52d Seaso 500th Productio SEGERSTROM STAGE / MAY 6 - JUNE 5, 2016 Marc Masterso ARTISTIC DIRECTOR David Emmes & Marti Beso FOUNDING ARTISTIC DIRECTORS Paula Tomei MANAGING DIRECTOR productio of AMADEUS by Peter Shaffer Joh Iacovelli SCENIC DESIGN Alex Jaeger COSTUME DESIGN Lap Chi Chu LIGHTING DESIGN Darro L West SOUND DESIGN Philip D. Thompso ACCENT/LANGUAGE COACH Joshua Marchesi PRODUCTION MANAGER Joae DeNaut, CSA CASTING Jeifer Elle Butler* STAGE MANAGER directed by Ket Nicholso Sady Segerstrom Daiels Hoorary Producer Haskell & White LLP Corporate Hoorary Associate Producer AMADEUS is preseted by special arragemet with SAMUEL FRENCH, INC. Amadeus South Coast Repertory P1
CAST OF CHARACTERS Veticelli #1... Christia Barillas* Atoio Salieri... Marco Barricelli* Baro Gottfried va Swiete... Mark Capri* Cout Joha Kilia vo Strack... Bo Foxworth* Joseph II... Peter Frechette* Wolfgag Amadeus Mozart... Asher Grodma* Guiseppe Boo... Joh-David Keller* Veticelli #2... Louis Lotorto* Teresa Salieri... Cythia Marty* Salieri s Cook... Louis Pardo* Salieri s Valet... A.J. Sclafai* Katheria Cavalieri... Camille Thorto-Also* Cout Fraz Orsii-Roseberg... Geoffrey Wade* Costaze Weber... Liesel Alle Yeager* PRODUCTION STAFF Dramaturg... Ady Kight Assistat Stage Maager... Talia Krispel* Assistat Director... Sarah Butts Additioal Compositio ad Piaoforte Performaces... Victor Zupac Fight Cosultat... Ke Merckx Assistat Sceic Desigers... Katria Coulourides, Chad Delliger, Yuki Izumihara Costume Desig Assistat... Kate Poppe Assistat Lightig Desiger... Jesse Fryery Stage Maagemet Iters... Adie Fitch, Rebecca Sharpe Light Board Operator... Adrew Stephes Follow Spot Operator... Da Gold Soud Board Operator... Jesus Rivera Automatio Operator... Emily Kettler Wardrobe Supervisor... Bert Heert Dressers... Rebecca Clayto, Lisa Leohardt Wig ad Makeup Techicia... Gillia Woodso Wig Assistat... Audrey McVay Wig Costructio... Michael Gree, Melaie Hichee, Jessa Moodus, Audrey McVey, Ro Wolek Additioal Costume Staff... May Bergot, Aurora Cortez, Joy Fry, Bari Jue Gregory, Lalea Hutto, Kaitly Kaufma, Mega Kowles, Marlee Solis, Sarah Timm, Swatje Tuohio, J Wedy Wallace *Member of Actors Equity Associatio, the Uio of Professioal Actors ad Stage Maagers i the Uited States. P2 South Coast Repertory Amadeus
Asher Grodma, Marco Barricelli ad Liesel Alle Yeager SETTING Viea 1823 ad the decade 1781-91. LENGTH Approximately 3 hours, icludig oe 15-miute itermissio. ACKNOWLEDGEMENTS Lisa Orzolek, Dever Ceter Theatre Desig Studio The use of cameras, videotapig or other video or audio recordig of this productio is strictly prohibited. Electroic devices should be tured off or set to o-audible mode durig the performace. Please refrai from uwrappig cady or makig other oises that may disturb surroudig patros. Smokig is ot permitted aywhere i the theatre. Media Parter Amadeus South Coast Repertory P3
A Musicia i Josephiia Viea by Ady Kight I 1781, composer Wolfgag Amadeus Mozart (1756-91), the 25 years old, settled i Austria s capital, Viea. Fially free of his positio i the court of the Archbishop of Salzburg with whom he had a fraught relatioship Mozart yeared to fid success i Austria s most musical city. Italia composer Atoio Salieri (1750-1825), six years Mozart s seior, certaily had doe so. Salieri, who first arrived i Viea i 1766, held the illustrious positio of chamber composer i the court of Joseph II, Holy Roma Emperor ad ruler of the Habsburg moarchy. Ideed, Salieri was the epitome of all that Viea had to offer musicias: imperial ad private patroage, a measure of creative freedom ad fame ad fortue. Joseph II: The Elighteed Despot Whe the Empress Maria Theresa died i 1780, Joseph II (1741-90), her eldest so, became sole ruler of the Habsburg dyasty, whose domai icluded Austria, Hugary, Bohemia ad parts of Italy ad Belgium. At that time, Joseph already was Holy Roma Emperor ad had bee sice his father Fracis I died i 1765. The Holy Roma Empire overlapped with some (though ot all) of the Habsburg lads, ad so the positio of emperor, while techically a elected official, remaied i the hads of the powerful Habsburg family for ceturies. Although Joseph shared the resposibility of rulig with his mother, begiig i 1765, the Empress maitaied the ultimate authority over both domiios durig her life. Oce the sole ruler, Joseph seized the opportuity to eact policies based i the ideals of the Elightemet the movemet that emphasized, amog other thigs, reaso ad persoal liberty. His Josephiia reforms addressed a variety of issues icludig religious tolerace, the abolitio of serfdom, the freedom of the press ad the use of Germa laguage i govermet ad educatio. Although Joseph hoped his policies would liberate his subjects, may were upopular ad his decade-log reig was turbulet. The Theatres of Viea As the Habsburg capital, Viea was home to the imperial Hofburg palace, which housed the court s Burgtheater. Built i 1741, after the old court theatre was demolished, the Burgtheater ushered i a chage for the city s etertaimet. Above: Emperor Joseph II, circa 1780. Right: A 19th-cetury paitig of the origial Burgtheater. P4 South Coast Repertory Amadeus
Much like the Kärtertor Theater, located outside the palace but still cotrolled by the court, the Burgtheater preseted performaces o a regular schedule ulike the old court theatre, where performaces were reserved for royal celebratios. What s more, the Burgtheater, like the Kärtertor, was ope to the payig public. I the 1780s, some of Mozart s most famous operas, icludig The Marriage of Figaro ad Così fa tutte, premiered at the Burgtheater. However, ot all of Viea s theatres were withi the city itself. After Joseph brought the court theatres uder his direct cotrol i 1776, he lifted a umber of restrictios placed o performaces outside of the royal theatres. Over the followig decade, suburba theatres like the Theater auf der Wiede, where Mozart s The Magic Flute premiered i 1791 bega to ope their doors. Vieese Opera Whe Joseph assumed cotrol of the court theatres i 1776, he attempted to improve Viea s etertaimet ad promote his Josephiia ideals. He promptly fired the theatrical maagemet, as well as the lackluster opera buffa (Italia comic opera) ad ballet troupes of the Burgtheater. He did, however, rehire the performers of Germa plays. By presetig oly these works, Joseph hoped to save moey, promote Germaizatio ad perhaps udermie the aristocracy, who preferred Italia opera. Joseph s attempt to quell the performace of opera