Huge Selection. Lowest Prices. BSW.

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1 Huge Selection. Lowest Prices. BSW. You ve come to the right place. For more than 35 years BSW has been the audio gear supplier of choice to top broadcast facilities and production houses, as well as recording studios, schools, government, podcasters, netcasters, houses of worship, musicians anyone needing to make sound. Got questions? We ll be happy to answer them our staff has years of hands-on experience. Know what you want and simply need it delivered fast? We re more than ready. Want to be on the inside track for the newest gear? Let us know and we ll let you know. Our goal is to make the purchasing of equipment refreshingly simple and hassle-free. Table of Contents See our product and manufacturer index located at the back of the catalog. Broadcast Consoles 2-13 Digital and Analog On-Air Consoles Audio Mixers Production, Utility, Field Broadcast Processors AM, FM and HD Processors, Broadcast Delays Codecs and Telephone Audio Codecs, Hybrids, Telephone Interfaces We should also mention huge inventory, low prices, fast delivery and easy returns to name a few other things that make dealing with BSW an ideal experience. Welcome to BSW. We re glad you re here. CONTACT BSW Open Monday thru Friday Obligatory Stuff Call us toll-free Local/International Fax us toll-free Order Online 24/7 us at 9:00 AM to 9:00 PM Eastern Time info@bswusa.com Call or Go Online Today! What dealing with BSW means to you: Best Price Guarantee - You can be confident you are getting the best price at BSW. We guarantee to beat any competitor s advertised price within 30 days of purchase date. Items must be new, current models and available from an authorized dealer. Want to your quote to us? No problem! Send your request to LowestPrice@bswusa.com. We ll give you the best deal on your equipment package. Not sure what you need or have excess cell phone minutes you want to burn? Call our experts toll-free at :00 AM - 9:00 PM Eastern Time, Monday - Friday. BSW makes it easy to get the gear you need at the price you want! No hard-sell, no arm twisting our prices and service speak for themselves. Prices and specifications subject to change without notice. BSW is not responsible for typographical or photographic errors. Suitability of products for intended use is the sole responsibility of the customer. Should return of any equipment be deemed necessary, please contact our Customer Service Department within 30 days of purchase. Special order or non-inventory items may be subject to return restrictions. A BSW sales professional can verify if any product is subject to these restrictions. A restock fee may be assessed on returns of non-inventory items, and some items are not returnable. All factory warranties apply. Service and repair must be completed at designated factory repair centers. BSW will not be responsible for any damage resulting from the equipment we provide or delivery issues. BSW cannot assume responsibility for delays or errors caused by carriers, manufacturers or others in the course of doing business. The BSW logo is a registered trademark of Broadcast Supply Worldwide, Inc. All other product names throughout this catalog are trademarks of their respective holders Broadcast Supply Worldwide. All rights reserved. Reproduction or transmittal prohibited. STLs and RF Equipment Transmitters, Antennas, Monitors, Remote Control Players & Recorders CD Players/Recorders, Portable Flash, Turntables Microphones On-Air, Studio, Shotgun and Specialty Mics Wireless Microphones Wireless Mic Systems, Mic Accessories and Stands Headphones & Headsets Headphones, Headsets, IFB, Headphone Amps Studio Monitors Monitors, Stands, Controllers, Amplifiers Audio Processors Voice Processors, Mic Pre s, Compressors, Effects Digital Recording Gear Apple, Computer Interfaces, Control, A-D Converters Software Recording Software, Plug-Ins Live Sound PA Systems, Powered Mixers, Speakers, Amplifiers Interface Equipment Switchers/Routers, Cables/Connectors, Test Gear Studio Furnishings Sound Proofing, Furniture, Racks, Lights, Power Index 224 1

2 Wheatstone Evolution. Studio One Evolution E-6 Control Surface E-Sat Standalone or as part of a network... Wheatstone Evolution Series Overview Whether you re putting together a single broadcast or production studio, designing a facility or an entire multi-facility empire, Wheatstone s Evolution is exactly what you need. Found in more broadcast studios than any other, Wheatstone is the undisputed king of consoles. With Evolution, Wheatstone creates a networkable system that can handle any and all of your production and on-air needs. Completely scalable to accommodate any installation, Evolution is the answer (to questions you haven t even asked yet!) Elegant and robust, a single E-series Control Surface with an E-Sat audio I/O frame behaves just like a standalone console. Think of it as a console split in two faders