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Contents Frontispiece: Hans Keller in 1948 (drawing, Milein Cosman) Editor s Preface Acknowledgments A Note on the Text ii xi xix xx I From Vienna to London, 1939-42 Hans Keller Playing the Violin in the 1940s (drawing, Milein Cosman) 2 An Émigré in England 3 1 England 2 Amusements 3 Lyons Corner House, Pissoir Notes Critical, All Too Critical (On Nietzsche) Miscellaneous Writings in German (Report) Mental Shorthand 12 1 In Brief 2 Shielding you with Brevity (Schonend, weil in Kürze) (Aphorisms) Notes Selected Early Aphorisms 3 Apropos of Leisure and Pleasure (Aphorisms) 4 Mental Shorthand (Aphorisms) Politics, Philosophy and Society 21 1 Scientific Socialism ad absurdum (On Stalin and Marxism) 2 National Socialism and Being German 3 A Community of the Future (On Zionism, Response) 4 Summary Report on the Revisionist Faction Within Your Youth Club, with a Proposal for a More Effective Scheme of Activities Notes Capital Punishment

Sex and Character, Yours and Mine 32 1 You on Sex 2 Man to Woman 3 To Start you Sleeping 4 Man, Woman and Midway Between II Psychology, 1942-47 (1) Psychology and Sociology: Responses to Margaret Phillips (1942-47) Dr. Oskar Adler, Leader of the Adler String Quartet (drawing, Milein Cosman) 40 Small-group Psychology 41 1 Group Functioning of a String Quartet Notes Internment Camp (Isle of Man) Some Critical Remarks upon a System of Classification Used for Discovering the Conditions under which Groups Function (Extracts) 2 The Childish Leader Senior Girls School 3 St. Anne s Youth Club Notes The Psychology of Social Unity (Report) 4 Psychoanalytic (Freudian) Group Theory and Its Critics Small Social Groups in England (Phillips) (Contents) Language of Psychology 60 On the Substitution of Freudian Terms by Popular Ones From Community to Association 64 1 British Tank Crew: Report and Commentary 2 The Psychological Significance of Some Sociological Conceptions of the Group Individual Psychology and Its Relation to Group Psychology 74 Individual Psychology and Group Psychology Notes Hitler and History (2) Psychological Observations (1945-47) Prostitutes Wear Marriage-rings: Group Self-contempt 83 1 Married-seeming Prostitutes

2 Prostitutes Wear Marriage-rings Notes Prostitutes: Private Census 3 Interviewing Prostitutes: First Interview Notes Correspondence with John Rickman Group Self-love Psychological Essays 96 1 Self-knowledge 2 Sexual Hesitancies 3 The Need for Pets 4 Religion: the Psychoanalytic Standpoint 5 War, Peace and Psychology 6 Peace and Pessimism Notes Belsen: a Psychological Comment Psychological Writings (Report) The Psychiatric Psychosis On Maturity (from The Psychologist) 108 1 On Maturity (first set) 2 What IS Maturity? 3 On Maturity (second set) 4 Maturity 5 On Maturity (third set) Notes Psychology and Ethics Psychology and Gender 112 Male Psychology Notes Human s Lib III Music and Psychology, 1946-52 (and after) Peter Pears as Peter Grimes (drawing, Milein Cosman) 120 The Psychology of Opera 121 1 Three Psychoanalytic Notes on Peter Grimes Notes Open Letter to the Authors of Peter Grimes Peter Pears s Peter Grimes (Letter) Letter to Peter Pears A Sixteen-months-old Boy and His Mother Substitutes 2 First Opera Performances in England (including The Rape of Lucretia) 3 Off and On The Little Sweep Notes Keller s Writings on Benjamin Britten, 1946-52 (Report)

The Psychology of Film Music 157 1 The Psychology of Film Music (Benjamin and Auric) 2 Georges Auric at Film Music s Best Creative Character: Its Psychology 164 Benjamin Britten conducting at the BBC Maida Vale Studios c. 1946 (drawing, Milein Cosman) 1 Britten and Mozart 2 Mozart and Boccherini Notes Towards the Psychology of Agatha Christie s Genius The Psychology of Performers 186 Kyla Greenbaum and the Psychology of the Modern Artist Notes Furtwängler, Menuhin and Szigeti; Not Famous Enough (Britten, Huberman, Kell, Pears and Whyte) The Psychology of Composers and Listeners 197 Musical Self-contempt in Britain Psychology and Aesthetics 210 1 Apropos of Beauty and Reflection 2 Bloody Little Fool : Sid s Kiss and the Problem of Taste in Opera The Psychology of Genius (Two Essays from 1956) 221 1 Towards the Psychology of Stravinsky s Genius Notes Philosophy of New Music (Adorno) (Review) 2 Schumann after Freud Notes Biography s Truths: Freud: The Man and the Cause (Clark) (Review) The Psychology of Music and Its Effects: Two Fragments 229 1 Manifestations of the Primary Process in Musical Composition 2 Notes on a Case of Dementia Praecox (Bleuler s Schizophrenia) and Attempts at a Musico-psychological Treatment Aphorisms on Music 235 1 Food for Music-love and -thought 2 Short and Bitter Notes Later Aphorisms on Music

The Psychology of Everyday Musical Life 238 1 Announce Opera Casts! 2 Your Child and Music 3 The BBC s Victory over Schoenberg Notes Musical Criticism (including Film Music Criticism) and Other Writings (Report) Appendix: Two Stories and a Play Hans Keller Writing in the Late 1940s (drawing, Milein Cosman) 248 Two Stories and a Play 249 Freedom from Freedom (Story) Don Juan Again (Story) Notes Stories, Poems and Other Genres (Report) Antiwhatism: a One-Act Experiment Including Some Moral or Other (Play) * Index 284 Overleaf Keller s notes from the psychoanalytic literature taken around 1940. The manuscript forms part of the Hans Keller Archive in the Cambridge University Library. A general account of the Archive appears in the Editor s Preface below.