buffa i Viea, however, was more a symbol tha a strict edict. Although the court theatres o loger produced Italia opera, Joseph allowed other compaies to use the theatre spaces whe court performaces were ot scheduled. Usig that rule, the same opera buffa troupe that Joseph fired reassembled ad performed at the Burgtheater withi a year. By 1778, Joseph ameded his drastic restrictios ad permitted the performaces of sigspiels, Germa operas with dialogue, at the court theatres. Ad by 1783, Joseph releted completely ad reistated Italia opera. Cocerts ad Commissios i Viea Vieese custom discouraged the performace of opera durig Advet ad Let, so musicias used those periods to give cocerts, both i theatres ad i private homes. But, while the Catholic Church s caledar imposed restrictios o musical performaces outside of the church, Joseph s reforms greatly limited the use of music withi the church; ad by the early 1780s, simple Germa hyms had replaced the ostetatious fully orchestrated masses of the previous decade. While the simplificatio of church music left may musicias without a job, it also freed composers to write more secular music. Durig the secod half of the 18th cetury, methods of patroage also bega to shift. At that time, may obles, who might have offered fulltime employmet i the past, egaged composers o a piece-by-piece basis. For the composers, this type of agreemet was less stable, but also less restrictive; it allowed them to compose a variety of work, ot oly the type that iterested their fulltime patro. For Mozart, a prolific ad creative composer, this ew form of patroage was attractive, ad he hoped to fid much of it i Josephiia Viea. It was, after all, a city that loved music ad supported its creatio. Ad so, i 1781, whe Mozart moved to Viea to search for success, he was ot ulike may other musicias of his day. His music, however, proved that he was. Above: Posthumous paitig of Mozart by Barbara Krafft (1819). View of the imperial library i Hofburg Palace at Josephsplatz (1835). Amadeus South Coast Repertory P5
Mozart, Salieri ad the Theatre of History by Ady Kight A dramatic depictio of Mozart s burial, 1860 lithograph. From Rumors to Legeds O December 12, 1791, oly a week after the composer died from a feverish prickly heat, a Berli ewspaper prited a obituary for Wolfgag Amadeus Mozart that eded with: Because his body swelled up after death, some people believe that he was poisoed. This was the first that is, the first prited metio of murder, but it would t be the last. After all, Mozart s death had the trappigs of a teacious mystery: he was a youg ma (oly 35 years old); he was stricke with a sudde, iexplicable illess; ad he had a celebrated musical oeuvre to keep his memory alive. Details withi Fraz Niemetschek s Mozart: The First Biography, origially published i 1798, icreased suspicios of foul play. The book describes a coversatio shared betwee Mozart ad his wife, durig which Mozart cofessed, I am oly too coscious my ed will ot be log i comig; for sure, someoe has poisoed me! Over the ceturies, may have speculated who that someoe was. Theories have poited to a umber of culprits, icludig Fraz Hofdemel, the husbad of a studet with whom Mozart allegedly had a affair; Baro Gottfried va Swiete, oe of the composer s logtime patros; ad members of Mozart s Freemaso Lodge. Those who subscribed to the Freemasos cospiracy that the famously secretive fraterity assassiated Mozart after he revealed their symbols i his opera The Magic Flute used the composer s death as a meas to write polemics agaist the Masos. Later, i 1930s Berli, the story of Mozart s death at the hads of the Freemasos evolved ito somethig eve more far-fetched: his death at the hads of a secret Jewish cospiracy. A New Role for Atoio Salieri The most famous amog the may murder theories, however, implicates Mozart s fellow composer, Atoio Salieri. I 1823, rumors circulated that Salieri, who had become seile i his old age, cofessed to poisoig Mozart. Salieri s doctor ad former studets tried to dispel the reports as mere slader, but the damage was already doe. The story boasted itrigue, jealousy ad, most importatly, a celebrity rivalry ad so it edured. I 1830, five years after Salieri s death, Russia poet Alexader Pushki wrote a short play, Mozart ad Salieri, i which the evious Italia composer poisos Mozart. I 1898, Nikolai Rimsky-Korsakov adapted the play ito a oe-act opera of the same ame. Salieri was i the spotlight agai, but, this time, ot for his musical cotributios. Although most historias ad musicologists agree that Mozart died of a illess perhaps a ifectio that caused his already weak kideys to fail ad that the theories of Salieri ad poiso are more titillatig tha true, the rumors of murder raise iterestig questios. What was the ature of Salieri ad Mozart s relatioship? Ad did Salieri view Mozart as a threat? P6 South Coast Repertory Amadeus
Settig the Stage Today, music lovers cosider Mozart s work superior to Salieri s. I 1781, however, whe Mozart arrived i Viea, Salieri had bee i the Habsburg capital for 15 years ad was a revered composer i the court of Emperor Joseph II. The Italia Salieri boasted may successful opera productios, a log roster of studets ad Joseph s persoal admiratio. Mozart loged for the same ad quickly became jealous: i a letter to his father, dated December 15, 1781, Mozart lameted that the emperor cares for o oe but Salieri. By 1783 the year that Joseph reistated the court theatre s opera buffa compay, which supplated the Germa sigspiel Mozart s evy had become paraoia. He feared that the Italia opera troupe, uder Salieri, their music director, was cospirig agaist him. There is little cocrete evidece that Mozart s fears about Salieri were legitimate ad ot merely hadwrigig due to professioal frustratio. (After all, suspicios regardig acts of orgaized sabotage, or cabals, were commo withi the opera the.) Of Mozart, the diplomatic Salieri said very little. Late i life, he expressed admiratio for the composer s music he called The Marriage of Figaro his favorite Mozart opera although he amed Christoph Gluck the greatest opera composer. But if Salieri recogized Mozart s talet whe they both lived i Viea, he might have felt threateed, eve if he did t articulate it. While Joseph was a great supporter of Salieri s, he admired Mozart, too; ideed, Salieri received the most imperial patroage durig Joseph s reig, but Mozart received the secod most. It s ulikely that Salieri was ot keely aware of that. Top: Atoio Salieri by C.F. Reidel, oil o cavas (1802). Bottom: A silverpoit drawig of Mozart by Doris Stock (1789). As composers, Salieri ad Mozart o doubt iflueced each other s work a importat aspect of the cotemporaries relatioship that is perhaps overshadowed by their suspected rivalry. I the late 1780s, for example, whe Mozart s Italia operas were fidig much success, Salieri bega to experimet with musical techiques that evoke Mozart s style. It s likely that Mozart beefitted from seeig Salieri s work, as well. The darker momets i Do Giovai, a opera buffa, show that by the mid-1780s Mozart o loger felt tethered to the strict covetios of comic opera that had limited him i the past. Salieri s opera, Trofoio s Cave, also vacillates betwee the dark ad the light, ad it was ejoyig much popularity whe Mozart was writig Do Giovai. At the very least, seeig Trofoio s Cave (ad its success) must have hearteed Mozart. Truth ad Fictio Gossip ad speculatio surroudig Mozart s death quickly muddied history, ad so the truth behid Salieri ad Mozart s relatioship will forever remai a mystery. Time has brought oe importat truth to light, though: while both composers made a great cotributio to classical music, Salieri s work will forever live i the shadow of the great Mozart s. Eve durig his lifetime, Salieri s celebrity bega to fade. I Amadeus, playwright Peter Shaffer depicts a presciet Salieri who coteds with that truth. Ad by writig such a celebrated play, Shaffer might have positioed Mozart ad Salieri s relatioship as oe that s more sigificat i the history of moder drama tha i the history of classical music. Amadeus South Coast Repertory P7
Mozart s Operas i Amadeus The Abductio from the Seraglio The story is really amusig, Majesty. The whole plot is set i a Well it s actually set i a seraglio A pasha s harem. Mozart, Amadeus The Abductio from the Seraglio (Die Etführug aus dem Serail), a sigspiel, premiered at Viea s Burgtheater o July 16, 1782. It tells the story of a youg woma trapped i a Turkish harem ad her lover s attempt to rescue her. After its successful premiere, it was performed across Germa-speakig Europe to much acclaim. But the complex score challeged some audieces perhaps eve Emperor Joseph II, who purportedly said, Too beautiful for our ears, ad far too may otes, My Dear Mozart. Above: Mozart at a 1789 performace of The Abductio from the Seraglio i Berli. The Marriage of Figaro Because I wat to do a piece about real people, Baro! Ad I wat to set it i a real place! A boudoir! because that to me is the most excitig place o earth! Mozart, Amadeus The Marriage of Figaro (Le ozze di Figaro) was Mozart s first opera buffa with librettist Lorezo Da Pote, a artistic partership that would later yield Do Giovai ad Così fa tutte. Mozart ad Da Pote adapted the opera from a play by Pierre Beaumarchais i 1785, but its premiere was delayed by Joseph II, who had baed the performace of the play i Viea due to its idictmet of the upper class. After the emperor fially releted, Figaro premiered at the Burgtheater o May 1, 1786. Do Giovai So rose the Ghost Father i his ext opera, Do Giovai! A father more accusig tha ay i opera...i looked o astouded as from his ordiary life he made his art. Salieri, Amadeus After a successful productio of Figaro ra i Prague, the Natioal Theatre there commissioed a ew Italia opera from Mozart, ad Do Giovai premiered i the Bohemia capital o October 29, 1787. Based o the popular leged of Do Jua, the ifamous cad, Mozart s comic opera complemeted its light momets with dark oes icludig the appearace of the opera s formidable stoe guest, who ultimately destroys the title character. Così fa tutte Aloysia ad Costaze immortalized two average girls tured ito diviities: their souds of surreder sweeter tha the psalms of Heave Salieri, Amadeus Così fa tutte (Thus Do They All) premiered at the Burgtheater o Jauary 26, 1790. The opera buffa tells the tale of two officers who wager that they ca seduce each other s fiacées. I 1829, Costaze Nisse, Mozart s widow, claimed that Salieri reseted Mozart for writig Così fa tutte, sice the Italia composer had tried to set the same libretto to music, but failed. The Magic Flute He had put the Masos ito it right eough. Oh, yes but how? He had tured them ito a secret order of Priests. I heard voices callig out of aciet temples. I saw a vast su rise o a timeless lad. Salieri, Amadeus The Magic Flute (Die Zauberflöte), a fairytale sigspiel, premiered at the Theater auf der Wiede o September 30, 1791. May believe that the opera icorporates the secret symbols of the Freemasos, the frateral orgaizatio of which both Mozart ad librettist Emauel Schikaeder were members. I Mozart s fial letter, dated October 14, 1791, he wrote that Salieri had atteded The Magic Flute ad that there was ot a sigle umber that did ot elicit from him a bravo or bello. P8 South Coast Repertory Amadeus
Artist Biographies Christia Barillas Veticelli #1 appeared at SCR previously i Peter ad the Starcatcher, A Christmas Carol ad The Motherf**ker with the Hat, for which he received a Los Ageles Drama Critics Circle omiatio. O Moder Family, he recurs as Roaldo opposite Natha Lae. Most recetly, he played Tybalt i Romeo & Juliet at A Noise Withi. His other recet credits iclude Romeo i Romeo & Juliet ad Richard III (Utah Shakespeare Festival), Pride ad Prejudice ad Twelfth Night (Orego Shakespeare Festival) ad Lydia (Yale Repertory Theatre ad Dever Ceter for the Performig Arts). His additioal theatre highlights iclude Macbeth with Ataeus Theatre Compay, Soia Flew at Lagua Playhouse, A Very Old Ma with Eormous Wigs at Ceter Theatre Group ad Corerstoe Theater Compay s As You Like It preseted at Pasadea Playhouse. His other televisio credits iclude a recurrig role as a trasgeder iformat o The Bridge, Marvel s Agets of S.H.I.E.L.D. ad Without a Trace. He was a series regular o the CBS pilot for The Jim Gaffiga Show ad also appeared i the pilot for ABC Family s Buheads, opposite Sutto Foster. His film credits iclude Marti McDoagh s Seve Psychopaths, Best Night Ever, Bosco s Guitar ad Two Ma Job. Barillas atteded the Uiversity of North Carolia ad received his MFA from UCLA, where he was the recipiet of the George Burs Fellowship i Comedy. christiabarillas.com Marco Barricelli Atoio Salieri appeared at SCR previously i The Tamig of the Shrew. He is the former artistic director for Shakespeare Sata Cruz (2008-14). He spet eight seasos as a actor with the Orego Shakespeare Festival performig the title roles