Guide to the Brownie McGhee Papers

Transcription

1 Online items available Sean Heyliger African American Museum & Library at Oakland th Street Oakland, California Phone: (510) Fax: (510) URL: African American Museum & Library at Oakland. All rights reserved. MS 180 1

2 Collection number: MS 180 African American Museum & Library at Oakland Oakland, California Processed by: Sean Heyliger Date Completed: 10/09/2015 Encoded by: Sean Heyliger 2013 African American Museum & Library at Oakland. All rights reserved. Descriptive Summary Title: papers Dates: Collection number: MS 180 Creator: McGhee, Brownie, Collector: Twomey, Michael Collection Size: 3 linear feet (4 boxes) Repository: African American Museum & Library at Oakland (Oakland, Calif.) Oakland, CA Abstract: The consist of audio cassettes, photographs, programs, and VHS videotape documenting the life and musical career of blues musician. The collection is arranged into three series: I., II. Blues is Truth Foundation, III. Interviews with Styve Homnick. A majority of the series consists of 83 audiocassettes of interviews with conducted by Leslie Ann Wright and her partner Mike Twomey in preparation of his autobiography. The interviews document McGhee's musical career including his experiences living with blues musician Lead Belly and performing in New York City in the 1940s, traveling internationally as a blues musician, the West Coast Blues scene in California, and his long career in film and television. The collection offers a detailed first person perspective of a blues-folk musician whose career spanned most of the 20th century. Languages: Languages represented in the collection: English Access No access restrictions. Collection is open to the public. Access Restrictions Materials are for use in-library only, non-circulating. Publication Rights Permission to publish from the must be obtained from the African American Museum and Library at Oakland. Preferred Citation papers, MS 180, African American Museum & Library at Oakland, Oakland Public Library. Oakland, California. Acquisition Information The were donated to the African American Museum & Library at Oakland by Beth Twomey on June 23, Processing Information Processed by Sean Heyliger, October 9, Biography / Administrative History Blues musician Walter B. "Brownie" McGhee ( ) was born on November 30, 1915 in Knoxville, Tennessee to George Duffield McGhee, a construction worker, and Zella Hennley. He learned to play guitar from his father and started his MS 180 2

3 musical career performing at the Solomon Temple Baptist Church in Kingsport, Tennessee and as a member of the Golden Voices Gospel Quartet. After contracting polio as a child, he suffered a walking disability until he underwent surgery funded by the March of Dimes to correct his ailment in By the late 1930s, he was traveling throughout the South performing as an iterant blues musician at churches, carnivals and briefly as a member of the Rabbit Foot Minstrels. Fellow musician George Bull City Red Washington introduced McGhee to J.B. Long, a talent scout for Okeh Records, who arranged his first recording session in Chicago in He was initially marketed as Blind Boy Fuller No. 2 before teaming up with his long-time musical partner Sonny Terry in 1942 at a civil rights benefit organized by Paul Robeson in Washington D.C. While in Washington D.C., they made a Library of Congress recording for musicologist Alan Lomax. Shortly thereafter, McGhee moved to New York City where he was part of the folk scene living in the communal house of the Almanac Singers and roomed with fellow blues musician Lead Belly. When Terry was cast in the Broadway production of Finian s Rainbow in 1947, McGhee formed the trio The Three B s, which eventually added a saxophonist and was re-named the Mighty House Rockers. In 1955, McGhee and Terry were cast in Tennessee Williams Broadway production of Cat on a Hot Tin Roof, while continuing to record blues albums together. By the 1960s, McGhee and Terry gained a following as part of the blues-folk revival movement recording albums under the Smithsonian/Folkways, Choice, World Pacific, Bluesville, and Fantasy record labels. They toured both in the United States and in Europe making rounds on the folk and music festival circuits throughout the 1960s. They ended their musical collaboration in the 1970s, but McGhee continued to perform and appeared in a number of film and television roles, including The Jerk (1979), Angel Heart (1987), and episodes of Family Ties and Matlock. He performed and continued to record music through the 1990s until his death in 1996 in Oakland, California. Scope and Content of Collection The consist of audio cassettes, photographs, programs, and VHS videotape documenting the life and musical career of blues musician. The collection is arranged into three series: I., II. Blues is Truth Foundation, III. Interviews with Styve Homnick. A majority of the series consists of 83 audiocassettes of interviews with conducted by Leslie Ann Wright and her partner Mike Twomey in preparation of his autobiography. The interviews document McGhee's musical career including his experiences living with blues musician Lead Belly and performing in New York City in the 1940s, traveling internationally as a blues musician, the West Coast Blues scene in California, and his long career in film and television. The collection offers a detailed first person perspective of a blues-folk musician whose career spanned most of the 20th century. Also included in the collection is a funeral program and recording of 's memorial service, an audio recording of a birthday celebration held for him at Yoshi's, photographs and publicity stills, and a video tribute to following his death. The Blues is Truth series includes a brochure and five audio cassettes from the Blues is Truth Foundation meetings. The interviews of Styve Homnick consists of three cassette tapes of interviews with drummer Styve Homnick conducted in preparation of 's autobiography. Arrangement Collection is arranged into three series: I. II. Blues is Truth Foundation III. Interviews with Styve Homnick Indexing Terms The following terms have been used to index the description of this collection in the library's online public access catalog. McGhee, Brownie, African American musicians. Blues musicians--united States--Biography. Blues musicians--california--oakland--interviews. Blues (Music)--California--Oakland--History. Physical : 3 boxes Series Scope and Content Summary Cassette tapes of interviews conducted with between , funeral program, recordings of musical performances, photographs and a tribute to Brownie McGhee. Arrangement Arranged by format and chronologically thereafter. MS 180 3

