DRA3082. History of acting. View Online

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1 DRA3082 View Online History of acting 1 (Open Source Shakespeare). Hamlet - Act III, Scene 2. Act=3&Scene=2&Scope=scene 2 Wiles D, Dymkowski C. The Cambridge Companion to Theatre History. 3 Gildon C. pp [in] The Life of Mr.Thomas Betterton, the Late Eminent Tragedian (1710). In: The Life of Mr.Thomas Betterton, the Late Eminent Tragedian (1710). London: : Kessinger Legacy Reprints Hall P. Shakespeare s Verse [in] Exposed by the Mask: Form and Language in Drama. In: Exposed by the Mask: Form and Language in Drama. London: : Oberon (Open Source Shakespeare). Hamlet - Act II, Scene 2. Act=2&Scene=2&Scope=scene 1/9

2 6 Cicero MT [in] Cicero: In Twenty Eight Volumes. In: Cicero: In Twenty Eight Volumes. Cambridge, Mass: : Harvard University Press Quintilian VI.ii.26ff. ml 8 Gunderson E. The Cambridge Companion to Ancient Rhetoric. Cambridge: : Cambridge University Press (Open Source Shakespeare). Hamlet, Act III, Scene 2. Act=3&Scene=2&Scope=scene 10 (Open Source Shakespeare). Hamlet, Act III, Scene 4. Act=3&Scene=4&Scope=scene 11 Perrucci A. pp [in] A Treatise on Acting, from Memory and by Improvisation (1699). In: A Treatise on Acting, from Memory and by Improvisation (1699). Lanham, Md: : Scarecrow Press /9

3 Cicero MT [in] Cicero: In Twenty Eight Volumes. In: Cicero: In Twenty Eight Volumes. Cambridge, Mass: : Harvard University Press Quintilian IX.iv ml 14 Le Brun C. Extracts from - The Expression of the Passions [in] Art and Its Histories: A Reader. In: Art and Its Histories: A Reader. New Haven: : Yale University Press in association with the Open University Hill A. An Essay on the Art of Acting: in which the Dramatic Passions are Properly Defined and Described &sort=author&tabid=t001&prodid=ecco&resultlisttype=result_li ST&searchId=R1&searchType=BasicSearchForm&currentPosition=8& qryserid=locale%28en%2c%2c%29%3afqe%3d%280x%2cnone%2c29%29an+essay+o n+the+art+of+acting%3aand%3alqe%3d%28ba%2cnone%2c124%292nef+or+0lrh+ Or+2NEK+Or+0LRL+Or+2NEI+Or+0LRI+Or+2NEJ+Or+0LRK+Or+2NEG+Or+0LRF+Or+2 NEH+Or+0LRJ+Or+2NEM+Or+0LRN+Or+2NEL+Or+0LRM%24&retrieveFormat=MUL TIPAGE_DOCUMENT&userGroupName=exeter&inPS=true&contentSet=ECC OArticles&&docId=CW &retrieveFormat=MULTIPAGE_DOCUME NT&docLevel=FASCIMILE&workId=CW &relevancePageBatch= CW &showLOI=Yes&contentSet=&callistoContentSet=ECLL&am p;docpage=article&hilite=y 16 Roach JR. Chapter 2 - Nature Still, but Nature Mechanized [in] The Player s Passion: Studies in the Science of Acting. In: The Player s Passion: Studies in the Science of Acting. Newark, [Del.]: : University of Delaware Press /9

4 17 Hill J. Chapter VI [in] The Actor: A Treatise on the Art of Playing. In: The Actor: A Treatise on the Art of Playing. New York: : Blom Pollock WH, Diderot D. The Paradox of Acting. Whitefish, MT: : Kessinger Publishing Sennett R. Chapter 6 - Man as Actor [in] The Fall of Public Man. In: The Fall of Public Man. London: : Penguin Books f4 20 Quintilian XI.iii. 66-7, 72-81, , ml 21 Siddons H. Practical Illustrations of Rhetorical Gesture and Action. 2nd ed. New York: : Blom Siddons H. pp [in] The Actors Art: A Practical Treatise on Stage Declamation, Public Speaking and Deportment, for the Use of Artists, Students and Amateurs. In: The Actors Art: A Practical Treatise on Stage Declamation, Public Speaking and Deportment, for the Use of Artists, Students and Amateurs. London: : Pettitt /9

