliefs, practices and issues, and their representation in s plays. January x 152 mm 330pp 1 b/w illus Hardback C The Dynamics of Inheritance on the an Stage Michelle M. Dowd The first full-length study of the ways in which an drama influenced and expanded notions of inheritance in early modern England. May x 152 mm 304pp 11 b/w illus Hardback C and the Idea of Apocrypha Negotiating the Boundaries of the Dramatic Canon Peter Kirwan This book explores the methodologies and assumptions governing answers to the question what did actually write? April x 152 mm 272pp 5 b/w illus. 6 tables Hardback C and the Visual Imagination Stuart Sillars A fully illustrated study of s awareness of traditions in visual art and their presence in his plays and poems. August x 189 mm 333pp 83 b/w illus. 29 colour illus Hardback C on Screen: Othello Edited by Sarah Hatchuel and Nathalie Vienne-Guerrin An up-to-date survey of the key themes and debates surrounding screen adaptations and productions of s Othello. on Screen October x 152 mm 259pp 20 b/w illus Paperback C

9 from Cambridge 9 and Textual Studies Edited by Margaret Jane Kidnie and Sonia Massai A cutting-edge and comprehensive reassessment of the theories, practices and archival evidence that shape editorial approaches to s texts. November x 152 mm 482pp 34 b/w illus Hardback C Women and in the Eighteenth Century Fiona Ritchie This book establishes the significance of actresses, female playgoers and women critics in shaping s burgeoning reputation in the eighteenth century. July x 152 mm 260pp 6 b/w illus. 5 tables Paperback C Reading Class through, Donne, and Milton Christopher Warley Through detailed readings of six canonical Renaissance works, this book shows the unique ability of literary criticism to describe class. October x 152 mm 219pp 2 b/w illus Paperback C Moving Indoors Performance and Repertoire in the Jacobean Playhouse Edited by Andrew Gurr and Farah Karim-Cooper This book examines the conditions of the original performances in seventeenth-century indoor theatres. November x 152 mm 306pp 16 b/w illus. 23 colour illus Paperback C in Asia Contemporary Performance Edited by Dennis Kennedy and Yong Li Lan Contributors from a wide variety of backgrounds debate how and why has been used and reinvented in contemporary Asia. January x 152 mm 304pp Paperback C Performance Studies W. B. Worthen This book looks at through performance, capturing the dialogue between performance,, and contemporary concerns in the humanities. September x 152 mm 263pp 7 b/w illus Paperback C s Possible Worlds Simon Palfrey Simon Palfrey offers a new way of understanding s playworlds, with piercingly original readings of language, scenes, and characters. June x 152 mm 394pp Paperback C and the Digital World Redefining Scholarship and Practice Edited by Christie Carson and Peter Kirwan This collection brings the broad discussion about digital humanities into focus through in research, teaching, publishing and performance. June x 152 mm 276pp Paperback P

10 from Cambridge 10 Tales from Creative Collisions Graham Holderness Combines the critical and the creative, looking at the collisions that arise when texts are recreated in contemporary contexts. July x 140 mm 257pp Hardback C The an Archive Experiments in New Media from the Renaissance to Postmodernity Alan Galey Galey explores the entwined histories of an texts and archival technologies over the past four centuries. March x 152 mm 347pp 21 b/w illus Paperback C Paratexts in English Printed Drama to Volume Set Edited by Thomas L. Berger and Sonia Massai The first edition to provide fully annotated and cross-referenced transcriptions of all paratextual materials in English printed drama to April x 189 mm 1024pp 3 b/w illus Volume Set R Clowning and Authorship in Early Modern Theatre Richard Preiss Richard Preiss presents a lively and provocative study of how the ever-popular stage clown shaped early modern playhouse theatre. March x 152 mm 298pp 10 b/w illus. 1 table Hardback C Writing Metamorphosis in the English Renaissance Susan Wiseman Susan Wiseman analyses mythical and natural creatures in English Renaissance writing, including s A Midsummer Night s Dream and The Tempest. January x 152 mm 256pp 15 b/w illus Paperback C and Renaissance Ethics Edited by Patrick Gray and John D. Cox and Renaissance Ethics examines representations of moral choice in s plays, focusing on intellectual history, Montaigne, and Christian ethics. October x 152 mm 319pp Paperback C on the University Stage Edited by Andrew James Hartley This collection is the first study of student productions at universities and colleges across the world. October x 152 mm 304pp 13 b/w illus. 1 table Paperback C s Stage Traffic Imitation, Borrowing and Competition in Renaissance Theatre Janet Clare Contesting the notion of as originator, Clare demonstrates how adapted, imitated and borrowed from the work of others. October x 152 mm 317pp Paperback C

