Tim Spinosi s Colossal Comedy Side Show

Similar documents
Ten Tips to Prepare Yourself to Get In Front Of A Crowd And WOW Them Out Of Their Seats

JEN KIRKMAN TALKS COMEDY AND GROWING INTO YOURSELF

THE LIBRARIAN AND THE JOCK

Brighton Fringe 2016 Package. The Package

Extreme Improv Extreme Pleading (Table Draft - 1/10/2013) Written by Steve Trautmann. Created by Steve Trautmann and Mike Bach

Words Are Powerful AGAPE LESSON 7

Integrated Skills in English ISE III

Alice in Wonderland, Jr. Dallastown Area Middle School 2018 Musical February 22-24, 2018

USCSchool of Dramatic

HOW TO: COMPLETE THE MUSIC SECTION

Iwas about to go through security at Reagan National Airport not long

Monday, July 24, Book Review: Playboy Laughs: The Comedy, Comedians, and Cartoons of Playboy

Production Information for The East Side Players Production of. "The Little Mermaid 2016

BBC LEARNING ENGLISH 6 Minute English What makes us laugh?

FEATURE. by Haley Grogan

Episode 213 Martial Arts Humor whistlekickmartialartsradio.com

CHAPTER I INTRODUCTION. (2002: 18) said that pragmatics concerned with people s ability to use language

Like A Rolling Stone

It was amazing! It was the first time we ve gone to Europe and not played just small dingy clubs so it was quite a change and quite fun actually.

I DID IT ALL FOR THE SCISSORS By Bradley Walton

Which Me Should I Be?

BOBBY S BRAIN A Comedy In One Act By Bruce Kane

The following restriction has been REMOVED:

April Body was born in Columbus, Ohio and raised in Atlanta, Georgia. Growing up an only child, she is used to getting her way, "You better laugh

April Body was born in Columbus, Ohio and raised in Atlanta, Georgia. Growing up an only child, she is used to getting her way, "You better laugh

A guide for venues on how live entertainment can work for you

ABOUT COMEDIAN NAZARETH

2015 HHES Talent Show Important Dates and Information

Supplied by Penguin Books Ltd NEW RECORDING 1 6M 19S

Buy The Complete Version of This Book at Booklocker.com:

ADAM By Krista Boehnert

BROOKLYN PUBLISHERS, LLC

(UN)COMFORTABLE SILENCE By DJ Sanders

The majority of schools taking part in the workshops were from special needs schools, with learning difficulties or behavioural needs.

Deer Park High School Orchestra Handbook

THREE LITTLE WORDS By Krista Boehnert

BBC LEARNING ENGLISH 6 Minute English Football songs

COURSE DESCRIPTIONS ELECTIVE 1 [9:35 AM 10:35 AM]

MT MOURNE SCHOOL an IB World School BAND HANDBOOK Beginning Band Concert Band Symphonic Band

Can you Catch the Killer Actors handbook

The Heathwood Intermediate/Middle School Play. Audition Packet Performance Dates: April 26th, 27th, and 28th, 2017 Director: EG Engle

WHY I HATE MY SISTER By Kelly Meadows

2013 HHES Talent Show Important Dates and Information

An LA Love Story. by Rachel James Clevenger

Study Guide English 9 Cast of Characters: whose side? Role in the play

Lecture 8: Sequential Logic

(OH MY GOD, IT S ANOTHER PLAY! has been published in Playscripts anthology NOTHING SERIOUS.)

from The Worship Drama Library Volume 2 By Mike and Colleen Gray

HE WON T QUIT SMOKING

English as a Second Language Podcast ENGLISH CAFÉ 106

THE TICK OF THE CLOCK

CANDI WITH AN I By Macee Binns

Lovereading4kids Reader reviews of Stop Those Monsters! By Steve Cole

The Story of Grey Owl

by leticia perez photography by kathleen dooher Improv master and slam poet Jesse Parent 96 acts out Spring

Top store fires Santa for telling a joke

An Unauthorized Guide To Last Comic Standing: The Reality TV Show For Stand-Up Comedians [Article] By D. Carter

aging gr acefully the shutterbug s best shots of timeless hollywood icons

Feature Russian Duo: a melding of cultures and musical genres

CMU:DIY. CMUdiy.com/makingmoney

Having a write laugh. Improving literacy through comedy writing

Multi-Camera Techniques

Solon Center for the Arts Presents. Mulan, Jr.

AUDITION PACKET ANNIE & ALADDIN

The Artist Who Interviews (May-June, 2010)

My time. Unit Read and listen. Lesson 1. There's NOTHING to do! I'm so bored... That's OK. You can use these. They're my brother's.

