Text/Image Cultures: Theory and Practice

Transcription

1 Text/Image Cultures: Theory and Practice View Online 1. Nelson RS, Shiff R. Word and Image. In: Critical terms for Art History [Internet]. 2nd ed. Chicago, Ill: University of Chicago Press; Available from: 2. Amihay O, Walsh L. The future of text and image: collected essays on literary and visual conjunctures. Newcastle upon Tyne: Cambridge Scholars Publishing; Bohn W. Modern visual poetry. Newark, Delaware: University of Delaware Press; Mitchell WJT. Picture theory: essays on verbal and visual representation. Chicago, Ill: University of Chicago Press; Saussure F de, Bally C, Sechehaye A, Riedlinger A, Harris R. Course in general linguistics. London: Duckworth; Joseph JE. Saussure. Oxford: Oxford University Press; /7

2 7. Barthes R, Lavers A, Reynolds S. Mythologies. Rev. Vintage ed. Vol. Vintage classics. London: Vintage; Mukařovský J. Aesthetic function, norm and value as social facts. Vol. Michigan Slavic contributions. Ann Arbor: Dept. of Slavic Languages and Literature, University of Michigan; Matejka L. Sound, sign, and meaning: quinquagenary of the Prague Linguistic Circle. Vol. Michigan Slavic contributions. Ann Arbor: Dept. of Slavic Languages and Literatures, University of Michigan; Barthes R, Heath S. Rhetoric of Image. In: Image Music Text. London: Fontana Press; Kress GR, Van Leeuwen T. Reading images: the grammar of visual design. London: Routledge; Dyer G. Advertising as communication. Vol. Studies in culture and communication. London: Routledge; Scott DHT. Poetics of the poster: the rhetoric of image-text. Vol. Contemporary French and francophone cultures. Liverpool: Liverpool University Press; /7

3 14. Manghani S. Image studies: theory and practice. London: Routledge; Barthes R, Heath S. Image music text. Vol. Fontana communications series. London: Fontana Press; Bateman JA. Text and image: a critical introduction to the visual-verbal divide. London: Routledge; Cox N. Cubism. Vol. Art & ideas. London: Phaidon Press; Rubin WS, Varnedoe K, Zelevansky L, Museum of Modern Art (New York, N.Y.). Picasso and Braque: a symposium. New York, N.Y.: Museum of Modern Art; Antliff M, Leighten PD. Cubism and culture. Vol. World of art. London: Thames & Hudson; Cottington D. Cubism and its histories. Vol. Critical perspectives in art history. Manchester: Manchester University Press; Karmel P, Picasso P. Picasso and the invention of Cubism. New Haven, Conn: Yale University Press; /7

4 22. Penrose R, Goulding J, Kahnweiler D-H. Picasso, London: Elek; Davis O. Jacques Rancière. Vol. Key contemporary thinkers. Cambridge: Polity Press; Deranty J-P, Dawson Books. Jacques Rancière: key concepts [Internet]. Durham: Acumen; Available from: oleth&dest= Rancière J. The future of the image. English ed. London: Verso; Applegate M. The Emancipatory Power of Critical Art. Socialism and Democracy. 2012;26(3): Game J. Porous boundaries: texts and images in twentieth-century French culture. Vol. Modern French identities. Oxford ; Berlin: Peter Lang; Tanke JJ. Jacques Ranci re: an introduction. London: Continuum; /7

5 29. Rancière J. The emancipated spectator. London: Verso; Töpffer R, Töpffer R. Monsieur Jabot: Monsieur Vieux Bois : deux histoires D amour. Paris: Seuil; Töpffer R, Töpffer R. Monsieur Crépin: Monsieur Pencil : deux égarements de la science. Paris: Seuil; Heath W. Glasgow looking glass. 1825; Available from: Heath W. Glasgow looking glass: afterwards called Northern Look[in]g glass Glasgow: David Bryce and Son; Evans D, Heartfield J, Lundgren A. John Heartfield: AIZ : Arbeiter-Illustriete Zeitung, Volks Illustrierte, New York: Kent Fine Art; JSTOR (Organization), Oxford University Press. Oxford art journal. 1978; Available from: /7

6 Höch H, Burmeister R, Berlinische Galerie, Museum Jean Tinguely Basel. Hannah Höch: aller Anfang ist DADA! Ostfildern: Hatje Cantz; Hemus R. Dada s women. New Haven, Conn: Yale University Press; Lavin M, Höch H. Cut with the kitchen knife: the Weimar photomontages of Hannah Höch. New Haven: Yale University Press; Brecht B, Willett J. War primer. London: Libris; Long JJ. Paratextual Profusion: Photography and Text in Bertolt Brecht s War Primer. Poetics Today Mar 1;29(1): Evans D. Appropriation. Vol. Documents of contemporary art. London: Whitechapel Gallery; Evans D, Thomson Gale (Firm). Brecht s War Primer: the photo-epigram as poor monument. Afterimage [Internet]. 30(5). Available from: 203&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=49fb b0f f690cf44cb9 43. Smith S, Watson J. Interfaces: women, autobiography, image, performance. Ann Arbor, Mich: University of Michigan Press; /7

7 44. Heusser M. Text and visuality: word & image interactions 3. Vol. Word & image. Amsterdam: Rodopi; Meskimmon M. The art of reflection: women artists self-portraiture in the twentieth century. London: Scarlet; Drakulić S, PribiÄeviÄ-ZoriÄ C. Frida s bed: a novel. New York, N.Y.: Penguin Books; Frascina F, Harris J. Art in modern culture: an anthology of critical texts. London: Phaidon Press; Yang M. Articulate Image, Painted Diary. Frida Kahlo s Autobiographical Interface. In: Interfaces Women/Autobiography/Image/Performance. Ann Arbor: The University of Michigan Press; Kahlo F, Fuentes C, Lowe SM, Freeman P. The diary of Frida Kahlo: an intimate self-portrait ed. New York: Harry N. Abrams; /7