4 Physical : 83 cassette tapes Box 1 Tape Physical : Run Time: 24 (min): 21 (s) Side A description: Silence [00:00]; Les Paul and Mary Ford [00:07]; First time in Chicago [02:36]; Father as a songwriter and musician [03:00]; Father leaves for work [04:02]; Brownie goes to Kingsport, Tennessee and begins selling liquor [05:20]; Recuperation after polio operation [05:50]; Father shoots wife [06:01]; Father released from prison and return home [07:50]; Learns to play father's guitar in hospital [08:20]; Aunt prohibition against stringed instruments, believes they are the "devil's music" [09:10]; Secretly making his own banjo [10:05] Side B description: Silence [00:00]; Love of music from mother [00:29]; Dealing with handicap as a child [01:07]; Learning hobbies from mother [01:40]; Learning to play guitar, 1936 [02:23]; Father fighting with women [02:58]; Return to Kingsport, Tennessee [03:34]; Mother's affair [04:25]; Mother beats father with brick [04:55]; Father's life [06:00]; Discharge from hospital, meeting his father's girlfriend Mattie [07:15]; Hustling and playing music, 1938 [09:44]; Breakup with Mattie [10:42]; Playing music and selling liquor [13:00] MS 180 4

5 Box 1 Tape Physical : Run Time: 62 (min): 00 (s) Side A description: Silence [00:00]; Living with the Almanac Singers in New York City [00:05]; Josh White [01:10]; Pete Seeger learning to play banjo [02:10]; Meeting Lead Belly in New York City and Washington D.C. [03:32]; Concert with Paul Robeson and recording at the Library of Congress [04:00]; Partnership with Sonny Terry [04:20]; Conversion with Lead Belly about being called a "nigger" [07:35]; Performing at Paul Robeson concert [08:10]; Asked to meet Josh White in New York City [09:10]; Return to Kingsport, Tennessee, confusion with train ticket [10:00]; Arrival in New York City, cheated by taxi driver [13:30]; Living with Almanac Singers, food [14:40]; Millard Lampell [16:09]; Lead Belly's address [17:00]; Food living with the Almanac Singers [17:18]; Moving in with Lead Belly at 604 E. 9th St., living with Lead Belly, [17:52]; Performing with the Almanac Singers [20:35]; Woody Guthrie in trouble for saying "nigger" on radio [22:00]; Never see Lead Belly drink alcohol [22:46]; Playing music and drinking at Woody Guthrie's apartment at 10 E. Charles St. [23:24]; Brownie begins to sing "Rock of Ages" [25:24]; Song "This land is your land" [26:04]; Contract and pay performing with the Almanac Singers [26:40]; Songs performed by the Almanac Singers [27:30]; Introduction by Paul Robeson at first concert [28:20] Side B description: Silence [00:00]; Introduction by Paul Robeson at first concert [00:05]; Discrimination in Washington D.C., origin of the song, "Bourgeois Blues" [05:09]; Mary Travers, union songs [07:05]; Writing his own songs [08:04]; Writing blues songs about whiskey, women, and money [08:21]; Political songs and sharecropping in the South [08:59]; Whiskey, women, and money as euphemisms about racial oppression [10:10]; Bessie Smith [11:44]; Discrimination playing with the Almanac Singers [12:27]; Woody Guthrie demanding to eat with Brownie and Sonny at concert in Baltimore, Maryland [13:20]; Song, "This land is your land" and "Rock of ages" [19:45]; Woody Guthrie selling 10 songs for $25 [22:00]; Woody Guthrie stealing his child back [23:00]; Mary Travers playing with People's songs at hootenanny [23:36]; Final song at hootenanny "When the saints go marching in" [25:50]; Union songs [27:05]; Lead Belly MS 180 working at the Village Vanguard [28:05]; Josh 5 White's career [29:48]

