SECTION A Aural Skills

Transcription

1 SECTION A Aural Skills The CD will play the examination questions for you. Listen carefully! 40 Marks 1. Six Intervals will now be played for you to identify them. You will hear each interval twice. Make sure you write down the interval type for example, Perfect 5 th, Minor 2 nd etc 6 A) D) B) E) C) F) 2. Six chords will now be played for you to identify them. You will hear each chord twice. Make sure you write down the name of the chord such as Major, Diminished etc. 6 A) D) B) E) C) F) 3. Give the Time Signature of the following pieces by Dave Brubeck. You will hear each example twice. 3 A) B) C) 4. You will now hear three different styles of Jazz. Write the correct style next to the example as it is played to you. You will hear each example only once. 3 Ragtime New Orleans (Dixieland) Swing Bebop Cool Free Fusion A) B) C) Page 1

2 5. Spot and circle the 3 wrong notes in this melody. It will be played three times What melodic device is being used in the above excerpt? 2 7. In Jazz, the Bass Line is very important. Five bass lines will be played for you. Write the number 1, 2, 3, 4 & 5 next to each one in the order they are played. You will hear each bass line twice. 5 A). B). C). D). E). 8. Listen to the following, bebop-influenced phrase. What Bebop Characteristics do you notice? 2 Page 2

3 9. Circle the melodic line you hear being played on the recording. It will be played twice. You have three Jazz tunes to pick from. 2 A) B) C) 10. Listen to the lick on the recording. How many times is it played before it is varied? The recording will be played twice for you Is the recording excerpt exhibiting mostly Line or Melodic Soloing Technique? Circle the correct answer. You will hear it twice. 2 Line Melodic 12. In the following excerpt from Tchaikovsky s March Slav, write the missing notes in the boxes on the staff. You will hear this melody twice because it repeats! 3 [Hint: Look at the other notes in the melody to help you work out the rhythm and pitch of the missing notes] Page 3

4 SECTION B The Concepts of Music The CD will continue to play the examination questions for you. Listen carefully! Q1. You will now have 5 minutes to do the following: A) Write a definition for each of the six musical concepts B) Give an example of each concept by referring to a work we have looked at it class. It could be a jazz or romantic music reference. For example: Pitch - The melody in Jada is repetitive and has a narrow range 30 Marks 1. Pitch 2. Duration 3. Structure 4. Tone Colour 5. Texture 6. Dynamics & Expressive Techniques Page 4

5 You will now hear an excerpt from Charles Mingus Haitian Fight Song (1 min 20 sec). Don t forget you can use pictures, diagrams and notations to help your answer. Q1. Describe three Expressive Techniques used in the opening section. Make sure you name the instrument performing! 3 1 st Playing followed by a 10 second pause 2 nd Playing followed by a 20 second pause Q2. Describe three examples of Pitch in the next excerpt 3 1 st Playing followed by a 10 second pause 2 nd Playing followed by a 20 second pause Q3. Describe the Texture in this last excerpt. Make sure you refer to each layer of sound and what they are playing, using the language of the concepts of music. 4 1 st Playing followed by a 30 second pause 2 nd Playing followed by a 30 second pause Page 5

6 You will now hear an excerpt from Tchaikovsky s Piano Concerto No.1 in Bb Minor Op 23 1 st Movement (1 min 58 sec). You have FIVE playings of this excerpt to answer question three: 1 st Playing 30 second pause 2 nd Playing 30 second pause 3 rd playing 30 second pause 4 th playing 1 minute pause 5 th Playing 2 minute pause Q3. Draw or Outline the Structure of this excerpt. Then describe how the composer has used any of the concepts of music, to create this work. 8 [For Example: Find the structure outline of the excerpt: Intro, Section A, Section B etc. Then describe the piano s role in each section, or how the texture of the orchestra changes from section to section, or who plays the melody and accompaniment in each section, or describe the change in layers for each section. Include as much musical detail as possible] You can continue writing over the page Page 6

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8 SECTION C Score Reading Please refer to the A3 score that accompanies your examination booklet. The CD will continue to play the examination questions for you. Listen carefully! The recording will play through the work An Die Musik. You will only get one playing of the work right through 2mins 37secs (it does repeat). Answer the questions below as they relate to the recording and score. You now have 2 mins to look over the score and familiarise yourself with the questions below. After which the recording will play An Die Musik. 20 Marks Score Questions Playing of An Die Musik 1. Who is the Father of the Lied? S Lieder are songs written for solo v and p. accompaniment, that are G.. in language and origin This means that most lied will have a H.. Texture The Structure of the Lied An Die Musik is S Form What is the Time Signature of An Die Musik? What is the Key Signature of An Die Musik? A Cadence can be described as a musical comma (I...) or a full stop (P ). What are the cadences in the following bar numbers (marked on your score)? You can listen for them or work it out by reading the notes in the score. 2 Bars 9 & Bars 18 & 19 1 Bars 22 & Page 8

