EUROP'EAN Al>ERI(CAN R ETA I L N1 U S I C, I N C

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1 This long-awaited study score to ALBAN BERG'S complete LULU is now AVAILABLE FOR THE FIRST TIME. The third act of this opera has been revised and realized by Friedrich Cerha from autograph sketches The study score is now available in three formats: Acts 1 and 2, Act 3 only, Acts 1 through 3 complete. The edition of Acts 1 and 2, originally edited by Hans Erich Apostel in 1963, has now been revised (1984) by Friedrich Cerha. LULU Study Score Acts 1 and 2...$ Study Score Act Study Score Acts 1-3 complete ALSO AVAILABLE LULU Vocal Score Acts 1 and 2...$ Vocal Score Act Vocal Score Act 1-3 complete WOZZECK Vocal Score $ Study Score PLACE YOUR ORDER WITH EUROP'EAN Al>ERI(CAN R ETA I L N1 U S I C, I N C PO Box 850, Dept. AM, Valley Forge, PA Phone (215)

2 INVENTORY REDUCTION SALE Now-at drastically reduced prices-your last chance to order these selected publications of the Music Library Association. Prices in effect until supplies are exhausted. Any 5 for $10.00 $2.00 each additional item MLA INDEX SERIES No. 4 A Concordance of the Thematic Indexes to the Instrumental Works of Antonio Vivaldi, 2nd, rev. ed., comp. by Lenore Coral, No. 5 An Alphabetical Index to Tomas Luis de Victoria: Opera Omnia, No. 6 Schumann Index, Part I: An Alphabetical Index to Robert Schumann Werke, comp. by Michael Ochs, No. 7 Schumann Index, Part II: An Alphabetical Index to the Solo Songs of Robert Schumann, comp. by William Weichlein No. 12 An annotated Bibliography of Writings About Music in Puerto Rico, comp. by Annie Figueroa Thompson, Originally $6.00. No. 16 Writings on Contemporary Music Notation, comp. by Gerald Warfield, Originally $7.00. No. 17 Literature for Voices in Combination with Electronic and Tape Music. An Annotated Bibliography, comp. by J. Michele Edwards, Originally $ MLA TECHNICAL REPORTS No. 1 SLACC, the Partial Use of the Shelf List as Classed Catalog, by Donald Seibert, Originally $6.50. No. 6, 8, 10 Index to Audio Equipment Reviews, 1978 (-1979, -1980), comp. by Arne Jon Arneson and Stuart Milligan. Order as separate items, originally $6.50-$8.00 each.. MUSIC CATALOGING BULLETIN Suppl. to vols. 1-5, , comp. and edited by Ruth Henderson. Originally $5.50. SPECIAL OFFER MLA INDEX SERIES NO. 20 was $18.50, now$ th-Century American Secular Music Manuscripts: An Inventory. comp by James J Fuld and Mary Wallace Davidson, Sale items must be prepaid, add $2 50 for postage and handling Write for our complete listing of publications in print, or see the latest issue of NOTES, the quarterly journal of the MLA MUSIC LIBRARY ASSOCIATION P.O. Box 487 * Canton, MA (617) J

3 THE AMERICAN MUSICOLOGICAL SOCIETY MEMBERSHIP: TWENTY-FIVE DOLLARS A YEAR (STUDENTS: TWELVE DOLLARS) MEMBERSHIP INCLUDES SUBSCRIPTION TO THE JOURNAL (Published three times a year) LIBRARY SUBSCRIPTIONS TO THE JOURNAL: TWENTY-FIVE DOLLARS Postpaid to all countries PUBLICATIONS Orders should be sent to the Society's office at 201 South 34th Street, Philadelphia, PA IMS Report of the Twelfth Congress Berkeley 1977, edited by Daniel Heartz and Bonnie Wade, Barenreiter and The American Musicological Society, 1981, $55.00 Heinrich Schenker, Free Composition (Der Freie Satz) Volume III of Neu' Musical Theories and Fantasies, translated and edited by Ernst Oster, Longman, Inc., 1981, $22.50 Doctoral Dissertations in Musicology, 7th North American edition, 2nd International edition, edited by Cecil Adkins and Alis Dickinson, 1984, $20.00 ($15.00 to members) A Selective List of Masters' Theses in Musicology, compiled by D. R. de Lerma, 1970, $2.50 ($2.00 to members) Back issues of the Journal, volumes I-XXXVII ( ), ($4.00 to members) $6.00 each issue Abstracts of Papers Readat the AnnualMeeting, 1969, 1970, 1971, 1972, 1978, 1979, 1980, 1982, 1983, 1984, $2.50 each ($2.00 to members) Bulletin. no. 2 (1937), no. 3 (1938), nos ( in one), $1.50 each ($1.00 to members) For the items listed belou' orders should be sent to Galax) Music Corporation, 138 Ipswich St., Boston, MA Ockeghem, Collected Works, edited by Dragan Plamenac, Vol. I (second, corrected edition), 1966 (Masses I-VIII), $20.00 ($15.00 to members) Ockeghem, Collected Works, edited by Dragan Plamenac, Vol. II (revised edition), 1966 (Masses and Mass Sections IX-XVI), $20.00 ($15.00 to members) Dunstable, Complete Works, edited by Manfred Bukofzer, second, revised edition, 1970, (Musica Britannica, Vol. VIII), published jointly with the Royal Musical Association, $40.00 ($30.00 to members) Joseph Kerman, The Elizabethan Madrigal, a Comparative Study, 1962, $10.00 ($7.50 to members) Edward R. Reilly, Quantz and His Versuch, 1971, $8.00 ($6.00 to members) Edgar H. Sparks, The Music of Noel Bauldeueyn, 1972, $8.00 ($6.00 to members)

