biv In Theory and Chopin: Analytical Examples

Transcription

1 biv In Theory and Chopin: Analytical Examples Timothy L. Jackson Justin Lavacek University of North Texas National Meeting of the Society for Music Theory, Arlington,

2 Figure 1: Model Progressions 2

3 Figure 2a: Schenker s Analysis of Schubert, Impromptu, in Gb major transposed to G major: Approach I 3

4 Figure 2b: Score of Schubert Impromptu transposed to G major 4

5 5

6 Ex. 1b: Chopin, Prelude in F sharp Minor, Overview of the biv in the Expanded Consequent, and Aligned Foreground and Middleground Graphs, mm. 1-11: Approach IV, Departure A 6

7 Ex. 1c: Chopin, Prelude in F sharp Minor, Foreground and Middleground Graphs, mm : Approach IV; Departure A 7

8 Ex. 2a: Chopin, Mazurka in B minor, mm (A and B sections), Middleground: Approach IV, Departure A 8

9 Ex. 2b: Chopin, Mazurka in B minor, Op. 33, No. 4, A Section, Annotated Score, mm. 1-13: Approach IV 9

10 Ex. 2c: Chopin, Mazurka, Op. 33, No. 4, A Section, Annotated Score, mm : Approach IV 10

11 Ex. 2d: Chopin, Mazurka, Op. 33, No. 4, End of the A Section and Beginning of the B Section, Annotated Score, mm : Approach IV 11

12 Ex. 2e: Chopin, Mazurka, Op. 33, No. 4, B Section Conclusion and Return of the A, Annotated Score, mm : Departure A 12

13 Ex. 3a: Chopin, Song, Melodia, Overview and Foreground Graph, mm. 1-13: Approach IV 13

14 Ex. 3b: Chopin, Song, Melodia, Foreground Graph, mm

15 Ex. 3c: Chopin, Song, Melodia, Overview and Foreground Graph, mm

16 Ex. 4a: Chopin, Third Piano Sonata, First Movement, Exposition and Development, Overview Graph. Approach IV: Shows approach to biv through its dominant, i.e., Eb approached through Bb. Departure E: biv then becomes bii of III, i.e., Eb moves to D. 16

17 Ex. 4b: Chopin, Third Piano Sonata, First Movement, Exposition, First Subject, Aligned Foreground and Middleground Graphs, mm. 1-12: Approach IV 17

18 Ex. 4c: Chopin, Third Piano Sonata, First Movement, Exposition, First Subject, Aligned Foreground and Middleground Graphs, mm : Approach IV 18

19 Ex. 4d: Chopin, Third Piano Sonata, First Movement, Exposition, First Subject, Aligned Foreground and Middleground Graphs, mm

20 Ex. 5: Chopin, Third Piano Sonata, Third Movement: Largo, B section, Overview Graphs: Departure A 20

21 Chopin, Third Piano Sonata, Third Movement, Manuscript, mm , Notated Enharmonic Transformation of Ab (b4) Back into 3. 21

22 Supplemental Ex. 6a: Chopin, Third Piano Sonata, First Movement, Development, Overview: Approach III 22

23 Supplemental Ex. 6b: Chopin, First Piano Sonata, First Movement, Development, Foreground Graph, mm : Approach III 23

24 Supplemental Ex. 6c: Chopin, Third Piano Sonata, First Movement, Development, Aligned Foreground and Middleground Graphs, mm

25 Supplemental Example 6d: Chopin, Third Piano Sonata, First Movement, Development, Aligned Foreground and Middleground Graphs, mm

26 Supplemental Ex. 6e: Chopin, Third Piano Sonata, First Movement, Development, Aligned Foreground and Middleground Graphs, mm

27 Supplemental Example 6f: Chopin, Third Piano Sonata, First Movement, Development, Aligned Foreground and Middleground Graphs, mm

28 Supplemental Example 6g: Chopin, Third Piano Sonata, First Movement, Development, Aligned Foreground and Middleground Graphs, mm

29 Supplemental Example 6h: Chopin, Third Piano Sonata, First Movement, Development, Aligned Foreground and Middleground Graphs, mm

30 biv in Theory and Chopin: Score Examples Timothy L. Jackson Justin Lavacek University of North Texas National Meeting of the Society for Music Theory, Arlington,

31 Score for Ex. 1: Chopin, Prelude in F sharp Minor, Annotated Score, mm

32 Score for Ex. 1, continued: Chopin, Prelude in F sharp Minor, Annotated Score, mm

33 Score for Ex. 1, continued: Chopin, Prelude in F sharp Minor, Annotated Score, mm

34 Score for Ex. 1, continued: Chopin, Prelude in F sharp Minor, Annotated Score, mm

35 Score for Ex. 1, conclusion: Chopin, Prelude in F sharp Minor, Annotated Score, mm

36 Score for Ex. 3: Chopin, Song, Melodia, Annotated Score, mm

37 Score for Ex. 3, continued: Chopin, Song, Melodia, Annotated Score, mm

38 Score for Ex. 3, continued: Chopin, Song, Melodia, Annotated Score, mm

39 Score for Ex. 3, conclusion: Chopin, Song, Melodia, Annotate Score, mm

40 Score for Ex. 5: Chopin, Piano Sonata No. 3, Third Movement, Largo, Annotated Score, A section, mm

41 Score for Ex. 5, continued: Chopin, Piano Sonata No. 3, Third Movement, Largo, Annotated Score, A section, mm

42 Score for Ex. 5, continued: Chopin, Piano Sonata No. 3, Third Movement, Largo, Annotated Score, End of the A section and Beginning of the B section, mm

43 Score for Ex. 5, continued: Chopin, Piano Sonata No. 3, Third Movement, Largo, Annotated Score, B section, mm

44 Score for Ex. 5, continued: Chopin, Piano Sonata No. 3, Third Movement, Largo, Annotated Score, End of the B section, mm

45 Score for Ex. 5, conclusion: Chopin, Piano Sonata No. 3, Third Movement, Largo, Annotated Score, End of the B section and Return to the A, mm

46 Score for Supplemental Ex. 6: Chopin, Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm

47 Score for Supplemental Ex. 6, continued: Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm

48 Score for Supplemental Ex. 6, continued: Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm

49 Score for Supplemental Ex. 6, continued: Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm

50 Score for Supplemental Ex. 6, continued: Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm

51 Score for Supplemental Ex. 6, continued: Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm

52 Score for Supplemental Ex. 6, continued: Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm

53 Score for Supplemental Ex. 6, continued: Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm