œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w œ œ

Similar documents
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ

CURRICULUM Georgia Auditions Theory Exams LEVEL A (Grades 4-6) Examples may be given on the treble staff, bass staff, or Grand Staff.

Music theory B-examination 1

1. Perfect 5th Minor 3rd Perfect 4th Minor 6th. 2. Perfect 8th Major 7 Tritone Minor 2nd

` áá áá ÑÑ `âá v gxtv{xüá TááÉv tà ÉÇ

Easy Music Theory. for Middle School. Index

Contents FOREWORD... 5

Music Theory Courses - Piano Program

GMTA AUDITIONS INFORMATION & REQUIREMENTS Theory

Mississippi Music Teachers Association

` áá áá ÑÑ `âá v gxtv{xüá TááÉv tà ÉÇ

UMT - COMPLETE MUSIC THEORY COURSE FINAL EXAM - ADVANCED RUDIMENTS

Grade 2. Improve your theory! Paul Harris. Model answers

Mississippi Music Teachers Association

Information Sheets for Proficiency Levels One through Five NAME: Information Sheets for Written Proficiency Levels One through Five

Music Theory Courses - Piano Program

LESSON ONE. New Terms. a key change within a composition. Key Signature Review

ADVANCED STUDY GUIDE

LESSON ONE. New Terms. sopra above

MUSIC THEORY LEARNING GUIDE

Preparatory Rudiments. The Royal Conservatory Edition. accelerando. martellato. tacet. polyphonic. langsam. grazioso. rubato. vivace.

Grade 1. Improve your theory! Paul Harris. Model answers

Oak Bay Band MUSIC THEORY LEARNING GUIDE LEVEL IA

Texas State Solo & Ensemble Contest. May 25 & May 27, Theory Test Cover Sheet

Lesson One. Terms and Signs. Key Signature and Scale Review. Each major scale uses the same sharps or flats as its key signature.

T&S PRACTICE #2 (BASS CLEF)

INTERMEDIATE STUDY GUIDE

Rests & 4 4 Œ Œ Œ Œ. 5. Write the count below the notes and rests, then clap and count the rhythm out loud.

Music Theory. Level 1 Level 1. Printable Music Theory Books. A Fun Way to Learn Music Theory. Student s Name: Class:

Signs and Italian Terms AMEB Theory Grades 1-4

Ultimate Music Theory Certification Course INTERMEDIATE RUDIMENTS

You Want Me to Do What in 3 minutes?

q h d w n Q H j É E W J y T N m M s S o ¾ t

MMTA Written Theory Exam Requirements Level 3 and Below. b. Notes on grand staff from Low F to High G, including inner ledger lines (D,C,B).

Name Class Hour. Fill in the chart below. Worksheet - 1. What does the top number of any time signature tell you?

Texas State Solo & Ensemble Contest. May 26 & May 28, Theory Test Cover Sheet

Music Theory. Level 1 Level 1. Printable Music Theory Books. A Fun Way to Learn Music Theory. Student s Name: Class:

Step 1: With your mobile device, open your app marketplace (App Store, Google Marketplace, etc.).

AP Theory Overview:

Primo Theory. Level 5 Revised Edition. by Robert Centeno

WSMTA Music Literacy Program Curriculum Guide modified for STRINGS

T&S PRACTICE #1 (TREBLE CLEF)

w w w w & w w w w & w w w w & w w w w j œ j j œ œ œ œ j œ œ œ Nebraska Music Teachers Association Sample 2B

Music Theory. Level 2. Level 1. Printable Music Theory Books. A Fun Way to Learn Music Theory. Student s Name: Class:

Lesson One. New Terms. Cambiata: a non-harmonic note reached by skip of (usually a third) and resolved by a step.

