THE FORTIETH ANNUAL GANDER KIWANIS MUSIC FESTIVAL SYLLABUS MARCH 23 - APRIL 1, 2017 GANDER. ALL entry forms / music selections, MUST

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1 40 th Annual Gander Kiwanis Music Festival March 23 April 1, 2017 THE FORTIETH ANNUAL GANDER KIWANIS MUSIC FESTIVAL SYLLABUS MARCH 23 - APRIL 1, 2017 GANDER ALL entry forms / music selections, MUST be submitted by NOVEMBER 18, ALL entry fees (EXCEPT Choir & Band) MUST be submitted by NOVEMBER 18, ALL Choir & Band entry fees AND membership lists MUST be submitted by DECEMBER 2, Entries that are INCOMPLETE or submitted WITHOUT their selections/fees WILL be returned and a reprocessing fee of $10 per entry WILL be assessed. Entries/fees/selections/lists MUST be completed online at kiwanisclubofgander.ca. Hand delivered entries WILL NOT be accepted. 1

2 40 th Annual Gander Kiwanis Music Festival March 23 April 1, 2017 ENTRANT Gander Kiwanis Music Festival 2017 Entry Form TEACHER, MUSIC SUPERVISOR, CONDUCTOR Name: Address: Town: Postal Code: Phone: Name: Address: Town: Postal Code: Phone: CLASS # CLASS NAME GROUP CLASS (Duets, Trios, Choirs, Bands, etc.) DATE OF BIRTH DD MMM YY ENTRY FEE ENCLOSED $ ACCOMPANIST In Duet, Trio or Quartet Classes, completed by one person only, give the names, addresses, and dates of birth of the other participants in the following space: NAME & ADDRESS DATE OF BIRTH DD - MMM - YY Where Test Pieces are Own Selection, give title and composer in the following space. In Oratorio and Operatic Classes, give also the name of the oratorio or opera. TITLE COMPOSER EXACT PERFORMANCE TIME MINUTES SECONDS ( for Own Selections important!) : COMPLETE this form IN FULL. ENCLOSE: ENTRY FEE(S) (ONLINE ONLY) and itemized FEE LIST (if playing in lump sums) NO LATER than NOVEMBER 18, 2016) through Kiwanisclubofgander.ca INCOMPLETE submissions WILL be RETURNED without exception. I acknowledge that in the normal course of business and for the purpose of advertising, Kiwanis may photograph or video students as they participate in Music Festival activities. Such photographs or video may be used by the club for publicity purposes without the student s name attached unless a parent/guardian otherwise advises the club in writing. I hereby certify that I have read the Syllabus/Rules & Regulations governing the Festival and agree that they will be complied with. Signature (Parent or Teacher) Name (Please Print) - 2 -

3 Table of Contents Clarifying Copyright 12 Forms: Festival Entry Form 2 Scholarship Application 37 Provincial and National Festivals 11 Rose Bowl Competition 8 Rules and Regulations 4 Scholarship Rules 10 Scholarship Winners, Previous 11 Syllabus: Band, Orchestra and Ensemble Section 27 Brass Instrument Section 29 Campfire Groups 13 Choral Section 13 Family Music 13 Percussion Section 35 Piano Section 22 Special Piano Section 26 Speech 36 String Instrument Section 33 Vocal Section 14 Woodwind Section 31 Provincial/National Recommendation Section 11 3

4 Rules and Regulations 1. The competition WILL be under the management of the Music Festival committee of the Kiwanis Club of Gander, which is hereinafter called the Committee. 2. All matters not dealt with in these rules WILL be referred to the Committee, whose decisions on such matters WILL be final and binding on all concerned. 3 The Committee WILL assume no responsibility for providing rehearsal facilities. Eligibility 4. All competitions WILL be open to amateurs only, unless otherwise stated. For these competitions, an amateur WILL be defined as any person who, up to the date of closing of entries for the forthcoming festival, has not obtained from the profession or practice of music his or her principal means of livelihood, even if he or she, from time to time, accepts remuneration for musical services rendered. 5. Age limits apply to the competitor's age as of DECEMBER 31, This corresponds to the practice of the schools. 6. Competitors in Choral Groups, Orchestras, Bands and Ensembles MUST be bona fide members of their respective organizations, and where applicable MUST be enrolled as a student in the school represented. A list of such members MUST be submitted by DECEMBER 2, Conductors may be either professional or amateur. Conductors may conduct any number of organizations in the same class or otherwise, but MUST NOT sing with their Choral Group or play with their Band, Orchestra or Ensemble. 8. In ALL competitive classes which are structured according to a progressive series of performance LEVELS, the age of the competitor WILL have no bearing upon his eligibility. Each competitor is encouraged to enter at the level that best represents his technical and musical aptitude. 9. In ALL competitive classes a competitor MUST fall within the same age group or level in any one section. This restriction does NOT apply to classes for Concert Groups, Complete Major Solos, Concerto Classes, Duets, Trios, Quartets, etc. 10. A participant may perform only once in each class. 11. University music majors may enter classes in their own age group or level only for recommendation to Provincial Festival and/or awards specific to those classes. 12. Use of digitally enhanced music, including microphones, is prohibited. 13. Selections MUST NOT contain any profanity and/or vulgarity. 14. In Choral and Vocal Classes transposition should be avoided if the key is part of the character being portrayed (Musical Theatre, Gilbert & Sullivan, Senior Vocal Solos). Art Song Solos are acceptable in any published key and may be further transposed to enable competitors to perform most artistically. In ALL other classes such as the Senior Vocal Solo test pieces MUST be performed in the prescribed key unless otherwise specified. 4

