Overture Double Dot the Rhythms first time forte 2x piano dynamics trills 2 nd time only Trill review: VIOLIN I /Oboes M2 B2 M4 B1 M5 B3 M7 B3 M9 B3 Bass Line to confirm trills, please play them: M 22 B4 M32 B3 M34 B3 M36 B3 M50 B3 M51 B4 M73 B3 M75 B3 M87 B3 #4 And the glory of the Lord (chorus) in 3 #5 Double Dot as indicated M18 - Add accents on beats 2 & 3 #6 Starts with 1 st Vlns the rest join in the 2 nd measure 1 st Vlns. m3 and lower appoggiatura (c#-d) as two eighth-notes m100 same as above m12 add eighth rest at the end of the measure M91 stays in 2, M92 in 4 M115 (Presto) change dynamic to piano. Follow the singers lead as to when we cresc. By m. 129 we should be back to forte. #9 And he shall purify m40 Violins add a trill on the G# 4 after [H] Violin 1 add an upper appoggiatura on beat 2 (f-e) as two eighth-notes - 1 -
#11 m4 Violins add trill on downbeat F m27 Violins add trill on beat 2 (d#) m31 Violins add trill on beat 2 (g#) #12 For unto us a child is born (soloists & chorus) #14 #15 Soloists Start and sing the melisma sections (play underneath them) Chorus enters @ [D] M6 Put railroad tracks after the first note of beat 3. Tacet the rest of the measure. The last measure Is short-long. Final two notes in the cadences are short-long. Final two notes in the cadences are short-long. #17 Glory to God in the highest M42 to the end is solo strings (solo quartet no bass) #18 Penultimate measure, last beat Reminder M65, hold on 1 and the cut off is 1 again #19 Final two notes are short-long. #20 He Shall Feed m23 Vln 2 add trill to beat 2 (g) m52 Vln 1 add trill to beat 2 (c) m55 Vln 1 add trill to beat 3 (a) final measure Vln 1 & 2 add trill to beat 2 (dotted eighth) - 2 -
#21 His Yoke is Easy Final measure I will dictate the final eighth-note of the measure and subdivide that beat so the 2 nd violins have very deliberate (E-D) at the end of the measure (the chorus is doing the same thing). #23 M14 Vln 1 add an upper appoggiatura on beat 3 (g-f) e q. Vln 1 in the final measure of the 2 nd section (m67) change your final cadence to be: M50 All throughout the dotted section put accents on beats 1 & 3 of each measure. Da Capo is GOOD. #25 Be ready for the downbeat (bass notes). We segue from the previous movement. Last measure Vln 2 add upper appoggiatura in half notes (f e) #26 Watch out for all the added trills and new articulation of some of the eighth-note passages so we match up to what the chorus is singing. I have added trills to places where the word Sheep appears. Obes and Violins strong trills After [G], double dot this pattern: - 3 -
q. e q q.x x q M85-87 - Violin 1: I ve added 2 appoggiaturas so that your part will look like this, m 83 - end: It will match up to the sopranos who are singing: #29 In the final measure - Vln 1 add trill to beat 2 (c#) #30 In 4 Be ready to start this right after No. 29 #33 Change the following pickup notes to sixteenths ( x ) rather than eighth-notes: In other words, the last note of the measure is changed to a ( x ) M2 M6 M20 M21 M7 #36 Add a rit. in m 92-4 -
#38 Violins make sure your part has trills marked in the following places: o M4 b2 (beat 2) o M9 b2 o M10 b2 o M21 b2 o M22 b3 o M23 b3 o M24 b2 #40 listen to soloist and be prepared to hold steady the tempo at: #42 o M23-25 when he has triplets. o M31 32 when he has triplets. o M31 32 add accents to beats 2 & 4 in both measures o M50 53 when he has triplets. o M79 81 when he has triplets. Final two notes are short-long #44 Watch out for the rhythmically altered measures (double dotting) o M39 & M40 #45 M 5 - Violins add an upper appoggiatura on beat 1 (a-g) as quarter-note - eighth-notes. Continuo cello M142 moves ahead. M145 add hold on B2 M151 add hold on B1-5 -
#49 Final two notes are short-long #50 The cut is good #51 Violin 1 add trills to: o M7 b3 o M29 b1 o M37 b1 #52 Violins add trills to: o M8 b2 o M24 b2 o M71 b1 o M72 b2 o Last 2 measures M76 b1 M77- b2 #53 Worthy is the Lamb (chorus) In the first 5 measures, all dotted rhythms are double dotted: q. e q = q.x x q M7 1 st Violin: add an upper appoggiatura to beat 1 so it is like the example below (ignore beats 3 & 4 in the examples below) - 6 -
[A] - In the first 5 measures, all dotted rhythms are double dotted: q. e q = q.x x q M17 1 st Violins: Add a lower appoggiatura to beat 1 so it is like the example below. M19 1 st Violins: Add a lower appoggiatura to beat 1 so it is like the example below: The Cut is marked Violins 1 & 2 before [G] are solos: Tutti at [G] M79 SLIGHT meno mosso in this measure to bring out the entrance of the Soprano - 7 -