5 Marshall G. Chapter 2 - Acting Galatea, the Ideal Statuesque [in] Actresses on the Victorian Stage: Feminine Performance and the Galatea Myth. In: Actresses on the Victorian Stage: Feminine Performance and the Galatea Myth. Cambridge: : Cambridge University Press Turner C, Soper T. Chapter 5 - Elizabethan Swordplay Reconstructed [in] Methods and Practice of Elizabethan Swordplay. In: Methods and Practice of Elizabethan Swordplay. Carbondale: : Southern Illinois University Press Jelgerhuis J. Eighth Lesson [in] Classicistic Acting. In: Classicistic Acting. Lanham, MD: : University Press of America f4 26 Cole T, Chinoy HK. Actors on Acting: The Theories, Techniques and Practices of the World s Great Actors, Told in Their Own Words. New York: : Crown Publishers Sauter W, Wiles D. The Theatre of Drottningholm - Then and Now: Performance Between the 18th and 21st Centuries. Department of Musicology and Performance Studies at Stockholm University Sauter W, Wiles D. The theatre of Drottningholm then and now: performance between the 18th and 21st centuries Stanislavski K. pp [in] My Life in Art. In: My Life in Art. New York: : Routledge /9

6 30 Zarrilli PB. Acting (re)considered: a theoretical and practical guide. 2nd ed. London: : Routledge Chekhov M. Chapter 5 - The Psychological Gesture [in] To the Actor on the Technique of Acting. In: To the Actor on the Technique of Acting. New York: : Harper & Row Evans M. pp [in] Movement Training for the Modern Actor. In: Movement Training for the Modern Actor. New York: : Routledge Martin J. A Duality of Approaches to Voice Training [in] The Voice in Modern Theatre. In: The Voice in Modern Theatre. London: : Routledge Astington JH. Actors and Acting in Shakespeare s Time: The Art of Stage Playing. Cambridge University Press Benedetti J. The Art of the Actor: The Essential History of Acting from Classical Times to the Present Day. Abingdon: : Routledge /9

7 36 Cole T, Chinoy HK. Actors on Acting: The Theories, Techniques and Practices of the World s Great Actors, Told in Their Own Words. New York: : Crown Publishers Pollock WH, Diderot D. The Paradox of Acting. Whitefish, MT: : Kessinger publ Downer AS. Nature to Advantage Dressed: Eighteenth-Century Acting [in] PMLA. PMLA 1943;58: Siddons H. Practical Illustrations of Rhetorical Gesture and Action. 2nd ed. New York: : Blom Escolme B. Talking to the Audience: Shakespeare, Performance, Self. Abingdon: : Routledge Evans M. Movement Training for the Modern Actor. New York: : Routledge Garcia G. The Actor s Art: A Practical Treatise on Stage Declamation, Public Speaking, and Deportment, for the Use of Artists, Students, and Amateurs. London: : Pettitt Gildon C. The Life of Mr.Thomas Betterton, the Late Eminent Tragedian (1710). London: : Kessinger Legacy Reprints /9

8 44 Golding AS, Jelgerhuis J. Classicistic Acting. Lanham, MD: : University Press of America Henke R. Performance and Literature in the Commedia dell Arte. Cambridge: : Cambridge University Press Marshall G. Actresses on the Victorian Stage: Feminine Performance and the Galatea Myth. Cambridge: : Cambridge University Press Andrea Perrucci. A treatise on acting, from memory and by improvisation (1699) =. Lanham, Md: : Scarecrow Press Quintilian, Russell DA. The Orator s Education. Cambridge, Mass: : Harvard University Press Roach JR. The Player s Passion: Studies in the Science of Acting. Newark, [Del.]: : University of Delaware Press Sanderson M. From Irving to Olivier: A Social History of the Acting Profession. St. Martin s Press /9

9 Willmar S, Wiles D. The Theatre of Drottningholm - Then and Now: Performance Between the 18th and 21st Centuries. Stockholm: : ACTA Silverstone C. Shakespeare Live: Reproducing Shakespeare at the new Globe Theatre [in] Textual Practice. Textual Practice 2005;19 : Taylor G. Players and Performances in the Victorian Theatre. Manchester: : Manchester University Press Thomson P. On Actors and Acting. Exeter: : University of Exeter Press Vicentini C. Theory of Acting West S. The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. Continuum International Publishing Group - Pinter Wiles D. Shakespeare s Clown : Actor and Text in the Elizabethan Playhouse. Cambridge: : Cambridge University Press Worthen WB. Shakespeare and the Force of Modern Performance. Cambridge: : Cambridge University Press /9