5 15. In all Vocal Solo Classes, test pieces are to be sung in the original language. 16. There are three memorization categories in this syllabus: 1. In classes where the section notes specify that memorization is required (Vocal Solos and Senior Piano Classes considered for the Rose Bowl) test pieces MUST be performed from memory. Anybody using the printed score in such a class WILL be treated as if entered non-competitively. They will receive adjudication but WILL NOT be eligible for prizes or cash awards. 2. In the bulk of the festival classes no comment is made about memorization in the section notes. In these classes it is understood that memorization is expected and encouraged. The adjudicator may deduct marks for using the music if he or she considers that it makes a difference in the presentation, performance or demonstrated ability of the performer. 3. Finally there are some sections in which it is stated that memorization is NOT required (e.g., Piano Studies, Beginning and Junior Instrumental). In these classes the adjudicator may NOT make memorization a factor in distinguishing between performances and in assigning marks. Please read section notes carefully to determine which memorization category applies. These categories apply to solo classes only. Duet and ensemble classes are exempt from memorization requirements. 17. Competitors MUST NOT exceed the performance time limit in classes where such a time limit is specified in the syllabus. Adjudicators WILL stop any competitor who exceeds such limit. Competitors WILL be penalized for obvious abuse of time limits. 18. In ALL classes marked "Own Choice, the competitor MUST give the adjudicator an ORIGINAL of the music (Conductor's Full Score where applicable). This is to be given to the adjudicator s Secretary immediately preceding the respective competition and recovered from the Secretary immediately following the competition. Please note that photocopies WILL NOT be accepted. (See rule 21 below). 19. In CONCERT GROUPS, ALL SECTIONS, competitors WILL be judged on the discrimination shown in their selections which MUST be from a standard concert repertoire and should be from the areas specified in the syllabus. Regard should be shown to the group arrangement, contrast, and appropriateness of keys, technique, interpretation and stage presence. Competitors MUST NOT include, in this class, any selection that they are already performing in the current festival. 20. Repeats WILL NOT be played unless specifically stated in the syllabus. Da Capo repeats WILL be observed. This rule applies to ALL instruments. 21. Manuscript copying or photocopying of a Copyright piece of music is an infringement of the Copyright Act. See page 12 - "Copyright Clarification". 22. Competitors MUST NOT perform the same "Own Choice" selection in two or more consecutive festivals. 5

6 Entry 23. Entries MUST be submitted on official entry forms using a SEPARATE FORM for EACH CLASS and signed by the competitor (or a person authorized to sign on the competitor's behalf). 24. Entries that do not include complete information about Own Choice selections or are otherwise incomplete WILL be returned and a reprocessing fee of $10 per entry WILL be assessed. 25. Entrants who at the time of the festival perform a different selection than the one listed in the program WILL be considered non-competitive. 26. Any entry can be specified a non-competitive entry by writing the letters NC after the class number on the entry form. Non-competitive entries WILL receive adjudication, but no marks. 27. No competitor may participate in more than 12 classes of which NOT more than 8 WILL be solo or small group (NOT more than 9 people) classes. "Sight Reading" classes are NOT included in this figure. Any competitor exceeding the limit runs the risk of having the excess entries refused by the secretary because of scheduling difficulties. 28. The Committee WILL determine the closing date for receiving entries. 29. The Committee reserves the right to reject any entry for any reason. 30. When completing entry forms, particular attention should be given to the section marked "Group Classes Entered". It is NOT necessary for solo entrants to list other solo classes entered, however, ALL GROUP CLASSES entered, such as duets, trios, quartets, etc. as well as bands and choirs, MUST be listed by CLASS NUMBER. 31. Conflicts in scheduling the program can only be avoided if that section (rule 30) of the entry form is filled in correctly. It is also important to identify performers and schools correctly by name. Please do NOT use abbreviations. 32. Entry fees CANNOT be refunded except under circumstances in which the Committee rejects the entry. Competitors wanting to withdraw MUST do so IN WRITING to the Festival address as early as possible. Failure to participate in all classes entered and programmed WILL influence the awarding of scholarships. 33. Entry and list forms may be downloaded from Entries and Fees MUST Be Completed Online to by NOVEMBER 18, Choir/Band membership lists and fees MUST be submitted by DECEMBER 2, Hand delivered entries WILL NOT be accepted. 6

7 Program Procedure 34. The Committee WILL decide the order in which classes will be taken, and the order of competitors in the classes. The Committee reserves the right to alter the order if necessary. 35. Special scheduling considerations MUST be requested at the time entries are submitted. Last minute scheduling changes, because of travel or bussing restrictions, volunteer availability, etc., WILL NOT be considered. 36. The Committee may split any class into groups of approximately equal numbers. Awards/Certificates WILL be awarded for each group, treating each as a separate class. 37. A competitor s admission letter showing the dates, times and venues of the entrant's competitions WILL be sent to each competitor. This letter serves two purposes: (a) The letter is your admission to the session (with the accompanist where applicable) and should b e shown to the Platform Marshall immediately prior to the class competition. (b) In cases where an entrant has a conflict in time between two classes an immediate call might enable the Festival Secretary to resolve the problem. 38. A competitor may be disqualified if he or she is NOT ready to compete when called. A class WILL NOT be delayed to accommodate latecomers. Only revisions provided for above (rule 36) WILL be considered. 39. Each competitor requiring the services of an accompanist MUST provide his or her own accompanist. Classes WILL NOT be delayed to wait for an accompanist. (Also see rule 12, page 4) Providing accompanist information on the entry form will greatly assist scheduling and avoiding conflicts. 40. The Committee CANNOT assure competitors that conflicts in scheduling WILL NOT occur. Where a competitor is entered in time conflicting classes, he or she MUST elect to withdraw from sufficient classes in order to resolve the conflict. 41. The Adjudicators WILL have discretionary power to stop any performance at any time. 42. Prevailing circumstances and such pertinent regulations as may be considered advisable by the Committee WILL govern the admission of competitors and general public to auditoriums in which the competitions are being held. 43. The competition WILL be open to the public on payment of the price fixed by the Committee. Please note that general audiences are NOT allowed in Sight Reading classes. 44. The Committee WILL assume no responsibility for providing facilities for rehearsals. Awards and Prizes 45. The marks awarded by the Adjudicator are FINAL. 46. At the discretion of the Committee, two or more competitors awarded the highest marks in their class may be selected by the adjudicators to compete in a final test. 47. Certificates will be awarded to the three entrants gaining the highest marks in each competitive class, but certificates WILL NOT be awarded unless the following percentages of the possible marks have been attained: 75 per cent in Choral, Orchestral and Band Classes, 80 per cent in all other classes. 7

8 48. In those classes for which trophies, cash awards, or plaques have been provided, 85 per cent of the possible marks WILL be necessary to obtain such trophy, cash award or plaque. This rule does NOT apply to Scholarships that are governed by their own rules. 49. Trophies, cash awards, plaques and certificates will be presented at a time decided upon by the Committee. 50. All competitors gaining the highest marks in their classes are eligible to be called upon to perform at a "Highlights" Concert and should be prepared to do so if required by the Committee. This WILL be without payment or remuneration for incidental expenses. Any competitor may be chosen for the "Highlights" Concert, based on the discretion of the Adjudicators. 51. Scholarships and cash awards are awarded at the absolute discretion of the adjudicators to competitors who show most promise of true development musically. Scholarships are NOT necessarily awarded to winners of first, second or third place. Complaints and Protests 52. A complaint or protest MUST be made directly to the committee by submitting the same in writing to the Festival Secretary. A fee equivalent to the entry fee MUST accompany such complaint or protest for the class protested. The protest fee WILL be refunded if the Committee sustains the complaint. 53. Complaints SHALL NOT be addressed to an Adjudicator. Rose Bowl Competitions Senior Rose Bowl Competitors from Concert Groups 16 yrs and over Junior Rose Bowl Competitors from Concert Groups 15 yrs and under Choral Rose Bowl Choirs Elementary to High School & Auditioned Children s Choir Classes The Rose Bowl Competitions are open to bona fide residents of Gander and Area. (a) Bona fide resident means a resident whose main residence has been in our boundaries three months prior to the closing date of Festival entries, and whose main residence is still within the boundaries at the time of the Festival. (b) The boundaries will include as far west as the community of Norris Arm, as far north as the communities of Fogo Island, and as far east as the community of Charlottetown. The adjudicators may recommend for each of the Senior Rose Bowl competition and the Junior Rose Bowl competition not more than two solo entrants from each of the Vocal, Piano, Brass, Woodwind, Percussion and String Concert Group sections; and for the Choral Rose Bowl, two choirs of at least 12 members, competing in Elementary, Middle, High School and Auditioned Children s Choir classes. The Choral Competition will be based on vocal performance only. The winners of the Senior Rose Bowl and Choral Rose Bowl will receive miniatures of the appropriate Rose Bowl and a five hundred dollar ($500.00) cash award. The winner of the Junior Rose Bowl will receive a miniature of that Rose Bowl and a two hundred dollar ($200.00) cash award. Names of the winners will be inscribed on the perpetual, publicly displayed Rose Bowl. 8

9 Entrants recommended for the Rose Bowl competitions shall perform on the date and at the time for which the competition is scheduled. An entrant who has been recommended for the competition and who cannot perform may NOT have the performance rescheduled. A competitor may enter the Rose Bowl competition in one section only in any given year. If recommended from two or more areas, the competitor MUST make a choice and the other section will be filled by the next eligible competitor, if recommended. To qualify for a Rose Bowl competition an entrant MUST receive a mark of NOT less than 85% in the class from which recommended. If two entrants are recommended from the same section, one of them may be a second-place winner in the class from which chosen provided the first-place winner in that class is also recommended. It is the absolute discretion of the adjudicator in each relevant section whether to make a recommendation, whether to recommend one or two entrants, and whom to recommend. In a solo Rose Bowl competition a performer shall perform two selections, one of which MUST come from the concert group. The second piece will be at the discretion of the adjudicator and may be taken from another class. In the Choral Rose Bowl the competitor MUST perform the same selections as they performed in the competitive session from which they were recommended. To be recommended for the Rose Bowl competition, competitors MUST be enrolled in grade school. Competitors WILL NOT be eligible to compete in the Senior or Junior Rose Bowl competition from the same concert group category in two consecutive years. If, however, a previous winner qualifies from another concert group category, then that individual WILL be eligible to compete in that category. JUNIOR ROSE BOWL SENIOR ROSE BOWL 2006 Christopher Morrison Alison Pittman 2007 Christopher Morrison Stephanie Hillier 2008 Charlotte Gushue Riley Stairs 2006 Shelby Stuckless Christopher Morrison 2010 Catherine Siket Christopher Morrison 2011 Emily Fraser Noelle Slaney 2012 Hannah Wiseman Emily Fraser 2013 Kiera MacFadgen Aidan Saccary 2014 Erin McDonald Emily Fraser 2015 Anna Rumbolt Samantha Dillon 2016 Erin McDonald Anna Rumbolt CHORAL ROSE BOWL 2010 Twillingate Island Elementary Choir 2011 Cardinal Chorus, St. Paul s, Gander 2012 Gander Academy Elementary Choir 2013 Lewisporte Academy Elementary Choir 2014 Gander Academy Elementary Choir Gander Academy Elementary Choir Gander Academy Elementary Choir 9

10 Gander and Area Kiwanis Music Festival The Catherine Steele $5,000 Scholarship 1. The Scholarship is open to bona fide residents of the Gander and Area and Clarenville and Area Kiwanis Music Festivals. (a) Bona fide resident means a resident whose main residence has been in our boundaries three months prior to the closing date of Festival entries, and whose main residence is still within the boundaries at the time of the Festival. (b) The boundaries will include the former (pre-2015) electoral districts of Gander, Lewisporte, Isles of Notre Dame, Terra Nova, Bonavista North, Port Blandford to Little Harbour East (both inclusive) and shall include all communities on the Bonavista and Burin Peninsulas. 2. The Scholarship WILL be subject to application on a prescribed form and MUST be submitted by the entry deadline, NOVEMBER 18, 2016, with the regular festival applications. 3. Individuals who have previously been awarded the Gander and Area or Clarenville and Area Kiwanis Music Festival Scholarships are NOT eligible to reapply. 4. Applicants MUST perform as competitors in the current Festival and enter: (a) A Concert Group, and obtain a mark of 85 or greater (b) Sight Reading and (c) One other class of their own choice for the same instrument as professed on the application form. An interview may also be scheduled with the adjudicators. 5. Successful applicants will be required to obtain academic qualifications which will permit University admittance and have passed an entrance audition and been accepted to an accredited School of Music as a full-time student. 6. The Scholarship WILL be paid directly to the successful applicant upon receipt of proof of acceptance from an accredited school of music. 7. The Scholarship WILL be awarded at the discretion of the Adjudicators. 8. Applicants MUST be in Level 2 or Level 3 of the high school program. 9. The Scholarship shall NOT necessarily be awarded in any one year. 10. The $5,000 Scholarship will be paid out over a three-year period according to the following schedule the beginning of the second, fourth and fifth semesters of study upon confirmation of registration from the School of Music. 11. Payment of the Scholarship MUST commence within three years from the date of the award, unless an extension is previously arranged with the Committee, and MUST be completely paid out within five years from the date of commencement of studies. 12. This Scholarship WILL be awarded to individuals only. 10