and switches in the console and inputs and outputs in the frame. But that combo can also be a part of a much larger world. Creating a sophisticated audio network of interconnected I/O cages and Control Surfaces has never been easier or simpler. The E-Net Wheatnet Audio Network Switch allows for simple CAT-5 cabling between system components, with links that carry a whopping 128 channels of audio, plus logic and machine control. These links are pure audio and control (no data overhead associated with packetized audio means ultra-low latency and super stability). None of the source-ip addressing hassles either. Standard Ethernet connects Wheatstone Evolution s family of hardware and software controllers, including the PC-based Glass E remote console emulator, and the XPoint setup and admin software. Control 2

3 It s Your Next Step. Evolution is a standalone solution. Evolution is a networkable system. Evolution is YOUR next step. Standard Ethernet Switch XPOINT and Glass-E Software on your computer Setup/Control) Wheatnet Studio Two Studio Three Studio Four E-6 Control Surface E-6 Control Surface E-6 Control Surface E-Sat E-Sat E-Sat E-Net Wheatnet Switch the studio board over IP from a remote site or the talk studio in the next room. IP also provides the means of system control from automation systems for time-based network switching and console channel control. With all this networked processing and mixing power, Evolution is astonishingly easy to use. On-air talent, interviewers, and news staff will appreciate the simple, intuitive controls of the GPC Desktop Turret. A full range of programmable XY controllers deliver configuration changes at the push of a button. Communicate While we re talking about programmability, we should mention that the audio network makes a great intercom system as well. Program your switch arrays for talkback to other studios (in fact, any system destinations). Wheatstone is the cornerstone for the highest rated stations in just about every market. If you re not connected with Wheatstone, now is the time. Give BSW a call on our Wheatstone hotline ( ) and network with one of our knowledgeable pros. BSW/Wheatstone Evolution Hotline: Talk to a BSW Wheatstone Specialist about configuring Evolution for YOUR facility 3

4 Wheatstone Evolution Series Components Evolution E-6 Control Surface The cornerstone of the Evolution series, the Wheatstone E-6 console is a powerful, compact and costefficient networked audio control surface that interfaces directly with the Wheatstone E-Series network switch and local studio satellite I/O cages. Each studio surface operates independently, yet can share ALL network sources and mixes with others. Network wiring to each studio is via single CAT-6e cables, eliminating point-to-point multi-pair runs. Stand alone or networked operation 4, 8, 12, 16, 20 & 24 configurations 4 Mix Output Busses, 4 Mix Minus Busses Individual fader mix-minus w/talkback 4 AUX sends with individual & master level control Headphone, Control Room & 2 Studio Monitor controls 12 Programmable Buttons, 99 Control Surface Presets Built-in Clock and Timer Fan-less operation in both Control Surface and E-Sat Optional EQ / dynamics processing on every fader 5.1 surround mixing capable Standard Evolution SYSTEM CONFIGURATIONS E6-24 E6/24 Control Surface, 24 Inp. Faders, with E-Sat I/O equipped with: E-Net Card, DSP Mix Engine Card, 2 Analog Input Cards, 2 Analog Output Cards, 2 Digital Input Cards, 2 Digital Output Cards, 24 Logic Ports List $32, E6-20 E6/20 Control Surface, 20 Inp. Faders, with E-Sat I/O equipped with: E-Net Card, DSP Mix Engine Card, 2 Analog Input Cards, 2 Analog Output Cards, 2 Digital Input Cards, 2 Digital Output Cards, 24 Logic Ports List $29, E E6/20 Control Surface, 16 Inp. Faders, with E-Sat I/O equipped with: E-Net card, DSP Mix Engine Card, 2 Analog Input Cards, 2 Analog Output Cards, 2 Digital Input Cards, 2 Digital Output Cards, 24 Logic Ports List $27, E6-12 E6/12 Control Surface, 12 Inp. Faders, with E-Sat I/O equipped with: E-Net Card, DSP Mix Engine Card, 1 Analog Input Cards, 1 Analog Output Cards, 1 Digital Input Cards, 1 Digital Output Cards, 12 Logic Ports List $21, E6-128 E6/12 Control Surface, 8 Inp. Faders, with E-Sat I/O equipped with: E-Net Card, DSP Mix Engine Card, 1 Analog Input Cards, 1 Analog Output Cards, 1 Digital Input Cards, 1 Digital Output Cards, 12 Logic Ports List $19, All Standard Configs include: Control Surface, Power Supply, E-SAT with Network Card, DSP Mix Engine, I/O and Logic Cards as specified, XPOINTLITE E-Sat Audio I/O Frame Every E-6 Control Surface needs an E-Sat to handle its audio input/output routing as well as it s logic control. Or, use it as a standalone I/O unit in rack rooms. This 2 RU fan-less networked I/O cage, accepts E Series I/O cards. (see cards to right) Frame capacity: 4 Input cards, 4 Output Cards, 2 Logic Cards ESAT Unloaded E-Sat (includes E-Net card) List $1, ESAT E6 I/O Frame equipped with: 