Systematische Musikwissenschaft. Herausgegeben von J. Hemming, Kassel, Deutschland
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1 Systematische Musikwissenschaft Herausgegeben von J. Hemming, Kassel, Deutschland
2 Systematische Musikwissenschaft richtet ihr Erkenntnisinteresse häufig auf Zeit punkte statt auf Zeiträume. Dies ermöglicht es, Prozesse musikalischer Produktion und Rezeption detailliert in den Blick zu nehmen von akustischen Messungen am Instrument bis zur Hirnforschung am Musikhörer, von einer Problematisierung des Begriffs der Musikalität bis zur Einbeziehung musikbezogener Geschlechter oder Globalisierungsforschung. Entsprechend vielfältig sind die Anforderungen an methodische, häufig empirische Innovationen sowie an die dazugehörige Theorie entwicklung. Zugleich werden bevorzugt aktuelle oder gesellschaftsrelevante mu sikkulturelle Phänomene thematisiert. Die Reihe Systematische Musikwissenschaft hat es sich zur Aufgabe gemacht, durch Veröffentlichung von Überblickswerken, Monographien und Diskussionsbänden das Spannungsfeld zwischen Theorie und Empirie in der Systematischen Musikwissenschaft mit neuen Inhalten zu bereichern. Herausgegeben von Jan Hemming Kassel, Deutschland
3 Julia Merrill (Ed.) Popular Music Studies Today Proceedings of the International Association for the Study of Popular Music 2017
4 Editor Julia Merrill Kassel, Deutschland The conference was supported by the German Research Foundation (DFG). Systematische Musikwissenschaft ISBN ISBN (ebook) DOI / Library of Congress Control Number: Springer VS Springer Fachmedien Wiesbaden GmbH 2017 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Printed on acid-free paper This Springer VS imprint is published by Springer Nature The registered company is Springer Fachmedien Wiesbaden GmbH The registered company address is: Abraham-Lincoln-Str. 46, Wiesbaden, Germany
5 Table of Contents Preface... 9 Natural Highs: Timbre and Chills in Electronic Dance Music Nino Auricchio The Monkey is Amused to Death: Roger Waters Masterpiece and its Commercial Failure Navid Bargrizan Popular Music Studies in the Context of Post-Communist Historiography in the Czech Republic Jan Blüml Popular Music Analysis and Social Semiotics: The Case of the Reggae Voice.. 43 Benjamin Burkhart The Presentation of the Self in the Popular Song Pedro Cesar Pires Chinese Got Talent : Popular Music Singing Competitions in Taiwan and China Ya-Hui Cheng Unpacking Performance in the Pop-Rock Biopic Maurizio Corbella From Earth Angel to Electric Lucifer: Castrati, Doo Wop and the Vocoder Virginia Dellenbaugh Crowdfunding is Not for Everybody: Performance in the Art of Asking Beatriz Medeiros, Natalia Dias When I m (Not) Ere Stan Erraught Binaurality, Stereophony, and Popular Music in the 1960s and 1970s Franco Fabbri Adele s Hello: Harmonic Ambiguity & Modal Inflection in Contemporary Pop Grant Davidson Ford
6 6 Table of Contents Mapping Popular Music Studies in Turkey Onto Studies in the Anglophone World Ali C. Gedik Power and Resistance in Iranian Popular Music Amin Hashemi Gear Acquisition Syndrome A Survey of Electric Guitar Players Jan-Peter Herbst Performing Disorder Peter Hinrichs, Oleg Pronitschew From Psychedelia to Djent Progressive Genres as a Paradox of Pop Culture Andrzej Mądro The Resonances of Political Disputes in Hong Kong China Case Studies of Canto-pop Ivy Man African Manifestations in Brazil: The Crioula Drum Dance Regina Meirelles Mach Schau!: The Contribution of The Beatles to the Development of Visual Music in Magical Mystery Tour Emilio Mendoza Guardia Shaping the pancadão: Improvisation and Studio Creativity on Rio Funk Independent Recordings from the Early 1990s Alexei Michailowsky What Difference Does it Make? Studying Urban Popular Music from Before the Generalization of the Gramophone: The Example of the First World War Repertoire John Mullen Hearing Sexism Analyzing Discrimination in Sound L. J. Müller Genre Modulation as Sectional Divider Taylor Myers
7 Table of Contents 7 Groenemeyer A Case Study on Situative Singing Styles Hendrik Neubauer, Tobias Marx The Music of Samba Schools: A Challenge for Popular Music Studies Yuri Prado Who said we were over it? On Nationalist Nostalgia and a Specter Haunting Europe: Popular Music and the Melancholic Presence of the Past Melanie Schiller What Lessons can Higher Popular Music Education Learn from Art School Pedagogy? Simon Strange Global Patchbay: Developing Popular Music Expertise Through International Collaboration Mark Thorley, Gerhard Roux Musicology of Listening New Ways to Hear and Understand the Musical Past Martha Ulhôa
8 Preface This volume presents selected contributions to the 19th edition of the biannual conference of the International Association for the Study of Popular Music, titled Popular Music Studies Today. These proceedings cover a wide variety of studies, focusing on present and future developments in popular music studies: Researching Popular Music, Analyzing Popular Music, Teaching and Learning Popular Music, Remapping Popular Music, Narrating Popular Music and Technology and Popular Music. Authors from all over the world contributed, representing different countries and cultures. Conference contributions were peer-reviewed by the academic committee which consisted of the following members: Jacopo Tomatis (chair), Jonathan Eato, Dafni Tragaki, Ádám Ignácz, Olivier Julien, Cecilia Björck, Hyunjoon Shin, Isabelle Marc, Danijela Spiric Beard, María Luisa de la Garza and Steve Waksman. Articles are in alphabetical order of the first author. Color figures can be found in the online version, to be accessed via For the first time, the proceedings were prepared in advance, making them available at the time of the conference, held in Kassel, Germany, from June 26 30, Julia Merrill (editor) Jan Hemming (conference convener) Kassel, February 2017
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