11 Previous Scholarship Winners 1978 Donald Boland 1979 William Way 1980 Heather Burry 1981 Karen O'Brien and Susan Picco 1982 Kim Stryde and Michelle Crann 1983 Karen Lane and Julian Smerdon 1984 Lesley Ann Moorcroft/ Heather Winsor 1985 Not Awarded 1986 Kelly Moorcroft 1987 Kim Wiseman 1988 Dana Pardy 1989 Rodney Simmons 1990 Dean Burry 1991 Lynn Tucker 1992 Catherine Adey and Janna Pardy 1993 Melanie Watkins 1994 Cathy Young 1995 Nicole Connolly 1996 Jennifer Worrall 1997 Heather Hillier 1998 Andrew Poirier 1999 Deborah Dawe 2000 Jennifer Bartlett 2001 Heather Pritchett 2002 Jennifer Norman 2003 Not Awarded 2004 Justin Guzzwell 2005 Susan Watkins 2006 Megan Thibeault 2007 Stephanie Hillier 2008 Not Awarded (No Application) 2009 Christopher Morrison 2010 Charlotte Gushue 2011 Jodine Chaulk 2012 Noelle Slaney 2013 Shelby Stuckless 2014 Aidan Saccary 2015 Rebecca Mills 2016 Samantha Dillon Provincial and National Festivals Every Music Festival in Canada is invited to participate in the National Competitive Festival of Music, subject to the General Regulations of the National Festival. Progression to this level of competition shall be via the Provincial and Local Festivals. At the local festival there may be one winner named to compete provincially in each of the available classes. For clarity, this year we have incorporated classes in each discipline from which only those entrants will be considered for recommendation to the provincial/national level. The Provincial and National regulations and syllabus are available may be downloaded from the link on the Kiwanis Club of Gander website: or directly from the Federation of Canadian Music Festival website: We have incorporated the 9 classes to be considered for recommendation throughout the syllabus as appropriate. MEMORY WORK is MANDATORY at the provincial level except for the instrumental ensemble class. Contestants MUST perform the selection on which they were recommended by the adjudicator at the local level. At the national level they MUST play all the movements of the sonata from the provincial level and may perform further movements of the own choice selection if time allows. The rules state that the winner who is recommended in each eligible Class shall be a Participant who displays the greatest musicianship, with a minimum of 85 marks. 11

12 Clarifying Copyright What Every Music Educator Needs to Know Original excerpted from Festival Features, March 1995, a newsletter of The Frederick Harris Music Co., Limited. Revised November Reprinted with permission. The term "copyright" refers to the rights of a creator of intellectual property, such as a work of music. Although the rights may NOT be easily tangible, a creative work is a valuable property. The Canadian Copyright Act protects the rights of creators to retain control over, and be compensated for, the use of their intellectual property. Many people do NOT realize that the unauthorized reproduction of copyrighted materials, such as print music, is in essence, theft. As music educators, we all recognize the value of creativity. Music teachers can play an important role in encouraging their students to respect composers' efforts by ensuring that students are made aware of the intent of the Canadian Copyright Act Misconception 1: A teacher may copy music for educational purposes. False. Many teachers may be under the impression that photocopying for educational use is legal. Although public school boards, colleges, and universities may have negotiated licenses to enjoy special copying privileges in defined situations, print music is excluded from this arrangement. This means that teachers - including independent studio music teachers - are NOT authorized to photocopy print music. The publisher, often acting as the representative of the composer, should be contacted directly to obtain permission to make copies of print music for any purpose. Misconception 2: It is permissible to photocopy music in order to facilitate page turns. False. Permission MUST be granted by the holder of the copyright (the publisher) on the composer's behalf in order for a copy to be made for any purpose, including the facilitation of page turns.* To understand the rationale underpinning this aspect of the Copyright Act, imagine that you wish to borrow your neighbor's shovel. Your neighbor WILL probably NOT say "no" or charge you a fee to use the shovel, but you would never borrow it without first seeking permission. As with your neighbor, a publisher's permission is required before you "borrow" an extra copy of print music on which the publisher holds the copyright. Misconception 3: It is legal to photocopy music from out-of-print publications. False. A creator's right to be compensated for the use of their creation continues after a book is no longer for sale. Copying out-of-print music still requires the permission of the copyright holder in order to avoid violation of the Copyright Act. On occasion, a teacher may wish his or her student to study a particular piece of music that is no longer available from music retailers. Contact the publisher of the music for permission to make a copy. Misconception 4: Permission is NOT required to copy the works of long-dead composers. False. Copyright exists both in a musical composition and in the physical notation of a musical score. This means that even if a composer's works themselves are in the public domain (for example, as Bach's are), a particular publisher's edition of those works may NOT be in the public domain. Therefore, if you wish to write out one of Bach's Inventions by hand, you may do so, but you may NOT photocopy it from a printed book without the publisher's permission. (Note: the compositions of living composers or of composers who have been dead for fewer than seventy years should NOT be copied, either by hand or otherwise, without permission). *With this public notice, The Frederick Harris Music Co., Limited is pleased to grant permission to festival, recital, and examination participants to use one photocopy of one page of their original score published by The Frederick Harris Music Co., Limited for the purpose of facilitating a page turn. This permission is granted for a 12

13 one-time use only, with the understanding that the photocopy WILL be destroyed immediately following the performance. SYLLABUS CLASS 1 - FAMILY MUSIC (NON-COMPETITIVE) Fee per member $3 OWN SELECTIONS. Maximum 2 selections. Adjudication only. Parent or parents and/or child or children - no age limitations. This class is planned to foster music in the home and may be any family group. The accompanist need NOT be a member of the family; and if not, WILL NOT be considered as part of the entry. CLASS 2 - CAMPFIRE GROUPS (NON-COMPETITIVE) Fee per member $3 OWN SELECTIONS. (Time NOT to exceed 5 minutes.) This class is open to Girl Guides, Boy Scouts, and other similar organizations. CHORAL SECTION CHORAL GROUPS List of choir members and number of support staff MUST accompany each entry form. This is necessary for seating allocation. Own selection of TWO contrasting numbers. Fee per member $3 CLASS 3 - CHURCH CHOIRS UNISON - OPEN CLASS 4 - CHURCH CHOIRS SENIOR - SA OR SSA - (Please Specify) CLASS 5 - CHURCH CHOIRS SENIOR - SAB OR SATB - (Please Specify) CLASS 6 - CHURCH CHOIRS JUNIOR - UNISON CLASS 7 - CHURCH CHOIRS JUNIOR PARTS CLASS 8 - SECULAR OR FOLK - 19 YRS AND OVER CLASS 9 - SECULAR OR FOLK - 18 YRS AND UNDER CLASS 10 - SECULAR OR FOLK - 14 YRS AND UNDER CLASS 11 - ACAPELLA - 19 YRS AND OVER CLASS 12 - ACAPELLA - 18 YRS AND UNDER CLASS 13 - GLEE CLUBS - 19 YRS AND OVER CLASS 14 - GLEE CLUBS - 18 YRS AND UNDER CLASS 15 - GLEE CLUBS - HIGH SCHOOL SCHOOL CHOIRS A list of choir members and number of support staff MUST be provided (with fees) by DECEMBER 2, This is necessary for seating allocation. Own selection of TWO contrasting numbers. Fee per member $2 / Maximum fee of $150 CLASS 16 - CHORAL GROUPS - HIGH SCHOOL - UNISON CLASS 17 - CHORAL GROUPS - HIGH SCHOOL - 2 PARTS CLASS 18 - CHORAL GROUPS - HIGH SCHOOL - 3 OR MORE PARTS 13

