A Euclidic Paradigm of Freemasonry

Similar documents
Conclusion. One way of characterizing the project Kant undertakes in the Critique of Pure Reason is by

2 Unified Reality Theory

Unified Reality Theory in a Nutshell

Plotinus and the Principal of Incommensurability By Frater Michael McKeown, VI Grade Presented on 2/25/18 (Scheduled for 11/19/17) Los Altos, CA

SYSTEM-PURPOSE METHOD: THEORETICAL AND PRACTICAL ASPECTS Ramil Dursunov PhD in Law University of Fribourg, Faculty of Law ABSTRACT INTRODUCTION

Necessity in Kant; Subjective and Objective

Immanuel Kant Critique of Pure Reason

Humanities as Narrative: Why Experiential Knowledge Counts

13 René Guénon. The Arts and their Traditional Conception. From the World Wisdom online library:

1/8. The Third Paralogism and the Transcendental Unity of Apperception

Plato s work in the philosophy of mathematics contains a variety of influential claims and arguments.

SocioBrains THE INTEGRATED APPROACH TO THE STUDY OF ART

The Object Oriented Paradigm

1/9. Descartes on Simple Ideas (2)

The Universality of Sacred Art

Culture and Art Criticism

The poetry of space Creating quality space Poetic buildings are all based on a set of basic principles and design tools. Foremost among these are:

Existential Cause & Individual Experience

Philosophical Background to 19 th Century Modernism

BOOK REVIEW. William W. Davis

2 nd Grade Visual Arts Curriculum Essentials Document

A Study of the Bergsonian Notion of <Sensibility>

Humanities 4: Lecture 19. Friedrich Schiller: On the Aesthetic Education of Man

The purpose of this essay is to impart a basic vocabulary that you and your fellow

CRAFTING THE MASONIC VISION Presented to Barron Barnett Research Lodge No 146 UGLQ on 17 th July 2013 by V W Bro Tony Tabrett PGLib This Paper is an

What do our appreciation of tonal music and tea roses, our acquisition of the concepts

Impact of the Fundamental Tension between Poetic Craft and the Scientific Principles which Lucretius Introduces in De Rerum Natura

Truth and Method in Unification Thought: A Preparatory Analysis

Response to Bennett Reimer's "Why Do Humans Value Music?"

On The Search for a Perfect Language

Steven E. Kaufman * Key Words: existential mechanics, reality, experience, relation of existence, structure of reality. Overview

The Discussion about Truth Viewpoint and its Significance on the View of Broad-Spectrum Philosophy

7. This composition is an infinite configuration, which, in our own contemporary artistic context, is a generic totality.

Louis Althusser, What is Practice?

Heideggerian Ontology: A Philosophic Base for Arts and Humanties Education

The University Gallery is pleased to present Shirazeh Houshiary; Turning Around the Centre, an exhibition of recent sculpture and drawings by an

According to you what is mathematics and geometry

Musical Sound: A Mathematical Approach to Timbre

Nature as a substitute for human social intercourse in Emily Dickinson's poetry

The Teaching Method of Creative Education

High School Photography 1 Curriculum Essentials Document

Università della Svizzera italiana. Faculty of Communication Sciences. Master of Arts in Philosophy 2017/18

Tokyo Story was directed by Yasujiro Ozu and released in Japan in It is about an old married couple that travels to Tokyo to visit their

Notes on a Visual Philosophy. by Agnes Denes. Hyperion, Volume I, issue 3, October 2006

The Greatest Invention in the World. Marshall High School Mr. Cline Western Civilization II Unit TWO JA

Excerpt: Karl Marx's Economic and Philosophical Manuscripts

Correlation to the Common Core State Standards

The Doctrine of the Mean

Confronting the Absurd in Notes from Underground. Camus The Myth of Sisyphus discusses the possibility of living in a world full of

The Senses at first let in particular Ideas. (Essay Concerning Human Understanding I.II.15)