16 Analog Line Inputs, 16 Analog Line Outputs, 8 Digital Inputs, 8 Digital Outputs, 24 Logic Ports List $8, ESAT E6 I/O Frame equipped with: 8 Analog Line Inputs, 8 Analog Line Outputs, 4 Digital Inputs, 4 Digital Outputs, 12 Logic Ports List $5, E-SAT CARDS List Price AINC4 E-SAT 8 Channel Analog Input Card $ AONC4 E-SAT 8 Channel Analog Output Card $ DINC4 E-SAT 8 Channel Digital Input Card $ DONC4 E-SAT 8 Channel Digital Output Card $ LIONC E-SAT 12 Port Logic I/O Card $ E6EQD E-SAT High Performance DSP - EQ/Dynamics Upgrade $2, MicroSat Mini I/O Frame For use with smaller control surface configurations, such as dedicated talent booths, etc. 1 RU, fan-less, networked I/O cage, accepts E Series audio I/O cards. Frame capacity: 2 input cards, 2 output cards, 6 fixed logic I/O ports. MICROSAT Unloaded E-Sat (includes E-Net card) List $2, E-Net Switch The router for Evolution s central nervous system, the E-Net 16 Port Audio Network Switch handles connections to and from 16 of your E-Sat enabled Control Surfaces. ENET16 16-port Audio Network Switch List $7, ENET8 8-port Audio Network Switch List $4, GPC Desktop Turret Desktop Turrets are the perfect solution for interview/news booths, or any place a full-blown production console is overkill. Desktop Turret accepts the modules listed below. GPC-3 Desktop Turret for GP Series Panels (3 Positions) List $ MODULES GP-R2 1 RU Rack Panel for 2 single position GP Panels List $ GP-3 Headphone Panel with Volume Control, Jack & Switch (Requires Amplifier) List $ GP-4S Mic Control Panel, On, Off, Cough, TB with Tally Back List $ GP-4W General Purpose Button Panel with 4 switches List $ GP-8P Ethernet Programmable Button Panel with 8 Buttons List $ GP-16P Ethernet Programmable Button Panel with 16 Buttons (2 positions) List $1, GP-U1 Under Counter Mounting Bracket for Single GP Panel List $28.00 BSW/Wheatstone Evolution Hotline: Talk to a BSW Wheatstone Specialist about configuring Evolution for YOUR facility Glass E Control Software For complete remote operation of your Control Surfaces, you ll need the Glass E Remote Console Interface for Windows. It provides full on-screen control of all E-Series Control Surface functions. GLASSE Control Software List $1, Ancillary GEAR List Price XPOINT Wheatstone Evolution Admin & Config Software $2, XPOINTLITE Wheatstone Evolution Admin & Config Software Surface Standalone Systems $ XYER Single XY Ethernet Controller $ XYERD Dual XY Ethernet Controller $1, HBX8R X Controller w/ 8 Hot Buttons $ HBX8RD Dual X Controller w/ 8 Hot Buttons ea $1, HBX16R X Controller w/ 16 Hot Buttons $1, LCX12R Smart Button X Controller, 12 Switches $1, PCXY PC Software XY Controller Site License $995.00

5 A SINGLE E-SERIES surface and E-SAT audio frame can behave just like a standalone console, with your controls in the console surface and your ins, outs and mixing in a studio frame. E-6 Networked Digital Audio Control Surface It s the WHEATSTONE You Can Afford! BUT CREATING A SOPHISTICATED AUDIO NETWORK of OTHER studios, frames and surfaces has never been easier. With our exclusive WHEATNET Network Switch, a simple CAT-5 cable can replace a mountain of wire: 128 channels of audio, machine logic and communication all in one link. AUTOMATION? No problem! Our Windows.wdm driver installs easily on any PC, and the Wheatnet ET card gives you 32 channels of streaming AoIP where it's best suited talking to your automation and acting as a secure gateway to your network. It also provides serial control between the Wheatnet system and your automation, and of course eliminates the cost and performance limitations of sound cards. Naturally WHEATSTONE provides you with all the controls, hardware and software switches needed, right up to the Glass E computer based virtual console. And because all our controllers are ethernet based, you can operate and administrate from anywhere on or off your site. The WHEATNET SYSTEM is the most reliable, easy-to-install and comprehensive network audio system you can have. copyright 2008 by Wheatstone Corporation sales@wheatstone.com

6 Audioarts Networkable Consoles for Multiple Studios Audioarts D-75N Networkable Modular Digital Consoles The D-75N is an enhanced version of Audioarts established D-75 digital audio console that permits integration with the Audioarts AENET Digital Router, as well as the Audioarts IOC-16 Digital Audio I/O Center. It allows the D-75N (normally a standalone audio console) to access a digital audio network system on six of its input faders (other inputs continue to operate independently) thus providing considerable networked flexibility to an individual studio. Where standalone input channels have an A/B dual source select switch, networked inputs have eight-character Source displays, a Source Select encoder knob and a Take button, which allow selection of any source made available to the D-75N console via its Cat-5 network connector cable. In addition, the six router channels (collectively