6 Box 1 Tape Physical : Run Time: 63 (min): 37 (s) Side A description: Sister working for family [00:00]; Sister moves to live with mother in New York [00:33]; Brownie's alley [01:08]; Graduation from high school [01:32]; Participation in church activities, religious schooling [02:27]; Leaves the Baptist church [06:50]; Fulbright program and polio surgery [07:48]; Brownie and brother move in with aunt in 1929 [09:36]; Mother's death [10:41]; Living with aunt [11:22]; Aunt and uncle farming and sharecropping [12:40]; Timber harvesting, shingle making, learning to hunt and fish [13:43]; Disability and walking with a crutch [17:13]; Aunt teaches him to cook, iron, and sew [18:45]; Attending school in Vonore, Tennessee [20:40]; Sings graduation song, "I promise you" [23:40]; Built smokehouse, water from the Henley family [24:42]; Henley and McGhee families [27:04]; killing and butchering pigs [28:15]; Salt curing meats underneath house [31:30] Side B description: Canning and storing food, trading tobacco [00:00]; Tobacco and cotton farming [01:25]; Return to Kingsport, Tennessee [05:20]; Polio and insecurity fueled his hatred of women [05:40]; Girls coming to his house as a teenager [07:55]; Aunt encourages him to visit man with no legs [09:03]; Other people in town with polio [14:28]; His desire to learn to become a carpenter or lawyer [15:18]; Reading books [16:20]; No first girlfriend [17:24]; Aunt's belief that all stringed instruments were the devil's music [18:09]; Uncle John helped him to build a banjo [18:29]; Aunt hides his banjo in attic [20:30]; Starts to play guitar [21:19]; First guitar and first recording [24:21]; Father's musical style and traveling [25:45] MS 180 6

7 Box 1 Tape 004 [two copies] Physical : Run Time: 63 (min): 36 (s) Side A description: Silence [00:00]; Piano playing [00:06]; Singing negro national anthem, "Lift every voice and sing" [08:44]; Father's claim that Columbus did not discovery America [10:55]; Father's cursing [11:42]; Father's claim that most Black folk songs are not Black [12:06]; Discusses song, "Careless love," old brothel ballad [12:57]; Discusses song, "Easter parade" [15:03]; Discusses song, "This land is your land" [19:06]; Performing as the Streamline Singers [20:32]; Sings UAW song [21:18]; Spirituals [21:55]; Discusses song, "Motherless children," his mother and father's infidelities [22:30]; Father's guitar playing style [30:10]; Song, "Sentimental journey" [32:00] Side B description: Silence [00:00]; Spirituals as future tense and blues as the past tense [00:11]; Blues lyrics and whiskey, women, and money [02:30]; Discusses song, "I shall not be moved" and "Hang low sweet chariot" [03:00]; Spiritual idiom developed because Blacks could not speak freely [04:50]; Blues is truth [07:40]; Uses "women" as a crutch for the white man [08:10]; Motivation to write songs [12:10]; Resentment against Jim Crow in his songs [12:30]; Blues as an American musical form [17:00]; Unnamed transgendered women's suicide on Golden Gate Bridge [21:27]; Early childhood with father, Solomon's Temple, McGhee's Station [23:20]; Maryville, Tennessee, Hale High School [27:10] MS 180 7

