Proceedings of the European Society for Aesthetics
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1 Proceedings of the European Society for Aesthetics Volume 2, 2010 Edited by Alessandro Bertinetto, Fabian Dorsch and Cain Todd Published by the European Society for Aesthetics
2 Proceedings of the European Society of Aesthetics Founded in 2009 by Fabian Dorsch Internet: ISSN: Editor Fabian Dorsch (University of Fribourg) Editorial Board Arto Haapala (University of Helsinki) Robert Hopkins (University of Sheffield) Catrin Misselhorn (University of Stuttgart) Francisca Pérez-Carreño (University of Murcia) Simo Säätelä (University of Bergen) Jakub Stejskal (University of Prague) Cain Todd (University of Lancaster) Publisher The European Society for Aesthetics Department of Philosophy University of Fribourg Avenue de l'europe Fribourg Switzerland Internet:
3 Proceedings of the European Society for Aesthetics Volume 2, 2010 Edited by Alessandro Bertinetto, Fabian Dorsch and Cain Todd Table of Contents Inma Álvarez Natural and Artistic Bodies in Dance 1-19 Elvio Baccarini Reflective Equilibrium,Art and Moral Knowledge Zsolt Bátori Genre Identification and the Case of Horror Elisa Caldarola Pictorial Representation and Abstract Pictures Rafael De Clercq Reflections on a Sofa-Bed Functional Beauty and Looking Fit Wiebke Deimling Imaginary Works of Art and Real Emotions Verena Delle Donne How Can We Explain Beauty? A Psychological Answer to a Philosophical Question
4 Mădălina Diaconu Urban Drifting as a Work Method of the Creative Class Richard Eldridge Hegel as a Philosopher of Modern Art Daniel Martin Feige Art as Reflexive Practice Josef Früchtl Exhibiting or Presenting? Politics, Aesthetics and Mysticism in Benjamin s and Deleuze s Concepts of Cinema José Juan González A Philosophy of Art in Plato s Republic: an Analysis of Collingwood s Proposal Keren Gorodeisky Schematizing without a Concept? Imagine that! Anke Haarmann Artistic Research A Tool of Cognition Parallel to Philosophy? Andrew Inkpin The Nonconceptual Content of Paintings Hanna Kim Impossible Metaphors or Why Beautiful Can t Be Used Metaphorically Vladimir Konečni Aesthetic Trinity Theory and the Sublime Lev Kreft Aristotle and Cricket
5 Stefano Marino Philosophy and / as Literature: Some Remarks on Theodor W. Adorno and Richard Rorty Alberto Martinengo Metaphor and Canon in Paul Ricoeur: From an Aesthetic Point of View Jukka Mikkonen Implicit Assertions in Literary Fiction Roberto Morani Della Natura e Funzione dell Arte nel Sistema di Hegel Vítor Moura The Cinematic Muthos Cristian Nae Communicability and Empathy: Sensus Communis and the Idea of the Sublime in Dialogical Aesthetics Eva Perez de Vega Experiencing Built Space: Affect and Movement Dan-Eugen Raţiu After the Death of Art : Is there any Life for Aesthetics? Miles Rind The Concept of Interest and Kant s Distinction between the Beautiful and the Agreeable Peter Rinderle Solving the Antinomy between the Aesthetics and the Politics of Music James Schmidt Cenotaphs in Sound: Catastrophe, Memory, and Musical Memorials
6 Eva Schürmann Transitions from Seeing to Thinking: On the Relation of Perception, Worldview and World-Disclosure Marta Tafalla From Allen Carlson to Richard Long: The Art-Based Appreciation of Nature Iris Vidmar Against the Cognitive Triviality of Art Ken Wilder Neither Here Nor Elsewhere: Displacement Devices in Representing the Supernatural
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