FILM PRODUCTION SHORT COURSE SHORT COURSE CERTIFICATE. Registration Fee Course Fee Duration Qualification

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1 FILM PRODUCTION SHORT COURSE Intake Dates: January 2014 Class Schedule: Friday 6.30pm pm & Saturday 2.00pm pm Registration Fee Course Fee Qualification Rp ,- Rp ,- 4 weeks, (2x) 3 hour / week Certificate in Film Production SHORT COURSE CERTIFICATE By entering this short course, you will receive the basic to intermediate training in film making! Write your own screenplay, know and learn about the basic use of camera and lenses. Dig the basic theories of editing of apply them. All of this training will be using the latest equipments and softwares from the film industry. This short course will run for 4 weeks with 2 classes in each week. *Course will be in Indonesian Who should take this course? The course is intended for everybody who wants to get basic skills in film making, such as basic camera handling and lighting. You would benefit from this course if: You want to learn how to script, direct and shoot your own video. You want an edge on your existing production techniques. You are passionate about video production. You want an industry accredited qualification. You intend to study further in this area. Qualification: Certificate in Film Production : 4 weeks, 6 hour / week Entry Requirements: Minimum age 15 years Familiar with basic computer operations Proficiency in Bahasa Indonesia Software Used: Final Cut Pro X Celtx SAE Institute Jakarta f6, fx Sudirman, Jalan Jendral Sudirman Pintu Satu Senayan, Jakarta, Indonesia Phone Fax Mobile PIN 227CDA49 jakarta@sae.edu Website jakarta.sae.edu

2 Short Course Syllabus Session Subject Method Equipment/Software 1 - Understanding the basic camera work DSLR Camera - Introduction to DSLR Camera Workshop 2 - Understanding a Logline - Watching short film reference Celtx - Basic use of screenwriting software 3 - Script Revision Celtx 4 - The script from film production Point of View Microsoft Word / Excel - Breaking down the script - Pre Production/planning your shooting 5 - Shooting the chosen script Workshop DSLR Camera & Accessories Zoom H4N Portable Sound Recorder Clip On Wireless Microphones Boom Microphone 6 - Introduction to Post Production - Capturing footage Workshop Final Cut Pro X - Edit Clips 7 - Editing Workshop Final Cut Pro X - Making editing transitions 8 - Finalize your edit - Mixing your music and sound in Final Edit Workshop Final Cut Pro X

3 MUSIC PRODUCTION SHORT COURSE Intake Dates: 26 November - 19 December 2013 Class Schedule: Tuesday & Thursday 6.30pm pm Registration Fee Course Fee Qualification Rp ,- Rp ,- 4 weeks, (2x) 3 hour / week Certificate in Music Production SHORT COURSE CERTIFICATE The aim of this Short Course in Music Production is to enlighten students to the processes of a high quality music production. The information and content of this course will be delivered by hands on training and by practicing real-world scenarios. Recording, editing and mixing techniques will be taught based on Pro-Tools. This short course will run for 4 weeks with 2 x 3 hour classes in each week. *Course will be in Indonesian Who should take this course? This course is intended for audio and music hobbyists and enthusiasts who are interested in the music recording and production process. You would benefit from this course if: You are passionate about music You make music and want to learn how to record and produce it well You want to enhance your music with proper post production techniques You want an edge on your existing production techniques Qualification: Certificate Music Production : 4 weeks, 6 hour / week Entry Requirements: Minimum age 15 years Familiar with basic computer operations Proficiency in Bahasa Indonesia Software Used: Pro Tools SAE Institute Jakarta f6, fx Sudirman, Jalan Jendral Sudirman Pintu Satu Senayan, Jakarta, Indonesia Phone Fax Mobile PIN 227CDA49 jakarta@sae.edu Website jakarta.sae.edu