14 CLASS 19 - FEMALE CHOIRS - OPEN - 18 YRS & UNDER CLASS 20 - MALE CHOIRS - OPEN - 18 YRS & UNDER CLASS 21 - FEMALE CHOIRS - OPEN - 15 YRS & UNDER CLASS 22 - MALE CHOIRS - OPEN - 15 YRS & UNDER CLASS 23 - CHORAL GROUPS - MIDDLE SCHOOL - UNISON CLASS 24 - CHORAL GROUPS - MIDDLE SCHOOL (GRADES 7-9) - 2 PARTS CLASS 25 - CHORAL GROUPS - MIDDLE SCHOOL (GRADES 7-9) - 3 PARTS CLASS 26 - CHORAL GROUPS - MULTI GRADE SCHOOL - (Please Specify Grades) CLASS 27 - ELEMENTARY SCHOOL CHOIRS - UNISON CLASS 28 - ELEMENTARY SCHOOL CHOIRS - 2-PARTS CLASS 29 - ELEMENTARY SCHOOL CHOIRS - 3-PARTS CLASS 30 - PRIMARY SCHOOL CHOIRS UNISON (NON-COMPETITIVE) CLASS 31 - PRIMARY SCHOOL CHOIRS - 2-PARTS (NON-COMPETITIVE) CLASS 32 - GRADE 8 CLASS 33 - GRADE 7 CLASS 34 - GRADE 6 CLASS 35 - GRADE 5 CLASS 36 - GRADE 4 CLASS 37 - GRADE 3 (NON-COMPETITIVE) CLASS 38 - GRADE 2 (NON-COMPETITIVE) CLASS 39 GRADE 1 (NON-COMPETITIVE) CLASS 40 - KINDERGARTEN (NON-COMPETITIVE) CLASS 41 - SIGN LANGUAGE CHOIR (NON-COMPETITIVE) VOCAL SECTION CONCERT GROUP Competitors will be judged on the discrimination shown in their three selections, which MUST be from standard concert repertoire, and on the group allocation, having regard to contrast, appropriateness, keys, as well as technique, interpretation and stage presence. Competitors MUST NOT include in this class any selection which they are already performing in another class in the current festival. Performance times MUST be within the limits specified. Note: A concert group WILL consist of: (1) An aria from opera or oratorio. (2) One lied. (3) One other song, which MUST NOT be a folk song. No song cycles permitted. Baroque era will also be considered instead of an aria from opera or oratorio for Concert group 15 YRS and 14 YRS and under classes. CLASS 088 CONCERT GROUP UNIVERSITY Fee$20 CLASS 095 -VOCAL SOLO, ANY VOICE PROVINCIAL CONSIDERATION Fee $20 CLASS CONCERT GROUP - 17 YRS & OVER (Limit: 25 min) Fee $20 CLASS CONCERT GROUP - 16 YRS (Limit: 25 min) Fee $20 CLASS CONCERT GROUP - 15 YRS (Limit: 20 min) Fee $20 CLASS CONCERT GROUP 14 YRS & UNDER (Limit: 20 min) Fee $20 Competitors must be recommended to Provincials from: 1. Senior Opera, with recitative where applicable, original key, original language; Senior Sacred Aria (Aria from an Oratorio, a work of J.S. Bach, or other major sacred work), with recitative where applicable; and at least one movement of a multi-movement work/song cycle; or 2. National Class, as provided for in the Provincial/Local Festival Syllabus. 14

15 MAJOR VOCAL SOLO CLASS ORATORIO/ART SONG SOLO - ANY VOICE - 18 YRS & OVER Fee $10 Own selection from any recognized sacred oratorio (or art song). CLASS ORATORIO/ART SONG SOLO - ANY VOICE - 17 YRS & UNDER Fee $10 Own selection from any recognized sacred oratorio (or art song). Own choice of one selection except where specified. SENIOR VOCAL SOLO CLASS SOPRANO SOLO - 19 YRS & OVER Fee $10 CLASS SOPRANO SOLO - 18 YRS & UNDER Fee $10 CLASS SOPRANO SOLO - 17 YRS & UNDER Fee $10 CLASS MEZZO-SOPRANO SOLO - 19 YRS & OVER Fee $10 CLASS MEZZO-SOPRANO SOLO - 18 YRS & UNDER Fee $10 CLASS MEZZO-SOPRANO SOLO - 17 YRS & UNDER Fee $10 CLASS MEZZO-SOPRANO SOLO - 15 YRS & UNDER Fee $10 CLASS CONTRALTO SOLO - 19 YRS & OVER Fee $10 CLASS CONTRALTO SOLO - 18 YRS & UNDER Fee $10 CLASS TENOR SOLO - 19 YRS & OVER Fee $10 CLASS TENOR SOLO - 18 YRS & UNDER Fee $10 CLASS BARITONE / BASS SOLO - 19 YRS & OVER Fee $10 CLASS BARITONE / BASS SOLO - 18 YRS & UNDER Fee $10 CLASS BOY'S SOLO - CHANGED VOICE - 16 YRS & UNDER Fee $10 ART SONG SOLO Own Choice selection according to the class description. May be sung in any key, although preferably in a published voicing as given to the adjudicator. MEMORIZATION IS REQUIRED. 19 YRS AND OVER Fee $10 per class CLASS ENGLISH ART SONG CLASS GERMAN LIED CLASS FRENCH ART SONG CLASS ITALIAN ART SONG CLASS OPEN 18 YRS AND UNDER Fee $10 per class CLASS ENGLISH ART SONG CLASS GERMAN LIED CLASS FRENCH ART SONG CLASS ITALIAN ART SONG CLASS 131 OPEN 15