Dr. Charles Krauthammer Visits the College

Class Descriptions for ATC Convention March 8 & 9, Taught by Randy Christensen Micah / Simon De Clown / Oxford P. Nuts

2012 Table Topics TM Contest

Guide to the George Spink Collection

How to Cure World Blindness: An Interview with Joel Ross and Jason Creps June 23rd, 2013 CAROLINE KOEBEL

Teaching Effectiveness Measures. Southern Utah University Music Department

King Philip Regional Middle School Choral Program Handbook

TRANSYLVANIA'S GOT TALENT. written by. Dave Troop

SLIDE 3 After watching this video you should be able to: Identify the basic parts of a newscast

Tony, Frank, John Movie Lesson 2 Text

workbook Listening scripts

MOVIE TALK Scholastic Canada Ltd. V001. Movie Talk: Charlie and the Chocolate Factory 1 of 11

I DON T WANT YOUR PITY I WANT YOUR BROCCOLI By Bradley Walton

THE GIFT OF THE SHEPHERDS

Excellence in Enterprise Video Awards

Hugh Dubberly: What do you guys think design is?

Marty Wilson. Change management speaker, MC, comedian, best-selling author

Preliminary: Sunday, September 04, 2:00pm Agricenter Auditorium. Finals: Tuesday, Sept 06, 7:00pm Agricenter Main Stage

ARTIC MONKEYS MS4 MUSIC INDUSTRY CASE STUDY

THAI-RIFFIC! by Oliver Phommavanh. Teachers notes Written by Donna Mulazzani. Summary. Years 7-8

TALKING ABOUT MOVIES, -ED / -ING ADJECTIVES, EXTREME ADJECTIVES

Grassroots Movie Reviews

CMU:DIY. CMUdiy.com/nfts2019

Abbeville Opera House Impact Study

All Shook Up. Directed by Ricky Stakem & Zach Tilkens. Information Packet & Audition Application. Pyle Middle School. Fall 2017

PERFORMANCE RIGHTS AND ROYALTY PAYMENTS:

Making Your Speech Funny

SCREEN ACTING ENSEMBLE AUDITIONS 2017

THE CANTERVILLE GHOST

SO YOU WANNA MARRY MY DAUGHTER

Pokerfaced. Macias 1

Wylie ISD. McMillan Junior High School Choral Department. MJH Choir Handbook

AUTUMN WINTER The Act Theatre. Wisbech s largest entertainment venue DO NOT MISS. The Reduced Shakespeare Company s show coming in November!

Thank you for your support! Mrs. Stephanie Bettinger Vocal Music Director

Transcription:

An open letter to comedians who are interested in appearing in Tim Spinosi s Colossal Comedy Side Show To: Comics/performers interested in appearing in the Colossal Comedy Side Show. From: Tim Spinosi - director of Tim Spinosi s Colossal Comedy Side Show. Thank you very much for your interest in performing in the Colossal Comedy Side Show. Beginning September 8, 2017 the Side Show will be replacing the Stardome s Open Mike Showcase show, but will continue to be run as an open mike contest format. Why are we rebranding the show? Well over the last several years, they re have been and continue to be several open mike shows running regularly around the city of Birmingham all of them are currently called open mike. Simply stated, this is the Stardome. We are not the same as the other clubs in town, nor do we wish to be. We have a 33 year storied history of launching successful comedy careers. Throughout the years everyone from Steve Harvey and Sinbad to Roy Woods Jr. (currently a correspondent on The Daily Show) have launched out of the Stardome, along with many others. Far too many to be listed here. It is the purpose of the Comedy Side Show to find the next group of comics to become regular performers on the big stage of the Stardome, as hosts, features and ultimately as headliners. Why are we called the Side Show? Well one hundred years ago before the Internet, television, or even the radio there was the golden age of the circus. There were two types of shows the circus featured. The first was the big top. In the context of the Stardome, that would be the big room otherwise known as the main showroom. The other type of show was the sideshow. There were traditionally two types of sideshows: freak shows and burlesque. Freak show featured oddities and rare curiosities. These could be anything from a two-headed goat to a woman with a beard. The other type of show was burlesque. Burlesque shows were basically stripper venues. But in between the strip tease acts guys would come up and tell jokes. This was the true birthplace of stand up comedy. Just for the historical record burlesque was eventually spun off into it s own thing known as Vaudeville. Eventually during the age of

