SOCY10452: Media, Culture and Society 2

Transcription

1 SOCY10452: Media, Culture and Society 2 View Online Adorno, T. (1997). The Culture Industry: Enlightenment as Mass Deception. In Dialectic of Enlightenment (pp ). London: Verso. Adorno, T. (2002). The Stars Down to Earth (2nd Ed, Vol. Routledge Classics). S.l: Retrieved from Adorno, T. W., & Bernstein, J. M. (2001). The culture industry: selected essays on mass culture (Vol. Routledge classics). London: Anderson, B. R. O. (2006a). Imagined communities: reflections on the origin and spread of nationalism (Rev. ed. [3rd]). London: Verso. Anderson, B. R. O. (2006b). Imagined communities: reflections on the origin and spread of nationalism (Rev. ed. [3rd]). London: Verso. Retrieved from Andrae, T. (n.d.). Adorno on film and mass culture. Retrieved from Ang, I. (1991). Desperately seeking the audience. London: Aoyama, Y., & Izushi, H. (2003). Hardware gimmick or cultural innovation? Technological, cultural, and social foundations of the Japanese video game industry. Research Policy, 32 (3), Arceneaux, N., & Schmitz Weiss, A. (2010). Seems stupid until you try it: press coverage of Twitter, New Media & Society, 12(8), Barlow, D. (2009). Chapter 7: F.R. Leavis. In Reading Media Theory: Thinkers, Approaches and Contexts (pp ). Harlow: Longman. Baym, N. K. (2010). Personal connections in the digital age (Vol. Digital media and society). Cambridge: Polity. Bazalgette, C. (2000). Chapter 1: Why Media Studies is Worthwhile. In Formations: a 21st-Century Media Studies Textbook (pp. 5 14). Manchester: Manchester University Press. Bazin, A., & Gray, H. (2005). What is cinema? ([New ed.]). Berkeley, Calif: University of California Press. 1/15

2 Benjamin, W., & Arendt, H. (1999). Illuminations. London: Pimlico. Benjamin, W., Tiedemann, R., Eiland, H., & McLaughlin, K. (1999). The arcades project. Cambridge, Mass: Harvard Berger, J. (2008). Ways of seeing (Vol. Penguin on design). London: Penguin. Berman, M. (2010). All that is solid melts into air: the experience of modernity (New ed). London: Verso. Bolter, J. D., & Grusin, R. (1999). Remediation: understanding new media. Cambridge, Mass: MIT Press. Bordwell, D. (1985). Narration in the fiction film. London: Methuen. Branston, G. (1999). Chapter 24: Case Study: News Corporation. In The Media Student s Book (2nd ed., pp ). London: Retrieved from Braudy, L., & Cohen, M. (2009). Film theory and criticism: introductory readings (7th ed). New York: Oxford Briggs, A., & Burke, P. (2009a). A social history of the media: from Gutenberg to the Internet (3rd ed). Cambridge: Polity. Briggs, A., & Burke, P. (2009b). A social history of the media: from Gutenberg to the Internet (3rd ed). Cambridge: Polity. Briggs, A., & Burke, P. (2009c). A social history of the media: from Gutenberg to the Internet (3rd ed). Cambridge: Polity. Brooker, W., & Jermyn, D. (2003). The audience studies reader. London: Brownlow, K. (1968). The parade s gone by. London: Secker & Warburg. Buck-Morss, S. (2002). Globalization, cosmopolitanism, politics, and the citizen. Journal of Visual Culture, 1(3), Burch, N. (1990). Life to those shadows. London: BFI Publishing. Burch, N., & Brewster, B. (1990). Life to those shadows. Berkeley, Calif: University of California Press. Retrieved from Burroughs, B. (2007). Kissing Macaca: Blogs, Narrative and Political Discourse. Journal for Cultural Research, 11(4), Butler, B., & Mirza, K. (2006). Cinema of prayoga: Indian experimental film & video, London: No.w.here. Butsch, R. (2008). The citizen audience: crowds, publics, and individuals. New York: 2/15