11 from Cambridge 11 Passionate Playgoing in Early Modern England Allison P. Hobgood Passionate Playgoing in Early Modern England examines the emotional effect of stage performance on the minds of the early modern theatre audience. October x 152 mm 246pp Paperback C as Literary Dramatist Lukas Erne This second edition of Erne s groundbreaking study includes a new preface that reviews the controversy the book has triggered. April x 152 mm 323pp 12 b/w illus Paperback C A Jacobean Company and its Playhouse The Queen s Servants at the Red Bull Theatre (c ) Eva Griffith The first history of the Queen s Servants, parallel players to s company, and their playhouse, The Red Bull. December x 152 mm 306pp 14 b/w illus Paperback C Christopher Marlowe in Context Edited by Emily C. Bartels and Emma Smith The most up-to-date contextual guide to Christopher Marlowe s world and the full range of his poetry and drama. Literature in Context October x 152 mm 412pp 6 b/w illus Paperback R The Cambridge Companion to an Tragedy Edited by Claire McEachern This updated Companion has been fully revised and includes an extensively overhauled bibliography and four new chapters by leading scholars. Cambridge Companions to Literature August x 152 mm 321pp 5 b/w illus Paperback P beyond English A Global Experiment Edited by Susan Bennett and Christie Carson What does it mean to perform in languages other than English and how do audiences respond? August x 174 mm 341pp 23 b/w illus. 16 colour illus Paperback P and Amateur Performance A Cultural History Michael Dobson From the Renaissance to today, this fascinating theatre history investigates how and why s plays have been performed by amateurs. June x 152 mm 280pp 28 b/w illus Paperback C Eating and Ethics in s England David B. Goldstein Goldstein presents a lively analysis of, Milton, religious writers and recipe book authors from the perspective of communal eating. October x 152 mm 294pp 12 b/w illus Paperback C

12 from Cambridge 12 Reviewing Journalism and Performance from the Eighteenth Century to the Present Paul Prescott Paul Prescott presents an engaging account of the ways in which theatre critics have responded to over four centuries. March x 152 mm 226pp 1 table Paperback C and the Book Trade Lukas Erne This study establishes the remarkable presence of s plays and poems in the early modern English book trade. October x 152 mm 316pp 25 b/w illus. 21 tables Paperback C The Myth of Rome in and his Contemporaries Warren Chernaik This book presents illuminating comparisons of s Roman plays with plays by Elizabethan and Jacobean dramatists including Jonson and Massinger. May x 152 mm 308pp Paperback C an Sensations Experiencing Literature in Early Modern England Edited by Katharine A. Craik and Tanya Pollard an Sensations explores the ways and his contemporaries imagined literature affecting audiences bodies, minds and emotions. October x 152 mm 256pp 1 b/w illus Paperback C Medieval Pasts and Presents Edited by Ruth Morse Helen Cooper and Peter Holland This book gives readers the opportunity to appreciate from the perspectives of the late-medieval European traditions that surrounded him. October x 152 mm 278pp 10 b/w illus Paperback C beyond Doubt Evidence, Argument, Controversy Edited by Paul Edmondson and Stanley Wells Did write? This authoritative collection of essays brings fresh perspectives to bear on an intriguing cultural phenomenon. April x 152 mm 298pp 5 b/w illus Paperback P in the Nineteenth Century Edited by Gail Marshall An illustrated collection of new essays with valuable reference material on the performance and reception of s plays. January x 152 mm 482pp 15 b/w illus Paperback C The Cambridge Introduction to Christopher Marlowe Tom Rutter This detailed and approachable account of Marlowe s life and career discusses his plays and poetry, stage history and influence. Cambridge Introductions to Literature February x 152 mm 168pp 7 b/w illus Paperback P

