There Is a Name for Chorus and Orchestra Words by Joseph H. lbeck Music by tanley M. Hoffman www.stanleymhoffman.com
Instrumentation Flute 1 Flute 2 Oboe 1 English Horn B b Clarinet 1 B b Clarinet 2 Bassoon 1 Bassoon 2 Horn 1 Horn 2 C Trumpet 1 C Trumpet 2 Trombone 1 Trombone 2 Percussion - 1 or 2 players (separate part for Timpani included) Glockenspiel uspended Cymbal Timpani Chorus trings Duration: ca. 4 minutes The full score and parts for the orchestral version are available from the composer.
Joseph H. lbeck core in C (all instruments sound exactly as written) ndante con moto = ca. 72 Flute 1 Flute 2 Oboe English Horn B Clarinet 1 B Clarinet 2 (Bass Clarinet) Bassoon 1 Bassoon 2 Horn 1 Horn 2 C Trumpet 1 C Trumpet 2 Trombone 1 Trombone 2 Percussion (1 or 2 players) oprano lto Violin I Violin II Viola Violoncello B Cl. solo ndante con moto = ca. 72 to Glock. The original version of this composition, scored for Chorus and mplified Classical Guitar, was written for the dedication of the New England Holocaust Memorial, Boston, Massachusetts, October 22, 1995. There Is a Name ndante con moto = ca. 72 for Chorus and Orchestra tanley M. Hoffman solo 5 Contrabass Copyright 1995 by Joseph H. lbeck and tanley M. Hoffman. This arrangement Copyright 2000 by Joseph H. lbeck and tanley M. Hoffman. ll rights reserved.
6 5 poco riten. (B Cl.) I Friend of my heart, The poco riten. Friend of my heart, The poco riten.
9 a tempo 7 a tempo I Glock. (hard mallet[s]) Free dom Trail now has e ter nal flames, et in Free dom Trail now has e ter nal flames, et in a tempo pizz.
8 1 I (Glock.) six crys tal tow ers which pro claim: For each six crys tal tow ers which pro claim: For each
9 17 I (Glock.) num ber etched in num ber etched in to these glass walls, There once beat a heart, which though stilled, to these glass walls, There once beat a heart, which though stilled, louré arco
10 20 B I (Glock.) yet calls Yes, for ever y num ber, there was a name. yet calls Yes, for ever y num ber, there was a name.
11 2 poco riten. I Friend of my heart, Friend of my heart, poco riten. poco riten. Walk Walk
12 C 28 a tempo a tempo I (Glock.) on this sa cred path of his to ry, on this sa cred path of his to ry, a tempo pizz.
1 2 I (Glock.) Feel the num bers shad ows fall ing free Feel the num bers shad ows fall ing free (no break) (no break) Up Up
14 6 I (Glock.) on us, trac on us, trac ing tat toos with out scars On our souls, re trac ing those barbed ing tat toos with out scars On our souls, re trac ing those barbed louré arco
15 9 D I (Glock.) solo wire bars nd num bersmeant to wound our dig ni ty. wire bars nd num bersmeant to wound our dig ni ty. take B. Cl. to usp. Cym.
16 42 poco riten. solo solo B. Cl. I poco riten. poco riten.
E Più lento = ca. 60 45 solo soli 17 soli accomp. B. Cl. accomp. B. Cl. leggiadro leggiadro Più lento = ca. 60 I Più lento = ca. 60 usp. Cym. (Timp. mallet[s]) Friend of my heart, We know, in this cra Friend of my heart, We know, in this cra dle of dle of
18 48 B. Cl. I (usp. Cym.) to Timp. (tuning:) lib er ty, That free dom s the step lib er ty, That free dom s the step child of ty ran ny, child of ty ran ny, bring out bring out
19 51 B. Cl. I Timp. div. to usp. Cym. nd the div.
20 F 54 soli solo soli accomp. accomp. B. Cl. leggiadro leggiadro I unis. usp. Cym. (Timp. mallet[s]) en e my re mains ev er near, With in our selves, lurk ing there, hid ing nd the en e my re mains ev er near, With in our selves, lurk ing there, hid ing unis.
21 57 poco riten. take B Cl. B. Cl. I (usp. Cym.) quickly to Timp.! Timp. poco riten. here... Which blue ta toos were meant for you or here... Which blue ta toos were meant for you or poco riten.
22 G Tempo I 60 (ndante con moto = ca. 72) solo Tempo I (ndante con moto = ca. 72) I (Timp.) me? Tempo I (ndante con moto = ca. 72) div. div. me? to Glock. div.
2 6 poco riten. I Friend Friend of my heart, tand poco riten. of my heart, tand poco riten. unis.
24 H 66 a tempo a tempo I Glock. (hard mallet[s]) tall with me a bove the dark est pit. Not as tall with me a bove the dark est pit. Not as a tempo unis. unis. pizz.
25 70 I (Glock.) by stand ers we too must fear it... by stand ers we too must fear it...
26 74 I (Glock.) Moved, mov ing on, Moved, mov ing on, nev nev er a gain the same Friend of my heart, list en: er a gain the same Friend of my heart, list en: louré arco
27 77 I I (Glock.) there is a name... Yes, for ever y num ber, you can hear it. there is a name... Yes, for ever y num ber, you can hear it.
28 80 poco riten. I Friend of my Friend of my poco riten. heart, heart, poco riten.
J 85 a tempo 29 a tempo I (Glock.) a tempo Let us count those vis i tors who here be came Our Let us count those vis i tors who here be came Our a tempo pizz.
0 89 I (Glock.) friends a mong the keep ers of the flame. May their friends a mong the keep ers of the flame. May their
1 9 I (Glock.) names out num ber and sanc ti fy Those whose mem o ry we shall not names out num ber and sanc ti fy Those whose mem o ry we shall not louré arco
2 96 K I (Glock.) solo let die. Yes, for ev er a gain there is a name. let die. Yes, for ev er a gain there is a name. take B. Cl. to usp. Cym.
99 poco riten. solo B. Cl. I poco riten. poco riten. solo
4 L Più lento = ca. 60 102 solo leggiadro accomp. B. Cl. accomp. B. Cl. leggiadro leggiadro Più lento = ca. 60 soli I Più lento = ca. 60 There is a name... usp. Cym. (Timp. mallet[s]) div. There is a name... There is a
105 soli ritard. 5 soli B. Cl. I (usp. Cym.) name... There is a name... ritard. There is a name... There is a name... ritard.
tanley M. Hoffman tanley M. Hoffman was born in Cleveland, Ohio in 1959. He has lived in the greater Boston area since 1977. He received degrees in Composition from Brandeis University (Ph.D. 199), the New England Conservatory of Music (M.M. 1984), and the Boston Conservatory (B.M. Cum Laude 1981). Dr. Hoffman s accomplishments as a composer include having his unpublished compositions Variant on Battle Cry of Freedom, for wind quintet, Get me a rag! Just a minute... for piano solo and Limericks and Laughter Thereafter for clarinet solo, chosen by the West Point Woodwind Quintet, hiau-uen Ding and Bruce Curlette for performance, respectively, in the 2012 and 2011 call for scores known as "15-Minutes-of-Fame" by the Composer s Voice Concert eries in New York City. Dr. Hoffman won a co-first place prize in the 2008 09 Longfellow Chorus International Composition Competition for his setting of the Longfellow poem Nature. He won a third place prize in the 2008 Choral Composition Competition sponsored by The New York Virtuoso ingers for his unpublished piece nim Zemiros for TB chorus. In 2008, Dr. Hoffman received a commission from Carolina Brass for Fanfare, Tango and Fughetta on Hebrew Themes. Grant Us Peace for TB chorus received an Honors citation in 2002 in the Waging Peace Through inging project sponsored by iwagepeace.com. The first song from his song cycle elections From The ong of ongs for male voice and wind ensemble received a 1996 premiere performance from the Metropolitan Wind ymphony. Dr. Hoffman received a 1995 commission from the LE III contemporary music ensemble for his composition Trio In One Movement for clarinet, viola and violoncello. His piece There Is a Name for chorus and amplified classical guitar was performed before an audience of over 8000 people at the dedication ceremonies of the New England Holocaust Memorial in Boston on October 22, 1995. Dr. Hoffman s composition tring Quartet (1987) was performed by the Boston Composers tring Quartet at Jordan Hall in Boston on January 29, 1989. This piece was also performed by them in the Weill Recital Hall at Carnegie Hall, New York City on February 12, 1989. He received a 1984 85 Broadcast Music Incorporated (BMI) ward to tudent Composers for his composition Thirteen Ways of Looking at a Blackbird. Dr. Hoffman also works as a conductor, vocalist and lecturer. He has been Chief Editor at EC Publishing since 1998, and is currently Conductor of The Temple Israel of Natick ingers. For more information, please visit his Web site. <www.stanleymhoffman.com>