3 Calhoun, C. J. (1992a). Habermas and the public sphere (Vol. Studies in contemporary German social thought). Cambridge, Mass: MIT Press. Calhoun, C. J. (1992b). Habermas and the public sphere (Vol. Studies in contemporary German social thought). Cambridge, Mass: MIT Press. Carstens, A., & Beck, J. (2004). Get ready for the gamer generation. TechTrends, 49(3), Castronova, E. (2005). Synthetic worlds: the business and culture of online games. Chicago, [Ill.]: University of Chicago Press. Chadwick, A. (2006). Chapter 5: Community, Deliberation and Participation: E-Democracy. In Internet Politics: States, Citizens and New Communication Technologies (pp ). New York: Oxford Chanan, M. (1996a). The dream that kicks: the prehistory and early years of cinema in Britain (2nd ed). London: Chanan, M. (1996b). The dream that kicks: the prehistory and early years of cinema in Britain (2nd ed). London: Retrieved from 35%40sessionmgr4002&vid=0&hid=4114&bdata=JkF1dGhUeXBlPWlwLHNoaWImc2l0ZT1l ag9zdc1saxzl#db=nlebk&an=94414 Chanan, M. (1996c). The dream that kicks: the prehistory and early years of cinema in Britain (2nd ed). London: Retrieved from 28a%40sessionmgr112&vid=0&hid=109&bdata=JkF1dGhUeXBlPWlwLHNoaWImc2l0ZT1la G9zdC1saXZl#db=nlebk&AN=94414 Chanan, M. (1996d). The dream that kicks: the prehistory and early years of cinema in Britain (2nd ed). London: Retrieved from 160%40sessionmgr198&vid=0&hid=116&bdata=JkF1dGhUeXBlPWlwLHNoaWImc2l0ZT1la G9zdC1saXZl#db=nlebk&AN=94414 Chanan, M. (1996e). The dream that kicks: the prehistory and early years of cinema in Britain (2nd ed). London: Retrieved from 28a%40sessionmgr112&vid=0&hid=109&bdata=JkF1dGhUeXBlPWlwLHNoaWImc2l0ZT1la G9zdC1saXZl#db=nlebk&AN=94414 Chanan, M. (1996f). The dream that kicks: the prehistory and early years of cinema in Britain (2nd ed). London: Retrieved from 160%40sessionmgr198&vid=0&hid=116&bdata=JkF1dGhUeXBlPWlwLHNoaWImc2l0ZT1la G9zdC1saXZl#db=nlebk&AN=94414 Classen, C. (1993). Worlds of sense: exploring the senses in history and across cultures. London: 3/15

4 Crary, J. (1990). Techniques of the observer: on vision and modernity in the nineteenth century (Vol. October books). Cambridge, Mass: MIT Press. Crawford, G. (2012). Video gamers (Vol. Routledge advances in sociology). London: Curran, J., & Morley, D. (2006). Media and cultural theory. London: Davis, J. (2010). Architecture of the personal interactive homepage: constructing the self through MySpace. New Media & Society, 12(7), Dean, J. (2010). Blog theory: feedback and capture in the circuits of drive. Cambridge: Polity. Deuze, M., Martin, C. B., & Allen, C. (2007). The Professional Identity of Gameworkers. Convergence: The International Journal of Research into New Media Technologies, 13(4), DiPaola, S., & Turner, J. (n.d.). Authoring the Intimate Self: Identity, Expression and Role-playing within a Pioneering Virtual Community. Retrieved from Dovey, J. (1996). Fractal dreams: new media in social context. London: Lawrence & Wishart. Dovey, J., & Kennedy, H. W. (2006). Game cultures: computer games as new media (Vol. Issues in cultural and media studies). Maidenhead: Open Downing, J. D. H. (2008). The realities of virtual play: video games and their industry in China. Media, Culture & Society, 30(4), Duffett, M. (2013). Understanding fandom: an introduction to the study of media fan culture. New York: Bloomsbury. Duncombe, S. (2007a). Dream: re-imagining progressive politics in an age of fantasy. New York: New Press. Duncombe, S. (2007b). Dream: re-imagining progressive politics in an age of fantasy. New York: New Press. Durham, Meenakshi Gigi, & Kellner, Douglas. (2006). Media and cultural studies: keyworks (Rev. ed, Vol. KeyWorks in cultural studies). Oxford: Blackwell. Dyer-Witheford, N., & De Peuter, G. (2009). Games of empire: global capitalism and video games (Vol. Electronic mediations). Minneapolis, Minn: University of Minnesota Press. Eisenstein, E. L., & Cambridge Books Online (Online service). (2012). The Printing Revolution in Early Modern Europe (Vol. Canto Classics). Cambridge: Cambridge University Press. 4/15