13 from Cambridge 13 The Cambridge Guide Emma Smith An indispensable reference tool for students and enthusiasts, this compact guide provides authoritative summaries of each of s works. March x 129 mm 258pp 35 b/w illus Paperback G in the Eighteenth Century Edited by Fiona Ritchie and Peter Sabor This book examines s influence and popularity in all aspects of eighteenth-century literature, culture and society. January x 152 mm 470pp 17 b/w illus Paperback C The Cambridge Edition of the Works of Ben Jonson 7 Volume Set Ben Jonson Edited by David Bevington Martin Butler and Ian Donaldson This seven-volume edition presents Ben Jonson s complete writings for modern readers in the light of recent scholarly interpretation and discovery. July x 152 mm 5224pp 135 b/w illus. 3 maps Volume Set R s Opposites The Admiral s Company Andrew Gurr Andrew Gurr presents the first history to be written of the acting company known as the Admiral s Men. March x 152 mm 328pp 17 b/w illus Paperback C Think on my Words Exploring s Language David Crystal David Crystal provides a lively and original introduction to s language, making his plays easily accessible to modern-day audiences. Canto Classics March x 138 mm 266pp 4 b/w illus. 2 tables Paperback G and Early Modern Political Thought Edited by David Armitage Conal Condren and Andrew Fitzmaurice Leading literary scholars and historians examine s engagement with the characteristic questions of early modern political thought. July x 152 mm 304pp Paperback C The Cambridge Companion to and Contemporary Dramatists Edited by Ton Hoenselaars This Companion is devoted to the life and works of and contemporary playwrights in early modern London. Cambridge Companions to Literature October x 152 mm 326pp 7 b/w illus. 1 music example Paperback P Performing Early Modern Drama Today Edited by Pascale Aebischer and Kathryn Prince Recent performances of early modern plays are analysed in essays by practitioners and academics, featuring critical, pedagogical and practical approaches. October x 152 mm 262pp 5 b/w illus Paperback C

14 from Cambridge 14 Documents of Performance in Early Modern England Tiffany Stern Using fresh print and manuscript evidence, this book provides a new reading of playscripts in the an period. July x 152 mm 378pp Paperback C Problem Fathers in and Renaissance Drama Tom MacFaul This book explores the central role of fathers in the plays of and a wide range of Elizabethan and Jacobean drama. December x 152 mm 268pp Paperback C Late, Edited by Andrew J. Power and Rory Loughnane In Late, , leading international scholars provide a contextually informed approach to s last seven plays. November x 152 mm 358pp 5 b/w illus Paperback C The an Stage Space Mariko Ichikawa The an Stage Space explores the original staging of plays by and his contemporaries in Renaissance playhouses. October x 152 mm 236pp 8 b/w illus. 1 table Paperback C Early Modern Playhouse Manuscripts and the Editing of Paul Werstine This book argues for editing s plays in a new way, without pretending to distinguish authorial from theatrical versions. April x 152 mm 448pp 55 b/w illus. 2 tables Paperback C Rethinking Historicism from to Milton Edited by Ann Baynes Coiro and Thomas Fulton This volume explores the history and practice of historicism and its present usefulness for literary criticism, its limitations and its future. December x 152 mm 316pp 1 b/w illus Hardback C and World Cinema Mark Thornton Burnett This book explores the significance of in contemporary world cinema for the first time. October x 152 mm 290pp 25 b/w illus Paperback C an Verse Speaking Text and Theatre Practice Abigail Rokison Uses evidence from theatrical hand-books, performance practice and drama training to examine academic and theatrical approaches to the an text. November x 152 mm 250pp Paperback C