called the NET-75 panel) allow two local stereo analog sources to be made available to the network system. At the same time the D-75N s four output busses (Program, Audition, Auxiliary and Utility) are made available to the main router system through the console s network Cat-5 link. The D-75N comes in three models, very similar to their D-75 brothers on the opposite page: a 12-channel console, a 20-channel console partially loaded with 12 channels, and a 20-channel console loaded with 18 channels. When you re ready to network your consoles, you simply connect them via Cat-5 cable using Audioarts network products, such as the IOC16 and AENET. The IOC-16 audio input/output center acts as a networked intermediate link between a D-75N digital audio console and the central NET router. THE IOC-16 chassis rear accepts plug-in card modules for a clean and easy wiring installation. Each unit accepts four input and four output cards (analog or AES digital) and each card can handle four stereo signals. The AENET Router is a high-speed central switch that links multiple studios (via Cat-5 cable) with your technical operations center. Each of its eight links can handle 64 bidirectional data paths with embedded control signals, allowing you to centralize shared audio resources and integrate eight separate D-75N digital audio consoles as a working network. An Ethernet link handles administrative tasks, and a Clock port allows synchronization to an external master clock. Call BSW today for more info and prices. D75N2018 shown with optional modules D75N12 12/12 networkable audio console List $11, D75N /12 networkable audio console List $12, D75N /18 networkable audio console List $14, IOC16 16 AES I/O; 16 analog I/O interface List $8, IOC4 4 AES I/O; 4 analog I/O interface List $3, AENET 8 port router for IOC or D-75N List $4, Modules/Accessories: sp75 SuperPhone input module List $ ls75 6 position stereo line selector List $ IOC16 AENET Connect Eight Studios with Just Eight Cat-5 Wires System Setup Is Easy: The D-75N Consoles have all inputs and outputs for your studio built right in. Each console then simply plugs into the Audioarts AENET Router located in your engineering room. IOC-16 Audio Centers provide input, output and logic cards for use with shared sources and destinations in your engineering room. The IOC-16 could alternately be located right in the studio to provide even more I /O at the studio location. Note: Consoles, Net Router components and Cable are all sold separately. Call BSW for a Custom Quote on Network System AENET flow diagram 6

7 Audioarts: BSW s Top-Selling Consoles. When You re Upgrading Your Studio, Call BSW. Save Thousands with BSW s Discount Prices! D7512 shown with optional modules Most trusted consoles in the industry built for years of reliable performance Flexible, modular digital design Easy analog-to-digital field switching The Audioarts modular D-75 comes with four stereo busses, dual-domain outputs, sample rate conversion on all digital inputs, and interchangeable input module daughter cards for easy analog-to-digital field switches. The hinged meterbridge allows easy access to console dipswitch programming. LED meter displays have full-scale digital peak plus VU metering. All switching features LED illumination, and an automatic timer, built-in machine interface and clock all come standard. The D-75 may also be ordered with an optional SuperPhone module, which supports two callers. The D-75 is available in two mainframe sizes (20- and 12-channels) with three configurations (loaded with 18 or 12 channels). Console Dim: 28.75" or 40.83"W x 24.5"D x 7.63"H. All consoles can be purchased with prewire kits in pigtail or wired to Krone punchblock. Various lengths from 3 to 15 ft. Pigtail kits listed in 3 ft. length (call for other prewire kits). Audioarts D-75 Modular Digital Console D-75 Cue function with auto-dropout Full scale digital peak plus VU or PPM metering Built-in machine interface Separate Source Selection for control room and studio Two air tally relays and four stereo busses Any combination of mic, analog line or digital audio inputs Heavy-duty on/off switches, and all switches LED illuminated D /12 modular audio console List $9, D /12 modular audio console List $10, D /18 modular audio console List $12, Modules/Accessories: sp75 SuperPhone input module List $ ls75 6 position stereo line selector List $ tr75ff Tape remote/full function List $ tr75ss Tape remote/start-stop List $ cp75 Copy stand List $ Prewire Kits: D7512p1-3 Module connectors wired to unterminated end (3 ft.) for 12-channel console List $1, D7518p1-3 Module connectors wired to unterminated end (3 ft.) for 18-channel console List $1, Attention D-75 Owners: You re making a wise investment when you purchased your Audioarts D-75 digital console. You can upgrade it to be networkable when you desire to the D-75N series. Call and talk to your BSW sales representative if you intend to network multiple