4 Short Course Syllabus Session Subject 1 Introduction to music production and studio signal flow - Basic studio terminology - Studio/Recording signal flow - Aux-sends, Headphone mix - Monitoring/Recording path - Introduction to Microphone technology Dynamic Condenser Tube Ribbon - Basic studio/recoding set-up and routing functions. - Recording exercises 2 Outboard gear dan plug-ins -Patch bay dan outboard gear signal flow Patch bay and outboard gear signal flow Basic EQ Parametric, half-parametric, shelf, filter Centre f, Q, Bandwidth -Basic Compression/Limiter Threshold, ratio, attack, release, knee, gain, look ahead Introduction to Pro-Tools Setting up a Pro-Tools session Basic Pro-Tools signal flow Aux send dan plug-ins Different recording techniques in Pro-Tools Basic editing function of Pro-Tools Exercises 3 Basic Recording Techniques - Introduction to different recording techniques - Tehnik Stereo Pair Recording - X/Y vs. spaced pair microphone techniques - Basic Drum set; Bass and other string instruments recording - Basic Vocal recording - Exercises 4 Basic Mixing Techniques - The basic concept of a high quality mix - Understanding the difference between stereo and mono - Effective stereo imaging - Level - Creating distance and close proximity - Level dan panning dapat menghasilkan illusion of depth - Using level to create cohesion between groups of instruments - Using level to create the right mixing balance - Basic EQing/Compressing techniques - Basic Reverb usage and different functions - Exercises

5 ELECTRONIC MUSIC PRODUCTION SHORT COURSE Intake Dates: 27 November - 19 December 2013 Class Schedule: Wednesday & Thursday 6.30pm pm Registration Fee Course Fee Qualification Rp ,- Rp ,- 4 weeks, (2x) 3 hour / week Certificate in EMP for Beginner SHORT COURSE CERTIFICATE The Basic Electronic Music Production Course provides music enthusiasts with the opportunity to unleash their passion for sound by providing training on various industry standard hardware and software platforms. The program encourages individualism by combining fundamentals of electronic music production with practical experimentation and personal creativity. The course covers basic introduction to music and audio fundamentals, studio equipment and their interconnections, ear training, basic Musical Instruments Digital Interface (MIDI) theory and music creation with computer software. *Course will be in Indonesian Who should take this course? This course is intended for audio and electronic music hobbyists as well as DJs and musicians who enjoy experimenting with technology to enhance music. You would benefit from this course if: You enjoy experimenting with new technology You make music and want to use the latest hardware and software to take your creations to the next level You are passionate about electronic dance music You intend to study further develop your skills in this area Qualification: Certificate in EMP For Beginner : 4 weeks, 6 hour / week Entry Requirements: Minimum age 15 years Familiar with basic computer operations Proficiency in Bahasa Indonesia Software Used: Apple Logic Ableton Live SAE Institute Jakarta f6, fx Sudirman, Jalan Jendral Sudirman Pintu Satu Senayan, Jakarta, Indonesia Phone Fax Mobile PIN 227CDA49 jakarta@sae.edu Website jakarta.sae.edu

6 Short Course Syllabus Session Subject 1 Unit Overview - Assignment review - Electronic music culture - Introduction to Digital Audio Workstation (DAW) 2 Introduction to Ableton Live - Session View - Arrangement View - User-Interface - Hardware and software knowledge - Audio soundcard, audio sampling, bitrate conversion - Ableton Live Instruments - MIDI & Audio Effects - Basic MIDI Clip recording & editing - Importing & Warping audio - Extract slice to MIDI - Extract groove to template 3 - Audio Recording & Creative Editing Signal Flow: - Output Routing - Send Channel Basic room treatment - Video instructions on home studio room treatment Intro to EQ and Spectrum Analyzer 4 Basic Mixing: - Balancing - Panning - EQ-ing Basic Digital Mastering

7 STAGE PHOTOGRAPHY SHORT COURSE Intake 6 November - 14 December 2013 Class Schedule: Wednesday 6.30pm pm & Saturday 1.00pm pm Registration Fee Course Fee Qualification SHORT COURSE CERTIFICATE What you need to know about this course This course provides an introduction to the fundamentals of stage photography. A systematic and thorough approach is emphasized in the area of image sensors and digital workflow. Students develop essential skills for obtaining consistent results and a foundation in stage photography as a visual language. Rp ,- Rp ,- 4 weeks class & 2 weeks exercise Certificate in Stage Photography Who it s for Music, entertainment and photography enthusiasts who are eager to capture live performance events to reflect the moment at its best through their photographs. Students are required to bring their own DSLR or pocket camera for the course. *Course will be in Indonesian Qualification: Stage Photography : 6 weeks Entry Requirements: Minimum age 15 years Familiar with basic camera & computer operations Proficiency in Bahasa Indonesia DSLR or Pocket Camera Software Used: Lightroom, Photoshop SAE Institute Jakarta f6, fx Sudirman, Jalan Jendral Sudirman Pintu Satu Senayan, Jakarta, Indonesia Phone Fax Mobile PIN 227CDA49 jakarta@sae.edu Website jakarta.sae.edu

