SHAKESPEARE'S IMAGINED PERSONS

Similar documents
TOLKIEN: A CRITICAL ASSESSMENT

Human Rights Violation in Turkey

This page intentionally left blank

The Search for Selfhood in Modern Literature

GEORGE ELIOT AND ITALY

Defining Literary Criticism

SIR WALTER RALEGH AND HIS READERS IN THE SEVENTEENTH CENTURY

Also by Brian Rosebury and from the same publisher ART AND DESIRE: A STUDY IN THE AESTHETICS OF FICTION

The Philosophy of Friendship

ALLYN YOUNG: THE PERIPATETIC ECONOMIST

PLATO ON JUSTICE AND POWER

R.S. THOMAS: CONCEDING AN ABSENCE

SHAKESPEARE AND THE MODERN DRAMATIST

The Hegel Marx Connection

Death in Henry James. Andrew Cutting

Shakespeare, Marlowe and the Politics of France

Also by Erica Fudge and from the same publishers AT THE BORDERS OF THE HUMAN: Beasts, Bodies and Natural Philosophy in the Early Modern Period

Henry James s Permanent Adolescence

Recent titles include:

KAFKA AND PINTER: SHADOW-BOXING

DIARIES AND JOURNALS OF LITERARY WOMEN FROM FANNY BURNEY TO VIRGINIA WOOLF

RELIGIOUS LIFE AND ENGLISH CULTURE IN THE REFORMATION

Max Weber and Postmodern Theory

Modular Narratives in Contemporary Cinema

BRITAIN AND THE MAASTRICHT NEGOTIATIONS

Towards a Post-Modern Understanding of the Political

Existentialism and Romantic Love

Blake and Modern Literature

Charlotte Brontë: The Novels

Memory in Literature

Calculating the Human

The Elegies of Ted Hughes

The Rhetoric of Religious Cults

Hauntings: Psychoanalysis and Ghostly Transmissions

Women, Authorship and Literary Culture,

ITALY AND ENGLISH LITERATURE

Dickens the Journalist

Public Sector Organizations and Cultural Change

The Contemporary Novel and the City

DICKENS, VIOLENCE AND THE MODERN STATE

Modernism and Morality

The Invention of the Crusades

ANALYSING TEXTS General Editor: Nicholas Marsh Published

WOMEN'S REPRESENTATIONS OF THE OCCUPATION IN POST-'68 FRANCE

Lyotard and Greek Thought

THE 1830 REVOLUTION IN FRANCE

George Eliot: The Novels

Re-Reading Harry Potter

Jane Austen: The Novels

Heritage, Nostalgia and Modern British Theatre

NOSTALGIA AND RECOLLECTION IN VICTORIAN CULTURE

Rock Music in Performance

Narrative Dimensions of Philosophy

The Letter in Flora Tristan s Politics,

Dialectics for the New Century

HOW TO STUDY LITERATURE General Editors: John Peck and Martin Coyle HOW TO STUDY A CHARLES DICKENS NOVEL

POLITICS, SOCIETY AND STALINISM IN THE USSR

IN THE SAME SERIES How to Study a Novel john Peck How to Study a Shakespeare Play john Peck and Martin Coyle How to Begin Studying English Literature

Marx s Discourse with Hegel

Also by Victor Sage. Fiction. Criticism DIV!DING LINES A MIRROR FOR LARKS BLACK SHAWL HORROR FICTION IN THE PROTESTANT TRADITION

REFASHIONING BEN JONSON

The New European Left

ETHEREGE & WYCHERLEY

Introduction to the Sociology of Development

DOI: / Shakespeare and Cognition

F. B. Pinion A WORDSWORTH CHRONOLOGY A TENNYSON CHRONOLOGY A KEATS CHRONOLOGY

DOI: / William Corder and the Red Barn Murder

Mexico and the Foreign Policy of Napoleon III

Literature and Politics in the 1620s

Working Time, Knowledge Work and Post-Industrial Society

Britain, Europe and National Identity

ROMANTIC WRITING AND PEDESTRIAN TRAVEL

HENRY FIELDING. Literary Lives General Editor: Richard Dutton, Professor of English Lancaster University

Salman Rushdie and Indian Historiography

Postmodern Narrative Theory

Hysteria, Trauma and Melancholia

Cyber Ireland. Text, Image, Culture. Claire Lynch. Brunel University London, UK

Cultural Constructions of Madness in Eighteenth Century Writing

Appraising Research: Evaluation in Academic Writing

Romanticism, Medicine and the Natural Supernatural

Logic and the Limits of Philosophy in Kant and Hegel

Feminine Subjects in Masculine Fiction

MACMILLAN MASTER GUIDES JOSEPH ANDREWS BY HENRY FIELDING TREVOR JOHNSON MACMILLAN EDUCATION

FALLEN WOMEN IN THE NINETEENTH-CENTURY NOVEL

Klein, Sartre and Imagination in the Films of Ingmar Bergman

Performance Anxiety in Media Culture

Conrad s Eastern Vision

By the same author. Edited for the New Wessex Edition *THOMAS HARDY: TWO ON A TOWER *THE STORIES OF THOMAS HARDY (3 vols)