studios. AudioArts W12 12-Channel Digital Console The new W-12 from Audioarts gives small- to mid-market radio stations top-shelf features for high-end performance. This digital thoroughbred offers uncompressed 24-bit operation (44.1 or 48 khz), twelve A/B dual source stereo line inputs (analog or digital), two microphone preamps, three stereo main busses, each with analog and digital outputs and a phone channel with talkback. Electronic switching (with machine control) will provide years of performance and reliable operation. And the built-in cue speaker with level control and separate control room and studio monitoring (with talkback) will always keep you on top of your game. It comes with a tabletop mount and rackmount power supply. Dim: 31.2 x 20.5 x 6.25". Call your sales representative today for all the details. W-12 List $8, NEW!! 7

8 R55E-18 shown with optional modules Audioarts R-55e Series Modular Analog Consoles The popular Audioarts R-55 modular consoles come in 8-, 12-, and 18-channel mainframes with illuminated LED switches and flip-up meterbridges that provide direct access to I/O connectors and dipswitches. They feature a sleek, low-profile countertop design, with opto-isolated logic control and built-in machine interface. The 8-channel R55e has 4 mic preamps, 8 stereo line input modules, control room/studio monitor module, output module, a cue speaker and an installation kit with crimp tool/manual. The R55E-12 has 12 stereo line modules and a digital timer. The R55E-1812 and R55E-18 models add a digital clock/timer, and have 12 or 18 stereo line modules standard. Console dimensions: 19.87" or 28.75" or 40.83"W x 24.5"D x 7.63"H. Consoles can be purchased with prewire kits available in pigtail or wired to 66M punchblock in lengths from 3 to 15 ft. (sample pigtails in 3 ft length). Krone available in custom configuration. R55E 8-channel modular console List $4, R55E channel modular console List $6, R55E /12 modular console List $7, R55E-18 18/18 modular console List $10, Modules/Accessories: spn55e Phone input module List $ ss55e 2nd studio monitor module List $ ls55e 6-position stereo line selector List $ sl55e Spare stereo line input module List $ tr55ess Tape remote, full-function List $ R55E-12 shown with optional modules Top-Selling Analog Consoles Two VU meter pairs (program & switched); the 8-channel model with one pair (switchable) Built-in cue speaker, timer and talkback Two stereo program busses, two mono busses Low profile countertop installation Rackmount power supply Built-in cue speaker with amplifier and external cue line output Flip-up meterbridge and A/B inputs Don t Forget Prewire Kits! Prewire Kits: R55E8p1-3 Module connectors wired to unterminated end (3 ft.) List $ R55E12p1-3 Module connectors wired to unterminated end (3 ft.) List $1, R55E18p1-3 Module connectors wired to unterminated end (3 ft.) List $1, Audioarts Talent Panels Broadcasting is already a tough enough job, so why not make it as smooth as you can with the fully customizable Audioarts GPC-3 Desk Turret System? Mix and match up to 3 talent panels to meet your specific on-air needs, backed by Audioarts long history of award-winning innovation. Purchase the GPC-3 chassis along with modules. GPC-3 Talent panel chassis unit List $ GP-3 Headphone panel with volume control List $ GP-4S 4-switch mic control panel (on, off, cough, talkback) List $ GP-4W 4-switch control panel (4 programmable buttons) List $ GP-8P 8-switch control panel (8 Ethernet-based switches) List $ GP-16P 16-switch control panel (16 Ethernet-based switches); requires 2-slots in the chassis unit List $1, Air 2+: Audioarts Affordable 12-Channel Console The simple and elegant Air 2+ utilizes top-grade components and circuits for superb performance, and with basic functions such as machine control, mix minus, and cue and talkback all handled, it s perfect for smaller stations looking to upgrade as well as larger facilities in need of an aux studio or newsroom console. Dim: 28.7 x 15.5 x 3.1". 24 stereo inputs (12 faders with A/B selector on each) 2 mic preamps, assignable to any fader Dedicated telephone channel just add a hybrid 2 VU meter pairs. (one switchable) Cue channel with built-in cue speaker; Internal headphone amp Talkback to caller or studio All line level inputs are -10dB unbalanced, on RCA jacks 2 balanced mic inputs on Euroblock connectors 2 balanced output busses on Euroblock connectors Remote starts for 12 devices; Remote on/off control for hybrid Monitor mute logic, tally output, built-in "on air" light All LED lighting. No lamps. Easy disassembly for field repairs. AIR2PLUS List $2,

9 The STANDALONE Digital Console that NETWORKS with Others The Audioarts D-75N The BEST of Both Worlds An enhanced version of the original D-75 audio console, the D-75N can access an Audioarts NET-8 digital router on six of its input faders. Available with 12 or 18 faders, the modular D-75N can be configured with any mix of analog or digital inputs. Up to eight consoles can be linked together to share centralized audio resources. Copyright 2007 by Wheatstone Corporation

