THE RETURN IN AMERICAN STUDIES
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1 29. November 1. Dezember 2018 Goethe-Universität Frankfurt Institut für England- und Amerikastudien THE RETURN OF THE IN AMERICAN STUDIES returnoftheaesthetic.de
2 The Return of the Aesthetic in American Studies International Conference 29. November 1. Dezember 2018 returnoftheaesthetic.de Aesthetics is coming back. For the past forty years, scholars across the humanities have routinely rejected aesthetic inquiry as ideological, exclusionary, or politically quietist. In American Studies particularly, this anti-aesthetic attitude has congealed into the field s common sense. Only in the most recent past have several scholars begun to pay renewed attention to the aesthetic and to rethink its relationship to the spheres of the social, economic, and political. The Return of the Aesthetic in American Studies critically takes stock of recent returns to the aesthetic and extends their scope. Goethe-Universität Frankfurt Institut für England- und Amerikastudien Abteilung Amerikanistik Campus Westend Theodor-W.-Adorno-Platz Frankfurt am Main Prof. Dr. Johannes Voelz, voelz@em.uni-frankfurt.de
3 Scholars working in such diverse areas as media studies, identity theory, animal studies/posthumanism, and democratic theory have begun to put the aesthetic dimension of their objects of study at the center of their work, even if they do not necessarily consider their scholarship to belong to the field of aesthetics proper. To bring these approaches into the conversation, we propose to broaden the definition of aesthetics so as to reflect that in American Studies as much as in many other disciplines within the humanities the aesthetic is increasingly recovering its original reference to sense perceptions (aisthesis). At the same time, however, scholars have also begun to rethink traditional concerns of aesthetic theory. In particular, they have been revisiting the question of aesthetic autonomy. Far from conceiving of aesthetic autonomy as apolitical, the resurging debate explores its potentially oppositional and utopian position vis-à-vis recent economic, social, and political developments. These two major strands of recent aesthetic inquiry are often in tension with one another. While conceptions of the aesthetic that emphasize the notion of aisthesis tend to assume that the aesthetic is a driving force of recent social, political, and economic developments (like the solidification of neoliberal capitalism or the rise of populism in Western democracies), conceptions of the aesthetic related to artworks tend to regard the aesthetic as a potentially oppositional force to these very developments. So far American Studies practitioners have not yet adequately reflected on the co-presence of these two concepts of the aesthetic. Thus, the conceptual differences between them and the ramifications that these differences have for assessing the relation between the aesthetic and various social forces have hitherto remained unaddressed. Can the two major strands of aesthetic inquiry mutually challenge each other to interrogate uncritically accepted premises? To what extent do they unwittingly borrow from each other? And what are the avenues to aesthetic inquiry outside of the two strands sketched here?
4 Please go to to watch our speakers in conversation with fellow experts. These conversations are being recorded in the course of the event and will be uploaded soon. Walter Benn Michaels (UI Chicago) Rieke Jordan (Frankfurt) Caroline Levine (Cornell) Bernd Herzogenrath (Frankfurt) Julius Greve (Oldenburg) Eugenie Brinkema (MIT) Elisabeth Bronfen (Zürich) Luvena Kopp (Tübingen) Lee Edelman (Tufts) Jennifer Greiman (Wake Forest) Johannes Voelz (Frankfurt) Russ Castronovo (Madison) Hanjo Berressem (Cologne) Susanne Rohr (Hamburg) Jennifer Ashton (UI Chicago) Winfried Fluck (FU Berlin) with Juliane Rebentisch (Offenbach) Laura Bieger (Groningen) Nathan Taylor (Frankfurt) Patricia Pisters (Amsterdam) Gabriele Rippl (Bern) Ruth Mayer (Hannover) Laura Bieger (Groningen) Christa Buschendorf (Frankfurt) Ralph Poole (Salzburg) Andrew Gross (Göttingen) Thomas Claviez (Bern) Philipp Schweighauser (Basel) Ulla Haselstein (FU Berlin) Dustin Breitenwischer (Freiburg) Günter Leypoldt (Heidelberg) Peter Schneck (Osnabrück)
5 Thursday, November 29 1 Casino, CAS :00 15:30 Welcoming Remarks and Introduction Johannes Voelz (Frankfurt) 15:30 16:30 Panel 1: Aesthetic Theory Today I Walter Benn Michaels (UI Chicago): Making Art: Action, Autonomy, Adorno, and Anscombe Chair: Stephan Kuhl (Frankfurt) 16:30 17:00 Coffee Break 17:00 19:00 Panel 1: Aesthetic Theory Today I (continued) Rieke Jordan (Frankfurt): Reader, Curator Caroline Levine (Cornell): Sustainable Aesthetics Chair: Stephan Kuhl (Frankfurt) 19:00 Opening Reception
6 Friday, November 30 1 Casino, CAS :30 11:30 Panel 2: Practical Aesthetics Bernd Herzogenrath (Frankfurt): Towards a Practical Aesthetics Eugenie Brinkema (MIT): Colors Without Bodies: Wes Anderson s Drab Ethics Chair: Thomas Clark (Frankfurt) Coffee Break Panel 2: Practical Aesthetics (continued) Julius Greve (Oldenburg): Material Praxis and Pragmatic Aesthetics in Pound and Olson Chair: Thomas Clark (Frankfurt) 12:45 14:15 Lunch 14:15 16:15 Panel 3: Aesthetics of Identity Elisabeth Bronfen (Zürich): Getting Out, Getting Even: Aesthetics of the Interracial Posthuman Luvena Kopp (Tübingen): On the Aesthetics of Collage: Spike Lee s Do The Right Thing and the Death of Eric Garner Chair: Linda Heß (Frankfurt) 16:15 16:45 Coffee Break 16:45 17:45 Panel 3: Aesthetics of Identity (continued) Lee Edelman (Tufts): Queerness, Afro-Pessimism, and the Aesthetic Chair: Linda Heß (Frankfurt) 19:00 Conference Dinner
7 Saturday, December 1 2 IG-Farben-Gebäude IG 411 9:30 11:30 Panel 4: Democratic Aesthetics Jennifer Greiman (Wake Forest): Fragility and Gravity: Herman Melville, William Connolly, and the Aesthetics of Radical Democracy Johannes Voelz (Frankfurt): The Aesthetics of the Populist Space of Appearance Chair: Magda Majewska (Frankfurt) 11: Coffee Break Panel 4: Democratic Aesthetics (continued) Russ Castronovo (Madison): Gothic Communications: Terror and the Informational Sublime Chair: Magda Majewska (Frankfurt) 12:45 14:15 Lunch 14:15 16:15 Panel 5: Aesthetic Theory Today II Hanjo Berressem (Cologne): Aesthetics squared: Félix Guattari s Schizo-Ecological Aesthetics Susanne Rohr (Hamburg): The Aesthetics of Madness Chair: Simon Wendt (Frankfurt) 16:15 16:45 Coffee Break 16:45 18:45 Panel 5: Aesthetic Theory Today II (continued) Jennifer Ashton (UI Chicago): Post Previous Art: The Return of Autonomy in American Poetry Winfried Fluck (FU Berlin): What is Freedom? The Contribution of Contemporary Art Chair: Susanne Opfermann (Frankfurt)
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