œ œ œ œ œ œ œ œ œ œ Playing on the 3 Black Keys Dr. Kathy Rabago Right Hand Left Hand A quarter note ( q ) = 1 beat

ASD JHS CHOIR ADVANCED TERMS & SYMBOLS ADVANCED STUDY GUIDE Level 1 Be Able To Hear And Sing:

Glossary. CAPMT Student Evaluations Syllabus 2009 Appendix p. 1

Syllabus List. Beaming. Cadences. Chords. Report selections. ( Syllabus: AP* Music Theory ) Acoustic Grand Piano. Acoustic Snare. Metronome beat sound

Abraham Devar's Academy for Music & Song

ST CECILIA EXAMINATIONS. Music Theory Syllabus

Cadet Music Theory Workbook. Level One

Assessment Schedule 2016 Music: Demonstrate knowledge of conventions in a range of music scores (91276)

Marion BANDS STUDENT RESOURCE BOOK

Essential Learning & Skills

CADET MUSIC THEORY PROGRAM. Cette publication est disponible en français sous le numéro A-CR-CCP-166/PT-005.

T&S PRACTICE #3 (PIANO)

Line 5 Line 4 Line 3 Line 2 Line 1

June 3, 2005 Gretchen C. Foley School of Music, University of Nebraska-Lincoln EDU Question Bank for MUSC 165: Musicianship I

Poway Unified School District Instrumental Music Scope and Sequence Grades 5 through 12

piano TRACKS Curriculum Overview Stage A Stage B Stage C Stage D Stage E Stage F Stage G Stage H Unit 1 - Notes and the Stave Students learn:

Answers T&S PRACTICE #2 (PIANO)

Greeley-Evans School District 6 High School (Year 3 & 4) Symphony Orchestra Curriculum Guide Unit: Intonation, balance, blend

Greeley-Evans School District 6 Year One Beginning Choir Curriculum Guide Unit: Vocal Health

BIBLIOGRAPHY APPENDIX...

THEORY. Co-requisites and Equivalents There are no co-requisite theory requirements for Standard Syllabus examinations.

HIGHLANDS CHOIR SEMESTER EXAM REVIEW. Whole Half Quarter Eighth Sixteenth. Whole Half Quarter Eighth Sixteenth

œ Æ œ. œ - œ > œ^ ? b b2 4 œ œ œ œ Section 1.9 D Y N A M I C S, A R T I C U L A T I O N S, S L U R S, T E M P O M A R K I N G S

& w w w w w w # w w. Example A: notes of a scale are identified with Scale Degree numbers or Solfege Syllables

THE TRILL, APPOGGIATURA, MORDENT & GRACE NOTE

Celebrate Theory. Level 8 Worksheets

BAND REPORTING SCALES AND CURRICULUM GUIDE 2/9/2016

THEORY PRACTICE #3 (PIANO)

8/5/17. Good Morning/Afternoon! AUGUST 21, 2017

2011 MUSICIANSHIP ATTACH SACE REGISTRATION NUMBER LABEL TO THIS BOX. Part 1: Theory, Aural Recognition, and Musical Techniques

TEACHER S GUIDE to Lesson Book 2 REVISED EDITION

TRINITY TIMPANI MUSIC KNOWLEDGE CHECKLIST

Math in Motion SAMPLE FIRST STEPS IN MUSIC THEORY. Caleb Skogen

Time Signatures Date. Name: The time signature is indicated at the beginning of a piece of music by two numbers, one above the. other.

Theory of Music Grade 1

OBOE METHOD. a classical method for beginners. Elaine Reid

Past papers. for graded examinations in music theory Grade 6

MELODIC NOTATION UNIT TWO

Theory of Music Grade 5

Section 1 Notation. A note is a symbol that represents a pitch, or musical tone. Notes are placed on a staff as space notes or line notes.

Vocal Music Objectives by Grade

HANDBELL MUSICIANS OF AMERICA CERTIFICATION PROGRAM

Lesson 5 Contents Overview of Lesson 5 Rhythm Change 1a Rhythm Watch Time Signature Test Time Dotted Half Notes Flower Waltz Three Step Waltz

TABLE OF CONTENTS. Foreword 2. Review 3. The C 5-Finger Pattern 4. Dynamics and Tempo 10. Tonic and Dominant in C 14.

