Chapter 2: Beat, Meter and Rhythm: Simple Meters

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Chapter 2: Beat, Meter and Rhythm: Simple Meters MULTIPLE CHOICE 1. Which note value is shown below? a. whole note b. half note c. quarter note d. eighth note REF: Musician s Guide, p. 25 2. Which note value is shown below? a. half note b. quarter note c. eighth note d. sixteenth note ANS: [d] REF: Musician s Guide, p. 25 3. Which note value is shown below? a. whole note b. half note c. quarter note d. eighth note ANS: [c] REF: Musician s Guide, p. 25 4. Which note value is shown below? a. whole note b. half note c. quarter note

d. eighth note ANS: [a] REF: Musician s Guide, p. 25 5. Which note value is shown in this example? a. thirty-second notes b. eighth notes c. sixteenth notes d. sixty-fourth notes ANS: [c] REF: Musician s Guide, p. 25 6. Which note values are used in the right hand in measure 4 of this excerpt from Bach s Invention No. 6 in E Major, BWV 777? a. eighth notes and sixteenth notes b. eighth notes and thirty-second notes c. sixteenth notes and sixty-fourth notes d. sixteenth notes and thirty-second notes ANS: [d] REF: Musician s Guide, p. 25 7. What type of meter is the one shown in the following example, an excerpt from Bach s Invention No. 6 in E Major, BWV 777? a. simple triple b. compound triple

c. simple duple d. compound duple ANS: [a] FEEDBACK: {Beats are grouped together in groups of three per measure, making this a triple meter, and individual beats are divided into twos (as seen in m. 3-4), making it a simple meter.} REF: Musician s Guide, pp. 25-27 8. What type of meter is the one shown in the following example, an excerpt from Haydn s String Quartet in B-flat Major, Op. 76 No. 4/ii? a. simple duple b. simple triple c. simple quadruple d. compound duple FEEDBACK: {The meter indicates that there are three beats grouped together into a measure. Despite the fact that there are no subdivisions of the beat in this excerpt, this time signature indicates a simple meter.} REF: Musician s Guide, p. 27 9. What does the meter symbol indicate at the beginning of this excerpt from Mendelssohn s Songs Without Words in E Major, Op. 19 No. 1?

a. It represents a simple duple meter b. It represents a simple triple meter c. It represents a simple quadruple meter d. It represents a compound quadruple meter ANS: [c] FEEDBACK: {The symbol represents common time, or 4/4 time, and is a simple quadruple meter. REF: Musician s Guide, pp. 26-27 10. What rest value is shown below? a. eighth rest b. whole rest c. half rest d. quarter rest REF: Musician s Guide, p. 30 11. What rest value is shown below? a. eighth rest b. whole rest c. half rest d. quarter rest ANS: [c] REF: Musician s Guide, p. 30 12. What rest value is shown below?

a. sixteenth rest b. whole rest c. half rest d. quarter rest ANS: [d] REF: Musician s Guide, p. 30 13. What rest value is shown below? a. sixteenth rest b. whole rest c. half rest d. quarter rest ANS: [a] REF: Musician s Guide, p. 30 14. What effect does a dot have on a note? a. Doubles the value of a note. b. Adds to a note half of its own value. c. Subtracts half the value from a note. d. Adds half the value plus a quarter the value of the note FEEDBACK: {A dot adds half the value of the note to the note.} REF: Musician s Guide, p. 30 15. If a piece is in 3/4 time, what is the beat unit? a. half note b. quarter note c. eighth note d. third note REF: Musician s Guide, p. 26 16. If a piece is in 4/8 time, what is the beat unit? a. half note b. quarter note

c. eighth note d. sixteenth note ANS: [c] REF: Musician s Guide, p. 26 17. If a piece is in 2/2 time, what is the beat unit? a. half note b. quarter note c. whole note d. eighth note ANS: [a] REF: Musician s Guide, p. 26 18. Which of the following equals three beats in a 4/4 meter signature? a. b. c. d. REF: Musician s Guide, pp. 19. Which of the following is notated correctly? a. b.