15 Cambridge Library Collection 15 From to Pope An Inquiry into the Causes and Phenomena of the Rise of Classical Poetry in England Edmund Gosse A set of lectures on the rise and fall of classical verse forms, first published in book form in Cambridge Library Collection and Renaissance Drama August x 140 mm 316pp Paperback R Notes and Emendations to the Text of s Plays The Textual Controversy John Payne Collier Nicholas Esterhazy Stephen Armytage Hamilton and Thomas Duffus Hardy An 1852 account of the discovery of a corrected Second Folio, published here with three pieces from 1860 debating its authenticity. Cambridge Library Collection and Renaissance Drama May x 152 mm 872pp 2 colour illus Paperback R in the Theatre William Poel This book, published in 1913, argues that only a return to Elizabethan performance methods would enable a true understanding of s plays. Cambridge Library Collection and Renaissance Drama June x 140 mm 260pp 1 b/w illus Paperback R Specimens of English Dramatic Poets Who Lived about the Time of 2 Volume Set Charles Lamb This expanded two-volume 1835 anthology brings together some of the most striking passages of Elizabethan and Jacobean drama. Cambridge Library Collection and Renaissance Drama October x 140 mm 776pp Volume Set R The Complete Concordance to Shakspere Being a Verbal Index to All the Passages in the Dramatic Works of the Poet Mary Cowden Clarke Twelve years in the making, this 1845 publication remained a standard work on an vocabulary for half a century. Cambridge Library Collection and Renaissance Drama October x 210 mm 874pp Paperback R A Life of William Sidney Lee A biography first published in 1898, and regarded for many years as the most reliable account of s life. Cambridge Library Collection and Renaissance Drama May x 140 mm 520pp 6 b/w illus Paperback R Stratford-on-Avon From the Earliest Times to the Death of Sidney Lee Illustrated by Edward Hull This illustrated 1890 work draws on archival material to provide a history of Stratford up to the time of s death. Cambridge Library Collection and Renaissance Drama May x 140 mm 322pp 45 b/w illus. 1 map Paperback R Portraits of, and On the Sonnets of James Boaden and Abraham Wivell A one-volume reissue of works, published , examining portraits of, including an 1837 essay on his sonnets dedicatee. Cambridge Library Collection and Renaissance Drama June x 178 mm 506pp 12 b/w illus Paperback R

16 New Cambridge 16 A Midsummer Night s Dream William Edited by R. A. Foakes The second edition of s most popular comedy with an updated introduction and reading list. The New Cambridge May x 152 mm 168pp 14 b/w illus Paperback All s Well that Ends Well William Russell Fraser Alexander Leggatt This second edition of All s Well That Ends Well features a new introduction by Alexander Leggatt. The New Cambridge January x 152 mm 174pp 11 b/w illus Paperback Antony and Cleopatra William Edited by David Bevington of Antony and Cleopatra featuring an introductory section on recent criticism and performance. The New Cambridge July x 152 mm 302pp 17 b/w illus Paperback As You Like It William Edited by Michael Hattaway This second edition of As You Like It features a new section on recent interpretations. The New Cambridge September x 152 mm 255pp 17 b/w illus Paperback The Comedy of Errors William Edited by T. S. Dorsch Revised by Ros King This second edition of The Comedy of Errors is revised and introduced by Ros King. The New Cambridge February x 152 mm 144pp 13 b/w illus Paperback Coriolanus Edited by Lee Bliss With contributions by Bridget Escolme A second edition of Coriolanus featuring a new introductory section by Bridget Escolme. The New Cambridge January x 152 mm 328pp 14 b/w illus Paperback Cymbeline William Edited by Martin Butler The first New Cambridge edition of Cymbeline, edited and introduced by Martin Butler. The New Cambridge March x 152 mm 286pp 14 b/w illus Paperback Hamlet, Prince of Denmark William Edited by Philip Edwards With contributions by Robert Hapgood This second edition of Hamlet features a new section on recent dramatic and critical interpretations. The New Cambridge May x 152 mm 270pp 11 b/w illus Paperback