Migration Literature and Hybridity

Myths about doing business in China

BRITISH WRITERS AND THE MEDIA,

Early Modern Literature in History

THE FRENCH REVOLUTION

Narratives of the Revolutionary and Napoleonic Wars

Mourning, Modernism, Postmodernism

Postnarrativist Philosophy of Historiography

The Films of Martin Scorsese,

THE SCIENTIFIC REVOLUTION AND THE ORIGINS OF MODERN SCIENCE

Public Television in the Digital Era

Intellectuals and Politics in Post-War France

Transcription:

SHAKESPEARE'S IMAGINED PERSONS

Also by Peter B. Murray A STUDY OF CYRIL TOURNEUR A STUDY OF JOHN WEBSTER THOMAS KYO

Shakespeare's lntagined Persons The Psychology of Role-Playing and Acting Peter B. Murray Barnes & Noble Books

First published in Great Britain 1996 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world A catalogue record for this book is available from the British Library. ISBN 978-0-333-64836-0 ISBN 978-0-230-37675-5 (ebook) DOI 10.1057/9780230376755 First published in the United States of America 1996 by BARNES & NOBLE BOOKS 4720 Boston Way Lanham, MD 20706 ISBN 978-0-389-21015-3 hardcover ISBN 978-0-389-21016-0 paperback Library of Congress Cataloging-in-Publication Data applied for Peter B. Mun ay 1996 Softcover reprint of the hardcover 1st edition 1996 978-0-333-63448-6 All rights reserved. No reproduction, copy or transmission of this publication may be made without written pem1ission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the tenns of any licence pennitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. 10 9 8 7 6 05 04 03 02 01 5 4 3 2 1 00 99 98 97 96

Contents Acknowledgements vii 1 Introduction 1 2 The Behaviorism of B. F. Skinner 23 3 Character Formation and the Psychology of Role-playing and Acting 38 4 Hamlet 57 5 Prince Hal - King Henry V 103 6 As You Like It 146 7 Absorbed Action: "Sure this robe of mine does change my disposition" 173 Appendix: The Psychology of Habits 179 Notes 199 Works Cited 215 Index of Names 245 Index of Subjects 251 v

For Karen

Acknowledgements I want to express my gratitude to a number of people who have contributed to the development and completion of this book. These include several of my faculty colleagues at Macalester College who have read and advised me regarding the material on psychology. Henry R. West, a colleague in philosophy, read my discussions of Aristotle's writings on the psychology of behavior; Sears Eldredge, a colleague in dramatic arts, read the chapter on the psychology of role-playing and acting; and Walter D. Mink, a colleague in psychology, read the chapters on behaviorism and the psychology of role-playing and acting. Irwin Rinder, a sociologist and the psychologists Roxane H. Gudeman, Lynda LaBounty, and Charles C. Torrey have each read the chapters on psychology and have also teamtaught courses with me that included much of the material on psychology. Charles Torrey and Lynda LaBounty have, in addition, advised me extensively during the writing of the book, Charles especially on the psychology of role-playing and acting, and Lynda especially in my efforts to understand B. F. Skinner's radical behaviorism. In this connection, I am also indebted to the late Kenneth MacCorquodale, a close associate of Skinner, for his generous praise of my interpretation of Skinner's work. In the field of English I want to thank Richard Wertime for encouraging me after reading an early version of my ideas about the psychology of role-playing and acting in Shakespeare. And I want to thank Thomas D'Evelyn for his careful reading and his suggestions for revisions of the manuscript. Giles Gamble, my colleague in Shakespeare studies at Macalester, has read and re-read every part of the book, and I am very thankful to him for the great help and encouragement he has given me over the years. I am grateful to Macalester College for a special leave for research that was supported through money from a grant provided to the College by the Mellon Fund. I am thankful to the staff of the Macalester College and University of Minnesota libraries, especially James Summerfield at Macalester, for their assistance in obtaining materials for my research. I also want to thank Charmian Hearne, the editor at Macmillan who took an interest in my work and has shepherded it through the process of publication. I owe a debt of gratitude as well to the people who have helped me by doing the word-processing for the manuscript, Marit Enerson, Diana vii

viii Acknowledgements Lundin, and more recently Rhonda Isaacs, who has seen me through a series of revisions. Finally, I want to thank my wife, Karen Olson Murray, for her unflagging interest and support as a scholar in helping me to think through the ideas the book presents and as a writer in helping me to edit the manuscript. The author and publishers wish to thank the following for permission to reproduce copyright-material: Benziger Publishing Company, for the extracts from StThomas Aquinas, Summa Theologica, trans. Fathers of the English Dominican Province, 3 vols (1947-8). Everyman's Library, David Campbell Publishers Ltd, for the extracts from The Essayes of Michael Lord of Montaigne, trans. John Florio, 3 vols. The publishers and the Loeb Classical Library, for the extracts from Quintilian, Institutio Oratoria, trans. H. E. Butler, 4 vols (Cambridge, Mass.: Harvard University Press, 1921-2). Macmillan, for the extracts from Aristotle, The Nicomachean Ethics, trans. Martin Ostwald (1962). Oxford University Press, for the extracts from The Dialogues of Plato, trans. B. Jowett, 2 vols (1937). Routledge, Chapman, and Hall, for the extracts from William Shakespeare, As You Like It, ed. Agnes Latham; The First Part of King Henry IV, ed. A. R. Humphreys; Hamlet, ed. Harold Jenkins; King Henry V, ed. J. H. Walter; The Second Part of King Henry IV, ed. Andrew S. Caimcross; and The Winter's Tale, ed. J. H. P. Pafford. In quotations, all texts using Early Modem English spelling have been modernized in spelling and typography.