16 ART SONG SOLO 16 YRS AND UNDER Fee $9 per class CLASS ENGLISH ART SONG CLASS GERMAN LIED CLASS FRENCH ART SONG CLASS ITALIAN ART SONG CLASS OPEN Own Selection GIRL'S VOCAL SOLO CLASS Grade Five RCM or Conservatory Canada Series Fee $6 CLASS Grade Four RCM or Conservatory Canada Series Fee $6 CLASS Grade Three RCM or Conservatory Canada Series Fee $6 CLASS Grade Two RCM or Conservatory Canada Series Fee $6 CLASS Grade One RCM or Conservatory Canada Series Fee $6 CLASS Introductory Level RCM or Conservatory Canada Series (NON-COMPETITIVE) Fee $6 BOY'S VOCAL SOLO Own Selection CLASS Grade Five RCM or Conservatory Canada Series UNCHANGED VOICES Fee $6 CLASS Grade Five RCM or Conservatory Canada Series CHANGED VOICES Fee $6 CLASS Grade Four RCM or Conservatory Canada Series Fee $6 CLASS Grade Three RCM or Conservatory Canada Series Fee $6 CLASS Grade Two RCM or Conservatory Canada Series Fee $6 CLASS Grade One RCM or Conservatory Canada Series Fee $6 CLASS Introductory Level RCM or Conservatory Canada Series NON-COMPETITIVE Fee $6 MUSICAL THEATRE SET Own choice of two selections consisting of the following: Musical Theatre Ballad and Musical Theatre Up-Tempo. Both selections are to be sung from a published score, in the published key (no transposition), of a staged musical and be gender/voice type appropriate. Competitors may use: costumes, one (1) hand prop per selection (Wearable items are not a prop: hat, scarf, gloves etc.) and stage movement (no dance break). A table, chair, and coat rack are provided. Spoken passages are allowed only if published in the score provided. The term Up-Tempo is used to describe music with a lively tempo, often comedy, e,g. One Hundred Easy Ways (from Wonderful Town). The term Ballad is used to describe music with a slower tempo, often of a serious or introspective nature, e.g. On My Own (from Les Miserables). Time limit includes costume change. CLASS MUSICAL THEATRE SET UNIVERSITY (Limit: 20 min) Fee $20 CLASS 090 MUSICAL THEATRE SOLO, ANY VOICE PROVINCIAL CONSIDERATION Fee $20 CLASS MUSICAL THEATRE SET - 17 YRS & OVER (Limit: 20 min) Fee $20 CLASS MUSICAL THEATRE SET - 16 YRS (Limit: 20 min) Fee $20 CLASS MUSICAL THEATRE SET - 15 YRS (Limit: 15 min) Fee $20 CLASS MUSICAL THEATRE SET - 14 YRS & UNDER (Limit: 15 min) Fee $20 16

17 All selections are to be sung from a published score, in any published key (no transposition), of a staged musical and be gender/voice type appropriate. Competitors may use: costumes, one (1) hand prop per selection (a table, chair, and coat rack is provided). Spoken passages are allowed only if published in the script/score provided. The original copy can be the Broadway score, from an Anthology, or purchased online. Proof of purchase must be shown for all online purchases. The term Up-Tempo is used to describe music with a lively tempo, often comedy, e.g. One Hundred Easy Ways (from Wonderful Town). The term Ballad is used to describe music with a slower tempo, often of a serious or introspective nature, e.g. On My Own (from Les Misérables). The following is a definition of the Musical Theatre Standard Repertoire: Tin Pan Alley era ( ) Composers such as Berlin, Kern, Gershwin, Porter, and Rodgers & Hart, Weill The Golden Age ( ) Composers such as Rodgers & Hammerstein, Lerner & Loewe, Bock &Harnick, and Sondheim Contemporary Musical Theatre repertoire (1965 present day) Composers such as Sondheim, Kander& Ebb, Schwartz, Finn, and Jason Robert Brown One selection by Sondheim is recommended. Selections are not to include operetta/light opera (e.g. Romberg, Johann Strauss, Lehár, and Offenbach). MUSICAL THEATRE / MUSICAL MOVIE SOLO Own selection from any recognized Musical Theatre or Musical Movie show. Please list title and name of musical or movie. Use of electronic piano is PROHIBITED. Solo only, no added parts. Competitors may use: costumes, one (1) hand prop per selection (Wearable items are not a prop: hat, scarf, gloves etc.) and stage movement (no dance break). A table, chair, and coat rack will be permitted. Spoken passages are allowed only if published in the score provided. CLASS ANY VOICE - 19 YRS & OVER Fee $8 CLASS ANY VOICE - 18 YRS & UNDER Fee $8 CLASS ANY VOICE - 17 YRS & UNDER Fee $8 CLASS ANY VOICE - 16 YRS & UNDER Fee $8 CLASS ANY VOICE - 15 YRS & UNDER Fee $8 CLASS ANY VOICE - 14 YRS & UNDER Fee $6 CLASS ANY VOICE - 13 YRS & UNDER Fee $6 CLASS ANY VOICE - 12 YRS & UNDER Fee $6 CLASS ANY VOICE - 11 YRS & UNDER Fee $6 CLASS ANY VOICE - 10 YRS & UNDER (NON-COMPETITIVE) Fee $6 CLASS ANY VOICE - 9 YRS & UNDER (NON-COMPETITIVE) Fee $6 CLASS ANY VOICE - 8 YRS & UNDER (NON-COMPETITIVE) Fee $6 CLASS GILBERT AND SULLIVAN SOLO - ANY VOICE (18 YRS & OVER) Own selection from the operettas of Gilbert and Sullivan. Fee $10 CLASS GILBERT AND SULLIVAN SOLO - ANY VOICE (17 YRS & UNDER) Own selection from the operettas of Gilbert and Sullivan. Fee $10 17

18 NEWFOUNDLAND & LABRADOR MUSIC Own selection of music by Newfoundland & Labrador Composers. CLASS ANY VOICE - 18 YRS & OVER Fee $8 CLASS ANY VOICE - 17 YRS & UNDER Fee $8 CLASS ANY VOICE - 16 YRS & UNDER Fee $8 CLASS ANY VOICE - 15 YRS & UNDER Fee $8 CLASS ANY VOICE - 14 YRS & UNDER Fee $6 CLASS ANY VOICE - 13 YRS & UNDER Fee $6 CLASS ANY VOICE - 12 YRS & UNDER Fee $6 CLASS ANY VOICE - 11 YRS & UNDER Fee $6 CLASS ANY VOICE - 10 YRS & UNDER (NON-COMPETITIVE) Fee $6 CLASS ANY VOICE - 9 YRS & UNDER (NON-COMPETITIVE) Fee $6 CLASS ANY VOICE - 8 YRS & UNDER (NON-COMPETITIVE) Fee $6 18

19 TRADITIONAL FOLK SONG SOLO Own selection of Traditional Folk Song, including Newfoundland Folk; that is songs originating in, and forming part of, a country's characteristic culture with words and music NOT attributable to any specific composer. Country of origin MUST be listed. CLASS ANY VOICE - 18 YRS & OVER Fee $8 CLASS ANY VOICE - 17 YRS & UNDER Fee $8 CLASS ANY VOICE - 16 YRS & UNDER Fee $8 CLASS ANY VOICE - 15 YRS & UNDER Fee $8 CLASS ANY VOICE - 14 YRS & UNDER Fee $6 CLASS ANY VOICE - 13 YRS & UNDER Fee $6 CLASS ANY VOICE - 12 YRS & UNDER Fee $6 CLASS ANY VOICE - 11 YRS & UNDER Fee $6 CLASS ANY VOICE - 10 YRS & UNDER (NON-COMPETITIVE) Fee $6 CLASS ANY VOICE - 9 YRS & UNDER (NON-COMPETITIVE) Fee $6 CLASS ANY VOICE - 8 YRS & UNDER (NON-COMPETITIVE) Fee $6 Own selection. GOSPEL SONG SOLO CLASS ANY VOICE - 18 YRS & OVER Fee $8 CLASS ANY VOICE - 17 YRS & UNDER Fee $8 CLASS ANY VOICE - 16 YRS & UNDER Fee $8 CLASS ANY VOICE - 15 YRS & UNDER Fee $8 CLASS ANY VOICE - 14 YRS & UNDER Fee $6 CLASS ANY VOICE - 13 YRS & UNDER Fee $6 CLASS ANY VOICE - 12 YRS & UNDER Fee $6 CLASS ANY VOICE - 11 YRS & UNDER Fee $6 CLASS ANY VOICE - 10 YRS & UNDER (NON-COMPETITIVE) Fee $6 CLASS ANY VOICE - 9 YRS & UNDER (NON-COMPETITIVE) Fee $6 CLASS ANY VOICE - 8 YRS & UNDER (NON-COMPETITIVE) Fee $6 POP SONG SOLO (Please note these classes are NOT for under Age 14) CLASS ANY VOICE - 18 YRS & OVER Fee $8 CLASS ANY VOICE - AGE Fee $8 CLASS ANY VOICE - AGE Fee $8 Own selection. MODERN FOLK SONG SOLO MUST BE attributable to a specific composer CLASS ANY VOICE - 18 YRS & OVER Fee $8 CLASS ANY VOICE - 17 YRS & UNDER Fee $8 19

20 CLASS ANY VOICE - 16 YRS & UNDER Fee $8 CLASS ANY VOICE - 15 YRS & UNDER Fee $8 CLASS ANY VOICE - 14 YRS & UNDER Fee $6 CLASS ANY VOICE - 13 YRS & UNDER Fee $6 CLASS ANY VOICE - 12 YRS & UNDER Fee $6 CLASS ANY VOICE - 11 YRS & UNDER Fee $6 CLASS ANY VOICE - 10 YRS & UNDER (NON-COMPETITIVE) Fee $6 CLASS ANY VOICE - 9 YRS & UNDER (NON-COMPETITIVE) Fee $6 CLASS ANY VOICE - 8 YRS & UNDER (NON-COMPETITIVE) Fee $6 Own selection. VOCAL DUETS - ANY VOICES CLASS ANY VOICES - 18 YRS & OVER Fee $12 CLASS ANY VOICES - 17 YRS & UNDER Fee $12 CLASS ANY VOICES - 16 YRS & UNDER Fee $12 CLASS ANY VOICES - 15 YRS & UNDER Fee $12 CLASS ANY VOICES - 14 YRS & UNDER Fee $12 CLASS ANY VOICES - 13 YRS & UNDER Fee $12 CLASS ANY VOICES - 12 YRS & UNDER Fee $12 CLASS ANY VOICES - 11 YRS & UNDER Fee $12 CLASS ANY VOICES - 11 YRS & UNDER Fee $12 CLASS ANY VOICES - 10 YRS & UNDER (NON-COMPETITIVE) Fee $12 CLASS ANY VOICES - STUDENT / TEACHER DUET (NON-COMPETITIVE) Fee $12 Own selection. VOCAL TRIOS - ANY VOICES CLASS YRS & OVER Fee $18 CLASS YRS & UNDER Fee $18 CLASS YRS & UNDER Fee $18 CLASS YRS & UNDER Fee $18 CLASS YRS & UNDER Fee $18 Own selection. SMALL VOCAL ENSEMBLE - ANY VOICE - (4-9 VOICES) CLASS YRS & OVER Fee $27 CLASS YRS &UNDER Fee $27 CLASS YRS &UNDER Fee $27 CLASS YRS &UNDER Fee $27 CLASS YRS &UNDER Fee $27 20

21 MUSICAL THEATRE / MUSICAL MOVIE DUET Own selection. Competitors may use: costumes, one (1) hand prop per selection (Wearable items are not a prop: hat, scarf, gloves etc.) and stage movement (no dance break). A table, chair, and coat rack may also be used. Spoken passages are allowed only if published in the score provided. CLASS YRS & OVER Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER (NON-COMPETITIVE) Fee $12 MUSICAL THEATRE / MUSICAL MOVIE TRIO Own selection. Competitors may use: costumes, one (1) hand prop per selection (Wearable items are not a prop: hat, scarf, gloves etc.) and stage movement (no dance break). A table, chair, and coat rack may also be used. Spoken passages are allowed only if published in the score provided. CLASS YRS & OVER Fee $18 CLASS YRS & UNDER Fee $18 CLASS YRS & UNDER Fee $18 CLASS YRS & UNDER Fee $18 CLASS YRS & UNDER Fee $18 CLASS YRS & UNDER (NON-COMPETITIVE) Fee $18 MUSICAL THEATRE / MUSICAL MOVIE SMALL ENSEMBLE - (4-9 VOICES) Own selection. Competitors may use: costumes, one (1) hand prop per selection (Wearable items are not a prop: hat, scarf, gloves etc.) and stage movement (no dance break). A table, chair, and coat rack may also be used. Spoken passages are allowed only if published in the score provided. CLASS YRS & OVER Fee $27 CLASS YRS & UNDER Fee $27 CLASS YRS & UNDER Fee $27 CLASS YRS & UNDER Fee $27 CLASS YRS & UNDER Fee $27 CLASS YRS & UNDER (NON-COMPETITIVE) Fee $27 VOCAL SIGHT READING The Adjudicator will select the test piece. CLASS YRS & OVER Fee $6 CLASS YRS & UNDER Fee $6 21

22 CLASS YRS & UNDER Fee $6 CLASS YRS & UNDER Fee $6 CLASS YRS & UNDER Fee $6 CLASS YRS & UNDER Fee $6 CLASS YRS & UNDER Fee $6 CLASS YRS & UNDER Fee $6 CLASS YRS & UNDER (NON-COMPETITIVE) Fee $6 CLASS YRS & UNDER (NON-COMPETITIVE) Fee $6 CLASS YRS & UNDER (NON-COMPETITIVE) Fee $6 VOICE - OWN COMPOSITION CLASS PLEASE INDICATE AGE & LEVEL (NON-COMPETITIVE) Fee $10 Own choice of three selections. PIANO SECTION CONCERT GROUP Competitors WILL be judged on the discrimination shown in their selections, which MUST be from standard concert repertoire and from three different eras, and on the group allocation, having regard to contrast, appropriateness and keys, as well as technique, interpretation and stage presence. Competitors MUST NOT include in this class any selection which they are already performing in another class in the current festival. Memorization is desirable. TO BE CONSIDERED FOR THE SENIOR ROSE BOWL, PERFORMANCE FROM MEMORY IS MANDATORY. CLASS UNIVERSITY LEVEL (Limit: 25 min) Fee $20 CLASS YRS & OVER (Limit: 25 min) Fee $20 CLASS YRS (Limit: 25 min) Fee $20 CLASS YRS (Limit: 20 min) Fee $20 CLASS YRS & UNDER (Limit: 20 min) Fee $20 CLASS 290 PIANO SOLO PROVINCIAL CONSIDERATION Fee $20 Competitors must be recommended to Provincials from: 1. A Senior Sonata, Concerto or Concerted Work; or 2. National Class, as provided for in the Provincial/Local Festival Syllabus. PIANO CONCERTO Own selection. One movement only. The solo PARTS only will be adjudicated. The Orchestral part is to be played on second piano, and may be performed by a professional musician if desired. CLASS UNIVERSITY LEVEL Fee $20 CLASS YRS & OVER Fee $15 CLASS YRS & UNDER. Fee $15 CLASS YRS & UNDER Fee $15 22

23 COMPLETE MAJOR PIANO SOLO Own selection. MUST be a work of more than one movement; i.e., complete sonata, suite or similar largescale work (in the Junior class a similar multi-movement work, such as Schumann's Kinderszenen, Kabalevsky's Sonatine or Debussy's Suite Bergamasque is acceptable). Competitors in this class MUST NOT perform ANY part of their selection in any other class in the current festival. In all complete major solo work classes, the work performed MUST be of ten minutes minimum duration. CLASS UNIVERSITY LEVEL Fee $25 CLASS YRS & OVER Fee $20 CLASS YRS & UNDER. Fee $20 CLASS YRS & UNDER Fee $20 PIANO - OWN COMPOSITION CLASS PLEASE INDICATE AGE (NON-COMPETITIVE) Fee $10 SOLO PIANO Own selection from RCM or Conservatory Canada Music Series. Students entering this section are NOT eligible to enter "Special Piano" section. LEVEL 10 CLASS BAROQUE Fee $8 CLASS CLASSICAL Fee $8 CLASS ROMANTIC Fee $8 CLASS IMPRESSIONIST OR MODERN Fee $8 CLASS IMPRESSIONIST OR MODERN - POPULAR STYLE Fee $8 LEVEL 9 CLASS BAROQUE Fee $8 CLASS CLASSICAL Fee $8 CLASS ROMANTIC Fee $8 CLASS IMPRESSIONIST OR MODERN Fee $8 CLASS IMPRESSIONIST OR MODERN - POPULAR STYLE Fee $8 LEVEL 8 CLASS BAROQUE Fee $8 CLASS CLASSICAL Fee $8 CLASS ROMANTIC Fee $8 CLASS IMPRESSIONIST OR MODERN Fee $8 CLASS IMPRESSIONIST OR MODERN - POPULAR STYLE Fee $8 23

24 LEVEL 7 CLASS BAROQUE Fee $8 CLASS CLASSICAL Fee $8 CLASS ROMANTIC Fee $8 CLASS IMPRESSIONIST OR MODERN Fee $8 CLASS IMPRESSIONIST OR MODERN - POPULAR STYLE Fee $8 LEVEL 6 CLASS BAROQUE Fee $8 CLASS CLASSICAL Fee $8 CLASS ROMANTIC Fee $8 CLASS IMPRESSIONIST OR MODERN Fee $8 CLASS IMPRESSIONIST OR MODERN - POPULAR STYLE Fee $8 LEVEL 5 CLASS BAROQUE Fee $8 CLASS CLASSICAL Fee $8 CLASS ROMANTIC OR IMPRESSIONIST Fee $8 CLASS MODERN Fee $8 CLASS MODERN - POPULAR STYLE Fee $8 LEVEL 4 CLASS BAROQUE Fee $8 CLASS CLASSICAL Fee $8 CLASS ROMANTIC OR IMPRESSIONIST Fee $8 CLASS MODERN Fee $8 CLASS MODERN - POPULAR STYLE Fee $8 LEVEL 3 CLASS BAROQUE Fee $6 CLASS CLASSICAL Fee $6 CLASS ROMANTIC OR IMPRESSIONIST Fee $6 CLASS MODERN Fee $6 CLASS MODERN - POPULAR STYLE Fee $6 LEVEL 2 CLASS FIRST SELECTION Fee $6 CLASS SECOND SELECTION Fee $6 CLASS THIRD SELECTION Fee $6 24

25 LEVEL 1 CLASS FIRST SELECTION Fee $6 CLASS SECOND SELECTION Fee $6 CLASS THIRD SELECTION Fee $6 INTRO LEVEL CLASS FIRST SELECTION (NON-COMPETITIVE) Fee $6 CLASS SECOND SELECTION (NON-COMPETITIVE) Fee $6 CLASS THIRD SELECTION (NON-COMPETITIVE) Fee $6 Own selection. PIANO DUET CLASS YRS & OVER Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER (NON-COMPETITIVE) Fee $12 CLASS YRS & UNDER (NON-COMPETITIVE) Fee $12 CLASS YRS & UNDER (NON-COMPETITIVE) Fee $12 CLASS YRS & UNDER (NON-COMPETITIVE) Fee $12 PIANO DUET: PUPIL/TEACHER Classes are NON-COMPETITIVE. General adjudication only. Own selection. CLASS OVER 18 YRS Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER Fee $12 Own selection. PIANO DUO CLASS YRS & OVER Fee $12 CLASS YRS & UNDER Fee $12 CLASS YRS & UNDER Fee $12 25