8 Box 1 Tape 006 / Physical : Run Time: 126 (min): 44 (s) Tape 6: Side A description: Silence [00:00]; First records, Recording with Sonny Terry for Alan Lomax at the Library of Congress [00:05];Paul Robeson asks him to perform at concert [02:22]; Paul Robeson introduces him on stage at Riverside Theater [04:24]; Millard Lampell invites him to come to New York City [08:59]; First recordings in North Carolina and Chicago, death of Blind Boy Fuller [10:14]; Receives Blind Boy Fuller's guitar, J.B. Long treated him differently because of his diploma, encourages him to form duet with Sonny Terry [12:32]; J.B. Long encourages him to go with Sonny Terry to record at the Library of Congress [19:04]; Meeting with Alan Lomax [20:07]; First meeting with Lead Belly [24:05]; Encouraged to move to New York City, telegram from J.B. Long [25:25]; Takes bus from Kingsport, Tennessee to New York City, arrival in New York City [30:50] Side B description: Silence [00:00]; Taxi cheats him after his arrival in New York City [00:04]; Becomes member of the Almanac Singers [00:41]; Lead Belly invites him to live with him [02:16]; His desire to attend religious schools, college [03:37]; Gambling and bootlegging, Brownie's alley [06:29]; Run-ins with law enforcement [10:14]; Leaves town, hitchhikes to North Carolina [12:35]; Runs with group of thieves in Mt Ely [14:18]; Paid for performing, Blind Boy Fuller [14:50]; Performing at 11th St. Bottom in Winston-Salem, North Carolina [18:02]; Performing with harmonica player Jordan Webb [19:14]; J.B. Long asks him to meet him at his store [22:46]; Music he listened to as a child [27:04]; Buys a jukebox, problems finding electricity to run it [29:29] Tape 7: Side A description: Silence [00:00]; Cat on a Hot Tin Roof production [00:06]; Marilyn Monroe on set during production [02:50]; Barbara Bel Geddes and Burl Ives [04:32]; Performing after shows, John Steinbeck [06:00]; Tennessee Williams' mother [06:33]; Marilyn Monroe [07:20]; Opening of play in Philadelphia [08:00]; Parties during production, Burl Ives, Huntington Hartford [09:47]; Marilyn Monroe on a pedestal [15:02]; Siblings born in house that straddles county line [17:35]; Born in Old Arc Church in Knoxville, Tennessee [19:30]; Father's travels to find road construction work [20:10]; Sisters born in Loudon and Monroe MS 180 counties [21:05]; Brother born in Kingsport, 8 Tennessee [22:10]; Father worked in dye plant during World War I [23:05]; Father's work in brickyard [25:11]; Rev. and Mrs. Whitely [?][26:45]; Stricken with polio, move to Walnut Alley [27:40]; Mother and father separate, father goes to prison [29:08] Side

