THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI
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1 MY WORK ON THE INTERNET VOLUME EIGHT RUDOLF RASCH THE THIRTY-THREE WORKS OF FRANCESCO GEMINIANI WORK ONE THE VIOLIN SONATAS OF 1716 APPENDICES Please refer to this text in the following way: Rudolf Rasch, The Thirty-Three Works of Francesco Geminiani (= My Work on the Internet, Volume Eight), Work One: The Violin Sonatas of 1716: Appendices For suggestions, additions, corrections and remarks: Version: Rudolf Rasch, Utrecht/Houten,
2 WORK ONE THE VIOLIN SONATAS OF 1716 APPENDICES CONTENTS APPENDIX 1. EXCERPTS BY JOHAN HELMICH ROMAN FROM GEMINIANI S VIOLIN SONATAS OF APPENDIX 2. ARRANGEMENTS OF SONATAS VII AND X FOR TREBLE RECORDER OR TRANSVERSE FLUTE AND FIGURED BASS... 6 APPENDIX 3. BARSANTI S ARRANGEMENTS OF SONATAS VII-XII FOR TWO VIOLINS AND FIGURED BASS
3 APPENDIX 1. EXCERPTS BY JOHAN HELMICH ROMAN FROM GEMINIANI S VIOLIN SONATAS OF a. The first movement of Sonata VIII with added middle voice. S-Skma, Ms. Ro 97:106a. 3
4 1b. Harmonization of the first movement of Sonata X. S-Skma, Ms. Ro 97:106a. 4
5 1c. Table of incipits of sonata movements in all tonalities. S-Skma, Ms. Ro 97:129a. Includes the incipit of the last movement of Sonata II as example in D Minor. 5
6 APPENDIX 2. ARRANGEMENTS OF SONATAS VII AND X FOR TREBLE RECORDER OR TRANSVERSE FLUTE AND FIGURED BASS SONATA V IN D MINOR FOR TREBLE RECORDER AND FIGURED BASS, FROM GEMINIANI S VIOLIN SONATA OF 1716, NO. VII Source Six Sonatas or Solos Contriv d & Fitted for a Flute and Bass, Collected out of the Last New Solos Compos d By Mr. Geminiani & Castrucci (London: John Walsh, [c. 1720]), pp. **. Six sonate [sic] à une flûte et une basse choisies des derniers ouvrages solo de la composition de Messieurs Geminiani et Castrucci (Amsterdam: Michel-Charles Le Cène, No. 531, [1727]), pp Edition Francesco Geminiani, Two Sonatas for Alto Recorder and B.c. Opus 1, No. 7 & 10, Edited by Thiemo Wind (Amsterdam: Broekmans & Van Poppel, No. 1649, 1996). SONATA VI IN G MAJOR FOR TREBLE RECORDER AND FIGURED BASS, FROM GEMINIANI S VIOLIN SONATA OF 1716, NO. X Source Six Sonatas or Solos Contriv d & Fitted for a Flute and Bass, Collected out of the Last New Solos Compos d By Mr. Geminiani & Castrucci (London: John Walsh, [c. 1720]), pp. ***. Six sonate [sic] à une flûte et une basse choisies des derniers ouvrages solo de la composition de Messieurs Geminiani et Castrucci (Amsterdam: Michel-Charles Le Cène, No. 531, [1727]), pp Edition Francesco Geminiani, Two Sonatas for Alto Recorder and B.c. Opus 1, No. 7 & 10, Edited by Thiemo Wind (Amsterdam: Broekmans & Van Poppel, No. 1649, 1996). SONATA IV IN D MAJOR FOR GERMAN FLUTE AND FIGURED BASS, FROM GEMINIANI S VIOLIN SONATA OF 1716, NO. X Source Solos for a German Flute or Hoboy ot Violin with a Through Bass for the Harpsichord [...] Parte Secondo (London: John Walsh, [c. 1725]), pp. ***. XII Sonate a flauto traversie, o violino, o hautbois e Basso continuo delle compositioni degli Sign. Francesco Geminiani e Castrucci (Amsterdam: Michel-Charles Le Cène, No. 551, [c. 1730]), pp Edition Modern edition: Francesco Geminiani, Sonata in D major for Flute or Oboe and B.c. Op. 1, No. 10, Edited by Thiemo Wind, Realization of the Figured Bass Anneke Uittenbosch (Amsterdam: Broekmans & Van Poppel, no. 1601, 1991).. 6
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16 APPENDIX 3. BARSANTI S ARRANGEMENTS OF SONATAS VII-XII FOR TWO VIOLINS AND FIGURED BASS Source Reprint Francesco Barsanti, Sonatas of Three Parts, For two Violins with a Thorough Bass for this Harpsichord or Violoncello, Made from the Solos of Francesco Geminiani (London: John Walsh and Joseph Hare, [1727]). Left-right inverse pagination. Dedication to Hewer Edgeley-Hewer. three partbooks: Violino Primo, Violino Secondo, Basso Continuo. [Second Issue] Francesco Barsanti, Sonatas of Three Parts, For two Violins with a Thorough Bass for this Harpsichord or Violoncello, Made from the Solos of Francesco Geminiani (London: John Walsh, No. 354, [c. 1735]). [Third Issue] [Francesco Barsanti], Sonatas of Three Parts, For two Violins with a Thorough Bass for this Harpsichord or Violoncello, Made from the Solos of Francesco Geminiani (London: John Walsh, [c. 1755]). Contents: V1 V2 H-Vcl Sonata I Sonata II Sonata III Sonata IV Sonata V Sonata VI Francesco Barsanti, Sonatas of Three Parts for Two Violins a Violoncello and Thorough Bass for the Harpsichord, Made out of Geminianis Solos (London: Benjamin Cooke, [c. 1728]. With the following remark on the title page: NB. In this Impression is avoided the Turnings Over in the middle of y e Quick movements, in y e second Violin. 16
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