10 Audioarts breaks the Sound PRICE Barrier. NEW!! Arrakis Revolution Series Digital Consoles The innovative Arrakis Revolution (#REV12C and REV18C) is made up of a rack mounted digital audio engine and a control console board. The digital engine can be located away from the console operator or even in a remote rack room, simplifying installation, wiring and service. Control console dimensions: 33"W x 23"D x 7"H. Audioarts Air 1 8-Channel Console Brand new! Audioarts breaks the price barrier with this small-station console. The 8-channel Air 1 is exactly what you need for on-air radio, newsrooms, and even production and webcasting. You get 2 built-in mic channels and 6 stereo line inputs. The mics are on XLRs and the stereo inputs are on balanced 1/4" TRS jacks. Like all industry-leading Audioarts consoles, the Air 1 provides dipswitch Logic Programming, input gains for professional and consumer audio sources, VU meters and other desirable high-end functions. A basic feature list includes: Monitor mute on Mic 1/Mic 2, Mono Sum, headphone amp and level control, two stereo Program Bus outputs, Split Cue for headphone and monitor, on-air indicator on meterbridge, cue bus output, LED illuminated switches, linear monitor level controls, and an on-air tally output. The console offers a low profile in a rugged design and a small footprint to fit on any work surface. Dim: 15.2 x 11.5 x 2.5". If you re looking for an affordable console, look no further. Audioarts got you covered. And BSW has it at the lowest price in the industry. Call us for a quote today. AIR1 List $1, REVOLUTION 12- or 18-module console control board 3 stereo output buses and 2 telephone buses Full monitoring for control room and studio Both analog and digital operation Your PC can back up the console control system The economical and totally digital REV12P console is made up of the rackmounted digital engine and your own PC computer for control. It features 12 channels with analog and digital inputs on each, 3 stereo output buses and 2 telephone buses; can be controlled from two studios simultaneously; includes CoolMix software for easy operation just add your own PC and touchscreen monitor. REV12C 18/12 chnl console w/digital engine List $7, REV18C 18/18 chnl console w/digital engine List $8, REV12P 12 chnl digital engine, PC controlled List $4, Soundcraft Digital Consoles with 6 or 12 Faders The RM1d, Soundcraft s digital on-air radio console, combines the benefits of an all-digital signal path with the simplicity of control previously associated with analog consoles. A pool of assignable digital and analog inputs are provided. The digital architecture means that any input can be assigned to any fader and stored in presets. The RM1ds differs from the RM1d in three ways: the RM1d ON button above fader is replaced with dedicated ON/OFF buttons beneath faders; Stereo 1 and Stereo 2 busses are renamed Program and Audition; and RM1ds has beige paint on the metal instead of grey. Additional options include RM1d with P&G faders, and 12-channel consoles with script tray included. Meterbridges available with VU, PPM1-7, PPM DIN, or PPM EBU metering. Call for complete options. Dimensions: 17" or 24.6"W x 17.16"D x 12.2" H. Common 4 mono mic/line inputs with switchable 48V (8 inputs on 12-fader) Analog inserts on two of the mic/line inputs (4 inserts on 12-fader) 2 analog stereo line inputs (4 inputs on 12-fader) 4 AES/EBU inputs plus (1) S/PDIF input (8 AES, (2) S/PDIF on 12-fader) 4 analog clean feed outputs (6 outputs on 12 fader) allow telco operation Analog outs for Main Program x2, Aux, PFL, Control Room and multiple headphone outs 4 stereo analog External Monitor Source inputs 2 AES/EBU and (1) S/PDIF outputs (4 AES and (2) S/PDIF on 12-fader) Fader start/cue lamp relays output on all channel faders Each input channel has gain trim, dynamics processor, 3-band EQ, 2x mono (or 1x stereo) Aux send and Pan control, via central assignable strip RM1D (RW5660) 10 rw5660 RM1d 6-fader digital console List $8, rw5662 RM1d 12-fader digital console List $13, rw5664 RM1ds 6-fader digital console List $8, rw5666 RM1ds 12-fader digital console List $13, rs fader VU meterbridge for RM1d List $ rs fader VU meterbridge for RM1ds List $ rs fader VU meterbridge for RM1d List $1, rs fader VU meterbridge for RM1ds List $1, RM1DS (RW5666)