Vaudeville the comedians began to out sell the strippers. Also just for the record in so far as I can tell there are currently no strip clubs within the city limits of Hoover and the Stardome has no plans of becoming the first. So guys don t get your hopes up. I am calling my show the sideshow for two reasons: 1. To honor the place were stand up comedy began. 2. Because just as the early sideshows were the beginning of stand up comedy, I hope that my sideshow will be the beginning of your career as a stand up comedian. What is expected of me if perform in The Colossal Comedy Side Show? Way back in the mid nineties I hosted and directed the Open Mike Nite and the Comics Nite Out shows at the Stardome, and not to put too fine a point on it I sucked at it. During the years that followed those shows I have watched all those who came after me do a much better job than I ever did. So my goal is to do better this time. Much better. As I stated above there are several open mike shows running on various nights around the city of Birmingham. Back when I had the shows in the nineties if you appeared in one of those other venues, you would be banned from ever playing the Stardome. We re not going to do that this time a round. If fact I am personally encouraging you to go and perform in as many of these open mike sets as you can get. The more time you spend performing in front of a live audience the more comfortable you will become at it. Simply stated when you come to the Side Show I want you to be at your best. A big part of getting good at this is how funny your material is, but the other part which is every bit as important - is how comfortable you are in front of an audience. Ok Tim, but what makes the Side Show any different then the other open mike shows around town? Well first off obviously this is the Stardome. While I m certain the odd rock band has launched from the Nick, as far as I know no comic ever has. Comedians launch out of the Stardome all the time. But more importantly it s a matter of attitude and philosophy. When you perform at those other shows you are just a comic doing his or her time on that stage. Nothing more. Nothing less. When you perform in the Comedy Side Show you are - from that point

forward - a cast member of this show. And that is how I would like you to think of it. As a cast member of the Side Show - with in the framework of your part of the show - what can you do to make the overall show best it can be? I would appreciate if you would always try to be at your best here. Practice your material out there, perfect it here. Also don t hesitate to try things here you might not be comfortable performing elsewhere. If you ve ever considered doing a routine in character but were uncomfortable doing it in bar room setting, bring it here. Feel free to be theatrical and creative. The Comedy Side Show should always be a place to try interesting and unusual things. As a cast member I would appreciate it if you always act and dress professionally. The Stardome just went through a series of very expensive renovations and is one of the nicest clubs in town. Please show the proper amount of respect when here. Show up to my show wearing shorts and flip-flops and I ll bounce you out of here. If you wouldn t wear it to your day job, don t wear it here. The Comedy Business and/or Tim Spinosi s 49-step program to a comedy launch pad Ok you guessed it this is the business portion of this letter. Comedy is a business. A business you are trying to enter and theoretically make a living at. The Stardome is also a business. Yes it s a legendary venue, but that venue has to remain profitable or it goes away. And so for the Comedy Side Show to continue we must to have an audience that pays to see the show. That is where each of you comes in. As has previously been the policy in the past at the Open Mike Showcase if you are performing in the show you must bring at least four audience members - more if possible - with you. In other words bring your own crowd with you. This is a judged competition, the more people in the audience that are supportive of you the better your odds of winning are. Also you have to promote yourselves. This includes sending out copies of the show flyer whenever you are appearing. I will make the flyers available for download on the Colossal Comedy Side Show page on the Stardome s webside. www.stardome.com. Eventually I will have a printable version of the flyer available so you can pass them out to audience members as the leave the show when performing at other venues around town. * Note: please ask permission from the owner/manager of those other venues before passing out Stardome Side Show flyers, as some may not

like you doing that at their clubs. Remember the more people in the crowd for you the better if you want to win and go to the grand finale on the main stage. The grand finale for this season will take place on the big stage of the main show room at the Stardome in January. The purpose of the grand finale is to allow Stardome owners Bruce and Cheche Ayers to see the best of the Side Show performers for themselves. The Ayers almost never come into the little room so this is your chance to be seen by them. Whenever comics from the southeast travel to other parts of the country to perform they are all asked by the other comics they meet, How do you get to perform at the Stardome? Well traditionally the way that works is you make it to the point where you are headlining regularly, selling out other venues, have a solid fan following, and a manager/agent who calls the booking agent at the Stardome on your behalf and they get you booked in. Beyond that the only other way to play the main stage at the Stardome is thru the Side Show. The Side Show is the gateway to the main stage. As I said before, win in the Side Show and you will go to the main stage. Do well there and the club will start booking you as a regular opening act. There is one other way but it is so rare that I hesitate to bring it up. In very rare circumstances I may see an act that I think is so uniquely and extremely promising, that I will ask Bruce to come to the show and sit in to see that act. But again very rarely does this or will this happen. Beyond that I would say don t get discouraged, this takes time to learn at get comfortable with. Just because you ve written a great routine doesn t mean you re going to perform it great right out of the gate. Timing takes time to learn. Always keep coming back and practicing both here and the other open mike shows. What exactly is Tim Spinosi s 49-step program to a comedy launch pad? Actually I just explained it to you. But just to make it simple. The distance from the microphone on the Side Show stage to the microphone on the big stage is exactly 49 steps. I know, because I counted them. My job is to hold your hand and walk you thru things until I can deliver you to that stage. So if you have always wanted to pursue a career in stand up comedy but didn t know how to go about it, then please take a moment to fill out the

online registration form located on the Comedy Side Show page of the Stardome s website at: stardome.com. That is where it starts. Thank you again for your interest in the Colossal Comedy Side Show and for taking time to read this letter. And remember the only thing that separates up from the people who pay to see us is our ability and willingness to be silly. Never stop being silly. Thank you, Tim Spinosi Director of Tim Spinosi s Colossal Comedy Side Show