5 Elsaesser, T., & Barker, A. (1990). Early cinema: space-frame-narrative. London: BFI Publishing. Evans, E. J. (2008). Character, audience agency and transmedia drama. Media, Culture & Society, 30(2), Febvre, L., & Martin, H.-J. (2010). The coming of the book: the impact of printing, (Vol. Verso world history series). London: Verso. Feenberg, A., & Barney, D. D. (2004). Community in the digital age: philosophy and practice. Lanham, Md: Rowman & Littlefield. Fell, J. L. (1986). Film and the narrative tradition. Berkeley: University of California. Finlayson, J. G. (2005). Habermas: a very short introduction (Vol. Very short introductions). Oxford: Oxford Fiske, J. (1989). Reading the popular. London: Foucault, M. (1991). Discipline and punish: the birth of the prison. London: Penguin. Freeman, C. (1996). Chapter 1 : The Two-Edged Nature of Technological Change: Employment and Unemployment. In Information and Communication Technologies: Visions and Realities (pp ). Oxford: Oxford Fuchs, C. (2014). Social media: a critical introduction. London: SAGE. Gane, N., & Beer, D. (2008). New media: the key concepts (Vol. The key concepts). Oxford: Berg. Garnham, N. (2000a). Emancipation, the media and modernity: arguments about the media and social theory. Oxford: Oxford Garnham, N. (2000b). Emancipation, the media and modernity: arguments about the media and social theory. Oxford: Oxford Garnham, N. (2000c). Emancipation, the media and modernity: arguments about the media and social theory. Oxford: Oxford Gee, J. P. (2007). What video games have to teach us about learning and literacy (Rev. and updated ed). New York: Palgrave Macmillan. Gerbaudo, P. (2012a). Tweets and the streets: social media and contemporary activism. London: Pluto Press. Gerbaudo, P. (2012b). Tweets and the streets: social media and contemporary activism. London: Pluto Press. Retrieved from Gere, C. (2002). Digital culture. London: Reaktion. Gere, C. (2009). Digital Culture. London: Reaktion Books. Retrieved from 5/15

6 Gibson, N. C., & Rubin, A. (2002). Adorno: a critical reader (Vol. Blackwell critical readers). Oxford: Blackwell. Gobe, M. (2009). Introduction - Emotional Branding: Fuel for Success in the Twenty-First Century. In Emotional Branding: the New Paradigm for Connecting Brands to People (pp. xvii xxxiv). New York: Allworth Press. Golumbia, D. (2009). Games Without Play. New Literary History, 40(1), Gray, J., Sandvoss, C., & Harrington, C. L. (2007). Fandom: identities and communities in a mediated world. New York: New York Griffen-Foley, B. (2004). From Tit-Bits to Big Brother: A Century of Audience Participation in the Media. Media, Culture & Society, 26(4), Gunning, T. R. (1991). D.W. Griffith and the origins of American narrative film: the early years at Biograph. Urbana: University of Illinois Press. Habermas, J. (1989). The structural transformation of the public sphere: an inquiry into a category of bourgeois society. Cambridge: Polity. Habermas, J. (2006). Political Communication in Media Society: Does Democracy Still Enjoy an Epistemic Dimension? The Impact of Normative Theory on Empirical Research. Communication Theory, 16(4), Hall, S. (1997). Chapter 4: The Spectacle of the Other. In Representation: Cultural Representations and Signifying Practices (pp ). London: Sage. Hall, S., & University of Birmingham. (1992). Culture, media, language: working papers in cultural studies, London: Routledge in association with the Centre for Contemporary Cultural Studies, University of Birmingham. Hanssen, B. (2006). Walter Benjamin and the Arcades project (Vol. Walter Benjamin studies series). London: Continuum. Hassan, R., & Thomas, J. (2006a). The new media theory reader. Maidenhead: Open Hassan, R., & Thomas, J. (2006b). The new media theory reader. Maidenhead: Open Hassan, R., & Thomas, J. (2006c). The new media theory reader. Maidenhead: Open Hassan, R., & Thomas, J. (2006d). The new media theory reader. Maidenhead: Open 6/15