c. d. ANS: [d] REF: Musician s Guide, pp. 34-35 20. Which tempo marking does not indicate a medium tempo? a. andante b. allegro c. moderato d. allegretto FEEDBACK: {The term allegro refers to a faster tempo.} REF: Musician s Guide, p. 37 21. Which measure might be used as the last measure of a piece that had this anacrusis? a. b. c. d. FEEDBACK: {In a 3/4 meter, if the anacrusis is an eighth note the final measure will be notated as containing two and a half beats.} REF: Musician s Guide, pp. 35-36

22. What note value would complete the given measure? a. b. c. d. REF: Musician s Guide, Chapter 2 23. Which of the following would complete the given incomplete measure? a. b. c. d. ANS: [c] REF: Musician s Guide, Chapter 2

24. Which of the following rests would complete the following incomplete measure? a. b. c. d. ANS: [a] REF: Musician s Guide, Chapter 2 25. Which of the following rests would complete the following incomplete measure? a. b. c. d. REF: Musician s Guide, Chapter 2 26. Which is the correct meter for this excerpt?

a. 4/4 b. 3/8 c. 3/4 d. 4/2 REF: Musician s Guide, Chapter 2

TRUE/FALSE 26. True or false: Music written in simple meters have beats that divide into twos. ANS: [True] FEEDBACK: {Music written in simple meters have beats that divide into twos.} REF: Musician s Guide, p. 20 27. True or false: Music written in compound meters have beats that divide into either twos or threes. FEEDBACK: {Music written in compound meters have beats that divide into threes.} REF: Musician s Guide, p. 20 28. True or false: When beats group into units of two, the meter is called triple. FEEDBACK: {When beats group into units of two, the meter is called duple.} REF: Musician s Guide, p. 22 29. True or false: When beats group into units of three, the meter is called compound. FEEDBACK: {When beats group into units of three, the meter is called triple. If a beat is divided into threes, it is called compound.} REF: Musician s Guide, pp. 20-22 30. True or false: A simple triple meter would consist of beats that divide into twos and group by threes. ANS: [True] FEEDBACK: {Simple refers to the division of the beats; a simple meter means each beat divides into twos. Triple refers to the grouping of the beats; a triple meter means that the beats group in threes.} REF: Musician s Guide, p. 22 31. True or false: Meter and rhythm are the same thing. FEEDBACK: {Meter is a grouping of strong and weak beats. Rhythm is the duration of pitches and silences actually used in a piece.} REF: Musician s Guide, p. 24 32. True or false: This note value is called a whole note.

FEEDBACK: {The note value shown is a half note.} REF: Musician s Guide, p. 25 33. True or false: The notes in the last two measures of this excerpt (from Brahms Symphony No. 4 in E minor) are connected by a slur. FEEDBACK: {The notes in the last two measures are connected by a tie.} REF: Musician s Guide, p. 31

34. True or false: This example contains notes that are tied to other notes. ANS: [True] FEEDBACK: {All of the arcs connecting noteheads represent ties, which connect the noteheads of two identical pitches and combine the duration of the note values together.} REF: Musician s Guide, p. 31 35. True or false: Rhythmic patterns should be grouped by beaming to reflect the beat unit. ANS: [True] REF: Musician s Guide, p. 34 36. True or false: A piece in 3/4 that begins with a quarter-note anacrusis may end with a measure containing a dotted half note. FEEDBACK: {A piece in 3/4 that begins with a quarter-note anacrusis will have a final measure consisting of only two beats.} REF: Musician s Guide, pp. 35-36 37. True or false: The upbeat is considered to be the strongest beat in a measure. FEEDBACK: {The downbeat is considered to be the strongest beat in a measure. REF: Musician s Guide, p. 23 38. True or false: In notating vocal music, follow the same beaming rules as instrumental music. FEEDBACK: {In vocal music, beaming frequently corresponds to syllabic subdivisions in the text.} REF: Musician s Guide, p. 34

39. True or false: If a single pitch is above the middle line of the staff, the stem should be drawn on the left side of the notehead, extending downward. ANS: [True] REF: Musician s Guide, p. 33 40. True or false: The term largo refers to a slow tempo. ANS: [True] REF: Musician s Guide, p. 37