9 Box 1 Tape [two copies] Physical : Run Time: 92 (min): 45 (s) Side A description: Silence [00:00]; Moving as a child, jukebox [00:15]; Dancehall in house, bootlegging, Police chief Jim Broyles raid [02:11]; Bootlegging case dismissed by judge [06:00]; Judge convinces him to leave town [07:50]; Moves to North Carolina, New York [08:35]; Police confiscate his car because of bootlegging [10:38]; Travels to West Virginia to play music in the coal fields [15:15]; Moves to Winston-Salem, North Carolina, meets Jordan Webb and J.B. Long [17:09]; Outbreak of World War II, Blind Boy Fuller No. 2 [23:33]; Recorded with Big Bill Broonzy as Brother George and His Sanctified Singers [25:08]; Takes portrait with big black hat for album cover [26:53]; J.B. Long gives him Blind Boy Fuller's guitar [29:40]; Breaks with J.B. Long and Columbia Records, signs with Decca Records [30:20]; Never played in nightclubs in New York City [32:15]; Moves out of Lead Belly's apartment to Harlem, manager Nick Ray [33:28]; He was too rough to play in nightclubs [34:08]; Manager goes to war, moves in with cousin in Connecticut [35:40]; Woody Guthrie, Sonny and Brownie in play written by Guthrie [36:40]; Moves to Harlem, plays on the street and in liquor joints [39:47]; Sonny Terry joins him in Harlem, two play together on the street as a duet [41:00] Side B description: Silence [00:00]; Sonny Terry starts singing, learning to play together [00:07]; Identity as folk-blues musicians [06:10]; Sonny cast in Broadway play Finian's Rainbow, joins musicians union [07:04]; Sonny records hit song, "Tuesday hoppin' n' hollerin'" [09:37]; Union musician as member of Local 802 [11:36]; Performing with Jack Dupree, and His Jook Blockbusters [13:10]; Playing on Lennox Ave. night Franklin Delano Roosevelt died [15:08]; Jukeboxes and records hurting business for live musicians [16:38]; Herman Lubinski, Savoy Records, drinking in recording studio [22:15]; and His Mighty Rockers [32:20]; Sticks McGhee's song, "Drinkin' wine spo-dee-dee", Atlantic Records [35:40]; Contract with Okeh Records, J.B. Long [45:00] MS 180 9

10 Box 1 Tape 010 / Physical : Run Time: 188 (min): 57 (s) Tape 10: Side A description: Silence [00:00]; Sonny Terry in Finian's Rainbow [00:09]; Goes into business with Horace Holmes, H & M Studios, Atomic Records [02:00]; Joins Alert Records, BM Studios [05:20]; Recording on Savoy Records [12:40]; Home of the Blues studio, teaching the blues [13:40]; Alert Records and blues scene in Harlem and Brooklyn [22:30]; Discovers Erskine Hawkins in sanatorium, forms band [27:00]; Joins Jack Dupree, first electric guitar [27:50]; Recording on Alert Records and Savoy Records [31:08]; Playing clubs in Brooklyn, Jim White's Virginia Tavern [32:57]; House parties in Brooklyn, his radio show on WNYC [37:00]; Jackie Robinson and the origins of the song, "Baseball boogie" [37:00]; Folk music scene, why he didn't switch to electric guitar [45:40] Side B description: Silence [00:00]; Blues as folk music, multi-cultural hootenannies [00:07]; Blues at midnight in the village [02:04]; Stringline Singers and union halls [02:45]; Woody Guthrie says "nigger" on the radio [03:51]; Burl Ives' "Troubadour Plan" [04:31]; Hanging out with Woody Guthrie [04:53]; Alan Lomax presenting Lead Belly in prison stripes at the Apollo Theater [06:20]; Music sessions at Lead Belly's house [07:36]; First performance in a nightclub at the Village Vanguard [19:22]; Formed trio The Folkmasters [11:05]; The Three Bs, Bob Getty, Bob Harris, and, Felton's Lounge [14:18]; Blues scene in Harlem and New York City [17:05]; Leaves Alert Record after royalty check for "Baseball boogie" bounces [19:28]; Meets Ruth McGhee, Mary Hinds [21:50]; Relationship with Ruth McGhee [28:20]; Birth of children, move to 1984 Madison Ave. [32:50]; The Mighty Rockers, The Joot Blockbusters, Bill's Tavern [36:15]; Leaves band after Sonny Terry finishes Finian's Rainbow [38:16]; Amps, association with communists [39:25]; Performing at Bill's Tavern in Elizabeth, New Jersey [42:55]; Meets Langston Hughes [44:05] Tape 11: Side A description: Silence [00:00]; Langston Hughes [00:07]; Song, "Pawnshop blues" [02:05]; Cast as Gitfiddle in Langston Hughes' play Simply Heavenly [04:02]; Cast in production of Cat on a Hot Tin Roof [05:01]; Family life while working on Broadway [19:00]; First visit with Langston Hughes [20:45]; Audition and cast in Simply MS 180 Heavenly [24:20]; Meets and becomes 10 friends with Andy Griffith, cast in A Face in the Crowd [27:15]; First time in California, on set of No Time for Sargent [43:20]; Bill Bill Broonzy [45:25] Side B description: Silence [00:00]; Travels with Big Bill Broonzy to England [00:10]; Travels to France, Germany