7 Hassan, R., & Thomas, J. (2006e). The new media theory reader. Maidenhead: Open Haythornthwaite, C. (2002). Strong, Weak, and Latent Ties and the Impact of New Media. The Information Society, 18(5), Heeks, R. (2009). Understanding Gold Farming and Real-Money Trading as the Intersection of Real and Virtual Economies. Journal of Virtual Worlds Research, 2(4). Retrieved from Herman, E. (2002). Chapter 1: A Propaganda Model. In Manufacturing Consent (pp. 1 36). New York: Pantheon Books. Hesmondhalgh, D. (2013a). The cultural industries (3rd ed). London: SAGE. Hesmondhalgh, D. (2013b). The cultural industries (3rd ed). London: SAGE. Hetherington, K. (2008). Capitalism s eye: cultural spaces of the commodity (Vol. Cultural spaces). New York: Hills, M. (2002). Fan cultures (Vol. Sussex studies in culture and communication). London: Hind, D. (2010). The return of the Public. London: Verso. Hohendahl, P. U. (1993). The Frozen Imagination: Adorno s Theory of Mass Culture Revisited. Thesis Eleven, 34(1), Huhtamo, E. (2013a). Illusions in motion: media archaeology of the moving panorama and related spectacles (Vol. Leonardo book series). Cambridge Massachusetts: The MIT Press. Huhtamo, E. (2013b). Illusions in motion: media archaeology of the moving panorama and related spectacles (Vol. Leonardo book series). Cambridge Massachusetts: The MIT Press. Humphreys, S. (2008). Ruling the virtual world: Governance in massively multiplayer online games. European Journal of Cultural Studies, 11(2), Humphreys, S. (2009). Norrath: New Forms, Old Institutions. Games Studies, 9(1). Retrieved from Interactivity: a concept explication. (2002). New Media & Society, 4(3), Izushi, H., & Aoyama, Y. (2006). Industry evolution and cross-sectoral skill transfers: a comparative analysis of the video game industry in Japan, the United States, and the United Kingdom. Environment and Planning A, 38(10), Jarvis, S. (1998). Adorno: a critical introduction (Vol. Key contemporary thinkers). Oxford: Polity Press. Jay, M. (1973). The dialectical imagination: a history of the Frankfurt School and the Institute of Social Research, (Vol. An H.E.B. paperback). London: Heinemann. 7/15

8 Jay, M. (1984). Adorno (Vol. Fontana modern masters). [London]: Fontana. Jay, M., & American Council of Learned Societies. (1996). The dialectical imagination: a history of the Frankfurt School and the Institute of Social Research, (Vol. Weimar and now). Berkeley: University of California Press. Retrieved from Jenkins, H. (1992). Textual poachers: television fans and participatory culture (Vol. Studies in culture and communication). New York: Jenkins, H. (2006a). Convergence culture: where old and new media collide. New York: New York Jenkins, H. (2006b). Convergence culture: where old and new media collide. New York: New York Retrieved from Jenkins, H. (2006c). Convergence culture: where old and new media collide. New York: New York Jenkins, H. (2006d). Convergence culture: where old and new media collide. New York: New York Retrieved from Jenkins, H. (2006e). Fans, bloggers and gamers: exploring participatory culture. New York: New York Jenkins, H., & American Council of Learned Societies. (2006). Fans, bloggers, and gamers: exploring participatory culture. New York: New York Retrieved from John B. Thompson. (1982). Ideology and the Social Imaginary: An Appraisal of Castoriadis and Lefort. Theory and Society, 11(5), Retrieved from Johns, J. (2006). Video games production networks: value capture, power relations and embeddedness. Journal of Economic Geography, 6(2), Johnson, S. (1997). Interface culture: how new technology transforms the way we create and communicate. San Francisco: Basic Books. Jones, J. (2011). Social media and social movements. International Socialism, (130). Retrieved from Jordan, T. (1999). Cyberpower: the culture and politics of cyberspace and the Internet. London: Joyce, M. (2010). Digital activism decoded: the new mechanics of change. New York: International Debate Education Association. Kahn, R., & Kellner, D. (2004). New Media and Internet Activism: From the Battle of 8/15