11 NEW!! order/info: Arrakis New Console with Windows USB Interface for Automation Software 3 versions to fit your needs 10 input source channels Electronic switching of all audio signal paths ARC-10UP ARC-10BP Arrakis ARC-10 Series Broadcast Consoles The ARC-10 is a 10-channel console that can handle most any radio studio application. It offers two high-performance mic channels, an advanced telephone interface to an external hybrid and seven stereo line input channels to easily handle other studio audio sources. One channel can even be optionally configured with a Windows PC USB interface for live on-air, automation and production software (ARC 10-UP and ARC 10-BP consoles). Your PC can be a source through USB, and also you can also record whatever is on the audition channel. Other features include two stereo program output mixes, real VU meters for on-air monitoring, headphone amp and a cue-talkback system with built-in amplifier and speaker. For comprehensive studio switching, add the optional 16 x 3 stereo switcher (ARC-16SW). Dim: 24 x 15 x 6". ARC-10U Unbalanced console, no Windows USB interface List $1, ARC-10UP Unbalanced with Windows USB interface List $1, ARC-10BP Balanced with Windows USB interface List $2, ARC-16SW Optional 16 input x 3 output switcher List $ Arrakis X-Series Digital Consoles The Arrakis Xtreme mixers are powerful digital audio consoles that support analog and digital sources! Designed for long-term reliability, each console features multimillion-operation switches, Penny & Giles slide faders, and LED illumination for all switches. Installation is quick and easy with a clamshell design that flips open, and with strain relieved connectors. Most ICs are socketed for easy replacement. The console features 3 mixing buses, stereo cue, monitoring for a control room and studio, and a powerful telephone interface for on-air talk shows and off-line recording. With both 10- and 14-channel models, the X-mixer is ideal for any size on-air or production application. Call BSW today. X10 List $5, X14 List $6, BSW Offers Low Package Pricing! Call or Us with Quote Today for Discount Pricing!! Unbalanced Sources? No Problem! Arrakis Nova 10C Digital Console w/ Unbalanced Inputs The Arrakis Nova10C digital console features RCA connectors so that consumer or unbalanced source equipment can plug in without the use of outboard interface boxes. Microphone XLR and digital S/PDIF connectors are also available for other studio sources. The Nova console is digital inside with professional components throughout an ideal choice for any small station. Dim: 18.5"W x 12"D x 6.25"H. 10 mixing channels, P&G slide faders Program & Record mixing buses have both analog and digital outputs Control Room Monitor, Headphone, & Cue outputs Talkback I/O with logic for inter-studio communication 2 channels are either analog microphone or stereo line level channels 4 channels are analog stereo line level only 2 channels are either analog telephone hybrid or stereo line level 2 channels are either digital input or stereo line level NOVA10C List $2,

12 Rugged Small-Station Consoles Arrakis 1200 Series Broadcast Consoles We ve all seen these used in a station at one time or another. The rugged Arrakis 1200 series is ideal for on-air, production and news applications. Only the highest quality components are used, such as P&G faders, ITT Schadow switches and AB conductive plastic pots with stainless steel shafts. The is 5-channel, 10-input, stereo output console (1 input per channel plus a 5-source multi-line selector); the is a 10-channel board with 20 inputs and dual stereo out; and the has 15 channels with 25 inputs (the and each have two 5-line selector channels). Stereo and mono mix outs; mix-minus bus; stereo monitor outs with dim and talkback Remote channel on/off with tally, cough and talkback 2 monitor outputs; mono cue with Autocue S 12005S 5-channel console List $2, S 10-channel console List $3, S 15-channel console List $4, At Broadcast Tools, Value Means Affordability and Higher Quality Broadcast Tools ProMix 12 Broadcast Console Trust Broadcast Tools for cracking the high-priced barrier on a high-quality console or any other product for that matter. The ProMix12 is a full-featured mixing console ideally suited for the typical broadcast studio or any similar application. It features inputs for three microphones and nine stereo line sources on 1/4" jacks, two stereo mixing buses, a mix-minus output, a mono output, and comprehensive cue and monitoring systems. Other functions include an announce booth output with full duplex talkback, accurate audio level metering, remote control of microphone channels and remote-start facilities on all line input channels. Dim: 18.5"W x 10.5"D x 4"H. PROMIX12 List $1, S NEW!! AEQ Bravo Broadcast Console This 12-channel audio mixing console builds upon the award-winning features of AEQ s BC-300. It sports 2 VU meters (Selectable Master or Audition) with adjustable viewing angle and boasts a flexible design for tabletop or countersink into studio furniture. Suitable for a variety of applications from on-air to remotes, it delivers the highest sound quality and the toughness to work 24 hours a day, 7 days a week. Dim: 28.5 x 16.5 x 7.5". 