11 Box 1 Tape Physical : Run Time: 63 (min): 39 (s) Side A description: Silence [00:00]; Josh White, New York City in the 1940s [00:05]; Meeting with Duke Ellington at the Apollo Theater, learning to perform live [03:45]; Performing at clubs in Brooklyn, conflict with club owner [06:36]; Joining musician's union Local 802 [08:32]; J.B. Long and Blind Boy Fuller No. 2 [13:27]; Turning down offer to perform with the Ray-O-Vacs at the Apollo Theater [14:26]; Brother's career problems, hit song, "Drinkin' wine spo-dee-dee" [17:48]; Reasons for initially not touring Australia, Peter Mann convinces him to tour Australia [28:50] Side B description: Silence [00:00]; His demands before touring Australia [00:05]; Australia importing labor, "keep Australia white" [00:50]; Touring Australia, changing his perspective of country [01:52]; Touring in Canada and England, Big Bill Broonzy [11:39]; Returns to US, New York Times interview [21:07]; Lawsuit over Duke Ellington's song "House rent party blues" [23:50]; Concerts in Canada [26:06]; California, trip to India and Africa [27:47] Box 1 Tape Box 1 Tape Box 1 Tape Box 1 Tape MS

12 Box 1 Tape Physical : Run Time: 85 (min): 54 (s) Side A description: Silence [00:00]; Brownie performing song "Good morning blues" [00:09]; Discussing unnamed pianist [06:03]; Discussing his Martin guitar [07:40]; Record labels he recorded on in 1940s-1950s [08:20]; Stories about recording in studio [09:48]; Poor quality of recordings [13:46]; Working for the Mafia [14:05]; "Baseball boogie" royalties [16:49]; Race music labels [19:42]; Investigated by FBI as a communist [20:55]; FBI and performing at Yankee stadium, "Stand up and be counted" [22:27]; Playing at NYU and Columbia University [25:26]; Big Bill Broonzy, Lead Belly, discrimination at Jack Dempsey's restaurant [26:25]; Playing table at hotel in New York City [28:12]; Performing under aliases [29:46]; Elmer Lee Thomas' band members [31:50]; Tomato Records, Blue Labor Records, Rondor Music, song "Rainy Day," Charles Brown's Christmas blues [40:09]; Performing at Lake Merritt [42:05]; Touring in England, Big Bill Broonzy [42:32]; Reception in the US after touring England [45:05] Side B description: Silence [00:00], Father's advice, getting a job with polio [00:10], Conversation with daughter, albums, Sonny and Brownie fight over hiring a backup musician [02:01], Sonny and Brownie's Broadway work [15:10], Working on the movie, The Jerk [16:52], Relationship between Sonny and Brownie [18:45], Blind Boy Fuller [24:05], Learning to play guitar with a pick [27:25], Brownie shows his diploma to J.B. Long [28:16], Sonny's blindness [29:20], Phone call [30:47], Sonny's family, blindness [31:16], Sonny gets stiffed for work by boss [33:19], Making money playing on the street of New York City [35:18], First song Brownie and Sonny played together, "Stranger blues" [37:00] Box 1 Tape MS