9 Seattle to Blogging. New Media & Society, 6(1), Kellner, D. (1989). Critical theory, marxism, and modernity (Vol. Parallax : re-visions of culture and society). Baltimore, Md: Johns Hopkins Kellner, D. (1993). Critical Theory Today: Revisiting the Classics. Theory, Culture & Society, 10(2), Kerr, A. (2006). The business and culture of digital games: gamework/gameplay. London: SAGE. Kirby, L. (1997). Parallel tracks: the railroad and silent cinema. Durham, N.C.: Duke Kirkpatrick, D. (2011). The Facebook effect: the real inside story of Mark Zuckerberg and the world s fastest-growing company (Updated ed). [London]: Virgin. Kirkpatrick, G. (2008a). Technology and social power. Basingstoke: Palgrave Macmillan. Kirkpatrick, G. (2008b). Technology and social power. Basingstoke: Palgrave Macmillan. Kirkpatrick, G. (2013a). Computer games and the social imaginary (Vol. Digital media and society). Cambridge: Polity. Kirkpatrick, G. (2013b). Computer games and the social imaginary (Vol. Digital media and society series). Cambridge, UK: Polity Press. Retrieved from Klein, N. (2005). Chapter 2: The Brand Expands. In No Logo: No Space, No Choice, No Jobs (pp ). London: Harper Perennial. Kline, S., Dyer-Witheford, N., & De Peuter, G. (2003). Digital play: the interaction of technology, culture and marketing. Montre al: McGill-Queen s Kluitenberg, E. (2008). Delusive spaces: essays on culture, media and technology. Rotterdam: NAi Publishers. Kracauer, S. (1997). Theory of film: the redemption of physical reality. Princeton, N.J.: Princeton Levin, D. M. (1993). Modernity and the hegemony of vision. Berkeley, Calif: University of California Press. Lewis, J. (2002a). Cultural studies: the basics. London: SAGE. Lewis, J. (2002b). Cultural studies: the basics. London: SAGE. Lewis, J. (2002c). Cultural studies: the basics. London: SAGE. 9/15

10 Lister, M. (2003). New media: a critical introduction. London: LIVINGSTONE, S. (1999). New Media, New Audiences? New Media & Society, 1(1), Livingstone, S. (2002). Chapter 4: The Media-Rich Home: Balancing Public and Private Lives. In Young People and New Media (pp ). London: Sage. Long, P. (2009). Chapter 11: Conceptualising Mass Society. In Media Studies: Texts, Production and Context (pp ). Harlow: Pearson Longman. Lopes, D. M. M. (2001). The Ontology of Interactive Art. Journal of Aesthetic Education, 35 (4). Retrieved from Lovink, G. (2008). Zero comments: blogging and critical Internet culture. New York: Lovink, G. (2011). Networks without a cause: a critique of social media. Cambridge: Polity. Lunn, E. (1984). Marxism and Modernism: an historical study of Lukacs, Brecht, Benjamin and Adorno. Univ.California P. Mannoni, L., & Crangle, R. (2000). The great art of light and shadow: archaeology of the cinema. Exeter: University of Exeter Press. Manovich, L. (2001). The language of new media (Vol. Leonardo). Cambridge, Mass: MIT Press. Markku Eskelinen Electronic Book Review. (n.d.). Retrieved from Marwick, A. E., & boyd, d. (2011). I tweet honestly, I tweet passionately: Twitter users, context collapse, and the imagined audience. New Media & Society, 13(1), Mayer, P. A. (1999). Computer media and communication: a reader. Oxford: Oxford McKee, A. (2005). The public sphere: an introduction. Cambridge: Cambridge University Press. McLuhan, M. (1968). The Gutenberg galaxy: the making of typographic man (Vol. Canadian University paperbooks). Toronto: University of Toronto Press. McRobbie, A. (1994). Postmodernism and popular culture. London: Mirzoeff, N. (2006). On Visuality. Journal of Visual Culture, 5(1), Moe, H. (2010). Everyone a pamphleteer? Reconsidering comparisons of mediated public 10/15

11 participation in the print age and the digital era. Media, Culture & Society, 32(4), Morley, D. (1988). Family television: cultural power and domestic leisure (Vol. Comedia). London: Morozov, E. (2012). The net delusion: how not to liberate the world. London: Penguin. Mukerji, C. (2006). Printing, cartography and conceptions of place in Renaissance Europe. Media, Culture & Society, 28(5), Mukerji, C., & Schudson, M. (1991a). Rethinking popular culture: contemporary perspectives in cultural studies. Berkeley: University of California Press. Mukerji, C., & Schudson, M. (1991b). Rethinking popular culture: contemporary perspectives in cultural studies. Berkeley: University of California Press. Mukerji, C., & Schudson, M. (1991c). Rethinking popular culture: contemporary perspectives in cultural studies. Berkeley: University of California Press. Murdock, G. (1993). Communications and the constitution of modernity. Media, Culture & Society, 15(4), Murphie, A., & Potts, J. (2003). Culture and technology. Basingstoke: Palgrave Macmillan. Murthy, D. (2011). Twitter: Microphone for the masses? Media, Culture & Society, 33(5), Ndalianis, A. (2004). Neo-baroque aesthetics and contemporary entertainment (Vol. Media in transition). Cambridge, Mass: MIT. Negroponte, N. (1995). Being digital. London: Hodder & Stoughton. Nieborg, D. B., & van der Graaf, S. (2008). The mod industries? The industrial logic of non-market game production. European Journal of Cultural Studies, 11(2), North, D. (2001). Magic and illusion in early cinema. Studies in French Cinema, 1(2), O Connor, B. (2013). Adorno (Vol. Routledge philosophers). London: Paddison, M. (1996). Adorno, modernism and mass culture: essays on critical theory and music. London: Kahn & Averill. Papacharissi, Z. (2002). The virtual sphere: The internet as a public sphere. New Media & Society, 4(1), Papacharissi, Z. (2011a). A networked self: identity, community and culture on social network sites. New York: Papacharissi, Z. (2011b). A networked self: identity, community and culture on social 11/15

12 network sites. New York: Retrieved from Pearce, C. (2009). Communities of play: emergent cultures in multiplayer games and virtual worlds. Cambridge, Mass: MIT Press. Peters, J. D. (1993). Distrust of representation: Habermas on the public sphere. Media, Culture & Society, 15(4), Popple, S. (2003). Early Cinema: From Factory Gate to Dream Factory. Colombia University Press. Popple, S., & Kember, J. (2004). Early cinema: from factory gate to film factory (Vol. Short cuts). London: Wallflower. Poster, M. (2006a). Information please: culture and politics in the age of digital machines. Durham, [N.C.]: Duke Poster, M. (2006b). Information please: culture and politics in the age of digital machines. Durham, [N.C.]: Duke Postman, N. (1987a). Amusing ourselves to death: public discourse in the age of showbusiness (Vol. A Methuen paperback). London: Methuen. Postman, N. (1987b). Amusing ourselves to death: public discourse in the age of showbusiness (Vol. A Methuen paperback). London: Methuen. Raessens, J., & Goldstein, J. H. (2005). Handbook of computer game studies. Cambridge, Mass: MIT. Raessens, J., & Goldstein, J. H. (2011). Handbook of computer game studies. Cambridge, Mass: MIT Press. Rebillard, F., & Touboul, A. (2010). Promises unfulfilled? Journalism 2.0, user participation and editorial policy on newspaper websites. Media, Culture & Society, 32(2), Rose, G. (1978). The melancholy science: an introduction to the thought of Theodor W. Adorno (Vol. European perspectives). New York: Columbia Ruch, A. (2009). World of Warcraft: Service or Space? Game Studies, 9(2). Retrieved from Ryan, M.-L. (2001). Narrative as virtual reality: immersion and interactivity in literature and electronic media (Vol. Parallax). Baltimore: Johns Hopkins Sartre, J.-P., & Frechtman, B. (1967). What is literature? London: Methuen. Shields, R. (2003). The virtual (Vol. Key ideas). London: Sihvonen, T. (2011a). Players Unleashed!: Modding The Sims and the Culture of Gaming (Vol. MediaMatters, 5). Amsterdam: Amsterdam 12/15