17 New Cambridge 17 Julius Caesar Third edition William Edited by Marvin Spevack Introduction by Jeremy Lopez This third edition of s Julius Caesar, features a new Introduction by Jeremy Lopez. The New Cambridge August x 152 mm 220pp 12 b/w illus Paperback King Edward III William Edited by Giorgio Melchiori The first publication of King Edward III in an authoritative edition of s works. The New Cambridge April x 152 mm 236pp 15 b/w illus Paperback The First Part of King Henry IV William Edited by Judith Weil and Herbert Weil With contributions by Katharine Craik This second edition features a new section on recent stage, film and critical interpretations. The New Cambridge October x 152 mm 251pp 12 b/w illus Paperback The Second Part of King Henry IV William Edited by Giorgio Melchiori With contributions by Adam Hansen featuring a new section by Adam Hansen on recent interpretations of s play. The New Cambridge May x 152 mm 281pp 19 b/w illus Paperback King Henry V William Edited by Andrew Gurr The second edition of King Henry V with a new introductory section by Andrew Gurr. The New Cambridge July x 152 mm 263pp 18 b/w illus Paperback The First Part of King Henry VI William Edited by Michael Hattaway The First Part of King Henry VI gives us s portrait of Joan of Arc, a prelude to key events in the Hundred Years War. The New Cambridge April x 152 mm 226pp 16 b/w illus Paperback The Second Part of King Henry VI William Edited by Michael Hattaway This 1991 book takes account of discoveries concerning s early career, paying particular attention to theatrical history. The New Cambridge June x 152 mm 264pp 19 b/w illus Paperback The Third Part of King Henry VI William Edited by Michael Hattaway The Third Part of King Henry VI, brings s story of Henry s reign and fall to Richard, Duke of Gloucester, to its unhappy close. The New Cambridge March x 138 mm 246pp 17 b/w illus Paperback

18 New Cambridge 18 King Henry VIII William Edited by John Margeson The first New Cambridge edition of King Henry VIII, edited by John Margeson. The New Cambridge April x 152 mm 205pp 17 b/w illus Paperback King John William Edited by L. A. Beaurline A new edition of King John, edited and introduced by L. A. Beaurline. The New Cambridge April x 152 mm 226pp 13 b/w illus Paperback King Richard II William Edited by Andrew Gurr This second edition of King Richard II features a new introductory section by Andrew Gurr. The New Cambridge May x 152 mm 252pp 16 b/w illus Paperback King Richard III William Edited by Janis Lull The second edition of King Richard III, with a new introductory section by Janis Lull. The New Cambridge April x 152 mm 252pp 14 b/w illus Paperback THE NEW C A M B R I D G E NCS SHAKESPEARE Edited by M. M. Mahood With an updated introduction by Tom Lockwood THE MERCHANT OF VENICE Third edition Love s Labour s Lost William Edited by William C. Carroll A highly readable edition of Love s Labour Lost edited and introduced by William C. Carroll. The New Cambridge June x 152 mm 224pp 13 b/w illus Paperback Macbeth William Edited by A. R. Braunmuller This second edition of Macbeth features a new section on modern productions of the play. The New Cambridge November x 152 mm 318pp 19 b/w illus. 1 map Paperback Measure for Measure William Edited by Brian Gibbons With contributions by Angela Stock A second edition of Measure for Measure, featuring a new introductory section by Angela Stock. The New Cambridge July x 152 mm 234pp 15 b/w illus Paperback The Merchant of Venice Third edition William Edited by M.M. Mahood Introduction by Tom Lockwood Features a new introductory section on the latest scholarly trends, performance and adaptation practices. The New Cambridge May x 152 mm 210pp Paperback