13 Box 1 Tape 019 / Physical : Run Time: 143 (min): 53 (s) Tape 19: Side A description: Silence [00:00]; The Gateway Singers, father's advice on segregation [00:08]; Playing with white musicians in the South in the 1930s [01:25]; Brownie's Alley [03:27]; WNYC radio show [05:39]; Lead Belly, Josh White [08:07]; Alan Lomax, music brings people together [11:42]; His father, childhood, corporal punishment and obedience of children [13:52]; Father's aphorisms, "you don't know big wood from brush" [18:26]; Left home in 8th grade, The Depression, finishing high school [20:26]; Sisters [22:54]; No depression in rural Tennessee, food and canning at home [25:18]; Depression hits in 1934, high school graduation class [27:30]; Cleaning and laundry [30:30]; Father's iterant work and effect on the family's housing [33:48]; His father never wanted to work on August 8th [36:45]; Father's pay "$1300 in the bank" [38:25]; His mother babied him because of his polio [40:37]; Polio, John Hopkins Hospital surgery, playing sports, girls [42:15] Side B description: Silence [00:00]; Discussing photographs, concert tour [00:22]; Girlfriend's heart attack, tour of Australia and New Zealand [05:02]; Discussing photographs [09:18]; Blind Boy Fuller [12:30]; Discussing photographs [14:50]; Selling voodoo charms on street [16:55]; Working with medicine shows and con artist in West Virginia [17:36]; Traveling from town to town on bus [24:20]; Medicine shows [27:03]; Scotch and milk [31:30]; Blues is truth [35:58]; New York City as a con world, press coverage [39:00]; Sonny Terry's sickness, music touring business [40:10]; Performing for royal family in Nepal [47:15] Tape 21: Side A description: Silence [00:00]; Partnership with Sonny Terry [01:20]; Woody Guthrie dinner incident in Baltimore, Maryland [02:52]; Sonny gets into fight with man who pushed Brownie [09:47]; Sonny cast in Finian's Rainbow [11:40]; Jane Dudley's "Harmonica breakdown" [14:45]; Sonny's singing style, J.B. Long [16:36]; Alberta Hunter, Bessie Smith [17:20]; B.B. King, problems keeping time [20:27]; Phineas Newborn Jr. [25:25]; Montreux Jazz Festival, refusal to let Styve Homnick take stage between he's white [29:05]; Quit traveling, fear of leaving house [33:17]; Brownie takes phone call [39:36]; Jimmy Rogers, Lonnie Johnson, Riverboat in MS 180 Toronto, Canada [43:45] 13

14 Box 1 Tape MS

15 Box 1 Tape 022 / 023 / Physical : Run Time: 221 (min): 38 (s) Part 1 description: Silence [00:00]; J.B. Long, Blind Boy Fuller, and the dog song [00:05]; Women and blues lyrics, slave society [01:49]; Salvation in religion, resentment in his blues lyrics [05:15]; Giving up on religion [12:19]; J.B. Long, Blind Boy Fuller, and Old Red [15:43]; Song, "Me and my dog blues," blues lyrics [18:00]; Stopped using dirty lyrics in his songs [19:25]; "Love, truth, and confidence had a talk one day" [21:11]; Origin of songs, "My fault," "Don't dog your woman" [24:15]; Origin of song, "Me and my dog" [30:07]; Hitchhiking, preaching, and singing spirituals in West Virginia [33:36]; J.B. Long recognizing the importance of Brownie's ability to read and write [37:26]; Recording on acetate records, J.B. Long's approach to making records [41:09]; J.B. Long not copyrighting his songs [44:25]; Columbia and Okeh Records [45:35]; Recording with Elmer Lee Thomas [46:12] Part 2 description: Silence [00:00]; Elmer Lee Thomas [00:03]; Finished performing on stage [03:20]; Hearing himself sing on records, voice training [08:49]; Childhood dream of growing up to be a lawyer [12:35]; Earning money making music, song "Death of Blind Boy Fuller" [13:40]; Elmer Lee Thomas [15:05]; Difficulty with fingers playing instruments [16:40]; Song, "Baseball boogie" used in Jackie Robinson documentary [22:06]; Brownie calls daughter on telephone [23:49]; [Elmer Lee Thomas enters][28:48]; Touring Australia with Sonny Terry [30:05]; Fly Fish Records, Arhoolie Records [32:30]; Recording on 78 vinyl records, recording in New York City, music business [34:20]; Prestige and Atlantic Records, blues scene in New York City [40:30]; Offer to perform with the Ray-O-Vacs at Apollo Theater [41:50]; Song, "Baseball boogie" [43:17]; Performing music on street and in clubs [45:57]; Blues as the only American music [47:50] Part 3 description: Silence [00:00]; "Baseball boogie," blues is truth [00:04]; Deal with Muddy Waters on song, "Blues had a baby and called it rock and roll" [03:00]; Arhoolie Records, price to perform [12:40]; John Lee Hooker [17:30]; Brook Benton [20:18]; Junior Parker [23:35]; Takes telephone call [25:07]; Silence, discussing photocopies in background [30:00]; Sticks McGhee song, "Globetrotter" [31:12] Part 4 description: MS 180 Silence [00:00]; Guitar playing, Elmer Lee 15 Thomas band, club owners [00:04]; Did not allow dancing during his performances [01:13]; Sonny Terry didn't like playing music with a microphone [02:40]; Performing with Sonny Terry [03:20]; First song played with Sonny Terry "Stranger blues" [04:07]; Elmer