9 8. What do the following terms mean? 3 a) f b) pp c) rit d) a tempo e) cresc f) fp 9. Describe the shape or contour of the melody A group of Lieder that revolve around a setting of poems for example are known as a S... C.. 2 Page 9

10 SECTION D Multiple Choice 10 Marks Circle the most correct answer for these multiple choice questions and attempt all short answer questions 1. Who is recognized as Queen of the Blues? ½ a. Billie Holiday b. Doris Day c. Bessie Smith d. Dame Edna 2. Which of the following scales is the blues scale pattern? ½ a. T T S T T T S b. 1 b 3 4 b 5 5 b 7 8 c. T S T T S T 1/2 S d The first ragtime pieces were played by black musicians who could not read music and instead ½ a. improvised the piano music for entertainment and dancing b. they learnt music theory c. went to a music school d. played riffs on their guitars 4. Who is known as the most famous jazz trumpet player and singer of his time? ½.. 5. Collective improvisation means? ½ a. Playing banjo s very quickly b. Collecting improvisation trading cards c. A Dragonforce guitar solo d. Many instruments improvising at the same time 6. The Front Line in a New Orleans Jazz group consisted of which instruments? ½ a. Percussion b. Trumpet, Clarinet and Trombone c. Bass, Tuba and Drums d. Trumpet, Tuba and Trombone Page 10

11 7. Which of the following are Romantic era Virtuosos? ½ a. Liszt & Mozart b. Mozart & Beethoven c. Paganini & Purcell d. Liszt & Paganini 8. If I was to play a solo over some jazz chords what methods could I use to improvise over these chords? ½ a. Close my eyes and hope to hit a good note b. Look at the notes of the melody or harmony c. Look at the notes in the drum part d. Just play quickly and you are bound to swing 9. Romantic composers were proud of their nations and so borrowed to include in their musical works. ½ a. Instruments b. Money c. Food d. Folk Tunes 10. Line up the following Romantic composers with their correct composition and romantic ideals 1½ Mussorgsky Berlioz Smetana Ma Vlast (nationalism) Night on Bald Mountain (supernatural) Symphonie Fantastique (Love & Beauty) 11. What is Through Composed Form? ½ a. Chorus repeating like a rock song b. Verse Repeating the same music is repeated for each verse c. Instrumental music with tutti then solo sections d. Each section is different from the next 12. Melodies in the Romantic Period became more? ½ a. Lyrical and song-like with more adventurous modulations b. Mathematical and with no modulations c. Lengthy and dance like d. Short with catchy tunes Page 11

12 13. Three main ideas that influenced and inspired Romantic composers were? ½ a. The Supernatural, Nationalism, Sports b. Art, Poetry, Mathematics c. Nationalism, The Supernatural, Nature d. Star Spangled Banner, Charmed, Bold & the Beautiful 14. Which of the following are not Romantic composers? ½ a. Wagner, Mendelssohn, Schubert b. Berlioz, Schumann, Mussorsgky c. Verdi, Puccini, Bellini d. Mozart, Haydn, Purcell 15. Along with Beethoven which other Romantic composer went deaf? ½ a. Schubert b. Mussorgsky c. Tchaikovsky d. Smetana 16. Which composer was the first to insist the audience remain in darkness throughout their works? ½ a. Wagner b. Paganini c. Smetana d. Beethoven 17. What is a piece of music with a story attached to it called? ½ a. Fairytale Music b. New Music c. Programmatic Music d. A Mediocre Symphony 18. Berlioz used a melodic idea that he transformed in various ways within each movement of The Fantastic Symphony. What was it called? ½ a. The Melody b. The Idee Fixe c. The Dies Irae d. The Ostinato Page 12

13 * Bonus 10 Marks If you have time answer the following questions to get bonus marks 1. Wagner s The Ring of the Neibelung a) Goes for how many hours? 1 b) Has the famous tune of The 1 c) Seeks to show how insatiable human desire and emotion through almost never r 1 d) Gives to each character/idea a musical theme called a L 1 2. Write a short musical description of a jazz piece we studied in class 2 3. Write a short musical description of a romantic piece we studied in class 2 4. Explain what is to happen musically in the exposition section of Sonata Form 2 Page 13