19 New Cambridge 19 THE NEW C A M B R I D G E NCS SHAKESPEARE Edited by Norman Sanders Revised with a new introduction by Christina Luckyj OTHELLO Third edition The Merry Wives of Windsor William David Crane This second edition of The Merry Wives of Windsor focuses at every point on a theatrical understanding of the play. The New Cambridge February x 152 mm 186pp 10 b/w illus Paperback Much Ado about Nothing William Edited by F. H. Mares With contributions by Angela Stock of Much Ado About Nothing, with a new introductory section by Angela Stock. The New Cambridge May x 152 mm 187pp 16 b/w illus Paperback Othello Third edition William Edited by Norman Sanders Introduction by Christina Luckyj The third New Cambridge edition of s Othello, updated by Christina Luckyj for the contemporary student reader. The New Cambridge January x 152 mm 240pp 15 b/w illus Paperback Pericles, Prince of Tyre William Edited by Doreen DelVecchio and Antony Hammond This edition shows s Pericles to be a unified aesthetic experience. The New Cambridge January x 152 mm 226pp 15 b/w illus. 1 map Paperback Romeo and Juliet William Edited by G. Blakemore Evans With contributions by Thomas Moisan This second edition of Romeo and Juliet features a new introductory section by Thomas Moisan. The New Cambridge May x 152 mm 277pp 11 b/w illus Paperback The Poems Venus and Adonis, The Rape of Lucrece, The Phoenix and the Turtle, The Passionate Pilgrim, A Lover s Complaint William Edited by John Roe Includes all the narrative poems that can confidently be assigned to. The New Cambridge June x 152 mm 326pp 5 b/w illus Paperback The Sonnets William Edited by G. Blakemore Evans Introduction by Stephen Orgel This second edition of The Sonnets features a new introduction by Stephen Orgel. The New Cambridge June x 152 mm 291pp 3 b/w illus Paperback The Taming of the Shrew Third edition William Edited by Ann Thompson The third edition of The Taming of the Shrew, one of s most popular yet controversial plays. The New Cambridge October x 152 mm 224pp Paperback

20 New Cambridge 20 The Tempest William Edited by David Lindley For this second edition David Lindley has revised his introduction and added a new section. The New Cambridge May x 152 mm 298pp 26 b/w illus Paperback The Tragedy of King Lear William Edited by Jay L. Halio This second edition of King Lear features a new introductory section by Jay L. Halio. The New Cambridge August x 152 mm 332pp 17 b/w illus Paperback The Two Gentlemen of Verona William Edited by Kurt Schlueter With contributions by Lucy Munro An updated edition of s early comedy, featuring an introductory section on stage and critical interpretations. The New Cambridge April x 152 mm 180pp 16 b/w illus Paperback The Two Noble Kinsmen William Edited by Robert Kean Turner and Patricia Tatspaugh Presenting an interesting approach to this once marginalized play, this edition addresses issues including collaboration, performance history, craftsmanship and sources. The New Cambridge April x 152 mm 246pp 10 b/w illus Paperback The Winter s Tale William Edited by Susan Snyder and Deborah T. Curren-Aquino This newly-edited 2007 edition of The Winter s Tale comes with a detailed introduction and full commentary. The New Cambridge March x 152 mm 306pp 30 b/w illus Paperback Timon of Athens William Edited by Karl Klein Karl Klein introduces s late play as a complex exploration of a corrupt, moneyed society. The New Cambridge April x 152 mm 218pp 10 b/w illus Paperback Titus Andronicus William Edited by Alan Hughes With contributions by Sue Hall-Smith of Titus Andronicus, with a new introductory section by Sue Hall- Smith. The New Cambridge June x 152 mm 191pp 12 b/w illus Paperback Troilus and Cressida William Edited by Anthony B. Dawson Introduction by Gretchen Minton The second edition of Troilus and Cressida featuring a revised and updated Introduction and new illustrations. The New Cambridge August x 152 mm 280pp 17 b/w illus Paperback