Musical Bits And Pieces For Non-Musicians

LESSON PLAN GUIDELINE Customization Statement

Theory of Music Grade 1

LESSON #2. Music Theory Fundamentals

Music Notation and Theory for Intelligent Beginners

Answers THEORY PRACTICE #2 (TREBLE CLEF)

Music Standards for Band. Proficient Apply instrumental technique (e.g., fingerings, bowings, stickings, playing position, tone quality, articulation)

Power Standards and Benchmarks Orchestra 4-12

Answers THEORY PRACTICE #1 (TREBLE CLEF)

All rights reserved. Ensemble suggestion: All parts may be performed by soprano recorder if desired.

Transcription:

2017-2018 GMTA Theory Test: Level I (Treble lef) Name: _ **NEW** Teacher Name: Date: _ Local Association: Section A: Are the sounds you hear high or lo ircle the correct anser. 1. High Lo 2. High Lo. High Lo Section D: Which rhythm do you hear ircle A or. 11. A Part I: EAR TRAINING Each example ill be played tice. Section : Are the sounds you hear going up, going don, or staying the same ircle the correct anser.. Up Don Same 5. Up Don Same 6. Up Don Same Section : Are the chords you hear Major or minor ircle the correct anser. 7. Major minor 8. Major minor 9. Major minor 10. Major minor œ œ œ œ œ œ œ œ œ œ œ 12. A œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 1. A œ œ œ œ œ œ

2017-2018 GMTA Theory Test: Level I (Treble lef) Name: _ 2 Part II: WRITTEN Section E: Name these notes in the blanks belo the notes. Use capital letters. 1._ 15._ 16._ 17._ Section F: Dra the folloing symbols in the correct places ith the folloing notes. 18. Sharp 19. Flat 20. Natural Section G: Identify these intervals by NUMER only, as 2,,, 5, 6, 7, or 8 (octave). 21._ 22._ 2._ 2._ Section H: Dra hole notes ( ) on the given line or space. 25. Line D 26. Space 27. Line E 28. Line F Section I: Identify the correct key signatures belo. b 29. Key of _ 0. Key of _

2017-2018 GMTA Theory Test: Level I (Treble lef) Name: _ Section J: Add the missing bar lines. œ œ œ Section K: Write the missing time signature in the correct place on the staff. œ œ œ œ œ Section L: Dra the folloing rests in the correct places on the staff. 5. Quarter rest 6. Whole rest 7. Half rest Section M: Dra a line to match each note to its correct name. œ œ 8. Half note 9. Whole note 0. Eighth notes Section N: Match terms to their definitions. Print carefully using APITAL LETTERS. 1. 2.. U î. Tempo 5. Legato 6. Adagio 7. 8. f # 9. 50. Y A. Loud. Smooth and connected. Gradually louder D. Hold or pause E. Sharp F. Indicates to repeat a section G. A slo tempo H. Time signature I. Speed J. Gradually softer

2017-2018 GMTA Theory Test: Level I (ass lef) Name: _ **NEW** Teacher Name: Date: _ Local Association: Section A: Are the sounds you hear high or lo ircle the correct anser. 1. High Lo 2. High Lo. High Lo Section D: Which rhythm do you hear ircle A or. 11. A. Part I: EAR TRAINING Each example ill be played tice. Section : Are the sounds you hear going up, going don, or staying the same ircle the correct anser.. Up Don Same 5. Up Don Same 6. Up Don Same Section : Are the chords you hear Major or minor ircle the correct anser. 7. Major minor 8. Major minor 9. Major minor 10. Major minor œ œ œ œ œ œ œ œ œ œ œ 12. A. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 1. A œ œ œ œ. œ œ

2017-2018 GMTA Theory Test: Level I (ass lef) Name: _ 2 Part II: WRITTEN Section E: Name these notes in the blanks belo the notes. Use capital letters. 1._ 15._ 16._ 17._ Section F: Dra the folloing symbols in the correct places ith the folloing notes. 18. Sharp 19. Flat 20. Natural Section G: Identify these intervals by NUMER only, as 2,,, 5, 6, 7, or 8 (octave). 21._ 22._ 2._ 2._ Section H: Dra hole notes ( ) on the given line or space. 25. Line D 26. Space 27. Line E 28. Line F Section I: Identify the correct key signatures belo. b 29. Key of _ 0. Key of _