LANGUAGE THROUGH THE LENS OF HERACLITUS'S LOGOS

mcs 2015/5/18 1:43 page 15 #23

Aristotle on the Human Good

Aesthetics Mid-Term Exam Review Guide:

Chapter 2: Karl Marx Test Bank

1/8. Axioms of Intuition

why? (tehran lecture)

Before the Federal Communications Commission Washington, DC ) ) ) ) ) ) ) OPPOSITION OF PUBLIC KNOWLEDGE PETITION FOR RECONSIDERATION OF

Observations on the Long Take

A Comparative study of vocal music education between China and the United States

Emília Simão Portuguese Catholic University, Portugal. Armando Malheiro da Silva University of Porto, Portugal

Hegel's Absolute: An Introduction to Reading the Phenomenology of Spirit

Categories and Schemata

Comparing Neo-Aristotelian, Close Textual Analysis, and Genre Criticism

Learning Objectives Lower Grammar Stage. Kindergarten: The Cradle of Civilization Year First Grade: The Greek Year Second Grade: The Roman Year

No (I, p. 208f)

2007 Issue No. 15 Walter Benjamin and the Virtual Politicizing Art : Benjamin s Redemptive Critique of Technology in the Age of Fascism

Here s a question for you: What happens if we try to go the other way? For instance:

INTUITION IN SCIENCE AND MATHEMATICS

Relational Logic in a Nutshell Planting the Seed for Panosophy The Theory of Everything

STUDENTS EXPERIENCES OF EQUIVALENCE RELATIONS

CAROL HUNTS University of Kansas

Complimentary Dualism

A Guide to Paradigm Shifting

13th International Scientific and Practical Conference «Science and Society» London, February 2018 PHILOSOPHY

Lisa Randall, a professor of physics at Harvard, is the author of "Warped Passages: Unraveling the Mysteries of the Universe's Hidden Dimensions.

Kant IV The Analogies The Schematism updated: 2/2/12. Reading: 78-88, In General

IMAGINATION AT THE SCHOOL OF SEASONS - FRYE S EDUCATED IMAGINATION AN OVERVIEW J.THULASI

Myvoicegoesafterwhatmyeyescannot. reach, WiththetwirlofmytongueIencompass. worldsandvolumesofworlds. Speechisthetwinofmyvision...

The Nature of Time. Humberto R. Maturana. November 27, 1995.

In his essay "Of the Standard of Taste," Hume describes an apparent conflict between two

Action Theory for Creativity and Process

Guide to the Republic as it sets up Plato s discussion of education in the Allegory of the Cave.

THE VALUE AND LIMITATIONS OF FROEBEL'S GIFTS AS EDUCATIVE MATERIALS PARTS I, II

CHAPTER I INTRODUCTION. statement of the problem, the purpose of the study, scope and limitation, significance

that would join theoretical philosophy (metaphysics) and practical philosophy (ethics)?

Mind, Thinking and Creativity

Chudnoff on the Awareness of Abstract Objects 1

Spatial Formations. Installation Art between Image and Stage.

The Precious Jewels THE MEANING OF THE WORD

A Study of the Religious Recognition of Art

124 Philosophy of Mathematics

Medieval Art. artwork during such time. The ivory sculpting and carving have been very famous because of the

MICHAEL RICE ARCHITECT ALL RIGHTS RESERVED.

Reviewed by Ehud Halperin

206 Metaphysics. Chapter 21. Universals

Truth, American Culture, and Fuzzy Logic

The Human Intellect: Aristotle s Conception of Νοῦς in his De Anima. Caleb Cohoe

Divine Ratio. Envisioning Aesthetic Proportion in Architecture and Art. HRS 290 Mack Bishop September 28, 2010

Architecture as the Psyche of a Culture

Transcription:

A Euclidic Paradigm of Freemasonry Every Mason has an intuition that Freemasonry is a unique vessel, carrying within it something special. Many have cultivated a profound interpretation of the Masonic work that they indeed, find useful in navigating their way through the tumult of daily living. Still, many others ponder the symbols and contemplate the allegories only to find themselves more perplexed. The Euclidic Paradigm is an effort to explain an overall pattern contained within just one example of Masonic symbolism, though the paradigm is repeated in many different forms throughout Masonry. The right angle triangle described to us as the 47th Problem of Euclid is a multi-layered geometric symbol that summarizes much of what Masonry has to teach, and it will suffice as our basis to explain the tiers of the Euclidic Paradigm of Freemasonry. The right angle triangle is composed of three parts, the base, the perpendicular, and the hypotenuse.the 47th Problem of Euclid defines these parts as 3, 4, and 5 respectively, and repeats the Pythagorean Theorem as stating that the sum of the square of the base (3 3=9), plus the sum of the square of the perpendicular (4 4=16) is equal to the square of the hypotenuse. The addition of the sum of the square of the base to the sum of the square of the perpendicular is equal to 25, i.e. 16 + 9 = 25. The square root of 25 is obviously 5 and as such represents the hypotenuse. The theorem has specific applications in building and construction insomuch as it is used to square buildings and used for defining certain distances. Operative Masons must certainly have used the theorem in medieval constructions, and it was likely an important secret that elevated them to a privileged class of workers. By the seventeenth century additional speculative layers of a more esoteric nature had been realized in the theorem. Here we find the second layer of meaning added to this geometrical symbol. Let us replace the base and the number 3 with the term Entered Apprentice; replace the perpendicular and the number 4 with the term Fellow Craft, and replace the hypotenuse and the number 5 with term Master Mason. Can we create a definition whereby these terms have substance in the context of the geometrical design? How might the Entered Apprentice correlate with the base, the Fellow Craft with the perpendicular, and the Master Mason with the hypotenuse?

Clearly the base is the shortest of the three lines and accordingly is assigned the shortest of the three dimensions. In this respect it correlates with the lowest degree in Symbolic Masonry. The perpendicular is in length assigned the number 4 and represents a measurement that is between the Entered Apprentice (the base) and the Master Mason (the hypotenuse) degree and therefore the perpendicular clearly represents the Fellow Craft in this paradigm. The hypotenuse is presented in the theorem as the number 5 representing the longest or greatest measurement of the right angle triangle. The theorem states that the determination of the hypotenuse is dependent on the base and the perpendicular. Within the ritual the third degree is clearly dependent upon the candidate being initiated and passed before he can attain the most valuable third degree. Thus, we can with confidence transpose each of the three degrees for the assigned numerical measurements given in the theorem, and thereby represent the three degrees of Freemasonry. The transposition model enhances the 47th Problem of Euclid considerably from the perspective of a ritualistic assignment where we find it described within the work and apparent in how the Lesser Lights are laid out upon the floor of the Lodge. It still however, leaves us with a cloudy understanding of the meaning imparted in this important symbol. Therefore, the terms Entered Apprentice, Fellow Craft, and Master Mason must still be expanded further in the crafting of the Euclidic Paradigm. In considering the term Entered Apprentice we come to appreciate the Entered Apprentice as the lower form of the Masonic mystery. In the operative period the Entered Apprentice was the physical laborer, the bearer of burden, the mason that worked with his back rather than his brain. He was given orders and expected to submit to the lower levels of labor and required direct supervision due to his lack of knowledge. His degree of understanding for the theory of masonry was little to none. Considering these characteristics, we might easily today represent the Entered Apprentice as the physicality, the body, or the brawn, one without a depth of knowledge, at least as far as the mysteries of the Craft are concerned. We can associate the Entered Apprentice in allegorical form as that which is focused on the vanity of physical appearance and demands, the needs and drives of the body, the contentiousness of mankind, and the self-focus. This is not to be thought of as a negative in anyway since it is the physical body as the ignorant laborer that houses that higher component, which we call the intellect. It is a third of the components that comprise the divine creation of humanity and a needed component in an understanding of who we really are. Given our physical natures we are all sometimes still, Entered Apprentices. Examination of the Fellow Craft indicates that these were Masons of the operative period that could think and plan, make decisions without over the shoulder supervision, that were not yet masterful, but could nonetheless combine the talents of mind with those of body to accomplish a masonry construction. Within the speculative form, the Fellow Craft degree represents an unequivocal intellectual capability as is defined in the components of the Stairway Lecture. The Fellow Craft has learned to subordinate his physical demands and direct himself in an intelligent manner in order to accomplish some particular end. Within the speculative framework, the Fellow Craft unequivocally represents the uprightness of the perpendicular. The geometrical theorem tells us that the hypotenuse is the combination of the sum of the square of the base plus the sum of the square of the perpendicular. If the hypotenuse does in truth represent the third degree or the Master Mason then we can inferentially reason that a Master Mason is one

who has learned to perfectly couple his physicality with his intellectual skills and can arrive at the theoretical square of his whole self, but moreover can distill that down to his true identity, which is his own divinity represented by the inducted square root. The true Master Mason moves masterfully within his temporal existence, which is to say that he is in perfect balance in his own duality. It is apparent from the transposition model that a substantive transition can be made from the geometrical theorem to a Masonic degree diagram. In expanding order then, we have a right angle triangle represented by the numerical values of 3, 4, and 5, followed by the terms base, perpendicular, and hypotenuse, which can be transliterated into Entered Apprentice, Fellow Craft, and Master Mason. By characterizing the degree names with terms inherent in each of the three degrees we begin to see the components of the Masonic characterization of our human sojourn, those being the physical, the intellectual, and the spiritual element or divinity of man. The Euclidic Paradigm of Freemasonry then, qualifies for each Mason the components of temporal life. It would seem that sometimes we are in the mode of the Entered Apprentice when we are me focused. When the various passions of life dictate one s behavior or interpersonal transactions, we are likely being ruled as the Entered Apprentice. Most conflicts are the result of two or more people focused on what they individually want. Their view is circumscribed solely to themselves in blindness to their brotherhood as originating from the One. A basis in fact can be presumed here as the Entered Apprentice degree teaches first and foremost the need to subdue one s passions. This does not solely imply the passions as so often interpreted to mean sexuality, but in a much broader sense the passions of all physicality, the assumptions of the validity of material existence. When the self is demanding and unyielding, it is almost a certainty that the Entered Apprentice is ruling, lacking in awareness and understanding that this world is largely transitory and some would say fully illusionary, and insisting on a materialistic one-dimensional view with the self view as the foremost objective. Balance between physicality and reason is woefully lacking. Within the paradigm it is clear with even a casual notice that he who considers carefully, expresses thoughtfully, and calms conflict is one who has learned to balance the physical nature with intelligent reasoning. He is representative of the sum of the square of his laborer self plus the sum of the square of his intellectual or thoughtful self, and is more of a two dimensional expression within the temporal experience. Occasionally, we can succumb to pure intellectualization just as we repeatedly fall into the trap of the me-focus. Therefore, even in the mode of Fellow Craft, we can become one dimensional as the expression indicates, all talk, no action. The true Fellow Craft has a comfortable balance between thought (intelligence) and action (labor) and is therefore bi-dimensional. The ritual informs us that it is unknown as to whether or not any of us will ever truly be a Master Mason. How can this be? In understanding the Euclidic Paradigm we of necessity must understand the geometrical theorem first. From the calculation of the sum of the square of the base plus the sum of the square of the perpendicular, we only arrive at the square of the hypotenuse, not the hypotenuse per se, that requires yet another step, i.e. solving for the square root. There is nothing in the theorem that advises us to calculate the square root of that square, which in esoteric terms, must be self-evident. He who explores must choose to take the final step. The ritual work gives us all three dimensions as 3, 4, and 5, but in fact the theorem requires that we actually find the square root in order to calculate the hypotenuse. Within the Euclidic Paradigm it is a clear suggestion that