8 Short Course Syllabus Week 1 PHOTOGRAPHY INTRODUCTION Definition of Photography How Photography works Understanding the 3 important elements Knowing your Gear (Camera) Camera anatomy and function (analog & digital) Introduction to Lenses Camera Handling Basic Lighting Characteristic of Light ( Indoor & Outdoor) Understanding Light Source Quality of Light Metering for Exposure Aperture and Shutter Speed uses Movement, Panning Week 3 INTRODUCING STAGE PHOTOGRAPHY Introducing Stage Photography and Music Journalism Basic Technique for Stage Photography Understanding STAGE Lighting and Characteristic Theatre Music Setting White Balance for Stage Photography Camera Angle Music Stage Theatre Stage Perfomance Act Characteristic Theatre Musician Week 2 BASIC PHTOGRAPHY Controling and Knowing Your Lens Variabel Lens & Fix Lens Understanding White Balance Understanding Built-in Color Flash Basic Photography Composition Landscape Human Camera Angle Landscape Human Portrait Picture Structuring Practising Outdoor and Indoor Understanding Artificial Lighting Week 4 Exercise Project Presentation & Discussion week 5 Basic Digital Imaging and creating your own portfolio Introducing Photoshop and Lightroom Tools Short Cut Tools Image Pixel Adjusting Image Highlight Midtone Curve Level Brightness/Contrast Photo Retouching and Digital Imaging ( Basic ) Basic Studio Lighting ( High Key and Low Key ) Human Still Life Editing and Layouting portfolio at Web Basic Copyright Photo Practising Stage Photography Understanding Professional Photography and Making Legal Letters. Week 6 Exercise Portfolio Presentation & Discussion

9 LIVE SOUND ENGINEERING ACCELERATED PROGRAM Intake MARCH 2014 Class Schedule Tuesdays 10:30am to 14:00pm Wednesdays 10:30am to 14:00pm Registration Fee Course Fee Qualification Rp Rp , (New Course Promotion) 3 Months, (2x) 3 hour / week + practical time Certificate in Live Sound Engineering Entry Requirements: No formal requirements Minimum age 15 years Familiar with basic computer operations Course taught in : Indonesian LIVE SOUND ENGINEERING Aimed at those who want to make sound engineering a career and get work in the live industry. The course includes essential in-depth theory on the principles of sound, acoustics and gain structure, and from this moves onto the equipment, components and setting you should use. There is in-depth training on patching in and using the mixing desk, understanding and using EQ, Grouping and Routing, using the matrix and recording a live mix. On successful completion students can develop careers in numerous areas of the live sound industry. Some examples include: - Rehearsal studios - Sound hire - Sound Installation - Music venues - Theatres - Audio equipment retail - Outside broadcast - Self employment Career options: - Stage Monitor Engineering - Front of House (FOH) Engineering - Rigging & Cabling - Virtual Stadium Mixing - and many more

10 Syllabus Session Subject Method r 1 Live sound overview Safe Work Maintain Personal Safety Standards Equipment Used in Live Sound Role in Live Sound Grounding requirements and safety Signal ground, Earth and Chassis ground Ground Loops Single and Multiple point grounding Floating ground Hazardous solutions to grounding issues 2 Sound Theory - Definition of Sound - Frequency - Amplitude - Wavelength - Speed of Sound - Phase Decibel 3 Introduction to Microphone - Dynamic Microphone - Condenser Microphone - Ribbon Microphone - Wireless System - Lavaliere Polar Pattern - Cardioid - Super Cardioid - Hyper Cardioid - Omni-Directional - Figure 8 4 Microphone Techniques and Microphone Workshop 1 - Close Mic - Far Mic - A-B Spaced Pair - X-Y - On Axis - Off Axis 5 Microphone Techniques and Microphone Workshop 2 - Vocals - Guitars - Drums 6 Introduction to Mixing Console - Gain Structure - Standard Operating Level 7 Mixing Console Workshop 8 Type of Connections - XLR - TRS - TS - RCA - Speakon Basic Soldering