i Cyrao de Bergerac, Hamlet, Richard III ad Hery V, amog may others. From 1997 to 2005, he was a associate artist at the America Coservatory Theatre i Sa Fracisco. His performace credits iclude roles i A Moo for the Misbegotte, The Real Thig, America Buffalo, Erico IV, Glegarry Gle Ross, The Ivetio of Love, A Streetcar Named Desire, Les Liaisos Dagereuses, Three Sisters, Night ad Day, Buried Child, Hilda, For the Pleasure of Seeig Her Agai, The Beard of Avo, Celebratio & The Room, Log Day s Jourey ito Night, Mary Stuart, Isurrectio: Holdig History, Hecuba, The Rose Tattoo ad Vigil. He also has worked o Broadway ad at the Mark Taper Forum, Log Wharf Theatre, Williamstow Theatre, Guthrie Theater, The Old Globe, Actors Theatre of Louisville, Milwaukee Repertory Theater, Missouri Repertory Theatre, Itima Theatre, Hutigto Theatre Compay, Virgiia Stage Compay, Portlad Ceter Stage, Idiaa Repertory Theatre, Arizoa Theatre Compay, Sa Jose Repertory Theatre, Keyo Festival Theatre ad the Califoria, Utah ad Illiois Shakespeare festivals, amog others. His televisio appearaces iclude L.A. Law ad a recurrig role o the NBC series The Book of Daiel. Barricelli is a faculty member at Uiversity of Califoria, Sa Diego, a Fox Fellow ad holds a hoorary MFA from America Coservatory Theatre. He is a graduate of The Juilliard School. Mark Capri Baro Gottfried va Swiete returs to SCR where he previously appeared i A Ideal Husbad (also at Berkeley Repertory Theatre ad Seattle Repertory Theatre) ad The School for Scadal. His other theatre credits iclude O Approval (Theatre World Award) at Roudabout Theatre Compay; Terra Nova ad Arcadia at Mark Taper Forum; A Perfect Weddig at Kirk Douglas Theatre; Ed of the Raibow ad Blithe Spirt (also Broadway ad iteratioal tour) at Ahmaso Theatre; Equus, Light Up the Sky, Sherlock Holmes ad Noises Off at Pasadea Playhouse; Hery V at The Old Globe; ad Tale of Two Cities, Woma i Mid ad Private Lives at McCarter Theatre. He has played leadig roles at Hartford Stage, Actors Theatre of Louisville, Yale Repertory Theatre, Hutigto Theatre, Walut Street Theatre, Dever Ceter ad Itima Theatre, amog may others. His musicals iclude My Amadeus South Coast Repertory P9
Fair Lady for McCoy Rigby, Aie at Musical Theatre West, Kiss Me Kate for Reprise Theatre Compay ad others. He also has appeared i Iphigie e Tauride ad Oedipus Rex at The Metropolita Opera ad Bourgeois Getlema, A Midsummer Night s Dream ad The Merry Widow with the Pasadea ad Chicago symphoies ad LA Opera. He appeared as Officer McKae i The Empire Strikes Back, Steward i Titaic ad i a sizable list of smaller films, televisio guest roles, radio plays, voiceovers ad commercials. He traied at Lodo s Royal Academy of Dramatic Art ad appeared i the Royal Shakespeare Compay s West Ed productio of George Berard Shaw s Ma ad Superma. Bo Foxworth Cout Joha Kilia vo Strack is makig his SCR debut. He most recetly was see i Cloud 9, directed by Casey Stagl at Ataeus Theatre Compay. His other productios with Ataeus iclude Hery IV, The Liar, The Crucible (Ovatio omiatio, Best Lead Actor, 2013), the title role i Macbeth, The Seagull ad The Malcotet. He also has worked with Shakespeare Orage Couty, The Skylight Theatre, Esemble Theatre Compay, La Mirada Theatre, Lagua Playhouse, Geffe Playhouse, Disey Hall, L.A. Theatre Works, The Theater @ Bosto Court, The Hollywood Bowl ad A Noise Withi, where he received two Ovatio omiatios. His New York ad regioal theatre work icludes the off-broadway hit, As Bees i Hoey Drow, at Lucille Lortel Theatre, Cetury Theater, HERE Arts Ceter, The Pearl Theatre, Shakespeare Theatre Compay (Washigto, D.C.), Eglish Theater (Viea, Austria), Log Wharf Theatre, Baltimore Ceter Stage, Playmakers Repertory, The Old Globe, Yale Repertory ad may others. Foxworth has umerous film ad televisio credits icludig playig Robert McNamara i the upcomig HBO movie All the Way, starrig Brya Crasto. He is a graduate of UCLA ad received his MFA at Yale School of Drama. Peter Frechette Joseph II returs to SCR where he previously appeared i Hurrah at Last, Night ad Her Stars ad The Extra Ma. He recetly spet five years as a compay member at Orego Shakespeare Festival. His other regioal credits iclude productios at Seattle Repertory Theatre, Berkeley Repertory Theatre, George Street Playhouse, Cape Playhouse, The Old Globe, La Jolla Playhouse, Mark Taper Forum ad the Pasadea Playhouse, as well as productios i New York both o ad off Broadway. Asher Grodma Wolfgag Amadeus Mozart is makig his SCR debut. He has performed i theatre regioally ad off-broadway i New York. His theatre credits iclude Pride ad Prejudice (Baltimore Ceter Stage), Stoes i His Pockets, Dr. Jekyll ad Mr. Hyde, Art****ers (DR2 Theatre), The Disappearace of Joah, Napoli, A Christmas Carol (America Coservatory Theater), Shrek the Musical ad most recetly as the lead i the world premiere productio of The Dodgers by Diaa Amsterdam. His televisio credits iclude As the World Turs (CBS) ad Law & Order (NBC). Grodma has appeared i umerous idepedet films icludig Hadsome Harry with Steve Buscemi ad Jamey Sherida, Mo ad Buzz Kill. He is the writer/director/producer of The Trai, starrig Academy Award-wier Eli Wallach, which has eared umerous accolades ad is playig i film festivals this year (traishortfilm.com, @traishortfilm). Grodma holds a BA i film ad Eglish from Columbia Uiversity i New York ad a MFA i actig from the America Coservatory Theater i Sa Fracisco. ashergrodma.com, @ashergrodma Joh-David Keller Guiseppe Boo has bee a member of SCR s residet actig compay sice 1973 as both a actor ad director. He has directed A Christmas Carol for its etire 36-year history. Amog his other SCR directig credits are Godspell, Jacques Brel Is Alive ad Well ad Livig i Paris, I Fashio, The Real Ispector Houd (SCR s first Equity show), Peg O My Heart ad Tomfoolery. He also has acted i more tha 100 productios at SCR icludig Oe Ma, Two Guvors earlier this seaso. He recetly appeared i the productio of Ato Chekov s Ivaov at the Odyssey Theatre i Los Ageles ad i Mrs. Warre s Professio at Ataeus Theatre Compay. Keller recetly celebrated his 25th aiversary as the cocert host for P10 South Coast Repertory Amadeus
the Orage Couty Philharmoic Society s fifth-grade cocerts. He is a member of Actors Equity, Stage Directors ad Choreographers Society ad Ataeus Theatre Compay. Louis Lotorto Veticelli #2 previously appeared at SCR as Alfie i Oe Ma, Two Guvors, Fred i A Christmas Carol, Leslie Baibridge i Takig Steps, Berardo/Reyaldo/Osric i Hamlet ad multiple roles i Cyrao de Bergerac. Origially from Seattle ad ow based i Los Ageles, he has worked i regioal theatre for more tha 25 years. His L.A. theatre credits iclude the Ahmaso Theatre (Royal Natioal Theatre tourig productio of A Eemy of the People, with Sir Ia McKelle); the L.A. Philharmoic; Iteratioal City Theatre; Odyssey Theatre Esemble; Norris Theatre; six seasos with A Noise Withi, earig a Ovatio omiatio for his portrayal of Camille i A Flea i Her Ear; ad The Coloy Theatre Compay, garerig a award for his portrayal of Tom i The Glass Meagerie. His regioal theatre credits iclude two seasos at the Orego Shakespeare Festival, Shakespeare Theatre Compay i Washigto, D.C. (Hele Hayes Award omiee for Ariel i The Tempest), four seasos at the Califoria Shakespeare Festival, Berkeley Repertory Theatre, Portlad Ceter Stage, Portlad Repertory Theatre, Artists Repertory Theatre, Cotemporary America Theatre Festival, ACT (Seattle), Sa Jose Repertory Theatre, North Coast Repertory Theatre, The Lawrece Welk Resort, Rubico Theatre ad Esemble Theatre Compay (Sata Barbara). louislotorto.com Cythia Marty Teresa Salieri is makig her SCR debut. Origially from Wiscosi, she is excited to veture to Austria i Amadeus ad combie her love of theatre with her love of music. She has played the Mark Taper Forum, Seattle Repertory Theatre, LA Opera, Licol Ceter Theater, 3D Theatricals, Rubico Theatre Compay, Theatre Uder the Stars, Cyget Theatre Compay, North Coast Repertory, The Coloy Theatre, Harold Clurma Theatre, Kasas City Starlight, Skylight Musical Theatre ad Oguquit Playhouse i shows that iclude The Christias; A Streetcar Named Desire with Reée Flemig; Sweeey Todd; 1776; Mark Harelik s The Immigrat; Oe Flew Over the Cuckoo s Nest; The Secret Garde; Guys ad Dolls; Camelot with Robert Goulet; Compay; The Will Rogers Follies opposite Joh Scheider; Led Me A Teor; The Soud of Music; ad Kiss Me, Kate opposite her favorite leadig ma, husbad Greg Zerkle North. Marty regularly performs at Walt Disey Cocert Hall ad the Hollywood Bowl with the Los Ageles Master Chorale. She shared the stage with Julie Adrews for PBS Great Performaces ad toured as a jazz backup siger for Alexis Gershwi. Her scree credits iclude Christmas with the Kraks, Survivig Christmas ad Gift of the Magi. As a sessio siger, she ca be heard o may films icludig Despicable Me 2, Godzilla, Big Hero 6, Hail, Caesar! ad Keau. She s a proud member of Actors Equity Associatio. Louis Pardo Salieri s Cook is humbled to perform i SCR s Amadeus. He most recetly appeared ostage at SCR i A Year with Frog ad Toad as the kidly curmudgeo, Toad, ad previously i A Light i the Piazza. His select stage credits iclude Ragtime (Tateh), Hair at The Hollywood Bowl, The Last Five Years (Jamie), West Side Story (A-rab) with the Sa Fracisco Symphoy, the atioal tour of Jesus Christ Superstar with Ted Neeley, Aveue Q (Priceto, Rod), Pippi (Pippi), The Full Moty (Jerry), The Who s Tommy (Cousi Kevi) ad Evita (Che). Pardo also performs with the educatioal tourig compay, The Imagiatio Machie. Special thaks to my family, my love, Joae, Stephaie M. ad Ket. A.J. Sclafai Salieri s Valet is proud to retur for his secod SCR show. His first productio at SCR was i Oe Ma, Two Guvors (Esemble). Sclafai s latest project, Rovig Kave s Shakespeare, is a Shakespeare educatio YouTube chael. He is a proud graduate of SCR s Actig Itesive Program, has served as productio assistat for several staged readigs ad was the assistat to the directors for The Tempest at SCR. He has performed o the America Shakespeare Ceter s Blackfriars Stage i studet productios of As You Like it (Touchstoe), Kig Lear (Edgar), Comedy Amadeus South Coast Repertory P11
of Errors (Dromio of Syracuse), The Tempest (Ariel/ Caliba/Ferdiad) ad as Juliet i a all-male Romeo & Juliet. He eared his BA i performace from Sa Diego State Uiversity, ad his M.Litt. ad MFA i Shakespeare ad performace from Mary Baldwi College. Camille Thorto-Also Katheria Cavalieri is a recet graduate of SCR s Actig Itesive Program. She received her MFA i actig from the Uiversity of Washigto s Professioal Actor Traiig Program, where she performed i Love s Labour s Lost, Come Back to the Five & Dime Jimmy Dea, Jimmy Dea, The America Cetury, Blithe Spirit, Refereces to Salvador Dali Make Me Hot ad Twelfth Night. I Lodo, she performed i Pericles at the Oval House ad Paris i Atigoe at Studio Marguerite. She wrote ad produced Act- Ao, a webseries ivited to scree ad premiere at the Holly Shorts Film Festival. Geoffrey Wade Cout Fraz Orsii-Roseberg previously appeared at SCR i Aastasia Krupick ad James ad the Giat Peach. He has appeared o- ad off-broadway, doe atioal tours ad cotiues to work extesively i regioal theatre, most recetly at the The Repertory Theatre of St. Louis i Agel Street. He also has appeared at The Old Globe, Great Lakes Shakespeare Festival, Ceter Stage, Geva Theatre, Guthrie Theater, Dever Ceter, several seasos at the Ciciati Playhouse i the Park, amog others. He has played leadig roles at Vermot s Westo Playhouse icludig Educatig Rita, A Fuy Thig Happeed o the Way to the Forum, Art, Private Lives ad As You Like It. His L.A.-area theatre credits iclude La Jolla Playhouse, La Mirada Theatre, Odyssey Theatre Esemble ad a slew of shows at Ataeus Theatre Compay. He works i episodic televisio ( NCIS, Mad Me, The Metalist, Numb3rs, ER, four Law & Orders ), i radio, ad o tour with L.A. Theatre Works. His films iclude City Hall, The Divide, Tres ad he will appear i Steve Spielberg s The BFG (opes i July). He recetly directed the critically acclaimed productios A Walk i the Woods ad The Crucible. He has taught at the Ataeus Academy sice 2003. Wade traied at The Royal Cetral School of Speech ad Drama i Lodo, where he met his wife, Amelia White. He is a avid photographer. geoffreywadephotography.com Liesel Alle Yeager Costaze Weber is thrilled to be makig her SCR debut! She recetly moved to L.A. from New York City, where she was see o Broadway as Nia i Vaya ad Soia ad Masha ad Spike (Toy Award, best play), a part she also played i L.A. at the Mark Taper Forum (CTG). Her off-broadway ad regioal theatre credits iclude Teeage Dick (The Public Theater, NYC), Too Much Too Soo (Lesser America, NYC), The Sportig Life (Studio 42, NYC) ad Cock (Studio Theatre, Washigto, D.C.). Her film ad televisio credits iclude A Picture of You, Daredevil, The Good Wife, Rizzoli & Isles ad How to Make it i America. She graduated from The Juilliard School. Playwright, Director ad Desigers Sir Peter Levi Shaffer (Playwright) was a British playwright of cosiderable rage who moved easily from farce to the portrayal of huma aguish. Educated at St. Paul s ad Triity College, Cambridge, Shaffer first worked for a music publisher ad the as a book reviewer. His first play, Five-Figer Exercise (1960), is a tautly costructed domestic drama that almost overight established his reputatio as a playwright. It was followed by The Private Ear, The Public Eye (both 1962) ad The Royal Hut of the Su (1964), a portrayal of the coflict betwee the Spaish ad the Ica hope ad hopelessess, faithlessess ad faith. I 1965 Shaffer s adroit farce Black Comedy was performed. Equus (1973; filmed 1977), dealig with a metally disturbed stableboy s obsessio with horses, ad Amadeus (1979; filmed 1984), about the rivalry betwee Mozart ad his fellow composer Atoio Salieri, were successes with both critics ad the public. Later plays iclude the biblical epic Yoadab (1985), Lettice ad Lovage (1987) ad The Gift of the Gorgo (1992). Shaffer was kighted i 2001. Ket Nicholso (Director) returs to South Coast Repertory after directig How to Write a New Book for the Bible ad The Light i the Piazza. His directig credits iclude shows for Berkeley Repertory Theatre, Seattle Repertory Theatre, Cotemporary P12 South Coast Repertory Amadeus
America Theatre Festival, New York Musical Theatre Festival, Westo Playhouse, Theatre Uder the Stars, TheatreWorks, Prospect Theatre Compay, Rattlestick Playwrights Theatre ad Actors Theatre of Louisville Humaa Festival. He has directed critically acclaimed productios of Death of a Salesma, All My Sos, Vicet I Brixto, Lizzie, Sait Ex, Grey Gardes, Jacques Brel Is Alive ad Well ad Livig i Paris, Log Story Short, 9 Circles, Small Tragedy, Satellites, Five Flights ad Swimmig i the Shallows. A oted developer of both ew plays ad musicals, Nicholso has worked as a director ad producer o world premieres of works by artists as diverse as Liz Duffy Adams, Adam Bock, Sheila Callagha, Dave Eggers, Richard Greeberg, Chris Miller ad Natha Tyse ad Stephe Schwartz to ame a few. From 2001-08, he created ad ra the New Works Iitiative at TheatreWorks i Palo Alto. He curretly serves as the director of musical theatre at Playwrights Horizos i New York ad is the co-creator of The Ucharted Writers Group at Ars Nova. Joh Iacovelli (Sceic Desig) has created memorable desigs at SCR icludig Abudace this seaso, Rest, Silet Sky, Noises Off, Talley s Folly, The Philaderer, Heartbreak House (Los Ageles Drama Critics Circle award), Oleaa, Skylight, Shadowlads, Frakie ad Johy i the Clair de Lue, Faith Healer, Pick Up Ax ad 12 more. He has desiged more tha 300 plays ad musicals at most major theatres i the U.S. icludig McCarter Theatre, Log Wharf Theatre, Seattle Repertory Theatre, Geffe Playhouse, Pasadea Playhouse, Berkeley Repertory Theatre, Magic Theatre, Aurora Theatre, St. Louis Repertory, Goodma Theatre, Orego Shakespeare Festival, Deaf West Players, East West Players ad Ceter Theatre Group. Iacovelli received a primetime Emmy Award for the broadcast of the Broadway productio of Peter Pa, starrig Cathy Rigby. He was the film productio desiger o Ruby i Paradise, starrig Ashley Judd i her film debut, ad art director o Hoey, I Shruk the Kids! His televisio credits iclude Beckett Directs Beckett: Edgame with The Sa Queti Drama Workshop, The Old Settler starrig Phylicia Rashad ad Debbie Alle, The Gi Game starig Mary Tyler Moore ad Dick Va Dyke, Babylo 5, Ed, Resurrectio Blvd. ad Licol Heights. He has a MFA i sceic desig from NYU s Tisch School of the Arts. iacovelli.com Alex Jaeger (Costume Desig) previously desiged at SCR for Office Hour, Zealot, Cloudlads, Goldfish, What They Have, Skylight, But Not for Me, All My Sos, True West, Nostalgia, Play Stridberg ad Hoorary Producer Sady Segerstrom Daiels is a lifelog ad passioate supporter of the arts. A music major i college, it s o surprise that she chose to help uderwrite Amadeus. I loved both the origial SCR show ad the movie, she says, so I m thrilled to be ivolved with this productio. She has bee a First Nights subscriber sice the 1980s, a Platium Circle door sice 2001 ad a frequet Gala uderwriter, icludig the ladmark 50th Seaso Gala. I the past two seasos, as a member of The Playwrights Circle, she has helped uderwrite two world-premiere productios featured i the Pacific Playwrights Festival. This productio of Amadeus marks the first time Sady has served as a exclusive Idividual Hoorary Producer. She is a member of the Segerstrom family, philathropic leaders i Orage Couty, whose gift of lad i the 1970s made it possible for SCR to relocate ad build o its preset site. Two Sisters ad a Piao. His additioal credits iclude Mr. Burs for Guthrie Theater; A Parallelogram ad Other Desert Cities for Mark Taper Forum; The Nether, Eclipsed ad The Paris Letter for Kirk Douglas Theatre; Major Barbara for Theatre Calgary; Arcadia, Rock Roll, Maple ad Vie, Oce i a Lifetime, The Homecomig ad more for America Coservatory Theater; Two Sisters ad a Piao for The Public Theater; Wiesethal at the Acor Theatre (also at the Wallis Aeberg Ceter for the Performig Arts ad the Royal Maitoba Theatre); A Wrikle i Time, A Streetcar Named Desire, Romeo & Juliet, Dead Ma s Cell Phoe, Cat o a Hot Ti Roof ad August: Osage Couty for Orego Shakespeare Festival; Extraordiary Chambers, Love, Loss ad What I Wore ad Third for Geffe Playhouse; The Ma Who Shot Liberty Valace for Rubico Theatre; 15 productios at Magic Theatre, Sa Fracisco; Life Is a Dream for Califoria Shakespeare Theater; Romeo & Juliet, Gulls, Light ad Gilgamesh for The Theatre @ Bosto Court; 14 productios at Studio Theatre i Washigto, D.C.; ad Breakig Through, Looped, Doubt ad Talley s Folly for Pasadea Playhouse. Lap Chi Chu (Lightig Desig) has desiged regioally for SCR, Mark Taper Forum, Geffe Playhouse, Orego Shakespeare Festival, La Jolla Playhouse, The Old Globe, Berkeley Repertory Theatre, Goodma Amadeus South Coast Repertory P13
Theatre, America Repertory Theater, Area Stage, Dallas Theater Ceter, Portlad Ceter Stage ad Evidece Room. His New York desig credits iclude The Public Theater, New York Theatre Workshop, Sigature Theatre, Secod Stage Theatre, Performace Space 122 ad Kitche Theatre Compay. His awards iclude the Los Ageles Drama Critics Circle Agstrom Award for Career Achievemet i Lightig Desig, a Ovatio Award, multiple Bay Area Theatre Critics Circle Awards, a Drammy for best lightig, as well as a Lucille Lortel Award omiatio for The Good Negro at The Public Theater. Chu is o the lightig desig faculty at Califoria Istitute of the Arts. Darro L West (Soud Desig) returs to SCR, havig previously desiged Of Good Stock, The Tempest, How the World Bega ad Chiglish. He is a Toy ad Obie award-wiig soud desiger whose work for theatre ad dace has bee heard i more tha 500 productios atioally ad iteratioally, o Broadway ad off. His accolades for soud desig iclude the Bay Area Theater Critics Circle Award, the Lucille Lortel ad AUDELCO awards ad the Hery Hewes Desig Award. He is a proud recipiet of a 2012 Pricess Grace Award. Philip D. Thompso (Accet/Laguage Coach) teaches at UC Irvie ad works as a voice ad dialect coach for professioal ad uiversity productios. He is certified as a master teacher of Fitzmaurice Voicework ad is the co-fouder of Kight-Thompso Speechwork. He is the past presidet of the Voice ad Speech Traiers Associatio. He is the head of voice ad text at the Utah Shakespearea Festival ad has served as residet coach there for 15 seasos ad more tha 100 productios. He has coached at Pasadea Playhouse, Dever Ceter Theatre Compay ad Alabama Shakespeare Festival, amog others, icludig umerous productios at Ciciati Playhouse i the Park. This is his 25th productio at SCR. Jeifer Elle Butler (Stage Maager) is the productio stage maager at SCR, where she has bee a part of the stage maagemet team for 13 seasos ad more tha 50 productios. Her other theatre credits iclude productios at Lagua Playhouse, Utah Shakespeare Festival, Califoria Shakespeare Theater, TheatreWorks, Perseverace Theatre, Spoleto Festival USA ad Shakespeare Sata Cruz. She also has stage-maaged operas for Log Beach Opera ad Pacific Repertory Opera. Butler has a BA i theatre arts from UC Sata Cruz ad has bee a member of Actors Equity sice 2007. Talia Krispel (Assistat Stage Maager) is excited to be back at SCR. Her SCR credits iclude Piocchio, Abudace ad the 2014 ad 2015 productios of A Christmas Carol. She received her MA degree from the Educatioal Theatre Program at New York Uiversity, Steihardt (May 2012). Her other credits iclude Guys ad Dolls, Joseph ad the Amazig Techicolor Dreamcoat (starrig Clay Aike ad Toy omiee Keala Settle), The Soud of Music, Dirty Rotte Scoudrels, Radio City Musical Hall Christmas Spectacular, Iherit the Wid (starrig Christopher Plummer ad Bria Deehy), Dame Eda: Back with a Vegeace, How the Grich Stole Christmas (origial Broadway compay), the Broadway workshop of Legally Blode ad The Times They Are A-Chagi (directed/choreographed by Twyla Tharp). Krispel is a proud member of Actors Equity Associatio. This performace is dedicated to Mychal Adair-Lych ad Dad. taliakrispel.com. Marc Masterso (Artistic Director) is i his fifth seaso with SCR. His recet directig credits iclude Goig to a Place where you Already Are, Zealot, Death of a Salesma, Eurydice ad Elemeo Pea at SCR, As You Like It for the Housto Shakespeare Festival, The Kite Ruer at Actors Theatre of Louisville ad the Clevelad Play House. He served for 11 years as artistic director of Actors Theatre of Louisville P14 South Coast Repertory Amadeus
ad produced the Humaa Festival of New America Plays. Durig his Actors Theatre teure, he produced more tha 100 world premieres, expaded audieces ad the repertoire, deepeed arts educatio programs ad spearheaded umerous commuitybased projects. His other Louisville directig credits iclude A Midsummer Night s Dream, Shipwrecked! A Etertaimet, Glegarry Gle Ross, The Tempest, Mary s Weddig, The Crucible, Betrayal, As You Like It, The Importace of Beig Earest ad Macbeth. The world premieres he directed at the Humaa Festival iclude works by Lisa Dillma, Wedell Berry, Craig Wright, Eric Coble, Adam Bock, Gia Giofriddo, Melaie Marich, Charles Mee ad Rick Dresser. He served as artistic director of City Theatre i Pittsburgh for 20 years ad was fouder ad chairma of the Greater Pittsburgh Arts Alliace, ad as a theatre advisory pael member for the Natioal Edowmet for the Arts as well as umerous foudatios. He wo the Ma of the Year Vectors Award, ad received the Lifetime Achievemet Award from the Pittsburgh New Works Festival. Paula Tomei (Maagig Director) is resposible for leadig the overall admiistratio of SCR. She has bee maagig director sice 1994 ad a member of SCR s staff sice 1979. She is a past presidet of the board of Theatre Commuicatios Group (TCG), the atioal service orgaizatio for theatre. I additio, she served as treasurer of TCG, vice presidet of the League of Residet Theatres (LORT) ad as a member of the LORT Negotiatig Committee for idustry-wide uio agreemets. She represets SCR at atioal cofereces of TCG ad LORT; is a theatre paelist for the Natioal Edowmet for the Arts (NEA) ad the Califoria Arts Coucil; site visitor for the NEA; ad has bee a guest lecturer i the graduate schools of busiess at Staford ad UC Irvie (UCI). She teaches a graduate class i oprofit maagemet at UCI ad was appoited by the chacellor to UCI s Commuity Arts Coucil. She is also o the board of Arts Orage Couty, the couty-wide arts coucil, ad the board of the Nicholas Edowmet. She graduated from UCI with a degree i ecoomics ad pursued a additioal course of study i theatre ad dace. Marti Beso (Foudig Artistic Director), cofouder of SCR, has directed early oe-fourth of SCR s productios. I 2008, he ad David Emmes received the Margo Joes Award for their lifetime commitmet to theatre excellece ad fosterig the art ad craft of America playwritig. They also accepted SCR s 1988 Toy Award for Outstadig Residet Professioal Theatre ad wo the 1995 Theatre L.A. Ovatio Award for Lifetime Achievemet. Beso has received the Los Ageles Drama Critics Circle Award for Distiguished Achievemet i Directig a uparalleled seve times for George Berard Shaw s Major Barbara, Misalliace ad Heartbreak House; Joh Milligto Syge s Playboy of the Wester World; Arthur Miller s The Crucible; Sally Nemeth s Holy Days; ad Margaret Edso s Pulitzer Prize-wiig Wit, which he also directed at Seattle Repertory Theatre ad Housto s Alley Theatre. He has directed America classics such as A Streetcar Named Desire ad has distiguished himself i stagig cotemporary work, icludig the critically acclaimed Califoria premiere of William Nicholso s Shadowlads. He directed revivals of Beth Heley s Abudace; Horto Foote s The Trip to Boutiful; Samuel D. Huter s The Whale ad Rest (world premiere); ad The Whippig Ma by Matthew Lopez. Beso received his BA i theatre from Sa Fracisco State Uiversity. David Emmes (Foudig Artistic Director) is cofouder of South Coast Repertory. He received the Margo Joes Award for his lifetime commitmet to theatre excellece ad to fosterig the art of America playwritig. I additio, he has received umerous awards for productios he has directed durig his SCR career. He directed the world premieres of Amy Freed s Safe i Hell, The Beard of Avo ad Freedomlad, Thomas Babe s Great Day i the Morig, Keith Reddi s Rum ad Coke ad But Not for Me ad Neal Bell s Cold Sweat; the America premieres of Terry Johso s Usuitable for Adults ad Joe Pehall s Dumb Show; ad the Southlad premiere of Top Girls (at SCR ad the Westwood Playhouse). Other productios he has directed iclude Red, New Eglad, Arcadia, The Importace of Beig Earest, Woma i Mid ad You Never Ca Tell, which he restaged for the Sigapore Festival of Arts. He has served as a theatre paelist ad osite evaluator for the Natioal Edowmet for the Arts, as well as a paelist for the Califoria Arts Coucil. After attedig Orage Coast College, he received his BA ad MA from Sa Fracisco State Uiversity ad his PhD i theatre ad film from USC. The Actors ad Stage Maagers employed i this productio are members of Actors Equity Associatio, the Uio of Professioal Actors ad Stage Maagers i the Uited States. The Sceic, Costume, Lightig ad Soud Desigers i LORT theatres are represeted by Uited Sceic Artists Local USA-829, IATSE. The Director is a member of the Society of Stage Directors ad Choreographers, Ic., a idepedet atioal labor uio. Amadeus South Coast Repertory P15
PATRONS The followig doors have cotributed $150 to $299 to the Aual Fud this seaso. We gratefully recogize the vital role they play i supportig the highest quality of artistic productio at SCR. Aoymous Pat & Art Adair Barbara & Bill Adams Margit & Joh Alle Doris Alyea Ae & Staley Agermeir The Baayou Family Brett Bailey Ms. Jeifer Baium Ms. Barbara Baraski Robert & Suzae Barker Joe & Yolade Bati Jae & Bill Bauer Les & Susa Beder Mr. & Mrs. Emmet & A Berkery Dr. & Mrs. Thomas Besley Cidy Beyl Mr. & Mrs. Bharat Steve Bierlich Roger Blackwell & Heidi Hoffma Kathlee Blak & Joa Petty Patricia Boatright Dr. Mauree Bocia Joh & Stacy Bower David & Harriet Boyarsky Deis & Sadra Bradley Mr. & Mrs. James E. Brewer Shirley D. Brisacher Dr. & Mrs. Joh Carlisle Brow David Browstoe & Carole Uhlaer Flo Buchaa Mr. & Mrs. Sydey E. Buck Mrs. Rhys Burchill William Burd Mr. & Mrs. Richard J. Burdge Lisa & Robert Burad Jae A. Calister Ms. Catherie Caa Valerie Catwell M. Cap Capeloto Lloyd & A Caraha Mr. & Mrs. Edward Casselma Robert Cassidy James Cates Susaa Clemas Sady & Carl Collier Mr. & Mrs. Walter Cochra-Bod Ms. Patricia Coulso Doald A. Cox Jaee & Roger Cuigham Mr. Jo Davis Sam Dawso Dr. Daiel & Emma Deies Mr. & Mrs. Gary Des Rochers Gerald Devries Richard A. Diebier Shirley & Tom Doova Ms. Jessica Dorma-Davis Adrea Drakeford Caroly Drews Robert & Joa Dubrish Gail Dufour Ralph & Jaet Duham Joh & Patty Earest Zia Edwards Reva & Norma Eihor Thomas Eivis Jue & Jeff Elste Ms. Mauree Elstra Dr. & Mrs. David J. Erikso Do & Kare Evarts Dr. & Mrs. Michael S. Fabricat Mr. Eugee H. Felder, Jr. Mr. & Mrs. Ferdiad F. Feradez David Fish & Moica Moore William & Cidy Fisher Graham & T. J. Forsyth Gle & Jae Fowler Steve & Jaice Frates Joa Freema Carole Fritz Mr. & Mrs. Marti Fuchs Dr. & Mrs. Staley Galat Ms. Lida Galloway Mary Gaahl Caroly Garrett Kweesok Garriso Justie M. Getile Michael J. Getile & Deise C. Harde Mr. David George Drs. Jim & Bobbie George Mr. & Mrs. Jack Gersho Mary Gilly & Joh Graham Mark & Sharo Goldhamer Joel & Marcia Goldstei Mr. & Mrs. David Gorevitz Mrs. Robi Gotterer George & Carla Graham James Graham Mr. & Mrs. Thomas Greeley Esther H. Gressard Debby & Do Griffi Walt & Alpha Hah Ms. Phyllis J. Ham Dia & Jack Hecht Nat & Lotte Hoffma Bill & Caroly Hoigma Susa K. Hori Dr. Thomas & Jaet Hryiewicki Ly Ich Ala Jackso & Lila Clay Mr. Douglas Joes Dale A. & Hele Juliar Fra Jutzi Doald Karo Mr. & Mrs. Da L. Kelly Mr. Joh H. Kedall Norma Kershaw Dr. & Mrs. Peter H. Kiriaoff Hedy Kirsh Dorothy Kislig Mr. & Mrs. Michael Kleima Dr. Susa J. Kight Judith Koch-Joes Miriam & Le Kraser William Kuehl Darlee & Paul Kuh Mr. & Mrs. Michael Laphere Nacy Larso Dale & Lyda Laurace Dae Leckie Gle Libby James & Marsha Lidsey Michael & Robi Ligle Mr. & Mrs. Robert W. Little Ms. Patricia A. Lych Debby Lyo Mr. & Mrs. Joh Maglioe Susa Matthews Dr. Joh L. & Therese McAdrew Ms. Susa McClella Gle & Sylvia McWilliams Mr. & Mrs. Jua A. Medoza Ramoa W. Merle Ge Miake & Kathie Barber Doald Miller Dr. Sallie Mitchell Dr. Houchag & Barbara Modalou Mr. & Mrs. Richard Moore Richard & Mary Louise Moore Beth & Richard Mora Mr. & Mrs. Harry W. Myers Ms. Laura A. Myers Dr. Norma Myers Mr. & Mrs. Paul D. Myers Ala Nestliger & Ms. Allee Symos Julie Newcomb Carl & Elaie Neuss Ms. Cheryl E. Newma Joe & A Obegi Egi & Hoorata M. Oktay Charlotte Oliva Elle Olshasky & Richard Pattis Marti & Cathie Olsky Ms. Giger Osbore Julie Passo-Sidoi Ria E. Patero Mr. Do Pattiso Deborah Paull Edward Perez A R. Peterso Da & Lissa Peterse Lida Pierpoit Bruce & Johi Pitteger Mrs. Ro Presta Ms. Nacy Pugh Reate Rados Richard Rawe Lyle Reyolds Hugh & Rachel Roberts Pretiss & Virgiia Robiso Art & Alice Rose Elea & Toby Rothschild Robert J. & Audrey H. Rube Mr. & Mrs. Robert D. Rude Michael Rudolph Joa Rutledge Fra Sawyer Waye & Madoa Saxto Mr. & Mrs. James W. Scheold Louise & Bill Schuma Dr. Fraces Segal Bob & Mary Shackleto Mary Shebell Lida Shepard Mr. & Mrs. Howard D. Simpso Gai L. Spickard Mr. William Spurgeo Jeaie & Roy Stake Susa Stalzer & Bruce Tagle Pamela Steeby Jerry & Debbie Ster Daiel Stetso Coli Stewart Daiel & Jeae Stokols Mr. & Mrs. Rady Stoe Mr. & Mrs. Thomas Summerfield Joh B. Sutka Meryl Swaiga James & Pamela Taylor Robert & Betty Taylor Mr. & Mrs. Keeler Thompso Mr. & Mrs. David S. Tigler Tom & Patti Tisoe Dr. Naomi Uchiyama Toy Urbao Joh & Pey Valezuela Joh Verdoe Dr. & Mrs. Samuel Vickery Hery & Susa Vierregger Dr. & Mrs. Gerald Wager Dorothy & Arthur Wahlstedt Jim & Laura Watz Hery G. & Margaret A. Weber Drs. Gerald & Eleaor Weistei Dr. Barbara S. White A & Doald Williams Da & Adria Willoughby Ms. Kathy Wilso Mr. & Mrs. Mark E. Wilso Rodey Wilso Royce & Darlee Wise Fraces Wisema Amy Wiseskie Max & Marily L. Wolfsberg Priscilla F. Wolz Bejami & Sadra Wright Mr. & Mrs. Robert Zaitz Dr. Gilbert & Elaie Zuker Recogitio based o gifts received o ad before April 11, 2016. P16 South Coast Repertory Amadeus