each Master Mason must find it for himself as the total sum of all his parts. At best, most Masons may only achieve mastery but for a momentary time. Such momentary experience is analogous to the square of the hypotenuse not the hypotenuse itself. This occurs when the lower physical being is coupled with the higher intelligent being in perfect unity and balance, perfectly balanced thought and action understood in its duality. When we learn to maintain perfection of that balance, the square root must become readily apparent. These are the ones who have found the essence of their duality and become the teachers and examples to their brothers.the Euclidic Paradigm of Freemasonry is the vessel, which carries the composite fragments of truth expounded by the world s great religions, but which has become obscured through dogmatic insistence on being the one sole truth for all mankind. From the Judaic we learn of the equilibrium of certain contraries as infinite attributes of Deity. From Christianity we learn of the hope of redemption, and from Islam we gain deeper insight into the oneness of God. Taken in the context of the 47th Problem of Euclid we can then appreciate the contraries of mercy and justice. Here is a clear reference to the nature of cause and effect as manifested within the concept of the base, the Entered Apprentice, the physicality, and the world of temporal conflict and the single dimensionality of labor alone. Yet it is part of the whole of the infinite oneness and cannot be dismissed, as it is a part of the divine exercise of creation. By examining the idea of hope of redemption we must necessarily conclude an intellectual process, since there cannot be a concept of hope without some contemplation of a need for something better. By implication we surmise that one has then determined through thought, that something has been analyzed or considered and therefore, hopes for something more. Therefore in the Christian model we find the second component of the paradigm consisting of the intellectual process deemed within the ritual work of Masonry as the Fellow Craft and corresponding to the geometrical perpendicular. Islam assists us in gaining insight into the oneness of God, and here we find an example where the concepts of the base and the perpendicular become united as represented by the sum of the squares of the base and the perpendicular. Stated according to the Euclidic paradigm, it is a unification and perfect balance of the physicality, intellectual reasoning, and the spirituality of man all clearly recognizable as the greater and lesser mysteries or capacities contained within man and yet established in perfect balance. The paradigm is further supported by the additional hidden mysteries of Masonry, which inform us of our true origin and destination, the reasons for our presence here, and the explanations for the Masonic tools and skills, which we must learn to use and understand in order to perfect the unity and balance of a coherent disequilibria in a tri-fold humanity. The Euclidic Paradigm then consists of five overlapping right angle triangles. The first provides the numerical sequence 3, 4, and 5. The second defines the terms base, perpendicular, and hypotenuse. The third transposes those terms to Enter Apprentice, Fellow Craft, and Master Mason. In the fourth, the degree names are defined by their nature. In the fifth and last, three of the world s major religions, all originating with Abraham and defining the balance and duality necessary to attaining the degree of Master Mason are identified. By definition of language, a Master Mason is one who is masterful, meaning masterful of the self as the great end of our Order. Mastery may only be achieved through a realization of our tri-fold humanity, body, mind, and spirit with spirituality being that part for which we solve in identifying the hypotenuse. Given the number of sides in the right

angle triangle and the number of triangular layers within the Euclidic Paradigm, it becomes apparent that the paradigm also represents for us the symbolic name of Deity, which in this interpretation is taken to represent the divine spark within each Mason and therefore, qualifies the paradigm even further. Through an understanding of the underlying symbolism contained within a simple geometrical form, the Master Mason can come to a realization of his identity in appreciating who he really is while ever continuing to use all the tools given him in order to integrate his thoughts and actions for the sacred purpose to which he has been initiated, passed, and raised. That purpose is without doubt stated and enacted within our ritualistic portrayals and symbols of ancient truths which tell us that we are spiritual beings first and come here of our own free will and accord to create. We are given the tools to navigate the temporal world while simultaneously told the means to remain connected to our source. All then concludes with that heinous culmination feared by the unenlightened and which is the grand fiction made horrid by the ignorance of the multitude when in truth, it is a mere return to place from which we came.