11 Syllabus Session Subject Method r 9 Basic Electronics - Atoms,Protons,Neutrons and Electrons - Neutral, Positive and Negative - Conductors and Semi- Conductors - Voltage - Ampere - Batteries 10 Basic Electronics 2 - Resistors - Capasitors - Inductors - Ohm s Law - Transformers - Power - Relay - Basic Soldering - Grounding Requirements and Safety 11 Power Amplifiers and Crossovers - Fundamentaloperation of the Power Amplifier - Power Amplifier transistor types and class A/B/AB operation - Power Amplifier inputs and outputs - Power Amplifier bridging and daisy chaining - Speaker load impendence matching - Power Amplifierspecifications 12 Loudspeakers Loudspeakers Driver Types - Subwoofer - Mid-Range Driver - High-Range Driver - Full Range 13 LoudspeakerWorkshop 14 Dynamic Processor 1 - Equalizer and Filters Dynamic Processor 1 Workshop 15 Dynamic Processor 2 - Compressor/Limiter - Expander/Gate Equalizer Workshop 16 Time Based Processor - Delay - Reverb Time Based Processor Workshop 17 Signal FlowTest - Live sound wiring Mixing Console Power Amplifier Dynamic Processor Time Based Processor 18 Loudspeaker Management System - Fundamental operation of the activecrossover - Active crossover input/output connection - Active crossover parameter adjustment - Active crossover signal flow diagram

12 Syllabus Session Subject Method r 19 Tuning the stage monitor system Signal flow of an eight send active stage monitor system Power ratings of a single and three phase outlets Three phase distribution FOH Speaker protection using a limiter Room tuning the FOH Acoustics Treatment in Live Sound 20 FOH - FOH Console Placement - FOH Setup 21 Technical Rider 22 Small Bar Setup Practice 23 Medium Setup Practice 24 Big Scale Setup Practice LECTURERS OZONISASI - Live, Mixing & Mastering Engineer for Slank, Steven & the coconut trees, Samsons, Syaharani & the Queenfireworks, Saint Loco, Lightning Seeds (UK), Crystal Water (USA), Kerispatih and many more. - Java Jazz Festival FOH Engineer for Kaori Kabayashi, Monday Michiru, Jose James and many more. - Sound Reinforcement Manager NORMAN HAJADI Live Sound Engineer for RAN, Raisa, Kerispatih, Seurieus, Saint Loco, Kripik Peudeus, Brandals, Nidji, Koil, Ecoutez and many more. PARTNER

13 Electronic music production Electronic music production COURSE STRUCTURE 1 Semester - CERTIFICATE IN ELECTRONIC MUSIC PRODUCTION Module 1 EMP 101 Introduction to Electronic Music Production Module 2 EMP 102 Music Theory Module 5 EMP 105 Electronic Live Performance Module 3 Module 4 EMP 103 Production Technique Module 6 EMP 106 Final Project EMP 104 EMP Mixing and Digital Mastering Point of completion for Certificate in Electronic Music Production Introduction Through advances in music technology, the electronic music scene has developed to become a prominent force within modern culture, and its popularity and impact on mainstream music is undeniable. Not just limited to techno music and DJing, electronic music has infiltrated and influenced many different music genres, and the ability to produce quality electronic music has become a highly sought after skill within the industry. The Certificate III in Music is designed and taught by industry professionals, many of whom are successful practicing artists. The course is ideal for the novice or for those who have experience with electronic music production and would like to advance their skills to a more professional level. Classes are interactive, fun and challenging, with an emphasis placed on developing your creativity and preparing you as an artist in your own right. Practical Component A series of exercises and practical submissions are required throughout the course covering areas such as editing, sampling, arrangement, production techniques, synthesis and performance. You will have many opportunities to experiment with creating your own music productions, and to develop your skills in live-set performance - compiling a small portfolio of work. You will be trained in MIDI recording and sequencing within a virtual studio environment. The combination of audio and MIDI for production and remixing is examined and you will have the opportunity to experiment with fresh ideas to achieve your own unique compositions. Industry-standard Digital Audio Workstations will be examined in depth. The application of different creative editing techniques will be explored to enhance your productions and remixes. Over the three-month course you are introduced to a range of samplers, synthesizers and different studio software. Various sound design Course Info Qualification Entry Requirements SAE Certificate in EMP 1 Semester 16 years of age; or On receipt of suitable evidence, SAE shall seek to admit all prospective students (via special entry) who are considered to have a reasonable chance of success in the course Intakes March 2014 / September 2014 and sound shaping techniques are examined, and you will learn different creative and technical aspects of sampling and beat programming. Theoretical Component Sound theory, studio theory, MIDI theory and music theory are at the core of this course. You will learn the essentials of audio engineering through sound theory, EQ, FX, dynamics, and signal flow. You will be introduced to a professional studio, and analyse various home studio set-ups. Songwriting and composition structure is supported through music theory and arrangement techniques in electronic music production. Career Options Include: Recording Artist, Record Producer, DJ, Musical Director, Writer/Arranger, Composer, Performer, Jingle Writer. 13