2017-2018 GMTA Theory Test: Level I (ass lef) Name: _ Section J: Add the missing bar lines. œ œ œ Section K: Write the missing time signature in the correct place on the staff. œ œ œ œ œ Section L: Dra the folloing rests in the correct places on the staff. 5. Quarter rest 6. Whole rest 7. Half rest Section M: Dra a line to match each note to its correct name. œ œ 8. Half note 9. Whole note 0. Eighth notes Section N: Match terms to their definitions. Print carefully using APITAL LETTERS. 1. 2.. U î. Tempo 5. Legato 6. Adagio 7. 8. f # 9. 50. Y A. Loud. Smooth and connected. Gradually louder D. Hold or pause E. Sharp F. Indicates to repeat a section G. A slo tempo H. Time signature I. Speed J. Gradually softer

2017-2018 GMTA Theory Test :: Level II Name: **NEW** Teacher Name: Date: Local Association: PART I: EAR TRAINING Each example ill be played tice. Section A: ircle the interval that you hear. 1. 2nd rd th 5th 2. 2nd rd th 5th. 2nd rd th 5th Section : Is the chord that you hear Major or minor ircle the correct anser.. Major minor 5. Major minor 6. Major minor Section : Is the example that you hear in or time signature ircle the correct anser. 7. 8. 9. Section D: Do the melodies you hear move mostly by step (2nd interval), or skip (rd interval or larger), or repeat ircle the correct anser. 10. Step Skip Repeat 11. Step Skip Repeat 12. Step Skip Repeat Section E: Which rhythm do you hear ircle A,, or. 1. A œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 1. A œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ opyright 2017

2017-2018 GMTA Theory Test :: Level II Name: 2 15. A œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Part II: WRITTEN Section F: Write the order of sharps and flats using APITAL letters. 16. SHARPS: 17. FLATS: Section G: Identify these Major key signatures. Use APITAL letters. # # b b b # # # # 18. 19. 20. Section H: Dra an enharmonic note beside each of the folloing notes. Use hole notes. # b b 21. 22. 2. Section I: Dra the folloing intervals AOVE the given notes. Use hole notes. 2. 7th 25. th 26. rd

2017-2018 GMTA Theory Test :: Level II Name: Section J: Dra stems using the correct STEM DIRETION and length on the notes belo to turn them into half notes. 27. 28. 29. Section K: Dra the indicated hole or half steps above or belo the given notes. Use hole notes. # 0. Whole step above 1. Half step belo 2. Whole step belo Section L:. Add accidentals needed to create the A Major scale. (-). Dra the -flat Major scale using hole notes and accidentals. Section M: Dra the folloing triads in root position using accidentals here needed. 5. E-flat Major Triad 6. D Major Triad 7. F Major Triad Section N: Identify the folloing triads using Roman Numerals (I, IV, or V) in the Major key signatures belo. b b b b # # 8. 9. 0.

2017-2018 GMTA Theory Test :: Level II Name: Section O: Write the missing time signature in the correct place on the staff belo. (#1) œ j œ œ œ œ œ œ œ œ j œ Section P: omplete each measure by draing ONE REST under each arro. 9 œ Ä Ä 8 œ œ œ œ œ œ œ œ œ j œ œ œ 2.. Section Q: omplete each measure by draing ONE NOTE under each arro. You can choose to put your note on any note namepitch, but it must be the correct type of note value to complete the measure. For example, if a hole note ould complete the measure, then you can rite a hole note under the arro on any pitch on the treble staff. 12 8 Ä œ œ œ œ œ œ œ œ œ œ œ. Ä 5. Section R: Match each term to its correct definition. Print carefully using APITAL letters. 6. A tempo 7. mf 8. =Z$==Z=. 9. Accent 50. pp 51. Ritardando 52. D.S. al Fine 5. 5. Diminuendo A. Play short and detached. Indicates to play notes an octave higher or loer. Gradually slo don D. Moderately loud E. Return to the original speed or tempo F. Repeat from the Sign to the Fine G. Indicates to play the note louder H. Very soft I. Indicates to hold a note ithout playing it again J. Gradually getting softer, decrescendo 55. Staccato