13 Sihvonen, T. (2011b). Players Unleashed!: Modding The Sims and the Culture of Gaming (Vol. MediaMatters, 5). Amsterdam: Amsterdam Retrieved from Silverstone, R. (1994a). Television and everyday life. London: Silverstone, R. (1994b). Television And Everyday Life. Hoboken: Taylor and Francis. Retrieved from 422%40sessionmgr115&vid=0&hid=116&bdata=JkF1dGhUeXBlPWlwLHNoaWImc2l0ZT1la G9zdC1saXZl#db=nlebk&AN=97837 Stafford, B. M. (1994). Artful science: enlightenment, entertainment and the eclipse of visual education. Cambridge, Mass: MIT Press. Stallabrass, J. (1996). Gargantua: manufactured mass culture. London: Verso. Strauven, W. (2006a). The cinema of attractions reloaded (Vol. Film culture in transition). Amsterdam: Amsterdam Strauven, W. (2006b). The Cinema of Attractions Reloaded (Vol. Film Culture in Transition). Amsterdam: Amsterdam Retrieved from Strinati, D. (2004a). An Introduction to Theories of Popular Culture (2nd ed). London: Strinati, D. (2004b). An Introduction to Theories of Popular Culture (2nd ed). London: Retrieved from Strinati, D. (2004c). An Introduction to Theories of Popular Culture (2nd ed). London: Strinati, D. (2004d). An Introduction to Theories of Popular Culture (2nd ed). London: Retrieved from Strinati, D. (2004e). Introduction to Theories of Popular Culture (2nd ed). London: Strinati, D. (2004f). Introduction to Theories of Popular Culture (2nd ed). London: Taylor, C. (2004). Modern social imaginaries (Vol. Public planet books). Durham: Duke Taylor, C. (2007). A secular age. Cambridge, Mass: Belknap. Taylor, T. L. (2006). Play between worlds: exploring online game culture. Cambridge, Mass: MIT. Tester, K. (2012). August in England. Thesis Eleven, 109(1), /15

14 Theodor W. Adorno and Anson G. Rabinbach. (1975). Culture Industry Reconsidered. New German Critique, (6), Retrieved from Thompson, J. B. (1990a). Ideology and modern culture: critical social theory in the era of mass communication. Cambridge: Polity. Thompson, J. B. (1990b). Ideology and modern culture: critical social theory in the era of mass communication. Stanford, Calif: Stanford Thompson, J. B. (1995a). The media and modernity: a social theory of the media. Cambridge: Polity. Thompson, J. B. (1995b). The media and modernity: a social theory of the media. Cambridge: Polity. Thompson, J. B. (1995c). The media and modernity: a social theory of the media. Cambridge: Polity. Thompson, J. B. (1995d). The media and modernity: a social theory of the media. Cambridge: Polity. Thompson, J. B. (1995e). The media and modernity: a social theory of the media. Cambridge: Polity. Till, J. (2013). The broken middle: The space of the London riots. Cities, 34, Tucker, K. H. (2005). From the Imaginary to Subjectivation: Castoriadis and Touraine on the Performative Public Sphere. Thesis Eleven, 83(1), Turkle, S. (1997). Life on the screen: identity in the age of the Internet. London: Phoenix. Turkle, S. (1999). Identity in the Age of the Internet. In The Media Reader (pp ). London: Sage. Turkle, S. (2011a). Alone Together: Why We Expect More from Technology and Less from Each Other. New York: Basic Books. Retrieved from Turkle, S. (2011b). Alone together: why we expect more from technology and less from each other. New York, N.Y.: BasicBooks. Van Dijck, J. (2009). Users like you? Theorizing agency in user-generated content. Media, Culture & Society, 31(1), Van Dijck, J. (2012). Facebook as a Tool for Producing Sociality and Connectivity. Television & New Media, 13(2), Van Zoonen, L. (2005). Entertaining the citizen: when politics and popular culture converge (Vol. Critical media studies series). Lanham, MD: Rowman & Littlefield. 14/15

15 Vanessa Toulmin. (1994). Telling the Tale: The Story of the Fairground Bioscope Shows and the Showmen Who Operated Them. Film History, 6(2), Retrieved from Va liaho, P. (2010). Mapping the moving image: gesture, thought and cinema circa 1900 (Vol. Film culture in transition). Amsterdam: Amsterdam Wardrip-Fruin, N., & Harrigan, P. (2004). FirstPerson: new media as story, performance, and game. Cambridge, Mass: MIT. Wiggershaus, R. (1994). The Frankfurt School: its history, theories and political significance. Cambridge: Polity Press. Williams, D. (2003). The Video Game Lightning Rod. Information, Communication & Society, 6(4), Williams, D. (n.d.). A Brief Social History of Game. Retrieved from Williams, R. (1980). Advertising: the Magic System. In Problems in Materialism and Culture: Selected Essays (pp ). London: Verso. Williams, R., & Williams, E. (2003). Television: technology and cultural form ([New ed.], Vol. Routledge classics). London: Wilson, R. (2007). Theodor Adorno (Vol. Routledge critical thinkers : essential guides for literary studies). London: Zukin, S. (2004). Point of purchase: how shopping changed American culture. New York: 15/15