4 (1 1OT10 HARRASSOWITZ ESTABLISHED 1872 BOOKSELLERS & SUBSCRIPTION AGENTS OUR MUSIC DEPARTMENT WELCOMES: Library orders for MUSIC SCORES and BOOKS Library standing orders for MUSIC SERIES and SETS Library subscriptions for MUSIC JOURNALS from all European countries. Title inquiries and requests for information about such services as our EUROPEAN MUSIC SCORES APPROVAL PLAN, our EUROPEAN MUSIC CATALOGUE and our HARRASSOWITZ BOOK DIGEST (Section MUSIC & DANCE BOOKS) should be directed to: Otto Harrassowitz P.O. Box D-6200 Wiesbaden West Germany Telex: or Jane Maddox & Lorne Kenyon North American Representatives P.O. Box 340 Cassville, MO USA Phone: (417) The Beethoven Sketchbooks History, Reconstruction, Inventory DOUGLAS JOHNSON, ALAN TYSON and ROBERT WINTER "Beethoven scholars have been waiting for this book, which will be a major reference tool. But, much more, it is the first comprehensive reconstruction of the sketchbooks as Beethoven used them... Anyone seriously concerned with Beethoven research will have to have it." -Lewis Lockwood $75.00 Gustav Mahler I- Songs and Symphonies of Life and Death DONALD MITCHELL This book will prove to be a monument in Mahler studies. Mitchell concentrates on the vocal music and, in particular, on some of Mahler's most famous, most original, and best loved compositions. As with his earlier two Mahler volumes, this new study will be an indispensable addition to the libraries of scholars, performers, and all lovers of Mahler's music. $ At bookstores or call 800-UC BOOKS/ UNIVERSITY OF Calif rnia PRESS Berkeley 94720

5 rawemeyer 9dustries, nc. DIGITIZED MUSIC PHOTOTYPESETTIN Specializing in Book and Periodical Illustrations * Custom Music Fonts * Digitized Text Typesetting? * 5 to 72 Point Type * * Multilingual Typefaces * * Line Widths to 70 Picas? * Art Illustrations * * Editorial Services? * Camera Facilities (50-200%)? Tempo M.M. J = 92 W non arpeg. p rawemeyer idustries, SnAc. 455 South Second Street-Annex Louisville, Kentucky Wm Watkins, President (502) I m 1

6 GUIDELINES FOR AUTHORS 1. JM welcomes for consideration: articles addressing aspects of musical style in all periods, from the historical, analytic, or critical points of view; articles on performance practice and editing of both early and later music; short reports of work in progress; studies of important holdings and new acquisitions in libraries and archives; reviews of significant contributions to the scholarly literature, including editions of music; conference reports; symposia on special subjects. In accordance with our aim to present within each issue of JM a balanced perspective of musicological activity through the variety of our articles, contributions will be judged rigorously not only for quality in content and style, but also on the criteria of uniqueness, originality, and diversity. All manuscripts and editorial inquiries should be addressed to Marian Green, The Journal of Musicology, P.O. Box 4516, Louisville, KY Manuscripts should be typed with double-spacing on paper measuring 8/2" x 11" with margins of at least one inch. All indented quotations should also be double-spaced. In event of lengthy quotations in languages other than English, translations should be provided in parallel columns. Two copies of the manuscript must be submitted, one of them the ribbon copy. 3. Footnotes, tables, and captions must be typewritten, double-spaced on separate sheets. 4. Music examples must be presented as legibly as possible, on separate sheets, numbered, and provided with captions above each example. Points of insertion for these examples should be clearly indicated within the running text. The author is requested to exercise moderation with regard to the number and length of examples submitted. 5. Although the basic musical symbols are available in the JM font, their use within the running text should be avoided whenever possible. 6. Glossy positive photographs should be provided for all continuous tone illustrations. 7. In most matters of form and style, JM follows the model of A Manual of Style, 13th edition (Chicago, 1982), with the exception of format for citations from the scholarly literature. For these citations the form is the following: Edward T. Cone, "The Authority of Music Criticism," Journal of the American Musicological Society XXXIV (1981), 6-13; Terence Bailey, The Intonation Formulas of Western Chant (Toronto, 1974), pp The author of an accepted article will receive one set of proofs, which should be corrected and returned within 10 days. Any major changes in the proofs aside from omissions and typographical errors will be considered author's alterations and may, at the discretion of the editor, be charged to the author. Advertising rates are available upon request from the Editor SUBSCRIPTION RATES FOR Some back issues available: Individual or Institution: $24.00 Vol. II (1983), Vol. III (1984) Student: $18.00 $24.00-set ($28.00, abroad) From abroad: $28.00 $6.00-each ($8.00, abroad) Subscription applications, checks and money orders, and all changes of address should be mailed to: The Journal of Musicology, P.O. Box 26, St. Joseph, MI

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