2017-2018 GMTA Theory Test: Level III Name: **NEW** Teacher Name: Date: Local Association: PART I: EAR TRAINING Each example ill be played tice. Section A: Whole and half steps. ircle the interval that you hear. 1. Whole Half 2. Whole Half. Whole Half Section : ircle the quality of the scale that you hear. M = Major Hm = Harmonic minor 1. M Hm 2. M Hm. M Hm Section : Identify the interval you hear by number only. All intervals played ill be either major or perfect. 1. _ 5. _ 2. _ 6. _. _ 7. _. _ 8. _ Section D: ircle the letter (A,, or ) next to the rhythm that you hear. 1. A 8 8 8 œ œ œ œ œ œ j œ œ œ œ œ œ j œ œ œ œ œ œ œ œ œ œ j œ œ j 2. A œ œ œ œ œ œ œ œ j œ œ œ œ œ œ œ œ j œ œ j œ œ œœœœ œ œ j œ œ j œœœœœ œ j œ œ j œ œ j œ œœœ œ œ j œ œ œœœœœ œ j œ œ j opyright 2017

2017-2018 GMTA Theory Test: Level III Name: 2. A 2 2 2 œ œ œ œ œ j œ œ j œ œ œ œ œ œ œ j œ œ j œ œ j œ œ œ œ œ j. A 2 2 2 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 1. A Section E: ircle the letter (A or ) next to the melody that you hear. 12 # # # # 8 œ œ œ œ œ œ # # # œ œ œ œ œ œ œ œ œ œ œ œ # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 2. A b b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ b b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

2017-2018 GMTA Theory Test: Level III Name: Section F: Name the root of the folloing triads. b PART II: WRITTEN b # b b Section G: Name the folloing minor key signatures. # # b b b # b # # ## Section H: Identify the folloing intervals by riting the number of the interval and circling its quality. M = Major m = minor P = Perfect b # # M m P M m P M m P M m P M m P Section I: Write the folloing Major triads in root position. A -flat -sharp D-flat Section J: Write the order of sharps and flats on the folloing staff. If done correctly, the staff ill sho the key signatures of -flat Major and -sharp Major. Sharps Flats

2017-2018 GMTA Theory Test: Level III Name: Section K: Given the Major key signatures belo, identify the root-position triads using ROMAN NUMERALS. Remember to use uppercase for Major triads and loercase for minor triads. # b b b b D: : Ef: F: Df: Section L: Write the folloing triads in root position. Use hole notes. D: V E: R f: I F: A: e Section M: ircle hether the folloing cadences in these Major keys are authentic or half. # # # # ## Authentic Authentic Half Half Authentic Half Section N: ircle hether the folloing 20 statements are True or False. 1. True False "antabile" means sing very softly. 2. True False The notes in the Ef Major scale are: Ef - F - G - A - f - - D - Ef.. True False c indicates ommon Time or Y time signature.. True False "Allegro" means a fast speed. 5. True False "Andante" means a fast speed. 6. True False The notes in the Major scale are: - s - Ds - E - Fs - Gs - As -. 7. True False "Presto" means a medium speed.

2017-2018 GMTA Theory Test: Level III Name: 5 Section N (continued) 8. True False "Largo" means a very slo speed. 9. True False "Tempo" means speed. 10. True False "rescendo" means gradualy getting faster. 11. True False "Diminuendo" means gradually getting softer. 12. True False "Pianissimo" means very soft. 1. True False "Fortissimo" means gradually getting louder. 1. True False "Ritardando" means gradually sloing don. 15. True False An "Authentic" cadence is T - Q. 16. True False "D.. al Fine" means repeat from the beginning to the Fine. 17. True False R - Q is a "Half adence". 18. True False "Molto" means smooth and connected. 19. True False "Poco" means "little". 20. True False indicates ommon Time or y time signature.