16 Box 1 Tape Box 1 Tape Box 1 Tape Box 1 Tape Box 1 Tape Box 1 Tape Box 1 Tape Box 1 Tape Box 1 Tape Box 1 Tape Box 1 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 2 Tape Box 3 Tape Box 3 Tape Box 3 Tape Box 3 Tape Box 3 Tape Box 3 Tape Box 3 Tape Box 3 Tape Box 3 Tape Box 3 Tape MS

17 Box 3 Tape Box 3 Tape Box 3 Tape Box 3 Tape 083 undated Musical performances Physical : 13 cassette tapes Box 3 Tape 090, and Elmer Lee Thomas Box 3 Tape 091, and Elmer Lee Thomas Box 3 Tape 092, on West Coast Live Box 3 Tape 093, on West Coast Live Box 3 Tape 094, on West Coast Live Box 3 Tape 095, and Elmer Lee Thomas Box 3 Tape 096, and Elmer Lee Thomas Box 3 Tape 097, and Elmer Lee Thomas Box 3 Tape 098, studio recording Box 3 Tape 099, and Elmer Lee Thomas Box 3 Tape 100, on NPR Box 3 Tape 101, and Elmer Lee Thomas Tape 110, Sista Monica Memorial service Box 1 Funeral program [two copies] Box 3 Memorial service recording, tape Memorial service recording, tape Photographs Physical : 23 photographs Box 1 Box 1 Box 1 with eyes closed [001] circa 1990s publicity still [002] circa 1990s seated with concert posters in the background [003] circa 1990s with eyes closed [004] circa 1990s with eyes closed [005] circa 1990s performing in garage [006] circa 1990s and unidentified man performing in house [007] circa 1990s and women sitting at table in backyard [008] circa 1990s performing in garage with three other musicians [009] circa 1990s concert poster, Lloyd s Music Hall, Newark [010] circa 1990s Man and woman leaving church [011] circa 1990s Church organ [012] circa 1990s Church organ [013] circa 1990s Band performing Eli's Mile High Club [014] circa 1990s Band performing Eli's Mile High Club [015] circa 1990s Band performing Eli's Mile High Club [016] circa 1990s Man playing pool at Eli's Mile High Club [017] circa 1990s Man playing pool at Eli's Mile High Club [018] circa 1990s Exterior of Eli s Mile High Club [019] circa 1990s sitting in kitchen [020] circa 1990s seated in kitchen signing record album [021] circa 1990s and unidentified man performing in house [022] circa 1990s and unidentified man performing in house [023] circa 1990s Brownie B.I.T. McGhee publicity still [024] circa 1990s MS

18 birthday celebration at Yoshi s birthday celebration at Box 3 Tape Box 3 Tape Box 3 Tape Box 3 Tape Box 3 Tape Box 1 Tribute to [VHS tape] Blues is Truth Foundation Physical : 1 folder + 5 cassette tapes Series Scope and Content Summary Consists of brochure, flyer, and cassette tapes of meetings of the Blues is Truth Foundation. Arrangement Arranged by format Meeting tapes Box 3 Tape 102, Blues is Truth Foundation meeting Box 3 Tape 103, Blues is Truth Foundation meeting Box 3 Tape 104, Blues is Truth Foundation meeting Box 3 Tape 105, Blues is Truth Foundation meeting Box 3 Tape 106, Blues is Truth Foundation meeting Box 1 Blues is Truth brochure [two copies] 1996 Box 1 Free drawing for a cd flyer circa 1990s Interview with Styve Homnick Physical : 2 cassette tapes Series Scope and Content Summary Consists of two cassette tapes with drummer Styve Homnick. Arrangement Arranged by format. Tape 107, Interview with Styve Homnick Tape 108, Interview with Styve Homnick MS