Proceedings of the European Society for Aesthetics
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1 Proceedings of the European Society for Aesthetics Volume 4, 2012 Edited by Fabian Dorsch and Dan-Eugen Ratiu Published by the European Society for Aesthetics
2 Proceedings of the European Society of Aesthetics Founded in 2009 by Fabian Dorsch Internet: ISSN: Editors Fabian Dorsch (University of Fribourg) Dan-Eugen Ratiu (Babes-Bolyai University of Cluj-Napoca) Editorial Board Zsolt Bátori (Budapest University of Technology and Economics) Alessandro Bertinetto (University of Udine) Matilde Carrasco Barranco (University of Murcia) Josef Früchtl (University of Amsterdam) Robert Hopkins (University of Sheffield & New York University) Catrin Misselhorn (University of Stuttgart) Kalle Puolakka (University of Helsinki) Isabelle Rieusset-Lemarié (University of Paris 1 Panthéon-Sorbonne) John Zeimbekis (University of Patras) Publisher The European Society for Aesthetics Department of Philosophy University of Fribourg Avenue de l'europe Fribourg Switzerland Internet: secretary@eurosa.org
3 Proceedings of the European Society for Aesthetics Volume 4, 2012 Edited by Fabian Dorsch and Dan-Eugen Ratiu Table of Contents M. Jorge de Carvalho A Further Point of View on Points of View 1-40 Thomas Adajian Something about Vagueness and Aesthetic Disagreement María José Alcaraz Leon Aesthetic Insight: The Aesthetic Value of Damaged Environments Zsolt Bátori The Role of Music Theory in Music Appreciation Scientific Explanation or Interpretation? Alessandro Bertinetto Improvisational Listening? Adam Blincoe The Priority of Reason Mendelssohn s Rationalist Aesthetics
4 Aléxia Bretas Sonho, logo Existo: Reflexões Estéticas de Fernando Pessoa Remei Capdevila Werning From Berliner Stadtschloss to Humboldt-Box and Back Again Architecture in the Conditional Matilde Carrasco Barranco The Dogma of Post-Conceptual Art The Role of the Aesthetic in the Art of Today María del Mar Rosa Martínez On Brady s Imagination and the Aesthetic Experience of Nature Thomas Dworschak A Framework for Musical Meaning Sergey A. Dzikevich Towards a Semioinstitutional Theory of the Aesthetic Some Results of Metahistorical Thinking in Aesthetics Evrim Emir-Sayers Gauging Proximities An Inquiry into a Possible Nexus between Middle Eastern and Western Painting Erin E. Flynn The Aesthetic Representation of Justice in Eastwood s High Plains Drifter Cristian Hainic The Heideggerian Roots of Everyday Aesthetics A Hermeneutical Approach to Art James R. Hamilton The Riches of Narrative Per Se
5 Thomas Heyd On Guyer s Reading of Kant on Adherent Beauty Vladimir J. Konečni Empirical Psycho-Aesthetics and her Sisters Substantive and Methodological Issues Ya-Ping Lin Art for Life s Sake Iris Murdoch on the Relationship Between Art and Morality Dina Mendonça The Experimental Solution for the Paradox of Fiction and the Paradox of Tragedy Eric Murphy The Expanded Cluster Account of Art Simone Neuber How Depictive Representations Mandate Pretence by Being Recognised in Terms of What They Depict Dan-Eugen Ratiu Remapping the Realm of Aesthetics On Recent Controversies about the Aesthetic and the Aesthetic Experience in Everyday Life Isabelle Rieusset-Lemarié What Taste and Perfume Add to the Political Interpretation of the Kantian Aesthetic Judgment by Arendt and Deleuze Matthew Rowe Artwork Indication and the Standard of Neglect
6 Salvador Rubio Marco Pour un Réalisme de l Aspect et l Expression en Esthétique Pioter Shmugliakov Heidegger s Modernism What Does the Overcoming of Aesthetics Really Amount to? Ronald Shusterman Anish Kapoor and the Anti-Entropy of Art Karen Simecek On the (Seeming) Incompatibility Between Poetry and Philosophical Inquiry Robert Stecker Film Narration, Imaginative Seeing and Seeing-In Marta Tafalla Anosmic Aesthetics Enrico Terrone The Digital Secret of the Moving Image Enrico Terrone & Daniela Tagliafico Imagination and the Cinematic Experience Daniel Jerónimo Tobón Giraldo On the Paradox of Tragedy Notes for the Balance of Its Theoretical Heritage Connell Vaughan The Political Basis of Rancière s Aesthetics Ken Wilder Manet and Vermeer The Nature of the Excluded Spectator
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