4 mic/line channels 8 dual stereo line channels on RCAs 1 dual telephone channel with digital hybrids included 2 stereo program buses Stereo CUE bus with built-in loudspeakers BRAVO List $2, Stereo monitoring output with built-in 10W power amplifier 2 VU meters Built-in Talkback microphone Headphones set output 12 BC312 AEQ BC-300 Series Broadcast Consoles The BC312 is an affordable, compact console suitable for a variety of applications from on-air to remotes. It features 4 mono mic/line inputs and 8 stereo line inputs; built-in telephone hybrid; built-in watt amplifier for studio monitors; master and AUX outputs; built-in stereo cue speakers; routable talkback. The BC306 has 2 mono mic/line inputs and 4 stereo line inputs, with 3 blanks and room for additional modules. Dimensions for both: 23.7"W x 14"D x 6.9"H. Built-in telephone hybrid Built-in 10+10W amp for studio monitors Stereo cue speakers Routable talkback bc312 12/12 chnl console List $2, bc306 12/6 chnl console List $2, Modules: BC311 Dual mono mic/line module List $ bc322 4 double stereo lines module List $ bc378 Monitor/control module List $1,150.00

13 Console Comparison Chart Manufacturer Product Analog/ Digital order/info: Modular Number of Channels Mic Channels A/B Telco Cue Amp Speaker Dimensions (WxDxH") Aeq BC300 Series Analog No 6, 12 2, 4 A/B 1 including hybrid Yes 23.7 x 14 x 6.9" Aeq BRAVO Analog Semi 12 4 No 1 including hybrid Yes 28.5 x 16.5 x 7.5" ARRAKIS 1200 Series Analog No 5, 10, 15 1, 2, 2 std No 1 No 15, 23, x 12 x 7" ARRAKIS 12,000 Series Analog Yes 8, 18, 28 1, 2, 2 std No 1 No 17.25, 33 x 22 x 8" ARRAKIS ARC10 Series Digital No 10 2 No 2 No 24 x 15 x 6" ARRAKIS NOVA10C Digital No 10 2 No 2 No 18.5 x 12 x 6.25" ARRAKIS REV Series Digital Yes 8, 18, 28 1, 2, 2, std No 1 No 33 x 23 x 7" (+ rackmnt engine) ARRAKIS X Series Digital No 10, 14 2 No 2 No 26.5, 32.5x21.5x7.4" AUDIOARTS AIR 1 Analog No 8 2 No 1 Yes 15.2 x 11.5 x 2.5" AUDIOARTS AIR2PLUS Analog Semi 12 2 Yes 1 Yes 28.7 x 15.5 x 3.1" AUDIOARTS D75 Series Digital Yes 12, 18 4 Yes 2 (optional) Yes 28.75, x 24.5 x 7.63" AUDIOARTS D75N Series Digital Yes 12, 18 4 Yes 2 (optional) Yes 28.75, x 24.5 x 7.63" AUDIOARTS R55E Series Analog Yes 8, 12, 18 4 Yes 1, 2 (optional) Yes 19.87, 28.75, x 24.5 x 7.63" AUDIOARTS W-12 Digital Semi 12 2 Yes 1 Yes 31.2 x 20.5 x 6.25" BROADCAST TOOLS PROMIX12 Analog No 12 2 No 1 No 18.5 x 10.5 x 4" dixon NM250MKII Analog No 7 2 No No No 2RU rackmount mixer HENRY ENGINEERING SIXMIX Analog No 6 2 Yes 1 Yes 11.5 x 8 x 4 soundcraft RW 5600 Series Digital No 6, 12 4, 8 Yes Yes Yes 17, 24.6 x x 12.2" WHEATSTONE Evolution 6 Series Digital Yes 8, 16, 24 >max No 12, 20, 28 No 20.8, 33.5, 45.9 x 17.9 x 5" Dixon s Cool Newsroom Console Dixon NM-250MKII Rackmount Console The NM-250MKII mixer is designed for busy newsrooms and contains almost all the features of a full console. Each of the first three inputs can be either a mic or line input with no component changes required (simple jumper pin selector). This means mic processing can easily be used ahead of the mixer. Also, an On/Off control has been added for the hybrid as well as a computer Start/Stop control. 2 balanced mic inputs with 48V phantom power Monitor output mutes when mic is on Mono line input for telephone hybrid 2 balanced line inputs; input for computer sound card Input for audio player (DAT/cassette/CD) Built-in mix-minus bus for telephone hybrid Built-in talkback system with 2 sends and receives Relay closures for computer channel on, telephone channel on and mic on LED VU meter display Balanced XLR line, mic and phone inputs; RCA I/Os The RM-35 is a rackmount monitor designed to work with the NM250MKII. An amplifier and two 3x5" shielded speakers deliver excellent audio quality. The USB-1 is an optional internal USB interface for your console for easy plug-and-play connection to your computer. NM250MKII Newsroom console List $1, Accessories: RM-35 Rackmount monitor List $ USB-1 USB interface List $ Henry NEW!! Engineering SixMix 6-Channel USB Broadcast Mixer The 10-input, 6-channel SixMix USB broadcast mixer is a compact yet fully loaded professional radio station audio mixer boasting an A/D + D/A digital audio codec with a USB computer interface for quick, efficient connectivity. It also offers a stereo Program mixing bus, a Mix-Minus output, a Cue bus with internal Cue speaker, and comprehensive headphone and monitor systems for plenty of versatility. Features include: 2 mic inputs on balanced XLR, 4 line inputs on either balanced 1/4" TRS or unbalanced RCA, a Talkback system, guest headphone facilities, and accurate audio level metering. About the size of a laptop computer, it s a powerful audio production tool that s intuitive and easy to use. sixmix List $1, Broadcast Tools Mixer Input/Output Controllers Here s a simple solution for flexible mic channel and monitor control. The CC5 mutes five different mic channels when connected to 1/4" TRS channel insert jacks (or between external mic pre's and the mixer), with individual mute button control, and also acts as a monitor switcher. The smaller CCIIA offer three channels of insert switching. CC5 List $ $ CCIIA List $ $ CC5 LowestPrice from $299! CCIIA 13