Susanne Langer fight or flight. arousal level valence. parasympathetic nervous. system. roughness

Transcription

1 No JOURNAL OF XINGHAI CONSERVATORY OF MUSIC Sum No DOI /j. issn J607 A Susanne Langer fight or flight sympathetic nervous system arousal level valence parasympathetic nervous system 1 roughness

2 Hector L. Berlioz reticular activating sys- tem James - Lange theory - - motor resonance emotional contagion 121

3 insula striatum ventromedial prefrontal cortex amygdala empathy skin conductance level music - expressed emotion music - induced emotion 12 parahippocampus anterior cingulate gyrus

4 Home Sweet Home 1928 autographical memory hippocampus lyrical aesthet- ics mind wandering emotion reg- internalization ulation 15 lyrical symbolization 14 Paul D. MacLean triune brain hypothesis subjective - internal sound paleo mammalian brain limbic system neo mammalian brain neocortex 16 Nearer My God to Thee introspection self reptilian brain paralimbic system 123

5 Rolandic operculum 22 frontopole parahippocampal gyrus orbitofrontal cortex 20 dopamine mesolimbic pathway 21 tran- scendence Herbert Spencer reward 124

6 suspended expectation a sense of resolution Nature Neuroscience Anatomically distinct dopamine release during anticipation and experience of peak emotion to music relaxation pattern 25 Wilhelm Wundt caudate 1920 nucleus accumbens 24 specific context tension - 125

7 E. Eldar O. Ganor R. Admon A. Bleich and T. Hendler. Feeling The Real World Limbic Response to Music Depends on Related Content J. Cereb Cortex S. L. Tan M. P. Spackman and M. A. Bezdek. Viewers Interpretations of Film Characters Emotions Franz Schubert Effects of Presenting Film Music Before or After a Character Is Shown J. Music Perception B. Hoeckner E. W. Wyatt J. Decety and H. Nusbaum. Film Music Influences How Viewers Relate to 1 J. Russell. Evidence for a Three - Factor Theory of Emotions J. Journal of Research in Personality J. Juslin N. Patrik and R. Timmers. Expression and Communication of Emotion in Music Performance M / / P. Juslin and J. Sloboda edited. Handbook of Music and Emotion Theory Research Applications. Oxford and New York Oxford University Press S. K. Langer. Philosophy in a New Key A Study in the Symbolism of Reason Rite and Ritual M. Cambridge MA Harvard University Press Wolfgang Auhagen Aggressiveness of the Growl - Like Timbre Acoustic Characteristics Musical Implications and Biomechanical Mechanisms J. Music Perception S. Schachter and J. E. Singer. Cognitive Social and Physiological Determinants of Emotional State J. Psychol. Rev K. R. Scherer A. Shorr and T. Johnstone ed.. Appraisal Processes in Emotion Theory Methods Research M. Canary NC Oxford University Press A. C. Miu and F. R. Baltes. Empathy Manipulation Impacts Music - Induced Emotions a Psychophysiological Study on Opera J. Plos One e T. Baumgartner K. Lutz C. F. Schmidt and L. J - ncke. The Emotional Power of Music How Music Enhances the Feeling of Affective Pictures J. Brain Res Movie Characters J. Psychology of Aesthetics Creativity and the Arts S. O. Ali and Z. F. Peynircio lu. Songs and Emotions Are Lyrics and Melodies Equal Partners J. Psychology of Music E. Brattico V. Alluri B. Bogert T. Jacobsen N. Vartiainen S. Nieminen and M. Tervaniemi. A Functional MRI Study of Happy and Sad Emotions in Music with and without Lyrics J. Front Psychol M W. Trost T. Ethofer M. Zentner and P. Vuilleumier. Mapping Aesthetic Musical Emotions in the Brain J. Cereb Cortex 2011 doi /cercor /bhr P. D. MacLean. A Mind of Three Minds Educating The Triune Brain M / / J. S. Chall and A. F. Mirsky edited. Education and the Brain. Chicago University of Chicago Press N. Gosselin I. Peretz M. Noulhiane D. Hasboun C. Beckett M. Baulac and S. Samson. Impaired Recognition of Scary Music Following Unilateral Temporal Lobe Excision J. Brain N. Gosselin S. Samson R. Adolphs M. Noulhiane M. Roy D. Hasboun M. Baulac and I. Peretz. Emotional Responses to Unpleasant Music Correlates with Damage to the Parahippocampal J. Cortex. Brain A. J. Blood R. J. Zatorre P. Bermudez and A. C. Evans. Emotional Responses to Pleasant and Unpleasant

8 Music Correlate with Activity in Paralimbic Brain Regions J. Nat Neurosci A. J. Blood and R. J. Zatorre. Intensely Pleasurable Responses to Music Correlate with Activity in Brain Regions Implicated in Reward And Emotion J. Proc Natl Acad Sci U S A V. Menon and D. J. Levitin. The Rewards of Music Listening Response and Physiological Connectivity of The Mesolimbic System J. Neuroimage S. Koelsch T. Fritz D. Y. v. Cramon K. Muller and A. D. Friederici. Investigating Emotion with Music An FMRI Study J. Hum Brain Mapp B. Kleber N. Birbaumer R. Veit T. Trevorrow and M. Lotze. Overt and Imagined Singing of an Italian Aria J. Neuroimage V. N. Salimpoor M. Benovoy K. Larcher A. Dagher and R. J. Zatorre. Anatomically Distinct Dopamine Release during Anticipation and Experience of Peak Emotion to Music J. Nat Neurosci L. B. Meyer. Emotion and Meaning in Music M. Chicago Chicago University Press M. Spitzer. Mapping the Human Heart A Holistic Analysis of Fear in Schubert J. Music Analysis On the Relationship between Musical Emotion and Cognition Dialogue between Aesthetics and Psychology Cai Zhen-jia Graduate Institute of Musicology National Taiwan University Taipei Taiwan Abstract Compared to other emotion - inducing art music is a relatively complex art that contains cognitive and emotional elements. This paper discusses the development of music emotions from a lower level to a higher level based on aesthetic and psychological theories. An audience s emotion may thus be influenced by his or her emotional interpretation of music and the complexity will be well illustrated by neural basis of musical emotions. Keywords Music Emotion Music cognition Music Aesthetics Cognitive Psychology Neurosciences 127