2017-2018 GMTA Theory Test: Level IV Name: **NEW** Teacher Name: Date: Local Association: PART I: EAR TRAINING Each example ill be played tice. Section A: Identify the interval that you hear by number only. All the intervals played ill be either major, minor, or perfect. 1. 5. 2. 6.. 7.. 8. Section : ircle the scale that you hear. M = Major Hm = Harmonic minor Nm = Natural minor Mm = Melodic minor 1. M Nm Hm Mm 2. M Nm Hm Mm. M Nm Hm Mm. M Nm Hm Mm Section : ircle the cadence that you hear. 1. Authentic Half 2. Authentic Half. Authentic Half. Authentic Half Section D: ircle the letter (A,, or ) of the rhythm that you hear. 1. A 6 8 6 8 6 8 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ œ œ œ j œ œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ œ œ œ œ j œ 2. A œ œ j œœœœœ œ œ j œœœœœ œ œ j œœœœœ œ œ œ œœ œœ œ œ œœœœœ œœœœœ œ œ œ œ œ œ œœ œ œ œœœœœ œœœœœ œ œ œ œ œœ œ œ œ œ œœœœœ œ œ œ œ. A 6 8 6 8 6 8 œ œ j œ œ j œ œ œ œ œ œ œ œ œ œ œ œ j œ œ j œ œ j œ œ œ œ œ œ œ œ œ œ œ j œ œ j œ œ j œ œ œ œ œ œ œ œ œ opyright 2017

2017-2018 GMTA Theory Test: Level IV Name: 2. A œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Section E: Identify the folloing intervals by both quality and number. b PART II: WRITTEN # b Section F: Dra an enharmonic note next to each of the folloing notes. # b # Section G: Dra each major key signature belo and the chord indicated in root position. F: R Df: T Ef: e A: y D: Section H: Dra the folloing minor key signatures on the staff belo. e fs g d b c

2017-2018 GMTA Theory Test: Level IV Name: Section I: Name the notes of the folloing scales in order from loest to highest, unless instructed otherise. 1. E natural minor 2. F harmonic minor. G melodic minor, ascending. G melodic minor, descending 5. Fs major 6. The relative natural minor of E major 7. The relative harmonic minor of major 8. The parallel natural minor of D major 9. The parallel harmonic minor of A major 10. The enharmonic major of s major Section J: Dra and label (using Roman Numerals) the folloing cadences using triads in root position. You may either dra the key signatures or rite accidentals next to the notes that need them. f: Authentic Af: Plagal D: Half F: Deceptive Section K: Write all major keys in the ircle of Fifths through 7 sharps 7 flats.

2017-2018 GMTA Theory Test: Level IV Name: Section L: Match the terms or signs and their definitions. Print your ansers carefully using APITAL LETTERS. 1. _ A 2. _ oda. _ Più. _ Sforzando, sfz 5. _ Non troppo 6. _ Pesante 7. _ Simile 8. _ Meno 9. _ Leggiero 10. _ Dolce 11. _ AA 12. _ Subito 1. _ Molto 1. _ Presto 15. _ Largo 16. _ rescendo 17. _ a tempo 18. _ Poco 19. _ D.S. al Fine 20. _ A. Suddenly. Little. Repeat from the Sign to the Fine. D. Gradually getting louder E. Tenuto; hold for full value, indicating an emphasis F. inary G. Very slo H. Return to the original tempo I. Tail or ending section J. Heavy, forceful K. More L. Not too much M. In the same manner N. Very fast O. Suddenly loud accent P. Ternary Q. Less R. Lightly S. Seetly T. Much

2017-2018 GMTA Theory Test :: Level V Name: **NEW** Date: Teacher Name: Local Association: Section A: (5 pts) ircle the interval you hear. PART I: EAR TRAINING Each example ill be played tice. 1. M m m6 P 2. M6 P5 P M. Tritone M m6 P5 5. m6 M2 m7 P8. M7 m6 m2 M2 Section : (2 pts) ircle the melody you hear: A,, or. 1. A b b b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 2. A 6 8 6 8 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 6 8 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Section : (2 pts) ircle the rhythm you hear: A,, or. 1. A 6 8 6 8 6 8 j j j j j O j j j j j O j j j j j O opyright 2017

2017-2018 GMTA Theory Test :: Level V Name: 2 2. A O j j O Ó O j j O Ó O j j O Ó Section D ( pts): ircle the triad you hear. 1. Major Minor Diminished Augmented 2. Major Minor Diminished Augmented. Major Minor Diminished Augmented Section E (2 pts): ircle the cadence you hear at the end of each phrase. 1. Authentic Plagal Half Deceptive 2. Authentic Plagal Half Deceptive. Major Minor Diminished Augmented PART II: WRITTEN Section F: (2 pts) Write the time signature in the box provided. j Section G: ( pts) Dra bar lines in the appropriate places. 6 8 j Œ j O Section H: (5 pts) Write the folloing key signatures on the Grand Staff belo using standard placement of sharps flats. { f f Fs e af

2017-2018 GMTA Theory Test :: Level V Name: Section I: (1 pts, ½ pt each) Write the names of major keys through 7 sharps 7 flats in APITAL LETTERS on the outside spaces, and the names of minor keys in loercase letters on the inside spaces. a Section J: (6 pts, 1 per bar) Transpose this melody to the key a Perfect 5th higher using the blank staff belo. Include the correct key signature, accidentals, bar lines, etc. in your transposition. # #.... œœœœ œ œœ œ œœœ.. # œ nœœœœ. nœœ. bœ. œ. œ. œ. Mozart, K.581 (excerpt) Section K: ( pts) Identify these intervals by quality (M, m, P, Dim., Aug.) and number. b b # Section L: ( pts) Write these intervals up or don from the given pitch, as indicated. b # # m up A up P don M6 up

2017-2018 GMTA Theory Test :: Level V Name: Section M: ( pts) Write the folloing scales in hole notes, using individual accidentals (and not key signatures). b natural minor, ascending Gf Major, ascending fs harmonic minor, ascending f melodic minor, ascending and descending Section N: (9 pts) Identify these triads by root name, quality (M, m, dim, Aug), and position (root position, 1st inversion, 2nd inversion). b b b # Root Quality Position Section O: ( pts) Identify the folloing chords by Roman numeral in the Major or harmonic minor key indicated. b F: # # # b b # b b b b b n b: g: f:

2017-2018 GMTA Theory Test :: Level V Name: 5 Section P: (2 pts) Identify each cadence type using the folloing abbreviations: PA (for perfect authentic cadence), IA (for imperfect authentic cadence), H (for half cadence), P (for plagal cadence), and D (for deceptive cadence). { bb b b # # # # # # # g: _ A: _ Section Q: (10 pts) Match the folloing terms ith their correct definitions. Use APITAL LETTERS. 1. _ Vivace 2. _ Moderato. _ Sempre. _ Allargando 5. _ Rubato 6. _ Maestoso 7. _ Non troppo 8. _ Morendo 9. _ Subito 10. _ Accelerando A. Gradually gro faster. Give and take ithin a tempo. Suddenly D. Dying aay E. Alays F. Not too much G. roadening H. Lively I. Moderately J. Majestically Section R: (7 pts) Write the scale degree names on the blanks provided for each note of the scale, beginning on tonic. #! @ # $ % ^ *!. tonic @. #. $. %. ^.. *.

2017-2018 GMTA Theory Test :: Level V Name: 6 Section S: ( pts) opy the folloing melody on the blank staff provided, correcting three errors in notation. # # œ œ œ œ œ J œ J œ œ œ œ Section T: (8 pts) Provide a complete Roman Numeral analysis on the blanks belo each chord of the excerpt. { # # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ourgeois: Doxology (excerpt) G: