The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Chinese Cinema (General) Berry, Chris. Chinese Cinema. London and New York: Routledge, 2013. --- (ed). Perspectives on Chinese Cinema. London: British Film Institute, 1991. ---, and Laikwan Pang. Remapping Contemporary Chinese Cinema Studies. China Review 10.2 (2010): 89-108. ProQuest. Accessed June 13, 2013. ---, and Mary A. Farquhar. China on Screen: Cinema and Nation. New York: Columbia University Press, 2006. Clark, Paul. Chinese Cinema: Culture and Politics Since 1949. New York: Cambridge University Press, 1987. Lim, Song H. and Julian Ward. The Chinese Cinema Book. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2011. Pickowicz, Paul. China on Film: A Century of Exploration, Confrontation, and Controversy. Lanham: Rowman & Littlefield Publishers, Inc., 2012. Rojas, Carlos, and Eileen C. Chow (eds). The Oxford Handbook of Chinese Cinemas. Oxford: Oxford University Press, 2013. Voci, Paola. The Chinese Cinema Book. The China Journal 69 (2013): 251-4. Yang, Jeff, and Art Black. Once Upon a Time in China: A Guide to Hong Kong, Taiwanese, and Mainland Chinese Cinema. New York: Atria Books, 2003. Zhang, Yingjin (ed). A Companion to Chinese Cinema. Hoboken, NJ: Blackwell Publishing, 2012. ---. Chinese National Cinema. New York: Routledge, 2004. 1
Martial Arts Cinema Bordwell, David. Planet Hong Kong: Popular Cinema and the Art of Entertainment. Madison, WI: Irvington Way Institute Press, 2011. Catania, John. Enter the (diaspora) Dragons: Martial Arts Cinema and Globalization. Metro Magazine: Media & Education Magazine (2006): 96-99. Corcoran, John. The Martial Arts Companion: Culture, History, and Enlightenment. New York: Mallard Press, 1992. Donovan, Barna W. The Asian Influence on Hollywood Action Films. Jefferson, NC: McFarland & Co, 2008. Logan, Bey. Hong Kong Action Cinema. Woodstock, NY: Overlook Press, 1996. Lott, M R. The American Martial Arts Film. Jefferson, NC: McFarland, 2004. Meyers, Richard. Great Martial Arts Movies: From Bruce Lee to Jackie Chan and More. New York: Citadel Press, 2001. Szeto, Kin-Yan. The Martial Arts Cinema of the Chinese Diaspora: Ang Lee, John Woo, and Jackie Chan in Hollywood. Carbondale: Southern Illinois University Press, 2011. Teo, Stephen. Chinese Martial Arts Cinema: The Wuxia Tradition. Edinburgh: Edinburgh University Press, 2009. West, David. Chasing Dragons: An Introduction to the Martial Arts Film. London: I. B. Tauris, 2006. New Chinese Cinemas Berry, Chris. Toward a Postsocialist Cinema: The Cultural Revolution in the Films from the PRC. London: Routledge, 2004. Browne, Nick, Paul G. Pickowicz, Vivian Sobchack, and Esther Yau (eds). New Chinese Cinemas: Forms, Identities, Politics. Cambridge: Cambridge University Press, 1996. Chow, Rey, Silent is the Ancient Plain: Music, Filmmaking, and the Conception of Reform in China s New Cinema. Discourse 12.2 (1990): 82-109. 2
Cornelius, Sheila, and Ian Haydn. New Chinese Cinema: Challenging Representations. London and New York: Wallflower, 2002. Eder, Klaus and Deac Rossell. New Chinese Cinema. London: National Film Theatre, 1993. Lu, Tonglin. Confronting Modernity in the Cinemas of Taiwan and Mainland China. Cambridge, UK: Cambridge University Press, 2002. Moore-Gilbert, and John Seed (eds). Cultural Revolution?: The Challenge of the Arts in the 1960s. London and New York: Routledge, 1992. Semsel, George S., Xia Hong, and Chen Xihe. Film in Contemporary China: Critical Debates, 1979-1989. ABC-CLIO, 1993. Semsel, George Stephen, Hong Xia, and Jianping Hou. Chinese Film Theory: A Guide to the New Era. New York: Praeger, 1990. Tam, Kwok-kan, and Wimmal Dissanayake. New Chinese Cinema. Hong Kong and New York: Oxford University Press, 1998. Zhang, Xudong. Chinese Modernism in the era of Reforms: Cultural Fever, Avant-Garde Fiction, and the New Chinese Cinema. Durham, NC: Duke University Press, 1997. Contemporary Chinese Cinema Berry, Michael. Speaking in Images: Interviews with Contemporary Chinese Filmmakers. New York: Columbia University Press, 2005. Chih-p'ing, Chou, Wei Wang, and Joanne Chiang. Readings in Contemporary Chinese Cinema: A Textbook of Advanced Modern Chinese. Princeton, NJ: Princeton University Press, 2007. Chow, Rey. Modern Chinese Literary and Cultural Studies in the Age of Theory: Reimagining a Field. Durham, NC: Duke University Press, 2000. ---. Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility. New York: Columbia University Press, 2007. Kuoshu, Harry H. Celluloid China: Cinematic Encounters with Culture and Society. Carbondale: Southern Illinois University Press, 2002. 3
Lin, Xiaoping. New Chinese Cinema of the Sixth Generation : A Distant Cry of Forsaken Children. Third Text 16.3 (2002): 261-284. Reynaud, Berenice. Chinese Cinema Now. Film Comment 39.5 (2003): 54. Silbergeld, Jerome. China into Film: Frames of Reference in Contemporary Chinese Cinema. London: Reaktion Books, 1999. Xu, Gary G. Sinascape: Contemporary Chinese Cinema. Lanham, MD: Rowman & Littlefield Publishers, 2007. Zhang, Yingjin. Screening China: Critical Interventions, Cinematic Reconfigurations, and the Transnational Imaginary in Contemporary Chinese Cinema. Ann Arbor, MI: Center for Chinese Studies, 2002. Zhang, Zhen (ed). The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-First Century. Durham, NC: Duke University Press, 2007. Chinese Film Production & Industry Chinese Film Producers. S.l.: General Books, 2010. Chu, Yingchi. Hong Kong Cinema: Coloniser, Motherland and Self. London: Routledge Curzon, 2003. Guide to Filming in Hong Kong, 2009/10. Hong Kong: Film Services Office, Television and Entertainment Licensing Authority, 2009. Jarvie, I.C. Window on Hong Kong: A Sociological Study of the Hong Kong Film Industry and Its Audience. Hong Kong: Centre of Asian Studies, University of Hong Kong, 1977. Lee, David T. An Overview of the Chinese Film Industry. Taipei, Taiwan: Government Information Office, 1997. Li, Xin. Film As Political Bridge to Promote Unification: An Examination of the Film Production Industry in Mainland China and Taiwan. North Terrace, AU: University of Adelaide, 2007. Liu, Alan P. L. The Film Industry in Communist China. Cambridge, MA: Research Program on Problems of Communication and International Security, Center for International Studies, Massachusetts Institute of Technology, 1965. 4
Lixiao. Film Industry in China. China.Org (January 17, 2004). Accessed June 27, 2013. http://www.china.org.cn/english/features/film/84966.htm. Wang, Shujen. Framing Piracy: Globalization and Film Distribution in Greater China. Lanham, MD: Rowman & Littlefield, 2003. Zhu, Ying. Chinese Cinema During the Era of Reform: The Ingenuity of the System. Westport, CT: Praeger, 2003. Case Study: Sergei Eisenstein Antoine-Dunne, Jean, and Paula Quigley. The Montage Principle: Eisenstein in New Cultural and Critical Contexts. Amsterdam: Rodopi, 2004. Barna, Ion. Eisenstein. Bloomington: Indiana University Press, 1973. Christie, Ian and Richard Taylor. Eisenstein Rediscovered. London: Routledge, 1993. Eisenstein, Sergei and Jay Leyda. Eisenstein Texts. London: Methuen, 1988. ---. Film Form: Essays in Film Theory. New York: Harcourt, Brace, 1949. --- and Richard Taylor. Sergei Eisenstein Selected Works: Volume I. London: I.B. Tauris, 2010. ---. The Eisenstein Reader. London: British Film Institute, 1998. ---, Michael Glenny and Richard Taylor. Sergei Eisenstein Selected Works: Volume II. London: I.B. Tauris, 2010. ---, Richard Taylor and William Powell. Sergei Eisenstein Selected Works: Volume III. London: I.B. Tauris, 2010. ---. Eisenstein: Three Films. New York: Harper & Row, 1974. Goodwin, James. Eisenstein, Cinema, and History. Urbana: University of Illinois Press, 1993. Rohdie, Sam. Montage. Manchester: Manchester University Press, 2006. 5
David Bordwell Selected Publications Bordwell, David. Pandora's Digital Box: Films, Files, and the Future of Movies. Madison, WI: Irvington Way Institute Press, 2013. --- and Kristin Thompson. Film Art: An Introduction. ed. New York: The McGraw-Hill, 2013. --- and Kristin Thompson. Film History: An Introduction. ed. New York: McGraw-Hill, 2013. --- and Kristin Thompson. Minding Movies: Observations on the Art, Craft, and Business of Filmmaking. Chicago: The University of Chicago Press, 2011. ---. Planet Hong Kong: Popular Cinema and the Art of Entertainment. Madison, WI: Irvington Way Institute Press, 2011. ---. Poetics of Cinema. New York: Routledge, 2008. ---. The Way Hollywood Tells It: Story and Style in Modern Movies. Berkeley: University of California Press, 2006. ---. The Cinema of Eisenstein. New ed. Cambridge, MA: Harvard University Press, 2005. ---. Figures Traced in Light: On Cinematic Staging. Berkeley: University of California Press, 2005. ---. On the History of Film Style. Cambridge, MA: Harvard University Press, 1997. --- and Noël Carroll. Post-theory: Reconstructing Film Studies. Madison, WI: University of Wisconsin Press, 1996. ---. Ozu and the Poetics of Cinema. London: BFI Publishing, 1988. ---. The Films of Carl-Theodor Dreyer. Berkeley: University of California Press, 1981. 6