21 New Cambridge 21 Twelfth Night Or, What You Will Third edition William Edited by Elizabeth Story Donno Introduction by Penny Gay The third New Cambridge edition of s Twelfth Night, updated by Penny Gay for the contemporary student reader. The New Cambridge August x 152 mm 194pp 20 b/w illus Paperback ORDER FORM Booksellers Send this form to the Customer Services Department, Cambridge University Press, University Printing House, Shaftesbury Road, Cambridge CB2 8BS, UK. Alternatively, order online at or Individuals and libraries Send this form to your usual bookseller or supplier. In case of difficulty, contact Karen Granger, Customer Services Department, Cambridge University Press, University Printing House, Shaftesbury Road, Cambridge CB2 8BS, UK. Review copies To request a review copy of any of our books, please write to the Customer Services Department, Cambridge University Press, University Printing House, Shaftesbury Road, Cambridge CB2 8BS, UK. Prices The prices shown are usually approximate pre-publication prices. While every effort is made to maintain their accuracy, final prices may differ from those printed here. Your details Company name Title Surname First name Address Postcode Country Account number Representative Order reference Date Delivery instructions 1 Ewan Fernie for Freedom Hardback C 2 Tom Rutter and the Admiral s Men Hardback 3 Bill Barclay, Music and Performance Hardback C 4 Sarah Hatchuel on Screen Hardback C 5 Tony Fisher Theatre and Governance in Britain, Hardback 6 Jennifer Barnes an Star Hardback 7 John H. Astington Stage and Picture in the English Renaissance Hardback 8 Cyndia Susan Clegg s Reading Audiences Hardback 9 Jonathan P. Lamb in the Marketplace of Words Hardback 10 Sarah Dustagheer s Two Playhouses Hardback 11 Andrew Gurr s Workplace Hardback C 12 Jeremy Lopez Constructing the Canon of Early Modern Drama Paperback C 13 Emma Depledge Canonising Hardback Quantity Cost Subtotal...

22 14 Anne Barton The an Forest Hardback 15 Andrew James Hartley and Millennial Fiction Hardback 16 Peter Holland Survey Hardback R 17 Jeffrey S. Doty, Popularity and the Public Sphere Hardback 18 Pascale Aebischer Screening Early Modern Drama Paperback C 19 David Schalkwyk, Love and Language Hardback 20 Kirk Melnikoff Christopher Marlowe, Theatrical Commerce, and the Book Trade Hardback 21 A. D. Cousins and the Soliloquy in Early Modern English Drama Hardback 22 Katherine West Scheil Imagining s Wife Paperback P 23 Claire McEachern Believing in 24 Timothy Rosendale Theology and Agency in Early Modern Literature 25 Nicholas Luke an Arrivals Hardback Hardback Hardback 26 Brett Gamboa s Double Plays Hardback 27 Thomas Fulton The Bible on the an Stage Hardback 28 Simon Gilson Reading Dante in Renaissance Italy Hardback C 29 Adam Smyth Material Texts in Early Modern England Hardback 30 Julie Maxwell and Quotation Hardback 31 Patricia Phillippy Shaping Remembrance from to Milton 32 Leslie Thomson Discoveries on the Early Modern Stage Hardback C Hardback 33 Tom MacFaul and the Natural World Hardback C 34 James Purkis and Manuscript Drama Hardback C 35 Kate Rumbold and the Eighteenth-Century Novel Hardback C 36 Paul Franssen s Literary Lives Paperback C 37 Raphael Lyne Memory and Intertextuality in Renaissance Literature Hardback C 38 William E. Engel The Memory Arts in Renaissance England Paperback P 39 Adam G. Hooks Selling Hardback C 40 Rob Conkie Writing Performative s Hardback C 41 Gavin Alexander The Model of Poesy Paperback R 42 John Leonard The Value of Milton Paperback P 43 Peter Holland Survey Hardback R 44 Emma Smith The Cambridge Companion to s First Folio Paperback P 45 Lucy Munro Archaic Style in English Literature, Paperback C 46 Bruce R. Smith The Cambridge Guide to the Worlds of 2 Volume Hardback Set Volume Hardback Set R 47 Paul Edmondson The Circle Paperback G 48 Clara Calvo Celebrating Paperback C 49 Mary Floyd-Wilson Occult Knowledge, Science, and Gender on the an Stage Paperback C 50 Bruce Boehrer Environmental Degradation in Jacobean Drama Paperback C 51 David Loewenstein and Early Modern Religion Hardback C 52 Michelle M. Dowd The Dynamics of Inheritance on the an Stage Hardback C 53 Peter Kirwan and the Idea of Apocrypha Hardback C 54 Stuart Sillars and the Visual Imagination Hardback C 55 Sarah Hatchuel on Screen: Othello Paperback C 56 Margaret Jane Kidnie and Textual Studies Hardback C Quantity Cost Subtotal...

23 57 Fiona Ritchie Women and in the Eighteenth Century Paperback C 58 Christopher Warley Reading Class through, Donne, and Milton Paperback C 59 Andrew Gurr Moving Indoors Paperback C 60 Dennis Kennedy in Asia Paperback C 61 W. B. Worthen Performance Studies Paperback C 62 Simon Palfrey s Possible Worlds Paperback C 63 Christie Carson and the Digital World Paperback P 64 Graham Holderness Tales from Hardback C 65 Alan Galey The an Archive Paperback C 66 Thomas L. Berger Paratexts in English Printed Drama to Volume Set Volume Set R 67 Richard Preiss Clowning and Authorship in Early Modern Theatre Hardback C 68 Susan Wiseman Writing Metamorphosis in the English Renaissance Paperback C 69 Patrick Gray and Renaissance Ethics Paperback C 70 Andrew James Hartley on the University Stage Paperback C 71 Janet Clare s Stage Traffic Paperback C 72 Allison P. Hobgood Passionate Playgoing in Early Modern England Paperback C 73 Lukas Erne as Literary Dramatist Paperback C 74 Eva Griffith A Jacobean Company and its Playhouse Paperback C 75 Emily C. Bartels Christopher Marlowe in Context Paperback R 76 Claire McEachern The Cambridge Companion to an Tragedy Paperback P 77 Susan Bennett beyond English Paperback P 78 Michael Dobson and Amateur Performance Paperback C 79 David B. Goldstein Eating and Ethics in s England Paperback C 80 Paul Prescott Reviewing Paperback C 81 Lukas Erne and the Book Trade Paperback C 82 Warren Chernaik The Myth of Rome in and his Contemporaries Paperback C 83 Katharine A. Craik an Sensations Paperback C 84 Ruth Morse Medieval Paperback C 85 Paul Edmondson beyond Doubt Paperback P 86 Gail Marshall in the Nineteenth Century Paperback C 87 Tom Rutter The Cambridge Introduction to Christopher Marlowe Paperback P 88 Emma Smith The Cambridge Guide Paperback G 89 Fiona Ritchie in the Eighteenth Century Paperback C 90 David Bevington The Cambridge Edition of the Works of Ben Jonson 7 Volume Set Volume Set R 91 Andrew Gurr s Opposites Paperback C 92 David Crystal Think on my Words Paperback G 93 David Armitage and Early Modern Political Thought Paperback C 94 Ton Hoenselaars The Cambridge Companion to and Contemporary Dramatists Paperback P 95 Pascale Aebischer Performing Early Modern Drama Today Paperback C 96 Tiffany Stern Documents of Performance in Early Modern England Paperback C 97 Tom MacFaul Problem Fathers in and Renaissance Drama Paperback C 98 Andrew J. Power Late, Paperback C 99 Mariko Ichikawa The an Stage Space Paperback C 100 Paul Werstine Early Modern Playhouse Manuscripts and the Editing of Paperback C 101 Ann Baynes Coiro Rethinking Historicism from to Milton Hardback C 102 Mark Thornton Burnett and World Cinema Paperback C 103 Abigail Rokison an Verse Speaking Paperback C 104 Edmund Gosse From to Pope Paperback R Subtotal...